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Buy this undervalued stock before everyone else

Buy this undervalued stock before everyone else

Banks have had a strong year in general, with the sector seeing a 27 percent gain in value so far this year, outpacing the growth rate of the S&P 500. Following the epidemic, several banks saw their stock values plummet to such an extent that they were forced to boost interest rates to compensate. This is partially due to macroeconomic trends such as government stimulus spending and a growing economy, but it is also attributable to other factors.

A bank that was undervalued but was still successful was tossed into the mix. There are additional factors that might contribute to it rising even more in the future. As a consequence, you might consider investing in bank stocks that are very affordable, such as New York Community Bancorp (NYSE: NYCB).

Get a loan at Bridge Payday and invest in bank.

We are in the process of switching banks.

According to New York Community Bank, which is a wholly-owned subsidiary of New York Community Bancorp, the bank has around $57 billion in assets under administration. Investing and saving are two phrases that are sometimes used interchangeably to describe a savings bank, which also provides its customers with access to checking and savings accounts, as well as credit cards, among other services. Commercial banks provide a broad variety of goods and services, while credit unions are more limited in their offerings.

The New York Community Bank, headquartered in New York City, has 237 branches in five states: New York, New Jersey, Florida, Arizona, and Ohio. Its headquarters are in New York City. Because to acquisitions, the bank has expanded its presence to include branches in more states.

Following the acquisition of Flagstar Bancorp (NYSE: FBC) in the fourth quarter of this year, the stock is already on the rise again. Flagstar will add $27 billion in capital assets to New York Community Bancorp, as well as new branches in Michigan and Indiana, as well as in California, Wisconsin, and Ohio, to help the bank expand its reach. In addition to being a mortgage loan and service provider, Flagstar may also be a major wholesale network of merchants with 86 retail outlets in 28 different states.

The acquisition of this year’s assets, which total $ 85 billion, will be completed in the fourth quarter. The company has 400 branches in nine states and 86 retail lending centers in twenty-eight states. As previously stated, CEO and President Thomas Cangemi stated in April that the transaction would enable the two of them to “carry on the transformation of our bank into a fully-service bank, commercial banking, by expanding our product offerings and expanding our geographical reach without having branches that are in conflict.”

Cangemi said at the results conference that the deal represented “significant growth” due to “compelling financial metrics, including double-digit EPS increase and quick tangible book value development.” a bank account as well as financing alternatives

As a result of having a more balanced financial statement, we will be able to profit from a broader variety of enterprises and grow our market share. Loan services for multi-family properties are supplied by these companies in the form of indirect and direct multi-family loan services, as well as the extension of traditional construction and improvement loans in all of our markets.

There has just been the debut of a new company that takes payments via digital methods.

This acquisition by Flagstar has been a major contributor to the bank’s remarkable year, which has seen revenue expand by 32 percent, net profit climb by 48 percent, and net interest margins increase by 32 basis points. Second half of the year has come and gone without a trace. Loan volume was up 4 percent on an annualized basis at the end of the second quarter, but efficiency had dropped to a record low of 37 percent.

Aside from that, she has formed a partnership with Figure Technologies to develop a digital payment system for the financial services sector that will be built on the Provenance Blockchain. It is vital to note that New York Community Bancorp will act as a financial intermediary between sellers and buyers of digital stock of Figure via the use of its brand new electronic marker, USDForward, which will be launched shortly. A digital marker has been created for the first time by a bank using the Provenance Blockchain, which is a first in the financial industry.

The bank intends to explore further major transactions and future projects with Figure Technologies as part of their larger strategic engagement with the company. Mike Cagney, CEO of Figure, said, “This is the first in a series of ground-breaking transactions that we want to accomplish with New York Community Bank.”

At the moment, the stock is underappreciated.

If you take an efficient bank and expand it by making a significant acquisition and adding a pioneering new firm in the realm of blockchain technology, for example, you have a beautiful story on your hands. When you consider that this bank has a forward price-to-earnings (P/E) ratio of about 8, which is lower than its book value, the story gets more compelling when you consider that the bank is severely undervalued at the moment. It makes sense to invest in this bank before the rest of the market does.

The thoughts stated in this article are those of the author and do not necessarily represent the views of The Motley Fool’s premium consulting service, which is available for a fee. We have a varied variety of people! The chance to think critically about investing arises when we do not trust the thesis of an investment, even our own. As a result, we are better able to make better and more gratifying decisions for ourselves and our family. As a consequence, our own wealth grows as well as our social standing.

Vietnam Tortoises and Freshwater Turtles Identification Book Reissued | Environment

A turtle species endemic to central Vietnam bred in semi-wild conditions at the Cuc Phuong Turtle Conservation Center. (Photo: VNA)

Hanoi (VNA) – Education for Nature – Vietnam (ENV), in collaboration with the Asian Turtle Program, has reissued the Vietnam turtle and freshwater turtle identification book.

The 2022 release includes information on two new species, updates to species range maps and conservation status, and recently enacted wildlife protection laws.

This book is a vital resource for authorities, national parks and wildlife rescue centers, enabling them to identify and distinguish the 26 species of native turtles and freshwater turtles of Vietnam. This helps in managing turtle breaches and appropriately placing reptiles in wildlife rescue centers or releasing them into the wild.

Of Vietnam’s 26 endemic turtle species, 23 are listed as critically endangered and eight banned from trade, according to the ENV.

Vietnam Tortoise and Freshwater Turtle Identification Book reissued hinh anh 2The Vietnam Tortoise and Freshwater Turtle Identification Book is reissued by the Education for nature – Vietnam (ENV), in collaboration with the Asian Turtle Program.

The book was sent to directors of the Department of Agriculture and Rural Development (DARD), Department of Forest Protection (FPD), Department of Natural Resources and Environment, Legal Services, Police environment, national parks, key universities with relevant departments, and wildlife rescue centers in all 63 provinces and cities.

In Vietnam, turtles are traded illegally and kept as sacred pets. They are also considered nutritious food and material for several products./.


Why We Need More Indigenous Writers


Publishing needs more Indigenous publishers, but cannot rely on its Indigenous workforce alone to ensure it catches up with effective practices when it comes to Indigenous writers and writing, writes Sandra Phillips.

Eddie Koiki Mabo and others won in the High Court of Australia in 1992 that zero land—nobody’s land – was a fiction. We need more time to kill his lesser-known cousin, zero voice. Voice can mean a sound, a word or a voice; ideas that we – we being Aboriginal and/or Torres Strait Islander peoples – having no voice are part of an enduring colonial imaginary.

Bwgcolman’s midwife and nurse researcher Dr Lynore K Geia told us we were “bonded in a place of zero voice‘- the phraseology is meaningful. He says that as Indigenous peoples we have our voices, but the place of our contemporary existence – Australia – is not to hear or listen.

There have been some excellent recent public contributions to the maturation of Australian publishing. Bridget Caldwell-Bright frames her plea for more Indigenous publishing professionals as part of conversations about diversity. She argues that Employment is “the only concrete way to ensure that Indigenous expression can exist without having to rely on the cross-cultural editorial relationship.”

Caldwell-Bright has a strong point: less than 1% of Australian publishing professionals identify as First Nations people in the 2022 Australian Publishing Industry Workforce Survey on the diversity and inclusion. As a former editor of a publisher who trained and worked at Magabala Books and the University of Queensland Press in the 1990s – and later ran Aboriginal Studies Press in the 2000s – I too am advocating for more publishing career opportunities for us Mobs.

But the publishing industry cannot rely solely on its Indigenous workforce to ensure it catches up with effective practices for Indigenous writers and writings. The culture of the industry must change to effect sustainable, meaningful and continuous improvement.

Wuthathi/Meriam woman Terri Janke, an international authority on Indigenous cultural and intellectual property, is known for her innovative pathways between the non-Indigenous business sector and Indigenous peoples in business. She has developed protocols for the Australia Council, Screen Australia, City of Sydney and LendLease, among others.

His groundbreaking legal and scholarly work on Indigenous cultural and intellectual property rights, exemplified in his 2021 book real leads, can continue to be a beacon for industries, such as book publishing, that commercialize Indigenous cultures. Respecting these rights and sharing the benefits with indigenous creators are the touchstones of this still uncertain future.

Culture incubates literature. A larger national culture in competition with itself can never fully settle the terms of its preferred cultural expression. I often hear criticism based on what does or does not contain literary merit as a convenient alibi for what the critic does not feel comfortable with.

Enhancing our national literature with an Indigenous voice could be a mutually beneficial goal if we continue to mature our editorial workforce so as not to “bait” our text – a request voiced by the late Ruby Langford – Ginibi. ‘Gubberise’ is vernacular of the word ‘gubba’, which some believe is short for ‘government’ – which translates into the vernacular as white people.

I am Wakka Wakka and Gooreng Gooreng. I was brought up in the North Burnett region of rural Queensland, in the land of my ancestors, Wakka Wakka. I chose academia as my third career after policy research and then publishing. I have taught publishing and publishing studies, as well as literary studies.

In all the traditional study programs that I have organized as an academic, I have renovated teaching methods with essential indigenous knowledge, perspectives and resources. Nevertheless, communicating the many specific Indigenous publishing issues to a mainstream (albeit mixed) audience is no simple task, primarily because there is no single style guide that can be adopted for all manuscripts. and all authors.

The push for a “how to” guide is understandable, but misguided. Australia is a continent of hundreds of First Nations. There are stark differences in language, history and culture here, and there are nuanced issues of voice, creativity and representation.

Editing any writing for publication is an act of cultural mediation. It takes heavy doses of diplomacy to get the best out of writers, combined with uncompromising pragmatism to get books to market on time. What constitutes the “best” in this journey is a value judgment – ​​and value judgments derive from culture.

As you will learn in any editing apprenticeship or editing study course, there are three main types of editing. The first is structural editing – which arrangement best suits this story? The second is copy editing – is it well written, do the paragraphs and sentences collide, or do they pull the reader in and keep them on their reading journey? And finally, line editing: are the sentences scanned correctly, are typographical errors eliminated?

These are technical skills that can be taught. But fostering cultural intelligence is a larger project.

Tips for Non-Indigenous Writers

Even if we achieved parity in the population of Indigenous professionals in the publishing industry, 96.8% of the industry would still not be us. Perhaps this explains why conversations about publishing Indigenous literature most often focus on how to improve the professionalism of non-Indigenous publishers.

In the same vein, I offer the following suggestions to non-Aboriginal publishers who are learning about Aboriginal cultures, vernaculars, authors and manuscripts.

  1. Make your first set of notes for yourself rather than on the manuscript, as your notes are likely questions arising from your status as a foreigner and your own knowledge gaps.
  2. Immerse yourself in Indigenous-led cultural environments – festivals, public lectures, theater and celebrations – to learn something of the larger cultural context that your formal learning may have left missing.
  3. Do background research on basic historical facts that your formal learning may also have overlooked.
  4. Read a lot, including diverse genres and works by Indigenous authors.
  5. Ask questions of the author, but avoid interrogations. Contextualize your questions by referring to what you think you understand and what you don’t, do the work to decenter your dominant cultural position, and let the text work on you and you.
  6. Acknowledge your role as a ‘first reader’, but avoid centering yourself as a proxy for a mainstream readership that you believe will not understand the Indigenous voice. What is the point of publishing Indigenous authors, if not for our unique Indigenous voices?

How Indigenous Publishers Can Improve a Book

What about the rarer case of a native publisher and a non-native author? When I first sat down as an intern editor at Magabala Books, that was me.

I was reading a manuscript that should have worked for me: a collaborative synthesis of oral and archival history between an Aboriginal keeper and a white historian. It was a dramatic retelling of a story of Indigenous resistance and its key fighter. Jandamarra and the Bunuba Resistance had all the things I loved to read.

But something was wrong. Instead of launching into the text with the proofreading symbols I was eagerly learning, I sat down with this manuscript and started to identify where I was uncomfortable: quoting pages and sentences and develop corresponding questions. Many questions, paragraph by paragraph, chapter by chapter. I had so many questions that I produced a separate report. From my perspective, the manuscript reads as an apologist for the views of the settlers.

My perseverance was rewarded with a stunning rewrite by the author – and the book went on to win the Historical and Critical Studies award at the 1996 WA Premier’s Literary Awards. While the Magabala Books website now lists the book as “out of print”, my doctoral research revealed that 15 years after first publication, the book was still being printed and sold by tour operators as a way for travelers to better understand the Kimberley region. I was, at the time of the first publication, quite delighted with the recognition by the author of my publicized interventions:

When the manuscript appeared ready for print, a new editor gave it a rigorous final review. Sandra Phillips seemed to know exactly the questions to ask. As a result, the manuscript has been refined to the point that I am happy with its release.

According to journalist and author George Megalogenis, Australia made history as the first English-speaking nation to become a predominantly migrant nation. He sees an urgent need for a “unifying story for the 21st century”, which could be found in the indigenous “roots of our family tree”. Although some Aboriginal people may argue that all non-Aboriginal people are migrants, it is worth considering.

What is our “unifying story”? We are a long way from a national literature brimming with stories of Indigenous writers, storytellers, creators and communities. Such an overflowing national literature may not produce a unifying history, but it could reveal a modern nation-state much more comfortable with the indigenous voice – an eradication of zero voice to support the eradication of zero earth.

Sandra Phillips is Associate Dean (Indigenous Engagement) in the Faculty of Humanities and Social Sciences at the University of Queensland. This is an edited excerpt from an essay first published by the Conversation. Read the full article here.

Category: Features

Kidscreen » Archive » Female-led projects make waves at Cartoon Forum


As Cartoon Forum kicks off in Toulouse, female characters and women in animation are making headlines.

In addition to trends related to environmental issues and diversity, the number of projects featuring strong female characters this year is noteworthy, noted festival director Annick Maes in her opening speech.

French prodcos Method Animation and Caribara Production are gearing up today to present the magic witch detectives (26 x 26 minutes) and the musical Billie and the Rockets (52 x 13 minutes) respectively. witch detectives follows a trio of best friends as they juggle school, mystery solving and sorcery. billy focuses on the titular young girl who starts a party with a group of aliens.

The 2D animated tween series Star Stable: Mistfall, which is based on Ferly’s equestrian-focused IP, was among the day’s inaugural pitches. During the presentation of the 26 x 22 minute series, screenwriter and showrunner Alice Prodanou (Total DramaRama) said that her own experiences growing up inspired the writing of the series’ female protagonist’s coming-of-age struggles.

“When we made a graphic novel [for this IP], Star Stable specifically wanted a female writer and illustrator,” says Tuomas Sorjamaa, vice president of sales at Finland-based Ferly, which co-produces the series. “[Star Stable] is very centered on women. It’s unique for a gaming company to have more than half of its workforce female.

A 100% female team from Parisian MIAM! the animation (pictured) also took the stage to present Lowercasea 52 x 11 minute CG animated series about a spunky girl doll named Ollie.

Hanna Mouchez, founder and CEO of MIAM, says the number of women in production and distribution is on the rise and she now hopes to see a similar increase in the number of female directors. “When it comes to directing and art direction, we still have to go out and really look for women,” she says. Children’s screen.

