Home Graphic novel “Hamilton”, “Wicked” and “Immersive Van Gogh” – are they art intruders in Charlotte? | DFA 90.7

“Hamilton”, “Wicked” and “Immersive Van Gogh” – are they art intruders in Charlotte? | DFA 90.7


As the City of Charlotte rethinks how it supports the arts, a field organizer offers a straightforward perspective.

Prioritize Charlotte artists and the art created here.

Manoj Kesavan formalized BOOM Charlotte just before the Democratic National Convention in 2012, creating festivals and programs of inclusion, diversity and collaboration between artists and communities. It helps artists to work on a scale that they cannot accomplish on their own.

Courtesy of Manoj Kesavan

Manoj Kesavan, founder of BOOM Charlotte

“What you see in a lot of upscale institutions is that they are a window into the wider art world,” Kesavan said in early September. “We won’t be able to see a big overseas retrospective without the Currency Museum, because it takes millions of dollars to bring something like that. Or ‘Hamilton’ coming to Blumenthal. This is how we come to experience the big stuff. It’s also unfair to say that they should feature local artists because I don’t think that’s what they’re built for.

“But what has to happen is also that the other side, the artists who are actually here, the art that has been created here – it seems so obvious when you say they need to be supported, but you know they are not, “said Kesavan.

New Charlotte Officer for Art and Culture

Kesavan’s observations occur just as Priya Sircar started her post as responsible for the arts and culture of the city. It is responsible for developing a financially viable cultural plan. This year, city leaders decided to stop relying on the Arts and Sciences Council to allocate municipal funds to local organizations. Over the next three years, funding will be managed by the Foundation for the Carolinas.

Beyond funding, issues of equity are involved. In February, the Arts and Sciences Council apologized to black artists and other artists and minority-led organizations. The board Cultural equity report reported that organizations representing African, Latin, Asian, Arab and Native American cultures (ALAANA) have received 3.43% of the council’s operating support funding since 1991, or $ 8 million out of a total investment of $ 235 million. dollars. In contrast, each of the nine organizations, such as the Charlotte Symphony or the Mint Museum, received more funding during this period than all of the ALAANA organizations combined.

How to build a cultural heritage in Charlotte?

“When you look at the history of a place, you are basically talking about the culture there,” Kesavan said. “So if you don’t invest in it, if all you do is show off the great things that others are doing by bringing them here, we are not building our own history or cultural heritage. “

Providing people with more interactive ways to engage in art is important, Kesavan said, because it bridges the gap between creator and consumer, and people are looking for ways of creative expression beyond buying art. ‘a ticket and the occupancy of a seat.

How BOOM Charlotte survived the pandemic

The COVID-19 pandemic presented particularly difficult times for BOOM Charlotte and other ALAANA organizations. When the pandemic forced the cancellation of BOOM’s signature festival in 2020, she turned to online events, panels, workshops and other means of uniting artists and communities. In one project, BOOM worked with the Charlotte Journalism Collaborative to create a graphic novel, “PANDEMIC: Stories of COVID-19”. Published in English and Spanish, the art of the eight chapters of the novel was created by artists of color or under-represented groups.

“People like me on the ground, and especially people of color, know that inequity is real,” Kesavan said.

Although city leaders have not allocated sufficient resources to ALAANA organizations, he said, the Arts and Science Council is not entirely to blame. Board members of arts organizations and government officials have been making decisions for decades, he said, and the media also bear the responsibility.

“Grassroots groups, artists of color – they’re all mostly ignored by the media,” Kesavan said. “So if they’re not worth talking about, they’re not worth funding either. Don’t make the effort to go beyond that and find stuff made by people who don’t have a marketing department, who don’t feed them programming every week – the media has really kind of added to that. system. This justified this iniquity.

Sam Carnes is a student at the James L. Knight School of Communication at Queens University Charlotte, which provides the information service in support of local community news.