MIAM called on two directors for the 2D animated film Goat Girl, a co-pro with Ireland’s Daily Madness, about an eccentric 13-year-old who was raised by goats. “We [also] have a developing series called Furiouswhich is made by women,” adds Mouchez.

While describing the growth of international co-professionals in the animation sector in Spain, María Peña, CEO of ICEX in Spain, said it was important to continue creating opportunities for women in the middle of the boom. “We need to create a special space for female talent,” said Peña Children’s screennoting that she thinks there is still work to be done on the international stage to get more women involved in key roles in anime series.

Buyers have taken note of the increase in female talent behind the camera. “I’m particularly excited to be showing the large number of projects from a female perspective and featuring strong female characters,” said Jo Boag, executive producer of animation at Australian pubcaster ABC.

Ralph Waller’s book “What’s on your mind? “Meet you where you are: A word from Minister” becomes a bestseller!


NAPERVILLE, IL, Sept. 20, 2022 /24-7PressRelease/ — In this short read, you’ll find the keys to the personal growth and spiritual transformation you’ve been looking for. This book is purposely designed to help you capture and store your thoughts; to grow, develop, and follow your spiritual journey and your Christian life as you go through the book and through your life. It is Ralph’s deep hope that this book will not only serve you and help you grow as an adult Christian, but will also be an inspiring keepsake for you. The book is designed for anyone who is a believer and lost in search of their inner gifts. If you need words of encouragement, love, mercy, grace to help you in your life and help to get there. This book will “meet you where you are”. It means here, now! It’s time to get up, kick the dust, and keep moving.

In a recent interview on the Thriving Entrepreneur radio show, Ralph said, “The book was born because I started thinking from the inside instead of looking from the outside, what was good. So, from inside, I found I needed something to grab – a word of sorts – and […] I allowed myself to pause and reflect. […] The scriptures come out of nowhere.

Host Steve Kidd said: “It’s so powerful when we use the scriptures to navigate things that are happening or have happened in our lives. We sometimes forget that a path is already lit for us. Pastor Ralph Waller’s book is a refreshing and conscious reflection of this. I encourage everyone to get a copy on Amazon today!

Get your copy TODAY! MyPraiseBook.com

As for me; I AM. I am everything I say I am and nothing more. I do not claim or own the past or the future. I AM PRESENT BOTH IN THE GIFT AND IN TIME FOR ONLY THE PRESENT DEFINES WHAT IS HERE, WHAT IS NOW, WHAT YOU THINK, MEET WHERE YOU ARE. GIFT

Press release service and press release distribution provided by http://www.24-7pressrelease.com

Publication of an unpublished collection of Cambodian literature


The University of Hawaii Press recently published the largest and most comprehensive collection of Cambodian literature available in English to date. Published in September 2022, From the Shadow of Angkor: Cambodian Poetry, Prose and Performance through the Agesis featured in the biannual publication Mānoa: A Pacific Journal of International Writing.

Assembled over 30 years, the book features:

  • 14 centuries of literature, from ancient transcriptions to a graphic novel excerpt (all colors).
  • Literature rescued almost lost during the civil war in Cambodia, the Khmer Rouge regime and its aftermath.
  • Literature never before available in English, including translations of Khmer, Sanskrit and French works, as well as pieces written in English by writers from the Cambodian diaspora.

“[T]his book seeks to bring Cambodian literature out of the shadows of the great temples of Angkor and the ashes of a war that killed most of the country’s authors and destroyed countless irreplaceable books, whether by fire, neglect or turning into cigarette paper or toilet paper,” wrote Sharon May, one of the anthology’s five guest editors.

The book includes passages from reamer, an adaptation of the Hindu Ramayana, and works from the Cambodian Golden Age, including Khun Srun on political repression. Emerging writers, poets, musicians and performers are also featured, pushing the boundaries with diverse reflections on contemporary Cambodia and the diaspora.

Members of uh The community can view the works for free through Project Muse.

Step out of the shadow of Angkor is the companion volume of In the shadow of Angkor (spring 2004). Both appear as part of the Manoa series.

More on the Manoa editors

The penultimate issue of the journal was produced by the distinguished and long-serving editorial team Frank Stewart and Pat Matsuedafrom uh Mānoa Department of English before their retirement in the fall of 2022.

Stewart is a writer, translator and founding editor of Mānoa: A Pacific Journal of International Writing. He is Emeritus Professor of English at uh Manoa.

Matsueda served as editor of Manoa since 1992.

Free Articles Limit Reached – The Waterways Journal


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10 Great Sci-Fi Comics Better Than Their Source Material


For almost as long as comics have been around, major media franchises that publish tie-in comics have been a hallmark of the medium. These days, it’s common for any new movie, game, or TV series release to be accompanied by a comic book series.

Related: The 10 Best Sci-Fi Comics, Ranked

However, what’s rarer – and far more interesting – is that tie-in comics eclipse their source material in their writing, art direction, and character arcs. It doesn’t happen often, but it’s important to recognize the talents of artists and writers who can take the franchise in a new direction and move beyond the stories they were based on.

ten Aliens vs. Predator delivers the ultimate match

Like Superman versus Goku or Batman versus Iron Man, Aliens vs. Predator was a match that people have always wanted to see happen. However, unlike many other fights between franchises, Aliens vs. Predator was frequently aired in official media and loved by fans.

The best-selling comic, written by Randy Stradle with a team of artists including Phill Norwood, Mark Propst and Karl Story, managed to blend themes from both universes. He dwelt on the culture of the Predators and always highlighted human corruption and greed, which are at the heart of the Extraterrestrial universe. By successfully balancing the two universes, the comic became so influential that it later inspired its own films, and many of the elements it introduced became standard lore for both franchises.

9 The Thing From Another World expands on the classic horror film

The thing is one of John Carpenter’s most famous films and one of his earliest forays into directing big-budget blockbusters. It’s not easy to make a sequel to one of the most iconic horror movies of all time, but The thing from another world manages to get away with it.

Related: 10 Ways A Comic Book Can Be Scarier Than A Movie

As the survivors of the original film try to stop The Thing from infecting a rescue team, Chuck Pfarrer’s writing creates dramatic tension and a sense of dread. Meanwhile, John B. Higgins’ art retains the horrifying aesthetic of practical and special effects used in the film; however, also uses the Stand to augment The Thing’s shape-shifting abilities.

8 Terminator: The Burning Earth shows future warfare in a new light

The terminator franchise has a long, if somewhat unsettled history. But despite most films revolving around time travel, James Cameron’s incredible visuals of the full-scale war between man and machine created more desire for stories set in an apocalyptic future. Terminator: Burning Earthwritten by Ron Fortier with early art by acclaimed artist Alex Ross, goes above and beyond to deliver this story.

The writing is dark and gritty, and both sides are shown to be at their wit’s end: Skynet is desperate to end the war and John Connor is losing hope. Alex Ross’ stunning art adheres to Cameron’s designs, retaining a cinematic feel, and the desperation on both sides is clear as the story shifts between John’s perspective and, surprisingly, Skynet itself.

seven Mighty Morphin Power Rangers smash the Morphin Grid

There’s no denying how pun-filled, silly, buffoonish humor of Power Rangers has a certain charm, but as fans of the original series grew, they began to desire more mature stories and characters. Boom! Studios delivered with their Mighty Morphin Power Rangers comics, most notably in the Shattered Grid arc, written by Kyle Higgins and Ryan Parrott with art by Jonas Scharf, Daniele Di Nicuolo, Dan Mora and Diego Galindo.

Shattered Grid features an evil alternate universe version of fan-favorite ranger Tommy Oliver, also known as Lord Drakkon, who slays both Rita Repulsa and many of the original Rangers in his dimension before attempting to steal power. of every Ranger in the multiverse. This epic crossover featured rangers from across franchise history, and Drakkon has since become one of its most iconic villains.

6 Graphic Novel Halo: Breaking Quarantine Makes The Flood Truly Terrifying

The most beloved characters of Halo are usually playable characters, like Master Chief, the Arbiter, and the ODST Buck. A major exception is Sergeant Johnson, who found himself the protagonist of many stories in the Expanded Universe. One of the earliest examples of this is found in the Halo graphic novelwhich is the franchise’s first foray into comics.

Related: 10 Graphic Novels That Would Make Great Video Games

Johnson is the star of the short story titled, Break quarantine. Written and drawn by Tsutomu Nihei and set during the original game, it explains how Johnson was able to survive being attacked by the flood when Captain Keyes and the other marines with him became infected. Visceral art creates thrilling tension and spins Halo from sci-fi action to petrifying survival horror.

5 Star Wars: Poe Dameron Depicts Cold War Before Star Wars Sequels

Poe Dameron occupies a unique position as one of the few sequel trilogy protagonists already active in the Resistance prior to Episode VII. The First Order already had Kylo Ren, Captain Phasma, and General Hux in its ranks, while Rey was still a scavenger and Finn an unnamed stormtrooper. As such, many Resistance stories center on Poe, and the comic book written by Charles Soule with art from Phil Noto, Angel Unzueta, Joe Caramagna, and Frank D’Armata delivers fantastical adventures that enhance the character. sequel era.

The comic shows how desperate and overwhelmed the Resistance is by putting Poe in various positions — from spy to thief to pilot — and giving his character greater depth. It also describes how the war between the Resistance and the First Order was actually a Cold War, with both being secretly funded and supported by leaders of the New Republic and major galactic corporations.

4 Transformers: Hearts Of Steel is a fascinating steampunk adventure

Transformers: Evolutions was conceived as a new series of Transformers Marvel-like alternate universe stories What if? or DC Somewhere else. However, hearts of steel was the only story pitched, and the release of the first Michael Bay film caused IDW Comics to focus on live-action films. However, the story, written by Chuck Dixon and illustrated by Guido Guidi and Jay Fotos, was not easily forgotten.

Set during the industrial revolution, hearts of steel featured a dazzling steampunk aesthetic. The Autobots teamed up with John Henry, Mark Twain, and Nikola Tesla while the Decepticons worked to conquer Earth alongside powerful and corrupt industrialists. The world and its characters later reappeared in other crossovers within the IDW universe, and its unique art and story became fan favorites.

3 ‘Star Trek: The Next Generation – Mirror Broken’ brings back a classic Star Trek premise

“Mirror, Mirror” is one of the most famous episodes of the original star trek and one of the earliest examples of an alternate universe in science fiction. Its premise of an evil parallel universe has since become a popular plotline in many franchises, so it’s no surprise that IDW Comics revisited the mirror universe with a miniseries written by Scott and David Tipton and starring illustrations by JK Woodward.

Related: Star Trek: 10 Best Original Stories In The Comics

Whereas The next generation Never having set episodes in the Mirror Universe, the comic did a great job of world-building, quickly getting readers familiar with its version of the cast. With only five issues, the writer’s ability to immediately establish its setting and characters is critical to the story.

2 Star Wars: Rebellion puts Luke Skywalker in a perilous moral position

Star Wars: Rebellion is a sequel to Dark Horse’s prequel star wars comics Republic and Empire, set shortly after Episode IV. Written by Rob Williams and drawn by Michel Lacombe, Wil Glass and Michael Heisler, the story focuses on Vader hunting down the Rebels as Luke Skywalker navigates his new role as leader, all the while wondering how to continue his path as a Jedi. without Ben Kenobi to guide him.

Crucially, it also features a rivalry between Luke and Imperial Officer Tank, one of Luke’s childhood friends from Tatooine. With Luke battling his own friend, the action and adventure is heightened as Luke grows through this moral dilemma.

1 Transformers: More Than Meets The Eye is a critically acclaimed adventure

The Transformers The series is almost always focused on the Cybertronian Civil War, so when IDW ended the war just a few years into their run and spent the next decade focusing on how the Autobots and Decepticons attempted to rebuild their shattered civilization, fans were shocked. But the series that followed, written by James Roberts with art by Alex Milne, Guido Guidi, Shawn Lee and Joana Lafuente, became an instant classic.

With twists and turns including Megatron realizing how far he’s come in his quest for power and joining the Autobots to atone, Bumblebee convincing Starscream to give up his political ambitions and confess to his crimes for Cybertron’s sake, and Thundercracker leaving the Decepticons to become a screenwriter on Earth, the aftermath of war was anything but boring, and the series met with fan love and critical acclaim.

Next: 10 DC Comics That Read Like Sci-Fi Epics

How do I buy Los Angeles Lakers game tickets for the 2022-23 NBA season?


The Los Angeles Lakers begin their campaign on October 18 against defending NBA champions Golden State Warriors and we’ll tell you how to buy the tickets.

Always looking to improve their team, the Los Angeles team will look to do significantly better than their performance last season. Their opponents will also be awaiting their first match, inside the Chase Center.

The Lakers have already added guards Patrick Beverley and Dennis Schroder to the core of LeBron James, Anthony Davis and Russell Westbrook.

Whether the latter of the three will stay with the team when they start their campaign is still an unanswered question. Either way, James wouldn’t leave his 20th season in vain like his 19th did.

The Purple and Gold will have 6 pre-season games to prepare for a strong start to the regular season campaign, which begins with an explosive game.

Here’s how you can book tickets for preseason and regular season games.

Los Angeles Lakers tickets for the 2022-23 season

While the Lakers officially kick off their 2022-23 campaign on October 18 against GSW, their preseason opener will take place on October 4 against the Sacramento Kings in the Crypto.com Arena.

The officially authorized online ticket seller is ticket master. Once you have selected the game you wish to reserve tickets for, the seating chart will appear and display the tickets that the Lakers have for sale.

The blue-colored dot mark on the seats indicates tickets for sale by the Lakers. The red colored dot on the seats indicates tickets for sale by fans through the Lakers Ticket Exchange.

Suggestion: –

1. If you want a cheap ticket plus a vacation, book tickets to away games against a small market team, like the Sacramento Kings or Utah Jazz.

2. Book tickets as close to game day as possible. There is a chance to save a lot more money this way, but also on some days there is a risk of not having the tickets at all.

Note: You will not be able to purchase or transfer tickets 1 hour before a match.

“The Car”, a new book, takes a stroll through the history of the automobile


Cambridge-educated journalist and author – and recipient of the Commander of the Order of the British Empire (CBE) – Bryan Appleyard has mainly covered the arts and sciences in his books and articles, so in some ways he seems unlikely in as the author of a new automotive history. Yet his new book, The car: the rise and fall of the machine that created the modern world is no ordinary story. Instead, it’s a delightfully winding journey through key stages of automotive development and the repercussions it has had, both astonishing and horrific.

The car: the rise and fall of the machine that created the modern world

The car: the rise and fall of the machine that created the modern world

This simultaneous dichotomy is essential to the book’s dexterity and appeal. I didn’t really realize what the thesis of the book was until several months after I wrote it,” Appleyard said. CD. “It’s because there’s a kind of underlying thesis to the book, which wasn’t just about cars. It’s about things in general. It’s the idea that people should be able to keep two ideas and thoughts in their mind. In this case, one is cars are goodand one is cars are bad. And it’s not that one will cancel the other.

In other words, if the car has catalyzed profound and often problematic changes in our lives and in our natural and built environment, this should not make us forget the sense of freedom, the spectacle of design and innovation. , the cultural influence and the capacity for speed and the wonder that automobiles have provided.

Yet it raises a broader question about how to integrate this conflicting and bifurcated knowledge into planning for the future. “The narrower thesis of the book is that cars, as we know them, are capable of transforming into something else,” Appleyard said.
And so it’s the end of an era that started in 1885, and I thought it was worth recording.”

Appleyard has a long history with cars, from its familiar childhood experience of “identifying every car I saw go by” to a life littered with problematic or weird vehicles. That list included a Triumph Spitfire, in which the passenger seat was a big cushion, a pair of Minis, and up to his current stable, which includes, as Appleyard put it, “two relatively extravagant cars – a Bentley Continental GT and a Porsche Boxster, which is out of breath I think.”

portrait of bertha benz

Bertha Benz

Henry Ford 1863 1947 namerican car manufacturer pictured with one of his model t automobiles, c1920

Henry Ford and his Model T

Granger Historic Photo Archive/Alamy

In its extensive research into the vast history of the automobile, Appleyard was most surprised by a couple of things. First, he is shocked by the languor with which the innovations that lead to the automobile accumulate. “I mean, I think the steam piston was invented in the first century, or something like that,” he said. “And it took almost 2,000 years to get to the internal combustion engine.”

Second, and relatedly, it was taken up by the immediate sociological precursor to the car, which was not so much the wagon or the train, but rather another means of wheeled transportation. “I was also surprised how the bicycle is a serious predecessor to the car, because the bicycle gave people the idea of ​​individual freedom of movement, over relatively long distances, at much higher speeds. high,” he said, noting that the contemporary chain-driven bicycle with two similar wheels wasn’t invented until the mid-19e century.

Appleyard’s choice of which stories or historical figures to focus on – Bertha Benz, Billy Durant, Ferdinand Porsche, Sochiro Honda and Ralph Nader, to name a few – was also a challenge, mainly in terms of refining and editing their stories into something consumable. “I have this pathological desire to expand the details that I find fascinating, far beyond what anyone else might find fascinating,” he said. “So I had to struggle to get to the pieces that were fairly focused.”

audi presents the audi aicon concept car at the iaa motor show in frankfurt am main, germany, september 12, 2017 the iaa international motor show is the largest motor show and exhibitors in the automakers from up to 40 countries are set to showcase their latest products and innovations at the iaa, as hundreds of thousands of people are expected to attend the show from September 14-24, iaa international motor show in frankfurt, main frankfurt, germany 12 Sep 2017

Autonomous Audi concept

Friedemann Vogel/EPA-EFE/Shutterstock
piles of wrecked cars in a scrap yard


The book loses some power towards the end, in discussions of electrification and autonomy, a fact that perhaps reflects Appleyard’s own uncertainty about the future. When asked if he could replace his beloved, self-destructing Boxster with an electric vehicle, he dithered. “Electric is interesting,” he said. “I could not imagine at the moment buying an electric car as my main car because the charging network is not as good as it should be. Obviously there are charger bays, which are all taken or some of which are broken.”

Yet, like many of us, he returns. “I couldn’t have it for long journeys. But for a car just in London we would definitely consider an electric car,” he said. “So we could have an electric car next, I guess.”

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The author who catapulted vegetarianism to speak at the Common Ground Fair


An original 1971 edition of Frances Moore Lappé’s “Diet for a Small Planet” sits atop a 20th anniversary edition and a 50th anniversary edition of the bestselling book, surrounded by some of the ingredients used in the book , which launched vegetarian food into the American mainstream. Culture. Photo by Avery Yale Kamila

Named “Godmother of Plant Life” by The New York Times last year, bestselling author Frances Moore Lappé is a household name to many because she ushered in the modern vegetarian era with the 1971 publication of “ Diet for a Small Planet”. rapidly throwing soy beans and veggie burgers into American kitchens and inserting the excessive land and water use of animal-based foods into the national conversation.

Since its publication 51 years ago, the landmark book has sold more than 3 million copies and has been reprinted and reissued many times, including a 50th anniversary edition last year. Next weekend, Lappé is giving the Saturday keynote address at the Common Ground Country Fair in Unity.

When I contacted Lappé (who goes by the name Frankie) at her home in Cambridge, Massachusetts, by phone, she told me she was looking forward to speaking at the Vegetarian Fair, hosted by the Maine Organic Farmers and Gardeners. Association, which founded the same year, “Diet for a Small Planet” was published. This year’s fair marks Common Ground’s return after being dark for two years due to the pandemic.

Best-selling author Frances Moore Lappé will deliver the keynote address Saturday at the Common Ground Country Fair in Unity. Photo by Michael Piazza

“It brings back so many memories of the whole trip,” said Lappé, who was just 26 when his book was published. “The 1970s were the era of questions, and so many questions about our relationship to the Earth and to consumption. It was the perfect time to become an adult. People felt empowered to change their lives. They questioned each other positively.

In the foreword to the original edition, Lappé began by telling readers, “This book is about PROTEIN – how we as a nation are caught in a pattern that wastes it” and that “our culture strongly centered on meat is at the very heart of our waste of the land’s productivity.The book provides detailed information – with considerable updates for the 50th anniversary edition – on the problems created by animal agriculture as well as the proposed solution to eating plant-based protein. It concludes with over 120 practical pages of vegetarian and vegan recipes and menu ideas, updated for the most recent edition with submissions from food heavyweights, including Bryant Terry, Alice Waters and Mark Bittman.

“Diet for a Small Planet” was a major part of the 1970s zeitgeist, and it started a wave of vegetarian events, including the 1972 publication of “The Vegetarian Epicure” by Anna Thomas and “The George Bernard Shaw Vegetarian Cookbook” by the playwright’s housekeeper, Alice Laden. In 1973, Lappé’s publisher published “Recipes for a Small Planet” by Ellen Buchman Ewald, which introduced Lappé to vegetarian cooking and helped create the recipes for Lappé’s book.

I was born in 1973, and while growing up in Litchfield, Maine, a copy of Lappé’s book was ubiquitous in my non-vegetarian childhood kitchen. The same year I was born, the iconic Moosewood Restaurant opened in Ithaca, New York, and the following year it self-published the now classic “Moosewood Cookbook.”

At first, the Moosewood Restaurant served fish alongside vegetarian and vegan dishes, but later switched to an all-vegetarian and heavily vegan menu. Today the restaurant continues under the new ownership of Danica Wilcox, daughter of one of the co-founders.

In Maine, the influential Hollow Reed opened in Portland’s Old Port in 1974, and the following year, Town Farm Restaurant opened in Bar Harbor. Both relatively short-lived establishments were widely considered vegetarian restaurants. However, each served aquatic animals, meaning the restaurants were pescatarian but not actually vegetarian (although the Town Farm Restaurant published an all-vegetarian cookbook in 1979). In 1975, a major vegetarian event was the first-ever United States World Vegetarian Congress, held at the University of Maine at Orono.

All of these efforts were bolstered by the popularity of “Diet for a Small Planet”. Even so, few expected that what began as a one-page document distributed by Lappé in the late 1960s would enjoy instant success and lasting cultural impact.

“I thought maybe my book would appeal to a few hundred people in the Greater Bay Area (of San Francisco) when I wrote it,” Lappé said. “It was a big shock when he started selling and selling.”

In “Diet for a Small Planet”, Lappé shows how food is wasted by turning mountains of grain into much smaller amounts of animal flesh. Each edition has advocated for people to eat plant-centered meals, both as a way to protect the environment and feed the hungry. Soon, Lappé would add better democracy, increased social justice, and a fairer community economy to the benefits of a plant-based food system.

“Democracy is the root of all solutions,” Lappé told me. “We the people don’t make these decisions because there’s so much big corporate agribusiness corruption in food policy.”

Realizing how much the American food system has been shaped by the influence of money in politics, Lappé worked to improve American democracy in the years after the book’s initial publication. She co-founded the Center for Living Democracy and has published numerous books on the subject, including the most recent “Daring Democracy” with Adam Eichen.

During our conversation, Lappé spoke about the erosion of political rights and civil liberties in the United States over the past decade. She pointed to the annual Freedom in the World Index, which measured the United States’ shift from ranking alongside top democracies in 2010 to ranking alongside emerging democracies by 2020. Freedom House, which maintains the index , argues that American democracy is under threat and has suffered because of inequalities created by racism, money in politics, and extremism fueled by partisan polarization.

Lappe’s message of freedom, democracy and simple plant-based living is sure to resonate at the Common Ground Fair. As I wrote last year, MOFGA has been known for its vegetarian-friendly vibe since the organization’s founding in 1971. Fair trade vendors serve many vegan and vegetarian dishes.

“Diet for a Small Planet” was instrumental in cultivating this plant culture at MOFGA, according to Abbie McMillen, one of MOFGA’s early organizers and first editor of its journal, and Roberta Bailey, who wrote the Harvest Kitchen recipe column in MOFGA. diary since 1984. Both told me last year that Lappé’s book shaped their thinking about food.

Lappé, herself a vegetarian who is trying to switch to oat milk in her morning coffee, acknowledges the long list of problems facing humanity. Still, she remains hopeful. She told me she was not optimistic, but “possibilistic”.

“The theme song of my life,” Lappé said, “is that the more choices we make that align us with the world we want for ourselves and others, the more that world is built. Food is a link with everything.

Frankie’s Feijoada

6 servings

This recipe was a favorite from the first edition, with updates from a Brazilian friend for the 20th anniversary edition. – Excerpt from “Diet for a Small Planet”

1/4 cup oil
1 large onion, chopped
2 garlic cloves, minced
2 green onions (white and light green parts), chopped
1 green bell pepper, seeded and chopped
1 tomato, chopped
3 cups cooked black beans, or two 15-ounce cans, rinsed and drained
2 cups of vegetable broth
1 bay leaf
1 teaspoon of white wine vinegar
2 celery stalks, chopped
1/2 sweet potato, diced (optional)
1 ½ teaspoons of salt
Chopped fresh cilantro and 1 sliced ​​orange, for garnish

Heat the oil in a large saucepan and sauté the onion, garlic, green onions, green pepper and tomato until the onion is translucent. Add beans, broth, bay leaf, vinegar, celery, sweet potato and salt. Bring the mixture to a boil, reduce the heat and simmer, covered, for 20 minutes.

Mash some beans in the pan to thicken the mixture and continue cooking for another 5 minutes. Remove the bay leaf and garnish the stew with chopped cilantro and orange slices. To be enjoyed with rice and green vegetables.

Avery Yale Kamila is a food writer who lives in Portland. She can be reached at: [email protected]
Social: AveryYaleKamila

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Book accommodation from $263 at Novotel Perth Murray Street Hotel


Exclusive to Sunrise, book your stay at the Novotel Perth Murray Street Hotel from $263 per night in a Standard King Room with Daily Buffet Breakfast, Welcome Drinks and Complimentary 1pm Late Check-out – that’s a savings of more than 40%.

Plus, receive an upgrade to a Superior King Room, hurry as this offer is only valid for the first 30 bookings.

During your stay, take advantage of the hotel’s facilities, including a heated swimming pool, 24-hour gym, sauna and steam rooms, indulge in the nearby restaurants and cafes, or take time to Explore the city of Perth with the free ‘Hop on Hop off’ buses just 100 meters from the hotel.

Watch Sunrise on Channel 7 and stream it for free on 7plus >>

To book

Go to all.accor.com/sunrise or call 1300 85 53 85 and mention Sunrise.

Sale period: Sunday 18 September 2022 – Thursday 22 September 2022

Travel period: From Sunday September 18, 2022 to Friday December 30, 2022

Terms and conditions of application. Supplement of $40 for reservation on Saturday evening. The first 30 bookings are upgraded to a Superior King Room. 1 welcome drink per person, including standard beer, Wine and soft drink. Subject to availability. Blackout dates may apply.

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New York Times food columnist Melissa Clark showcases one-pot dishes at the Southern Food and Beverage Museum | Food and drink | Weekly Gambit


Originally from Brooklyn, Melissa Clark has written over 40 cookbooks, both of her own varied recipes and of converting recipes from chefs and restaurants for home cooks. She has contributed to the cooking section of The New York Times since 2007 and has won two awards from the James Beard Foundation. During the pandemic, Clark created “Dinner in One: Exceptional and Easy One-Pan Meals.” She’ll be doing a cooking demo and book signing at the Southern Food & Beverage Museum at 6 p.m. on Thursday, Sept. 22, and Mason Hereford of Turkey and the Wolf will be providing snacks. Autographed books will also be available at the Garden District Book Shop. Find tickets at natfab.org and more information about Clark’s cookbooks at melissaclark.net.

Gambit: What inspired this cookbook?

Melissa Clark: This was born out of the pandemic. It’s one thing to cook dinner four or five nights a week, but during the pandemic I was cooking three meals a day. It was like, whoa, there’s a lot of dishes. So, I was like, how can I make it easier for myself? The one pot, one pan solution made a lot of sense. Lots of recipes were almost there. Maybe it was a pot and a pan or a pot and a pan when you’re making pasta. But I was like, let me impose this discipline on everything and really make a pot out of it. I found the food to be just as good and my cleanup to be easier. But also, in the kitchen, it’s easier if you have fewer pots, pans and bowls.

I always rationalize, but on this one I took a stand: let me make these recipes with as little mess and as little work as possible. It simplified everything. Some of the flavor combinations I’ve worked on before. I have a chicken and potato dish that contains harissa. This is a really delicious slab meal from my latest book, “Dinner: Changing the Game.” For this one, I took out the chicken entirely. I used cauliflower, but they are the same flavors. It is now a vegetarian dish that is easier to cook.

Using fewer ingredients and relying on the pantry was part of (dealing with the pandemic). Another thing was substitution, because you couldn’t get everything you wanted. A big part of this book is about being able to trade things. There isn’t just one recipe in the whole book that you have to stick to. You can adapt each of them in one way or another. You can adapt it to your pantry staples. You can adapt it if you have a vegetarian meal or a vegan meal one evening. You can increase vegetables in a dish. Do you want leftovers or don’t you want leftovers? There are many ways to customize them.

The heart of my cooking is simplicity. I’ve learned so much by making other people’s recipes and trying new flavors and ingredients.

Gambit: How do you simplify recipes?

clark: Take roast chicken and potatoes. You have a whole chicken and you roast it with your potatoes together. What I did was use chicken pieces and sliced ​​the potatoes from the thin side. So instead of having to cook your chicken for an hour, an hour and a half, I shortened the time. And it’s crispier, because when you roast a chicken, you get parts that are crispy and parts that are soggy because they’re steamed on the bottom. That way it’s crispy all the way. You get a quick cooking dish and a nice skin texture all around. I rarely cook a whole chicken.

There are recipes for chicken and dumplings and for gochujang chicken stew. Often when making any type of stew with any type of meat, the recipe will tell you to brown all sides. But it takes a long time standing on the potty. I only do it halfway. You get the same caramelized flavor. You want a thin layer of caramelized flavor at the bottom of the pan, because that’s the heart of your sauce. You can get it by browning half the meat.

Desserts are fun. They don’t really belong in this book. But my editor knows I love desserts, so she said, why don’t you make one-bowl cakes? Thematically it’s similar, because you get rid of the usual way of making cakes – you use at least two bowls, sometimes three bowls. I narrowed it down to one. I have pinched and hidden techniques to get these cakes. These are super easy weeknight cakes. You can make them any weeknight and eat them all week.

Gambit: What are you doing for your next book?

clark: This is going to be a basic book. It will be a big book that will teach people how to cook. Where in the recipes can you do it yourself? Which techniques are riffable and which techniques are non-negotiable? I break them down teaching people how to cook. It is full of recipes that everyone needs. These are essential recipes that you can then take and make your own.

Everyone is different. What is difficult for one person may be easy for another. I say, break it down, but don’t dumb it down. People are much more competent than they think.

Mexico's Independence Day Celebration, Oktoberfest, and Other Upcoming Food Events in New Orleans

Foodie events fill the fall calendar in New Orleans.

New at the Peter White Public Library | News, Sports, Jobs


Since the 1852 publication of “UNCLE TOM’S Shack” by Harriet Beecher Stowe at last year’s challenge of “MAUS”, A Spiegelman Pulitzer Prize-winning graphic novel about the Holocaust, the books have been a subject of debate by some people who want to control what others read.

Each year, the American Library Association compiles a new list of banned and disputed books, deemed objectionable due to controversial or miscellaneous material, placing these books at risk of being removed from library shelves. Check out the following new titles to guess if they could be challenged next. Decide for yourself and celebrate the freedom to read during Banned Books Week September 18-24. See https://www.ala.org/advocacy/bbooks/frequentlychallengedbooks for more information.

“TANQUERAY” (921 Johnson) by Stephanie Johnson and Brandon Stanton will delight Stanton’s fans “THE HUMANS OF NEW YORK” (974.7 ST), as it delves deep into the life story of one of the women depicted there. Stephanie Johnson, also known by her stage name, Tanqueray, grew up in an upper-middle-class background but always disagreed with her mother who pressured her black daughter to succeed in a white world. Taking to the streets of New York, Stephanie fell into dancing and stripping, making more money than she could in a nine-to-five job. As his fame faded with age, Tanqueray discovered, as we all eventually do, that a good relationship is worth more than all the money in the world.

“IN SHORT, A DELICIOUS LIFE” by Nell Stevens (Adult Fiction) is a combination of ghost story, historical fiction and romance, set in 1838 when composer Frédéric Chopin and French writer George Sand arrived together on the Caribbean island of Majorca to a sunny winter retreat. Blanca, who died almost 400 years earlier at the age of 14, spends her time near the monastery where she lived, browsing the memories of those who still live. When Blanca lays eyes on George, a woman in slacks who has escaped from her unhappy marriage to live a more liberated life, she is smitten and spends a lot of time exploring George’s thoughts and sensual nature. Readers also get a glimpse into Blanca’s brief mortal life.

“A QUICK AND EASY GUIDE TO QUEER AND TRANS IDENTITIES” by Mady G. & JR Zuckerberg (YA Graphic) is fully illustrated, using a group of animated snails to clarify issues about LGBTQ teens. These curious snails discover the label, “weird”, gender identity, dysphoria, asexuality and gender expression. As Snails skim through these informative chapters, they find universal advice on partner relationships and communication. This book will help everyone (not just snails) connect with community members who may not fit preconceived stereotypes.

“NOTHING BURN AS BRIGHT AS YOU” by Ashley Woodfolk (Teen Fiction) is a verse book that describes the relationship between two 16-year-old girls trying to figure out who they are sexually, while navigating the level of communication needed for dating teens. The story goes back and forth through the narrator’s teenage years, chronicling her struggle to express her feelings, compounded by her burning obsession with her (unofficial) girlfriend. The author never names any of the characters, but describes them so precisely that readers will have no doubt as to their identity.

“OUT THERE: Into the Queer New Yonder” edited by Saundra Mitchell (Teen Fiction) is a collection of 17 short stories by seventeen authors featuring bizarre characters who travel through time in an attempt to learn history, travel in and out of other people’s bodies to multicultural experiences and space travel as the world becomes unable to sustain human life. These thought-provoking stories are mostly science fiction, each with a creative storyline and unique perspective.

“COLD” by Mariko Tamaki (Teen Fiction) is a novel written in two voices, reflecting the different perspectives of Georgia and Todd. Like the characters in Tamaki’s award-winning graphic novels, “THIS ONE SUMMER” and “LAURA DEAN KEEPS HER BREAKING UP WITH ME” Georgia and Todd are each attracted to same-sex relationships, but don’t want the world to know it. Georgia is quiet and thoughtful, having been bullied most of her life by the popular and mean girls at her private school. She befriends Carrie, who has separated from the popular girls. However, Georgia is obsessed with killing a student in the same grade (and school) as her older brother, Mark. The ghost of Todd, which hovers above his naked corpse, follows two police investigators as they piece together the events leading up to his disappearance. Georgia’s brother and new friend become suspects, as the investigation uncovers more clues, threatening to destroy the world she knows.

By Lynette Suckow

Reference Librarian

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Book on how technology and spirituality can lead to happiness published


Padma Shri Dr Anil K Rajvanshi published his book ‘Exploring God’s Mind – How Spiritually Guided Technology Can Lead to Happiness’ with Universal Book Publishers here on Friday. The event was followed by an interactive author session with Chander Prakash, the city’s famous bookseller.

Dr. Rajvanshi is the Director of Nimbkar Agricultural Research Institute, an NGO and non-profit research and development institute in Phaltan, Maharashtra. He has been writing on the subjects of spirituality and technology for 22 years.

He has also published over 200 articles in various journals. He was awarded the Padma Shri by the Government of India in 2022 for science and engineering.

“This book basically has three sections,” he said, “The first is how to make your brain very powerful, when you get wisdom you start looking at things from a very different perspective; the second section of the book tells you how to improve your environment so that it becomes sustainable and better, and the last section tells you how to broaden your horizons when you have the technology and your powerful brain.

This book was inspired by the Yoga sutras of Patanjali where it is shown that a Yogi after attaining supernatural powers can accelerate his path to liberation and eternal happiness.

Dr. Rajvanshi is also responsible for initiating the development of e-rikshaws and the national biomass energy program for power generation. He is a decorated academician with several national and international laurels, such as – induction into the US-based Solar Hall of Fame; Jamnalal Bajaj Award, Distinguished Alumnus Award from the University of Florida (he is the only Indian to receive it) and recently the Distinguished Alumnus Award from IIT Kanpur.

A Different Perspective: Updating Websites Lead to Wobbling Pear Trees, E-Book Release | Features


Every serious writer needs a website. It is the primary vehicle readers use to connect with an author. When my first short story was published in 2015, Jennifer Preyss-Mathlouthi covered the story for The Advocate and then helped me create my first website. I don’t know how I would have started without his generous help.

I was writing devotionals regularly and learning to post them as blogs, then switching to a monthly newsletter, but that was the extent of the interaction with my website. Several years passed as I tackled longer writing projects. I plunged into the learning curve of writing fiction and quit writing devotionals. My monthly newsletters also came to a halt as I continued to struggle with story arcs, characters, and the review process.

With the onset of the pandemic, websites were no longer optional – they became an essential tool for marketing. However, at that time my website was dated. Technology had also gained ground and the challenge of an upgrade was daunting. I had overcome a few technical issues, but creating a new website was like rocket science.

A writing guru likes to say that anyone can create a website. I guess that’s true on some level. Unfortunately, while I could watch enough YouTube videos to understand the many different elements, time was ticking faster than my ability to get there.

At an impasse, I prayed about it and sought help from a virtual assistant. Then I got a recommendation for a new company that specializes in helping authors get through the finish line with all the technology requirements.

I hired the new four-woman team, better known as The Author’s Write Hand. They were happy to fix any technical issues that were giving me headaches. The tasks they accomplished were: 1) Resuscitate my newsletter and connect it to a mail server. 2) Added the free eBook to my website. 3) Outsourcing website modifications and security issues. 4) Provide ongoing assistance with social media posts to attract interested readers to my website. These things had to be in place and working well before I marketed my first book.

Although challenging for all, we worked hard to meet an urgent deadline.

Before we know it, Labor Day weekend has entered our lives. I wasn’t sure until the day before if I would be hosting our family reunion in New Braunfels, but my contact person and I came up with a plan so we could both enjoy the vacation.

It was a wonderful break. Our family indulged in cheeseburgers and tried different snack type desserts. The young cousins, aged 3 to 9, were delighted to see each other again and played together nonstop. I drank hot tea with my daughter and daughter-in-law and caught up on the latest news.

The men indulged in games of chess and the dogs wrestled.

Later, the adults tried to touch their toes while the children took turns doing handstands and cartwheels in the middle of the living room floor.

Our time together was relaxing and peaceful. My email faithfully waited until late in the evening.

Two nerve-wracking days later, my website was finished and my first newsletter was launched after a two-year hiatus. If you want to hear more book news, check out my website at marypatjohns.com. Sign up for my newsletter and receive a free eBook. This is a short story about our son’s deployment to Afghanistan and was first published by Chicken Soup for the Soul. It eventually became the inspiration behind the series of books I write.

My hands and feet waver when it comes to the book publishing process, but “Behold, God is my helper: He is the support of my soul”, Psalms 54:4, NAS/

Skuld announces a positive result for the semester in significant improvement year-on-year


Skuld today announces positive net income of $18 million for the first six months of its 2022/23 fiscal year ending February 20, 2023 (compared to negative $24.9 million for the same period in 2021/ 22). The result was mainly driven by a positive technical result, as well as a significant investment contribution from the finalization of the sale of Asta.

The half-year technical result amounted to 12.1 million dollars, with an overall combined ratio of 95%. Gross premiums and calls increased by $27 million to $228.1 million from the same period last year, with growth in both mutual and commercial lines of business. The semester was characterized by a mild large claims environment compared to the same period last year. During the first six months, no major new claims were reported to the International Group pooling system for this insurance year.

The positive six-month technical result was driven by the positive contribution from Skuld’s commercial business lines, while the mutual business portfolio generated a combined ratio above target. The uncertain claims environment and the expected future impact of inflation on claims costs confirm the continued effort to rebalance the mutual portfolio through improved rates.

Net investment income for the period had a negative contribution with an investment return of -2%. The war in Ukraine, energy shortages in Europe and high inflation have created volatility, shifted yield curves significantly up and reduced the value of most asset classes. The strengthening of the US dollar also had a negative impact on the investment portfolio. The sale of Skuld’s stake in Asta, which was completed in July, helped mitigate the unrealized loss during the period.

Ståle Hansen, President and CEO of Skuld, said: “We are pleased with this six-month result, which represents an impressive reversal from the same period last year. We continue to see the benefits of the high quality of our seized tonnage, while our risk mitigation and loss prevention initiatives continue to help limit lower level attritional losses. In addition, our business diversification strategy remains a successful priority.

“But we have to be realistic; the insurance and investment environments are still extremely challenging, and with this in mind, the threats imposed by the war in Ukraine and its political ramifications, high energy costs and inflation are always on our minds the need for reasonable pricing, selective underwriting and very close working relationships with all of our members and clients. In doing so, we maintain our leadership position through our financial strength and commitment to the highest quality service and we will continue to provide Members, Clients and Brokers with our world-class coverage and services, so that they can all be insured with Skuld.

Please see the full report on our Financial Reports Page.

Ten thousand readers in nearly 150 countries


And it was only published last week, says UND’s Rebecca Rozelle-Stone of her article in The Conversation

UND Professor Rebecca Rozelle-Stone’s webpage on The Conversation links to her article, “When Tragedy Becomes Commonplace: Why News Consumers Feel Crisis Fatigue.” Web screenshot.

Editor’s note: September 6, Je Conversation published an article by Rebecca Rozelle-Stone, professor of philosophy and religion at the UND. UND Today has reprinted the article here, and an interview with Professor Rozelle-Stone about her experience with The Conversation is below.


UND Today: Congratulations on being the first UND scholar to write for The Conversation since the University became a Sustaining Member of the organization in July!

Rebecca Rozelle-Stone: Thanks! Yes, I’m glad the communications team at UND introduced me to The Conversation over the summer, because before that, I had no idea the organization even existed. But now I get their newsletter and read the articles, and it’s great.

UND Today: Can you tell us how you decided to write an article for The Conversation?

Rebecca Rozelle-Stone: Sure. At first, I wasn’t sure I would have the time to do it; but after looking at the potential benefits of writing an article, I was convinced, especially when I saw that they wanted a short article – something that was around 800-1000 words.

I thought, ‘Well, it can be done.’ After all, it’s not like writing a typical journal article in philosophy, which is usually around 20 pages.

And I loved the prospect of addressing contemporary issues that would interest and perhaps affect people, but also related to my research.

So, I initially had a few ideas to submit to them. I spoke to Kalpana Jain, who is their senior religion and ethics editor, and presented my ideas. One she thought was quite complex; but the other, which ended up being the one that got published, was about crisis fatigue. And it’s a topic that came out of my own research on moral care.

I accepted that suggestion, started writing my ideas, and then wrote my initial article, which was probably around 1,300 words. I sent that, and then, pretty quickly – and that’s another reason I loved writing for them; they answer you right away – she answered me.

I think the article has gone through about six different versions. Again, a lot of this was new to me, due to the types of edits they wanted and their requirement that I put a hyperlink for every complaint I made. I wasn’t used to doing that last task, but I thought it was really helpful to make sure the article offered the data and information to back up my arguments.

As for the changes, many were aimed at making the language more accessible to the general public, which I appreciated. Additionally, they wanted to reduce the length of the article to be closer to their usual standard, which is, again, around 1,000 words.

And we went through those six drafts or so in about two weeks. For me, it was really fast, given how long it usually takes to get feedback on traditional journal articles.

Rebecca Rozelle Stone

UND Today: Is this review article feedback a matter of weeks or months?

Rebecca Rozelle-Stone: So, I sent in a chapter to be published in a book, and that was two years ago now. And I’m still waiting! (Laughs)

It’s usually not that long. But for newspaper articles, it will often take around nine months, and sometimes even longer.

So that quick turnaround really motivated me, especially because I wanted to publish the article soon, given that it was a news issue. It made me want to keep writing and doing it.

I also loved seeing it come out so quickly when finished! You know, there’s something rewarding about that.

UND Today: What was the response?

Rebecca Rozelle-Stone: Since its publication – and it’s only been a little over a week – it has been read by more than 10,000 people in a total of almost 150 countries, including Mongolia and Botswana and 122 people in Norway. It was reposted on about 20 news sites, ranging from Fast Company and the Houston Chronicle and KSTP-TV in the Twin Cities to the Huron Daily Tribune and the Laredo Morning Times.

It has already been translated into Ukrainian. I just received a request for a Japanese translation.

I was asked to give a short audio recording on the subject for The Academic Minute series, and I was asked to give a talk at a college in Minnesota. It’s the kind of opportunity that would very rarely arise when publishing more traditional articles, so I think it’s been a really good experience.

The Conversation also lets you access metrics through a dashboard on its website. It’s been fascinating to track things like number of views or bed the article is getting, how many tweets have been about it and things like that, which are comments I’ve never received with anything else I’ve posted. So it’s great to have this idea.

UND Today: Here at the UND communications office, we received an email regarding your story the other day. He noted that your article was the lead article on NiemanLab.org, a website run by the Nieman Foundation for Journalism at Harvard University.

Rebecca Rozelle-Stone: Wow, I hadn’t heard of that! That’s wonderful.

You know, another reason I’m glad I got to write this kind of article is so I could send it to my parents after it’s published, and it’s something they can read and understand. The other things I do are a lot more academic, but it was great to have something that lets family members know what I’ve been working on.

UND Today: We were particularly impressed with how you incorporated the thoughts and experiences of Simone Weil – the philosopher you have studied and written about extensively – into your article.

Rebecca Rozelle-Stone: Thanks! It was apt, I think, because while Simone Weil was a fairly obscure French philosopher, her job was to try to reach out and work with the poor and marginalized classes and make a difference in the lives of ordinary people. And so I think she would be really excited about that kind of place, because that’s the kind of work she’s done herself.

I mean, she quit her job as a philosophy teacher to go into factories and learn how factory workers lived. She taught ancient Greek texts to farmers working in a vineyard, for example. So that’s the kind of spirit that I think The Conversation embodies.

UND Today: Were the editors of The Conversation good to work with?

Rebecca Rozelle-Stone: Absolutely yes. I had about three different people on The Conversation team working with me at different points in the process, and each one was great. They gave really thoughtful and good feedback, none of it being too heavy; you know, it was “Can you find a hyperlink that would support this claim?” or “Could we rephrase this in a different way, so it’s less technical?”

It worked as it was supposed to, from what I could see.

UND Today: It’s wonderful. So, to sum up, would you recommend that your colleagues consider writing an article for The Conversation?

Rebecca Rozelle-Stone: I want. If they have ideas for how their research could be applied to popular topics or current issues that people care about, I would definitely recommend that they consider presenting their ideas to The Conversation. I think writing for them helps promote our own research, and it certainly helps the general public find out what we do and what kind of great work the UND does here.

The Bookseller – Rights – Simon & Schuster signs two-book deal with Johnson as 20th novel celebrations are planned


Simon & Schuster has signed a two-book deal with Milly Johnson as celebrations gear up for the publication of her 20th novel, Still together.

Publishing director Clare Hey has acquired the UK and Commonwealth rights, including audio, of Lizzy Kremer from David Higham Associates. Still together will be released on September 29, 2022.

Johnson’s first novel The Yorkshire Pudding Club (Simon & Schuster) was published in 2007 and since then has sold over 2.5 million copies across all formats in the UK, according to the publisher. To mark Johnson’s 20th novel, a series of 20 events were held, including bookstore signings, festival appearances and library events. An Instagram Live series will take place with Jane Fallon, Veronica Henry, Lucy Vine, Cathy Bramley and Colleen Prendergast, who voices all of Johnson’s audiobooks.

Hey commented: “The whole team at Simon & Schuster UK are so proud to have been Milly’s editor from the start of her career 20 books ago. And we are delighted to have signed a new deal to continue our partnership in the future. Milly is a central pillar of our publishing and it is a joy and an honor to continue working with her.

Johnson said: “I am beyond thrilled to celebrate my 20th book with my publishing ‘family’ who have steadily and consistently grown my career and nurtured and watered it with their care and expertise – even though part of me says “how the hell did all these books get here?” I consider myself very lucky to have found the perfect person for the publisher at S&S and the agent at Lizzy Kremer who is still around me. I love them all personally and professionally. My head is buzzing with ideas for future projects – so bring on the next 20.”

Energy emissions ratings will hit property values, bank chief Anna Bligh warns


Australia had been “arguing over the wrong things”, she said.

“We are behind other jurisdictions. Europe and the UK and others have had standardized household energy rating systems.

“Once you start pricing a home’s energy, the markets start behaving differently,” Ms Bligh said. “It will affect the value of your property – people will value a lower-end home higher than a higher-emitting home.” Brook Mitchell

“And once you start pricing a home’s energy, the markets start behaving differently.

“It will affect the value of your property – people will value a lower-end home higher than a higher-emitting home.

“People will see a market opportunity by buying high-emitting homes and converting them.”

This would affect how banks lend to homeowners and how their mortgage portfolios are structured.

“When banks look at risk…especially the big banks and mid-sized regional banks in Australia, they have very, very large mortgage portfolios.

“In some jurisdictions, governments have legislated that it is illegal to sell or rent a house unless it meets a certain rating. Other jurisdictions have not been as firm as this. But they said you can’t advertise a home for sale without disclosing the home’s energy rating.

This would have a profound impact on the property market, Ms Bligh said.

“It doesn’t take a lot of imagination to start thinking, wow, this is going to change behaviors.

“It will change the way we think about the homes we live in.

“The things we invest in, how the real estate market values ​​properties, and not just in the household sector, but also in commercial properties, shopping malls, etc.

“The impetus will not only come from government decisions, but also from financial markets, from how banks look at exposure and risk on their books.

“Once every house in their mortgage book has an energy rating, investors will expect them to start moving their book to a lower rated book.”

Building ministers recently approved a new seven-star emission rating target for new homes. Climate Council modeling shows that for every new seven-star home built, the emissions saved each year are equivalent to taking a car off the road for an entire year.

“If we counted all the heating and cooling emissions saved through the construction of seven-star homes through 2030, this would represent total savings of 7.7 million tonnes; equivalent to a 12% reduction in our national residential emissions in 2019,” the council said in its address to building ministers.

Ms Bligh said emissions standards for homes would also open up other opportunities, including the emergence of emissions assessors hired by banks to assess homes before loan approval.

“If, for example, you had a government program that stated that within five years every house should have an energy-efficient heat pump, there would be a demand for home manufacturing quite quickly. And that hopefully helps keep costs down.

Ms Bligh said the banking sector was lagging behind heavy industry in developing its risk and accounting models.

“I think the [banking} sector itself would say that measurement and activity and thinking about the mortgage book is much more immature than it is about very heavy industry.

“They’ve had lots of pretty deep and difficult but ultimately productive discussions with customers.”

She noted the prudential regulator APRA had conducted a climate vulnerability assessment across a number of banks and would be publishing the results of that in December.

“That climate vulnerability assessment was done on the ag [agriculture] part of the book and mortgage book.

“It’s very difficult for banks to do that. [assessment] when there are no recognized standards established by the government. So everyone is trying to use whatever tools they can take from European jurisdictions and trying to modify that for an Australian context.

“We’ll get past that, but right now it’s a bit of a complication.”

Speaking at the same conference, Industry Minister Ed Husic recommitted to establishing battery manufacturing capacity in Australia, confirming that the government would establish an industry growth center to help stimulate investment.

“The demand for batteries is expected to increase up to tenfold over the next decade; that’s more than the growth of solar PV over the past decade,” Husic said.

“This is an area with enormous potential for the technology sector. By 2030, battery industries are expected to contribute $7.4 billion a year to the Australian economy and create up to 35,000 jobs.

Former Telstra chief and chairman of accounting group Xero David Thodey expressed confidence in the Australian economy’s ability to decarbonise, but said it would take a huge effort.

“It’s not the money, its resources, its supply chains. Can we source everything we need to reach 43% by 2030? I think we can, but it won’t be elongated misery. It’s going to be very difficult.

Mr Thodey said he was confident Australia could seize opportunities such as battery manufacturing to reinvent the country’s manufacturing base.

“If we play to our strengths, not low labor costs, but smart, capable people using technology for innovation…that’s where we should be playing as a nation.” .

It actually gives us the opportunity to reinvent ourselves.

Jean-Luc Godard was the polar star of cinema


Godard was also one of the crucial media artists of the sixties, who, no less than the Beatles or Andy Warhol, recognized the echo effects of fame and art, and united them in his cinematic pursuits. and socially transformative. (He confessed to comparing his own artistic and personal career to that of Bob Dylan.) Yet, like many artistic heroes of the 1960s, Godard found that his public image and his private life, his fame and his ambitions collided. He took drastic measures to escape his legend while pursuing and advancing his art in a way that baffled many of his followers and those in the press who expected nothing more than his return, especially for the styles and methods that had made him famous. At the end of the sixties, he retired from cinema under the influence of political ideology and leftist activism. In the 1970s, he left Paris for Grenoble and then settled in the small Swiss town of Rolle. When he returns to the industry, he does so by exploring his personal life and the history of cinema together, through an ever bolder deployment and redesign of new technologies. What he retained until the very end of his career (his last feature film, “The Image Book”, was released in 2018) was his sense of youth and his taste for adventure. In his old age, he remained more playful, more provocative and simply younger in spirit than younger filmmakers.

Godard was brought up in bourgeois comfort and propriety – his father was a doctor, his mother a medical assistant and the scion of a prominent banking family – and his artistic interests were encouraged, but his journey into filmmaking was a conscious revolt against its cultural heritage. He seeks a culture of his own, and, with his largely self-taught passion for cinema, he finds a resolutely modern one – and which, with his intellectual fervor, he helps to elevate to the equal of the classics. Godard’s name and work are of course inseparable from the French New Wave, a group of filmmakers who made their debut as critics in the 1950s (especially in Cinema Notebooks, which was founded in 1951). Rather than going to film school (this already existed in France), they studied by watching films, new releases in the cinema and in the press, and classics at the Cinémathèque and in film clubs. Parisians. Godard, along with his friends and colleagues François Truffaut, Jacques Rivette, Claude Chabrol and Éric Rohmer (who was also the oldest statesman in the group) shared a Catholic love of cinema. They recognized the genius of filmmakers (like Alfred Hitchcock and Howard Hawks), then often considered either as anonymous craftsmen or as vulgar showmen, largely disdained or ignored by established critics. At twenty-one, Godard published a theoretical treatise in Notebooks, “Defense and illustration of classical construction”, which is one of the great manifestos of rigorously reasoned artistic freedom; at twenty-five, he wrote an instant classic essay on film editing, or “editing,” a word that defined his career. Although all of his early New Wave cohorts were critics, Godard was the only one who openly and explicitly made his films living works of film criticism – which made his filmed fictions overlap with his theoretical inclinations and passions. visual.

Many of the commonplaces of modern cinema bear the watermark of Godard, starting with the one he himself had trouble living: the jump cut, which he used in “A bout de souffle” when he had to shorten it to ninety minutes. He preferred to simply eliminate segments of shots rather than eliminate entire scenes. Before Godard, the jump cut was a mistake, a sign of amateurism; in his hands, it was a crashing cymbal announcing that the rules of cinema were to be broken. He gave collaborative cinema its modern imprimatur by teaming up with Jean-Pierre Gorin in the late 1960s and then with his partner (now his widow), Anne-Marie Miéville, in the 1970s. From this same decade, he introduced video into his films and, with Miéville, he also produced two large-scale television series (one lasts about five hours, the other about ten) – for which he invents essays hybrids. forms that pushed the outer limits of creative nonfiction. In his return to professional feature films, “Everyone for himself”, from 1980, he produced a kind of analytical slow motion, based on video methods, which he incorporated into filmed fiction. And, as prolific as he was during his first burst of artistic fervor, he was even more so when he returned – if he made fewer feature films (“only” eighteen from 1980 ), he has also created video essays, including the monumental “Histoire(s) du Cinéma”, crucibles, epilogues and living notebooks of his feature films.

From the beginning, Godard’s work is politically engaged; his second feature, “Le Petit Soldat”, from 1960, about the spy battles in the middle of the Algerian war in France, was banned by France. Even after abandoning the Marxist orthodoxies of his work in the late 1960s and early 1970s, he never abandoned politics: his 1987 ‘King Lear’ is rooted in the Chernobyl disaster ; his 1996 film “For Ever Mozart” dramatizes the civil war in the former Yugoslavia; and his 2010 feature film is called “Film Socialisme”. Nevertheless, after jumping off the high-speed train of the 60s, Godard never quite returned to the center of the era. His latest films are, in my opinion, even more innovative, even more original than those that made him famous. They are also more provocative. If his early films mean anything is possible, his latest push the possibilities so far that they practically challenge young filmmakers to try. His way of supporting his own cinematic youth was largely to overwhelm the new generation of young filmmakers with his own artistic might. There is a sublime grudge in his later work that similarly emerges in interviews (of which he was a skilled dialectic master, throughout his career). It doesn’t come as a cantankerous old man’s rejection of his successors, but as an eternal youth’s fight for a place in the world and a chance to make it a little better than it found it. Having moved to the margins, he became an outsider again and lived and worked – and struggled – as such. Until the end of his life, he always fought to rise and rise, even from the heights of cinematic history he had climbed.

The Bookseller – Rights – Tinder Press lands ‘funnyly biting’ first novel from Literary Hub staff member Gaynor


Headline’s Tinder Press has acquired the ‘spicy’ and ‘clever’ debut novel by Literary Hub staffer Jessie Gaynor The light.

In her first acquisition for Tinder Press, Associate Editor Ellie Freedman acquired Emma Leong’s novel from Janklow & Nesbit UK, on ​​behalf of Marya Spence at Janklow & Nesbit US, which will be published on June 22, 2023. US rights have been acquired by Clio Seraphim of Random House, which will publish simultaneously.

The editor describes The light as a “clever wellness industry send-off that follows a young publicist as she tries to save her job by turning a retreat center and charismatic guru into the hot new personal care brand” .

Its synopsis continues: “With biting humor and fearless of modern contradiction, it interrogates our desire to belong, the deceptive mirror of social media and capitalist mythology, and offers a perverse dismantling of ‘Girlboss’ culture. .

Gaynor, social media editor at Literary Hub, said: “Tinder Press is home to a huge range of books of awe-inspiring quality, and I’m absolutely thrilled that The light found a home here.

“This book was born out of frustration with the pervasiveness of the culture of wellness (often as a substitute for actual health and wellness), and while I wouldn’t wish America’s healthcare system on anyone , I really hope The light resonates with UK readers.

Freedman commented, “From the moment I read the first page of The lightI knew I wanted this to be my first Tinder Press acquisition.

“He has the keen intelligence and self-awareness you hope for in a satirical novel, but I couldn’t stop laughing either – it’s really funny, in a way that makes you want to read sentences to the person sitting next to you. Jessie is an amazing writer, someone who knows what conversations we are and should be having.

Iran unveils drone designed to ‘attack Haifa, Tel Aviv’


Iranian military leaders have unveiled a new line of attack drones which they say have been built with “unique capabilities that have been considered specifically to target Haifa and Tel Aviv”, two of Israel’s largest cities.

The drone, dubbed Arash 2, has been on display as part of wartime exercises organized by the Iranian army over the past week, according to a report in Iran’s state-controlled media on Monday. Brigadier General Kioumars Heidari, commander of Iran’s ground forces, said unmanned attack drones were vital to Tehran’s war machine.

Iran’s new armaments have been on public display as its leaders plan to enter a revamped version of the 2015 nuclear deal, which will unlock millions in assets that Iran is expected to use to bolster its regional terror operations and its missile networks. Israel is strongly opposed to the deal, saying it will increase the likelihood of a major attack on the Jewish state. Iran’s public disclosure of these drones is likely intended to deter a possible Israeli strike on its disputed nuclear sites.

Heidari told Iranian television that drones like the Arash 2 are a key pillar of the country’s offensive capabilities.

“Today we have drones with a strategic range and also a drone with a range of 2,000 kilometers,” Hedari said, indicating that the drones are more than capable of reaching Tel Aviv from Tehran. “Of course we also have drones with lower ranges in our inventory.”

The Arash 2 drone, the military chief added, “has been specifically designed to attack Haifa and Tel Aviv” and is ready “to start operating” on this mission. Further details of the drone will be revealed during upcoming military exercises, according to the report.

“Arash 2 has both seekers and is also equipped with seekers in addition to other unique abilities that it fetches itself multiple times until it hits the target, precisely,” the report states.

From Juke Joints to Jacobin Literature: The Vernaculars of Arkansas and the Making of Southern Fiction


Photo submitted

Florence Dore, singer-songwriter and professor of English at the University of North Carolina.

What do Arkansas singers Levon Helm and Lucinda Williams have to do with Southern fiction or Shakespeare? What conduits between the juke joints that house Sonny Boy Williamson and Lead Belly and the hallowed halls of the University of Arkansas can we trace? Finally, how does vernacular music or rock and roll relate to what we consider Southern fiction today?

Join Florence Dore at the David and Barbara Pryor Center for Arkansas Oral and Visual History at 6 p.m. on Monday, September 19 to find answers to these questions in a discussion that is part lecture, part reading, and part song.

Dore is a singer-songwriter as well as an academic whose published work spans blues, rock, race in popular music, and other topics. She is the author of Romance Sounds: Southern Fiction in the Age of Rock and Roll (Columbia University Press 2018) and the editor of The Ink in the Grooves: Conversations on Literature and Rock n Roll (Cornell University Press), out October 15.

As an English professor at the University of North Carolina, she teaches in the creative writing and literature programs. She has been a fellow at New York University, the National Humanities Center, and the Institute for Arts and Humanities at UNC. A member of the steering committee of Post45, a collective of scholars working on American literature and culture since 1945, Dore was also founding co-editor of the Post45 book series at Stanford University Press. During the pandemic, she created and acted as co-executive producer for Cover Charges: North Carolina musicians hide to benefit Cat’s Cradle, a benefit compilation disc that reached No. 1 on the Billboard compilation charts. She has hosted two public lectures on rock and literature, in 2017 at the National Humanities Center with Carolina Performing Arts and at the Rock and Roll Hall of Fame in 2011.

She serves on the advisory board of the Institute for Bob Dylan Studies at the Bob Dylan Archives at the University of Tulsa. His second album, Highways and Rockets (Propeller Sound Recordings) – which was just released in June 2022 – was produced by Don Dixon and Mitch Easter and features legendary band members dB’s, Son Volt and Steve Earle. It currently runs on both Highways and Rockets and Ink in the grooves as part of his traveling humanities program called “Ink in the Grooves Live”.

Dore will be joined by guitarist Mark Spencer from Americana’s flagship band Son Volt.

This event, organized by the Pryor Center and sponsored by the U of A Humanities Center, African and African American Studies Program, Center for Arkansas and Regional Studies and Department of English, is free and open to the public.

Edge of History, ‘Willow,’ and more Disney+ trailers from D23 Expo (VIDEOS)


Disney+’s slew of new and recurring shows received some exciting updates during the D23 Expo this weekend in Anaheim, CA. We’ve put together a long list of updates, including official trailers for National Treasure: At the Edge of History, by Lucasfilm willow series, and more.

Also revealed during the presentations were the National Treasure: Edge of History release date, trailers for Tim Allen Santa Clausesand John Stamos’ big hat Season 2, plus a featurette from the next one chinese born american with Michelle Yeoh, and more.

Scroll through all the Disney+ D23 Expo trailers and updates below to see cameos from Catherine Zeta-Jones and Justin Bartha in the national treasure Warwick Davis trailer willow cast update, High School Musical: The Musical: The Series Season 4 details, and more.

National Treasure: Edge of History Trailer, release date

A spin-off of the Nicolas Cage films, the National Treasure: edge of history The series centers on Lisette Alexis’ Jess, “a brilliant and resourceful dreamer who embarks on the adventure of a lifetime to uncover the truth about her family’s mysterious past and rescue a lost Pan Am treasure,” according to the Connection Line. official.

New National Treasure: Edge of History trailer finds Jess embarking on a thrilling adventure. Harvey Keitel’s Peter Sadusky returns and Zeta-Jones’ Billie debuts. Billie is described as “a badass billionaire, black market antiques expert and treasure hunter who lives by her own code” by Disney+. Film alum Justin Bartha is reprising his role as Riley Poole on the show.

National Treasure: Edge of History will premiere along with its first two episodes on Wednesday, December 14.

National Treasure: Edge of HistorySeries premiere, December 14

willow Trailer, cast update

willow is based on the film of the same name which follows a farmer who embarks on an epic adventure to keep a much wanted little girl out of the clutches of the evil Queen Bavmorda. Now, in a magical world where brownies, wizards, trolls and other mystical creatures thrive, the high-stakes adventure continues when an unlikely group of heroes embark on a perilous new quest involving Shorsha’s daughter. .

Shorsha was Queen Bavmorda’s daughter in the original film. New willow The trailer shows her daughter searching for Willow to recruit her magical aid in the search for her kidnapped brother. Davis reprises her role as Willow Ufgood and Joanne Whalley returns as Shorsha. Davis announced during the D23 presentation that Christian Slater had been cast in the series. Slater will play a friend of Val Kilmer’s Madmartigan, but no further details about the character have been revealed.

willow premieres Wednesday, November 30 on Disney+. The cast includes Ruby Cruz (Easttown Mare) as Kit, Erin Kellyman (The Falcon and the Winter Soldier) as Jade, Ellie Bamber (The snake) as Dove, Amer Chadha-Patel (The third day) as Boorman Dempsey Bryk, Tony Revolori (Servant), and more.

willowSeries premiere, Wednesday, November 30, Disney+

chinese born american Featurette

chinese born american tells the story of Jin Wang (Ben Wang), an average teenager who struggles to balance his social circle in high school with his home life. The cast includes Chin Han as Simon Wang, Ke Huy Quan as Freddy Wong, Jimmy Liu as Wei-Chen, Sydney Taylor as Amelia, as well as Daniel Wu and Michelle Yeoh. Yeoh and Quan co-starred in the epic Everything everywhere all at once for A24. Quan was announced as one of the new cast members in Loki Season 2 at another point in the D23 expo.

Production has just wrapped on this epic teen adventure based on the graphic novel of the same name created by Gene Luen Yang. A release date has yet to be announced, but Disney+ shared the featurette above during D23, and it’s packed with epic action sequences as gods and high school kids collide.

chinese born americanTBD, Disney+

The proud family: stronger and prouder Season 2 Trailer

The original cast of the beloved proud family is back with Penny (Kyla Pratt), father Oscar (Tommy Davidson), mother Trudy (Paula Jai ​​Parker), grandmother Suga Mama (Jo Marie Payton) and uncle Bobby (Cedric the Entertainer) . Musical guests for The proud family: stronger and prouder Season 2 includes Chance the Rapper and Normani. Season 2 will arrive in February 2023.

The proud family: stronger and prouderSeason 2 premiere, February 2023

Echo Trailer

Chuck Zlotnick/Marvel Studios

The Echo the footage was shown exclusively to those in the room at D23. A spin-off from last year’s Marvel series Hawk Eye, Echo features a largely Native cast starring Alaqua Cox as Maya Lopez, a deaf Cheyenne with expert athletic skills and the ability to perfectly copy people’s movement. The cast also includes Zahn McClarnon, Chaske Spencer, Tantoo Cardinal, Devery Jacobs, Cody Lightning and Graham Greene.

Footage has revealed that Vincent D’Onofrio’s Kingpin will return for the series wearing an eye patch. He was last seen in Hawk Eyebut previously appeared in Netflix daredevil. Charlie Cox’s Matt Murdock will appear in Echo as well.

“What a journey it’s been. It’s only the second role I’ve ever had,” Cox said onstage during the D23 panel on Saturday, per Variety. “It’s such an amazing feeling. Just being my second lead. It’s good.”

EchoSeries Premiere, Summer 2023, Disney+

High School Musical: The Musical: The Series Staging musical high school Meeting

Get ready to welcome back the East High Wildcats. When they go back to school High School Musical: The Musical: The Series Season 4, they will discover that they will star in the highly anticipated High School Musical 4: Reunion, which will be filming in their school. Also, Miss Jenn tapped High School Musical 3: secondary year as the school musical for the year.

Disney has not confirmed which musical high school alumni will be invited into the season where appropriate, but series stars Joshua Bassett, Sofia Wylie, Matt Cornett and Dara Reneé broke the Season 4 plot news during the D23 presentation. HSM alums KayCee Stroh, Lucas Grabeel, and Corbin Bleu have appeared in previous seasons of the Disney+ original series.

High School Musical: The Musical: The SeriesPremiere of season 4, TBA, Disney+

Hong Kong bookseller applies for permanent residency


Lam Wing-kei initially refused an offer of asylum and has been staying in Taiwan on a temporary permit since 2019, an official said.

  • By Chen Yu-fu / Staff Reporter

A Hong Kong bookseller who moved to Taipei in 2019 after being prosecuted by Chinese authorities has recently applied for permanent residency in Taiwan, a government source said on Monday.

The move came after Lam Wing-kei (林榮基), a former director of Hong Kong’s Causeway Bay Books, initially did not accept “humanitarian aid” political asylum offered by the government.

In 2015, Lam, another Causeway Bay Books shareholder and three staff members were reported missing and later confirmed to be in the custody of mainland Chinese authorities, who accused them of selling books about the Chinese Communist Party (CCP) that are banned in mainland China.

Photo: Johnson Lai, AP

Lam was imprisoned for nearly eight months, and the CCP demanded that he disclose bookstore customers and their orders in exchange for his release. In June 2016, Lam returned to Hong Kong, his criminal record showing a conviction in China for an “illegal book-selling operation”.

When widespread protests against a proposed extradition bill to mainland China rocked the territory in 2019, Lam fled to Taiwan on April 25, saying he feared being prosecuted again by authorities in the continent.

With the support of a crowdfunding campaign, Lam reopened Causeway Bay Books in Taipei in April 2020.

An unnamed official in Taipei said last week that the central government helped Lam apply for permanent residency.

Along with helping other Hong Kongers based in Taiwan, Lam has worked hard to run his bookstore in Taipei, bringing his principles and ideas to Taiwanese one book at a time, the official said.

While often speaking about his experiences in China, Lam helps Taiwan protect its freedom and democracy, they said.

Lam, as a “modest gentleman”, initially refused to accept the offer of political asylum and has been staying in the country since 2019 on a temporary residence permit, they added.

Lam had applied to the Culture Ministry for permanent residency as a “special professional” in the field of culture, the official said.

If the ministry approves his application, it will forward the case to the National Immigration Agency, which will issue a permanent resident card, the official said.

Government data shows that 11,173 Hong Kongers hold residence permits in Taiwan, including 1,685 who were granted permanent residency last year, an annual high.

In the first seven months of this year, 4,143 Hong Kongers received temporary residence permits and 892 were granted permanent residency, according to the data.

Comments will be moderated. Keep comments relevant to the article. Remarks containing abusive and obscene language, personal attacks of any kind or promotion will be removed and the user banned. The final decision will be at the discretion of The Taipei Times.

Selling Salman Rushdie: ‘I suspect there will be problems’


In 1988, 25-year-old John Mitchinson, then a London bookseller, was the first person to interview Salman Rushdie about his new book The Satanic Verses.

OWhile writing The Satanic Verses, Salman Rushdie had this note pinned to his wall: “To write a book is to make a Faustian contract in reverse. To gain immortality, or at least posterity, you lose, or at least ruin, your current daily life. The degree of ruin that was to follow was hardly foreseeable, and as the waves of revulsion and outrage ripple through its latest manifestation – the grotesque attack at the Chautauqua Institution on August 12 – I remember arriving on his doorstep in Islington in July 1988.

I was a 25-year-old bookseller who had found himself working for the publishing department of Waterstone’s, the new and growing British bookstore chain. We had decided to add author interviews to enhance our seasonal catalog and the first of seven I had been co-opted to write was with Salman Rushdie for The Satanic Verses, due out in September. I arrived with my tape recorder and a proof of the novel. I was, he says, the first person to officially tell him about the new book, and he proved to be a warm and enthusiastic conversationalist. He was strangely impressed that I had not only read it, but also read Midnight’s Children and Shame. I pointed out that this was my very first interview – I like to think my rookie enthusiasm put him at ease.

The title page of John’s proof of The Satanic Verses signed by Salman on the day of the interview (July 27, 1988) (Photo: Supplied)

Re-reading the interview some 34 years later, I’m struck by how far we’ve come and how much he has gone to great lengths to present the novel as an attempt to understand rather than condemn religious belief. “To reject it would be a very condescending thing to do to an entire culture, indeed, it denies their worldview equal status to yours.”

We now know it is precisely this worldview that would be condemned and reviled, handing it a death sentence followed by a decade of exile and isolation and a threat that apparently will never fully recede. . “I suspect there will be problems,” he told me that sunny morning, when I asked him what his expectations were for the book’s reception in India. Trouble came sooner and closer to home than he, or anyone else, expected.

Booksellers have mostly found themselves on the right side of the line in the ensuing “how best to respond” dilemma. At Waterstone we have not faced the terrifying immediacy of death threats with which editors and translators have been bombarded, but Collet’s and Dillons in London and Abbey’s in Sydney have all been burned down. WH Smith refused to store the book after the book burning protest in Bradford in January 1989. Waterstone officials were given the choice. Most sold it openly; some hid it but were happy to sell it if asked. By the time my interview was reprinted in The Bookseller in April 1989, the book was firmly anchored at the top of UK bestseller lists.

In 1990 we smuggled Salman to Waterstone’s in Hampstead with his son Zafar, to sign copies of Haroun and the Sea of ​​Stories. More live events followed. In 1992 it appeared (unannounced) at the Hay Festival and in 1995 the Hampstead branch held a live reading of The Moor’s Last Sigh, a sold-out sale even though tickets were only advertised in the morning reading. Gradually, the situation improved, and Salman began to appear regularly at literary evenings, festivals and conferences. Until last month, it looked like he had been fully rehabilitated into the world of books rather than politics, protest and police protection. I was touched when, along with many other booksellers, I was invited and publicly thanked at the launch of his memoir, Joseph Anton in 2012.

John Mitchinson and Salman Rushdie at a Waterstone party in 1993 (Picture: Supplied)

LLooking back on those early years, what strikes me most is how simple it seemed to defend a writer’s right to self-expression. There was no Twitter piling to negotiate, less room for public shame and blame, and far less anxiety about offending. When Salman won author of the year at the British Book Awards in 1995, I remember the whole room cheering.

He mentions it in Joseph Anton: “I must not forget that there is an England which is on my side. There was and still is. But discussions of free speech have found themselves belittled by endless social media outrage and blatant attempts to align a writer’s basic human right not to be killed or violently with the so-called ” cancellation culture. The Satanic Verses was a novel, not a thoughtless tweet.

I reread the book recently and I was amazed at everything I had forgotten: what a good and subtle, funny and generous novel. In the interview, Salman talked about the book trying to establish an “ethics of impurity.” He added: “Most of our problems start when people try to define the world in terms of stark opposition between good and evil, or in terms of racial and national purity.” I suspect that’s what really stoked the fear of fundamentalists. Novels change us from within, blur boundaries, allow ideas to fertilize and new ones to develop and flourish.

But the subversive magic of fiction compels you to Lily this. Hadi Matar, the man accused of the Chautauqua attack, confessed that he only managed a few pages of The Satanic Verses. Over the years, many other people have complained about how difficult, even illegible, Rushdie’s fiction is. (Reader, it really isn’t.) That’s why we booksellers can feel a certain pride. We held on and made Satanic Verses something people could and still can read.

But the last word goes to Salman: “The way art changes society is never on a large scale – you write a book and governments fall – it never happens. What matters is how a book affects the people who actually read it and connect with it. That’s when he can make an irreversible change in the way you see things – you’re not the same person you were before. There has been a small shift in your perception of the world that stays and never recedes. That’s why I write fiction.

Salman Rushdie was attacked on August 12, 2022 as he prepared to give a public lecture at the Chautauqua Institution in Chautauqua, New York. satanic verses are available from Unity Books Auckland and Wellington.

Esther Cooper Jackson, first civil rights activist, dies at 105


Esther Cooper Jackson, a civil rights activist, feminist and former Communist Party member who was considered late in her life as a former stateswoman of the American left, died August 23 at a nursing facility in Boston. . She was 105 years old.

His family confirmed his death but did not cite a cause.

Ms Jackson spent decades at the forefront of the racial justice movement – ​​and decades more as a repository of knowledge about the social, political and intellectual movements that helped shape the United States in the 20th century .

“Esther Cooper Jackson’s activism in the black freedom movement spans [70 years]and her contributions are nearly impossible to quantify,” Sara Rzeszutek, a history professor at St. Francis College in Brooklyn and author of a book on Ms. Jackson’s activism, wrote in an email.

“During this period, she adapted her approach to changing times and different phases of her life, whether she was a popular leader in the South, a civil libertarian in the fight against McCarthyism or an editor to provide a platform for promising cultural contributors,” Rzeszutek continued. “While her activism has adapted and evolved, she has remained consistent in her commitment to building broad coalitions between leaders and leftist and radical groups, mainstream civil rights activists and ordinary people who would benefit from his efforts.”

Raised in a middle-class black family in Arlington, Virginia, Ms. Jackson began her career as a civil rights activist in the 1940s, when she traveled to Alabama as a volunteer with the Southern Negro Youth Congress. She helped organize voter registration drives and became executive secretary of the organization, which was notable for including women in leadership positions. The civil rights group’s work foreshadowed that of the Student Nonviolent Coordinating Committee in the 1960s.

Ms. Jackson’s husband, James E. Jackson Jr., had been among the founders of the SNYC in 1937. Both joined the Communist Party in the 1930s and saw their lives turned upside down by anti-Communist fervor in the years that followed. the Second World War.

James Jackson became a party official and spent years on the run after being charged with other party members in 1951 under the Smith Act of 1940, which prohibited the defense of violent overthrow of the government. He was convicted in 1956, but was spared jail time after the United States Supreme Court essentially gutted the Smith Act in a 1957 ruling.

“We tried to pick up where we left off,” Ms Jackson said in an interview with Richmond magazine years later.

In 1961, working alongside black scholar and author WEB Du Bois, Ms. Jackson helped found Freedomways, a quarterly journal that for a quarter of a century served as a showcase for black intellectuals. She became editor and a guiding force in the periodical which published the works of writers such as Langston Hughes, Gwendolyn Brooks, James Baldwin, Lorraine Hansberry, Derek Walcott, Nikki Giovanni and Alice Walker.

“As editor-in-chief of Freedomways magazine, she gave liberation struggles and movements across Africa, Asia, the Caribbean, Latin America and the United States a beacon. She gave voices old and new a place to write and be heard,” Maurice Jackson, professor of African American history and studies at Georgetown University said after his death in an interview with People’s World, a publication that has its roots in the Daily Worker. .

Esther Victoria Cooper was born in Arlington on August 21, 1917. Her father was an army lieutenant and her mother, a U.S. Forest Service employee, was president of the local chapter of the NAACP. Ms Jackson grew up in relative comfort in a home where learning was valued above all else, recalling a time when her parents spent their money on a set of Harvard Classics rather than expensive furniture.

After graduating from Dunbar High School in Washington, Ms. Jackson enrolled at Oberlin College in Ohio, where she received a bachelor’s degree in sociology in 1938. Two years later, she earned a master’s degree. , also in sociology, from Fisk University, a black institution in Nashville. Her thesis, “The Black Domestic Worker in Relation to Unionism,” marked the beginning of her interest in community organizing.

She and her husband were married in 1941. Following her work with the Southern Negro Youth Congress, Ms. Jackson was active in organizations such as the Progressive Party, Civil Rights Congress, National Committee for Leadership Defense black and the families of victims of the Smith Act. . She has spent most of her professional life in New York.

She and her husband, who died in 2007, have been the subject of studies, including Rzeszutek’s book “James and Esther Cooper Jackson: Love and Courage in the Black Freedom Movement” (2015).

Survivors include their two daughters, Harriet Jackson Scarupa of Silver Spring, Md., and Kathryn Jackson of Cambridge, Mass.; a grandson; and two great-grandsons.

Reflecting on Ms Jackson’s life, David Levering Lewis, professor emeritus at New York University and Pulitzer Prize-winning biographer of Du Bois, said in an interview that she represented “a commitment to change, which was not not dogmatic, who was not paralyzed”. by any type of ideology, but rather… simply channeled the great vitality of the secular left.

“We’ve made a lot of progress, but there are still a lot of problems,” Ms Jackson said in 2016. “As we would say then, the fight continues. Since the beginning of this country, black people have been fighting for their rights. And it continues; it’s different, but it continues.

California Department of Education recommends transgender books for preschoolers


As California students return to school this year, they may encounter books and materials promoting LGBT, transgender and gender ideology topics for children as young as kindergarten and kindergarten.

Dozens of books dealing with these topics are promoted for use in classrooms by the state Department of Education. advised list of literature under the theme “Gender/Sexuality”.

Brenda Lebsack, a teacher of 30 years and former school board member of the Orange Unified School District, told The Epoch Times in a statement that LGBT groups have expanded the word “queer” to encompass hundreds of sexualities and identities. different genders, and that these are now being taught to children in schools.

Last year, the California State Board of Education approved its model study programme for Ethnic Studies, which includes the acronym “LGBTQ+” as a marginalized group. State health education frame further explains this concept.

“Historically, the acronym included lesbian, gay, bisexual, and transgender, but has continued to expand to include queer, questioning, intersex, asexual, ally, and alternative (LGBTQQIAA) identities, as well as concepts expanding that may fall under this generic term in the future,” the executive states.

A children’s book about gender in Irvine, Calif., Sept. 7, 2022. (John Fredricks/The Epoch Times)

Now the state’s education department is recommending books for students that teach about expanded sexualities and gender identities.

For example, the department recommends the book “Julian is a mermaidfor preschoolers and preschoolers.

The book describes a young boy named Julian who wants to be a mermaid after seeing a parade of people dressed as mermaids while out with his grandmother.

“Julian has a great idea,” the book reads, showing Julian stripping out of his clothes and donning lipstick and curtains for his mermaid costume.

When Julian’s grandmother sees his costume, she gives him a pearl necklace to complete his outfit. She then takes him outside to join the other adults dressed as mermaids.

Epoch Times Photo
A transgender-affirming children’s book in Irvine, Calif., Aug. 30, 2022. (John Fredricks/The Epoch Times)

For children in kindergarten through second grade, the list recommends “call me Maxa book about a child who “let his teacher know he wants to be called by a boy’s name.”

“Call Me Max” was written by Kyle Lukoff, a transgender writer.

In the book, Max states, “When I look in the mirror, I see…a boy who is transgender.”

“When a baby is born, an adult says, ‘It’s a boy!’ or “It’s a girl!” “, we read in the book. “When a baby grows up to be transgender, it means the adult who said they were a boy or a girl made a mistake.”

At the end of the book, Max declares: “being a boy is no better than being a girl. But being myself is the best.

In the same order of ideas, “It’s good to be yourselfis another book on the list aimed at children in kindergarten through second grade that “explores identities across the spectrum by introducing diverse children.”

The book was written by Theresa Thorn, host of the comedy podcast “One Bad Mother,” and illustrated by Noah Grigni, a non-binary transgender writer.

It features Ruthie – who was born a boy but later said her gender identity was female – and her brother, Xavier, who was born a boy and whose gender identity is “cisgender”.

Epoch Times Photo
A children’s book about gender in Irvine, Calif., Sept. 7, 2022. (John Fredricks/The Epoch Times)

The siblings have a pair of friends who are both non-binary – one is “both boy and girl”, while another is “neither boy nor girl”.

“Some children don’t feel exactly like a boy or a girl, they feel neither,” the book reads. “Some children feel like their gender identity isn’t always the same – it changes often. And even with all of these possible ways of being, some children feel like none of the words they know are right for them.

At the end of the book, there is a list of “helpful terms”, including the terms “intersex”, “transgender”, “gender identity”, “gender expression”, “non-binary”, and “cisgender”.

“Your feelings about your gender are real. Listen to your heart,” the book reads. “It feels good to be yourself, doesn’t it?”

For college students,grinding wheelis a novel about an 11-year-old boy who joins a Rainbow Spectrum club at school where he can “discover his own identity, which may just mean withdrawing from sex altogether”.

In the book, Rick joins a Rainbow Spectrum club at school, where members discuss their gender identity, sexual orientation, pronouns, and “LGBTQIAP+ rights.”

Rick learns the term “asexual”; “aromantic”, which describes people who are not sexually or romantically attracted to anyone; “graysexual” and “grayromantic”, which refer to people who are occasionally attracted to others; and “demisexual” and “demiromantic”, which describe those who are only romantically or sexually attracted to people “after developing a deep connection”.

In another scene, Rick’s grandfather dresses up as a woman and does Rick’s makeup for an event.

“Some people who wear skirts and make up are women,” Rick’s grandfather explains in the book. “Me, I’m a guy, it doesn’t matter how I’m dressed.”

Near the end of the book, Rick “reveals” himself to his father as asexual.

When Rick’s father replies that Rick is too young to be “something like that”, he is fired by Rick, who insists, “right now my path is that nobody interests me.”

Across the country, these titles have made their way to schools in other states such as New York and Oregon.

Epoch Times Photo
A children’s book about gender in Irvine, Calif., Sept. 7, 2022. (John Fredricks/The Epoch Times)

Last year, New York City announced a $200 million plan to develop a standardized math and English curriculum, with an emphasis on diversity. The program’s independent reading collection contains several books that introduce LGBT and gender ideology to young children, according to a investigation by Fox News.

Some of the books in the collection include ‘Julian is a Mermaid’, ‘Love is Love’, a story about same-sex relationships for first graders, and ‘I’m Not a Girl: A Transgender Story’, also for ages. first year students. .

In the North Clackamas school district near Portland, Oregon, “It Feels Good to Be Yourself” and “Julian is a Mermaid” are available in elementary schools, according to screenshots from an online portal obtained by Fox News, while high schools have books such as “Fun Home,” a graphic novel about a teenage lesbian, and the “Gender Queer” graphic memoirs, both of which depict scenes of sexual acts and masturbation.

Betsy McCaughey, an author and public policy expert who was formerly New York’s lieutenant governor, said the release of these materials does not proportionately reflect the actual number of people with gender dysphoria.

Epoch Times Photo
A display in the Barnes & Noble bookstore at Tysons Corner mall promotes “banned books” in McLean, Va., Aug. 27, 2022. (Terri Wu/The Epoch Times)

About 0.6% of the US population over the age of 13, or about 1.6 million people, identify as transgender, according to a June 2022 study study by the Williams Institute at UCLA.

A 2020 study by Cedars-Sinai Medical Center in Los Angeles found that gender dysphoria – the distress caused by a discrepancy between a person’s gender identity and their biological sex at birth – occurs in about 75% of people transgender before the age of seven.

For this reason, McCaughey suggested in a New York Post op-ed, teachers and school counselors are trained to help children with gender dysphoria, but discourage schools from introducing such topics into classrooms.

“These books have no place in our elementary schools,” McCaughey told The Epoch Times in a statement. “Gender dysphoria is an extremely rare condition. Those who have it deserve our respect and sympathy. But telling all the children about it is pointless, confusing for them and hurtful.

Micaela Ricaforte


How a Powell’s Books Outpost Ended Up in Condon, Population 760 – This Is Oregon


You won’t find any mention of a location in eastern Oregon on Powell’s website. Most of the Bookseller’s Portland area store employees have never heard of such a thing.

But unexpectedly, Condon – population 760 – is home to a little-known outpost of Powell’s Books.

The Gilliam County location was founded in 1993 by Michael Powell, then owner of the Portland-based bookstore.

“People do a double take and then they come back and say, ‘Is that true? Is it real? “, He said. “Yeah. It’s us.”

Powell’s outpost over 150 miles from the famous city ​​of books is located at the back of the Condon Locala retail store, cafe and cafe in the small downtown area of ​​Gilliam County Seat.

But the name of Condon Local is a recent change. For 34 years the shop was known as Country Flowers and was owned by Darla Seale.

Condon can thank her for the bookstore.

“The idea of ​​being in Condon appealed to me,” Powell said, “but it was mainly Darla’s personality that made it possible.”

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In 1988, Seal and her husband purchased the 1905-built Reisacher Building in downtown Condon for her growing flower business. They bought it for $10,000, then spent another $50,000 restoring the original wood floors, opening the 16-foot ceilings, and “uncovering all of the building’s hidden treasures.”

Country Flowers quickly grew to sell an assortment of trinkets, kitchen utensils, clothing and greeting cards. Seale also added a soda fountain and a deli counter. His was the first cafe in the county to have an espresso machine.

“It was so long ago, nobody knew what espresso was,” Seale said. “I’m not kidding, no one had heard of it. But it took off, and three espresso machines later, we’re still doing a lot of sales with it.

Around the time of the first espresso machine, Powell discovered the store. He had purchased vacation property in the nearby community of Spray and became one of Seale’s regular customers.

In between, the idea of ​​a Powell’s Books store was born.

Seale says it was Powell’s suggestion. Powell gives all the credit to Seale.

“It seemed like a good idea at the time,” Powell said. “I got to know Darla. It didn’t take very long for him to say, “How would you like to put some sort of book presence here?” » »

Although he considered putting the books upstairs, the wooden joists of the old building wouldn’t support it.

“We have parking in the Burnside building, and we can’t put books where cars are parked because books are heavier than cars,” Powell said. “Weird, but true.”

So they chose a corner of the first floor. Powell set up two 12-shelf aisles and filled them with new and used books.

“I was there the day we released the books, and we were getting ready to see if anyone would buy any books,” Powell said. “People used to say to me, ‘I bet you sell a lot of Louis L’Amour,’ because there’s a stereotype about who lives in eastern Oregon.” (Love being a popular Western writer.)

“Well, actually the first book we sold was by Toni Morrison, and the second was a computer book,” he said. “I didn’t follow after that.”

In the early years, Powell sent someone to restock the books. Later, Seale would drive a van herself when she visited Portland.

“It really was a booming business,” Seale said. “The first six months, I think we made $1,000 (in sales) every week. I’m the only florist in three counties, so there were no other bookstores in those three counties either.

A popular item was a Powell t-shirt stating his locations: “Portland, Chicago, Condon.”

“We got 10% of the sales, and we were sending them a monthly report and sending them a check,” Seale said. “We were happy to have the books. Michael really likes everyone having access to the books and has been super generous and kind to us in allowing that to happen. It was a gift.”

Both companies have changed since 1993.

Michael Powell is retired and his daughter, Emily Powell, is the owner and president of the company. Powell’s has since closed its housewares store in Hawthorne and its kiosk at Portland International Airport. But Condon’s small outpost continues.

Earlier this year Seale, now 74, sold Country Flowers to a new owner. Jeremy Kirby ran the business alongside Seale for more than two years before buying it in April and renaming it Condon Local.

Kirby is a resident of Condon. Its roots go back several generations in the city. Kirby had a commercial photography business in New York and then Portland, but the family home he inherited in Condon set him back. He now sits on City council of Condon and in 2021 helped find the Condon Arts Council.

“Maybe this is my version of a midlife crisis,” Kirby said. “I missed Oregon, and I was just trying to get back to my roots, I think. I fell in love with the building, I love the coffee, I love the books. It was just the culmination of many things I’ve done over the past 18 years.

In addition to maintaining the store and cafe, Kirby hopes to eventually renovate the upstairs into a posh guesthouse with artists’ studios.

The Powell’s Books outlet remains a big draw and plans to move the books to a more visible location at the front of the store.

“When people find it, they’re usually pleasantly surprised,” Kirby said. “They spend a lot of time going through books. They get coffee and food and make a day of it. And usually they fall in love with Condon.

If you are going to: The Condon Local, 201 S. Main St. in Condon, is open 8:30 a.m. to 5:30 p.m. Monday through Saturday and 11 a.m. to 4 p.m. Sunday.

– Samantha crook; [email protected]; @editorswindler

Reinventing systems for a sustainable future


Sade Bamimore (her), Senior Associate (Consultant II) within the Corporate Sustainability & Climate Change team at ERM, recently published her book, Reinventing systems for a sustainable future. Here she explains what inspired her to become an author, her interest in sustainability and how we can all be sustainability leaders.

My interest in sustainability developed at the age of 19 after taking an introductory environmental science course in college. Through class projects that allowed me to learn more about my carbon footprint, I began to understand how my actions have a systemic impact on the environment and on people around the world. After completing this environmental science course, my passion for sustainability grew even stronger during two semesters abroad in Copenhagen, Costa Rica and Peru. In particular, during my stay in Copenhagen, I first heard about the Chief Sustainability Officers. After learning about the impact they have on their organizations, I was immediately inspired to pursue this role as my dream job.

After graduating from college, I joined a book-writing program called The Creator Institute to start writing a book about sustainability directors and other sustainability leaders who pioneered the profession. of sustainable development. I started writing my book in June 2019 and as part of my research I interviewed over 60 sustainability leaders across all sectors to understand how they define their roles and see what their visions are for their roles. in the future.

Midway through my book-writing journey, I began my role as a Sustainability Strategy and Disclosure Consultant at ERM in September 2020. As a Sustainability Consultant, I was equipped with the tools to implement the sustainability at a tactical level to help drive sustainable systems in businesses. Working at ERM has given me the opportunity to work with sustainability leaders from the world’s largest companies, which has given me a better understanding of what their roles look like on a day-to-day basis.

Writing a book while working full time was one of my most difficult experiences. Working eight hours a day, then rotating to work on my book for several more hours at night – and sometimes until the early hours – every weekday, then continuing to work on my book on the weekends, was mentally and physically exhausting. Although the three years leading up to the publication of my book were extremely difficult, the reward of Reinventing systems for a sustainable future being released in January 2022 outweighs the hard times for me.

ERM has shown their support for my book in several ways. After my book was published by New Degree Press, ERM promoted my book throughout the company and offered to reimburse colleagues in my business unit who had purchased my book. Twice a year, ERM opens an application window for its Global Technical Paper and Publication Award, a company-wide award that recognizes thought leadership and expertise in alignment with ERM’s global strategy. After submitting an application, ERM selected me to receive a Global Technical Paper and Publication Award for promoting thought leadership in sustainability through the publication of my book.

Being a published author is both exciting and daunting. I have a real sense of relief and peace that something I have worked for for so long has been accomplished. Editing is also an extremely vulnerable experience, as I don’t know how the book is going to be perceived by those who read it. But the idea that anyone can access the knowledge shared in my book is incredibly rewarding to me. Achieving the goal of publishing my book and sharing knowledge about sustainability leadership was well worth the challenges.

I hope that by reading Reinventing systems for a sustainable future, readers will gain a deeper awareness of sustainability leadership and discover how their own ecological selves can propel them toward action, servant leadership, and justice. I want people to see this book as an opportunity to engage in systems thinking, escape the bystander effect, seek equity and justice, and learn alongside sustainability leaders l importance of elevating sustainable development. My book includes various insights into what people can do to be full-fledged sustainability leaders, such as being engaging systems thinkers, change management specialists, and influencers without authority.

Sade Bamimore (her) is a Senior Associate (Consultant II) within ERM’s Corporate Sustainability & Climate Change team. Based in New York, Sade has worked with ERM since September 2020. In 2022, she was recognized as a GreenBiz Emerging Leader by GreenBiz Group.

What Charles Darwin Teaches Real Estate Investors


By Chris Zarpas

Commercial real estate, long a haven for investors, must evolve or die.

Threats to the once unstoppable growth in the value of commercial real estate are mounting, depriving the ailing market of the air it needs. Inflation, now running at 8.6% a year, is reducing consumers’ purchasing power, making existing retail tenants weaker and potential tenants jittery, threatening higher vacancy and yields lower for investors. Online competitors are also taking an increasing share of retail sales. Meanwhile, employers are struggling to get remote workers back into the office. Some, particularly in IT, quit when ordered to return. Commuter foot traffic has dropped dramatically, crushing retailers even on Madison Avenue in midtown Manhattan and Chicago’s Magnificent Mile.

Cinemas will never fully recover from the threats of streaming, 4K displays and home surround sound. Regal Cinemas, whose parent company has filed for bankruptcy, operates more than 500 movie theaters in 42 states, which often anchor large suburban malls. Many of these theaters will shut down, as will nearby stores.

Almost all variables look unfavorable to commercial real estate investors, especially higher interest rates.

Many veteran real estate professionals point to a phrase from Charles Darwin’s 1859 book, About the origin of species: “It’s not the strongest species that survive, nor the smartest, but those that respond the most to change.” The upheaval in commercial real estate has arrived; investors will have to be inventive to survive.

This is where Darwin and real estate come together: “adaptive reuse”. In Darwin’s writing, adaptive reuse applies to genetic traits that suddenly become useful in new competitive environments. In real estate, adaptive reuse involves reinventing old, obsolete or abandoned properties. Office buildings or closed factories have become apartments. Enclosed malls become community colleges. Movie theaters become medical offices or video game centers.

Demand for apartments has risen sharply over the past decade as soaring home prices have driven many first-time home buyers out of the market. As baby boomers sense home values ​​may fall, they delay selling their homes, which reduces inventory, driving up prices despite higher interest rates. So why aren’t new homes more in demand? Prices. Building new houses is more expensive than two years ago. With inflation, builders demand higher wages. Add to that supply chain disruptions and higher prices for everything from roof shingles to basement concrete.

Developers are looking for a solution for higher housing demand and higher construction costs and they have found it by converting office buildings into apartments.

Adaptive reuse projects cost 16% less than new construction and reduce delivery times by 18%. Rehabilitating commercial buildings into apartments often qualifies for tax benefits and alternative financing, according to data from national real estate consultant Geneva Analytics. It is therefore cheaper, faster and often more financeable.

An example of this trend: In 2020, Highland Square Holdings redeveloped an aging suburban office building into Mission Lofts, an innovative workspace in Fairfax, Virginia. Hybrid zoning allows for residential and office uses, and Mission Lofts has more parking than apartments to accommodate business clients. The original construction of the offices offers very thick walls between units, full fiber, backup generators and computer cabinets with sufficient electrical capacity to run servers and copiers. Toilets in common areas are available for tenants and guests. “We couldn’t understand why, every year since 2010, the DC area has seen positive job growth, but an increase in office vacancy,” said Highland Square CEO Rob Seldin. “For decades before, office buildings were machines with two essential functions; temporarily store individuals and permanently store information for processing by those individuals. With the introduction of the iPhone, information and office buildings were separated, and that changed everything.

New laws have contributed to this change. The federal telecommuting law, passed in 2010, increased the number of federal employees allowed to work from home. COVID has done the same in the private sector, gutting office buildings – turning adaptive reuse from a niche activity into a mainstream business development category. As a result, office property values ​​have suffered a total net loss of $6.9 billion across 460 properties in CMBS loan portfolios since August 2021, according to a recent Business Journals report. Experts expect the trend to continue.

The “adaptive reuse” crowd is also profitably heading into healthcare. The demand is there: the number of older people is expected to double by 2040. Older people consume health services at a higher per capita rate than their younger counterparts. Combining these two trends, the demand for healthcare real estate will continue to rise. At the same time, inflation has pushed healthcare facility construction costs past $600 per square foot in major markets, and healthcare developers, like their multifamily counterparts, are reporting lengthy delays. Delivery. “Healthcare construction begins in 2022 and totals nearly 53 million square feet, but we are seeing the lowest levels of deliveries since 2015,” said Hilda Martin, director of Revista, the leading research and healthcare real estate data.

Data from Revista shows that healthcare providers have increasingly moved away from sprawling hospital campuses, preferring locations closer to homes and offices. Sites with accessibility, visibility and generous parking are essential. “Health care providers want to go where patients are, making it easier for them to access services. The sooner the better, so adaptive reuse is a good strategy,” Martin said.

PMB, a San Diego-based healthcare real estate developer, capitalized on this trend when it converted a 50,000-square-foot 1980s multiplex movie theater in suburban Phoenix into high-end medical practices. The property is across from an acute care hospital and within walking distance of Target, Barnes & Noble, Total Wine and Chipotle.

Darwin’s thesis – survival of the fittest – predicts the loss of many of these small businesses. Forty percent of small business owners said they couldn’t pay their rent in full in July, up 6 percentage points from June – setting a 2022 record, according to a recent report from Alignable. Research Center. Landlords, under pressure from their mortgage lenders, are demanding full rent from tenants (those who survived COVID) who are now hammered by 9% inflation. Many will close. This is bad news for their investors and lenders, but good news for developers adopting “adaptive reuse” strategies.

Peter Straub, literary giant, dies at 79


Peter Straub (1943-2022) was one of the greatest writers of our generation.

Known primarily as a horror writer due to his collaborations with Stephen King (“The talismanand “Black House”) and his bestselling books “Koko” and “Ghost Story”, he was also well known to those who read his work more deeply as a literary writer with a prose-rich style on par with great contemporaries such as John Irving, Margaret Atwood, Joyce Carol Oates , Philip Roth, and John Updike. And although his books and stories have dark elements (his Blue Rose trilogy – “Koko”, “Mystery” and “The Throat” revolved around a serial killer, but are not not supernatural), he was a poet at heart who strove to create literature against genre fiction on the fly, and in his best and most popular works he was able to achieve both.

The late Peter Straub (Photo credit: Ben Kulo).

Most remember him as a genre giant of the 70s and 80s, when a horror revival was emerging thanks to King, Clive Barker, VC Andrews, Robert McCammon, Anne Rice and others, he also wrote – and strove to write – work that could be classified more broadly. His early novels were neither genre nor horror (“Marriages” and “Under Venus”), and he was a fan of literary greats such as John Ashbery and Henry James.

During his lifetime, Straub wrote seventeen novels, several collections of short stories, and almost a dozen short stories. He collected a non-fiction book (“Sides”) and was the editor of two major anthologies (“Poe’s Children” and “American Fantastic Tales”). It won several Bram Stoker Awards, World Fantasy Awards, was a New York Times bestseller, and had several books and stories adapted for film.

Outside of the best-selling “Ghost Story,” “Koko,” and his collaborations with King, Straub’s arguably most popular novels include “Shadowland,” “Floating Dragon,” and “A Dark Matter.” In addition to her own work, her daughter, novelist Emma Straub, wrote a book about her father’s declining health titled “Tomorrow at this time”. It premiered at number three on the New York Times bestseller list.

But more than a writer (in any classification or category), Straub was generous, kind, funny, supportive, gentle, genuine. He was a mentor to many, an inspiration to countless others, and embodied a greatness and warmth that will not easily, if ever, be replaced.

Today, the writing community mourns the passing of a legend in the field:

“Peter has saved my life, more than once, more than once, and I have never been able to repay him. A great author, a gentle, brilliant man. – Caitlin R. Kiernan

“A huge influence on me as a writer, and a kind and generous mentor.” –Dan Chaon

“Working with him has been one of the great joys of my creative life.” -Stephen King

“I wish I had written more about the work of Peter Straub and how much I enjoyed and was influenced by reading Shadowland at 19.” – Neil Gaman

“I remember the Ghost story that scared me.” –Joe Lansdale

“Peter Straub was a hero and I had the good fortune to know him over the past decade. The news of his passing is heartbreaking. –Paul Tremblay

“One of the kindest and most courteous people I have ever met.” –Benjamin Percy

“I owe a lot to Peter. It’s a dark day. –Laird Barron

“A terrific writer. I met him decades ago and was impressed by his kindness. –Alma Katsu

“It was Peter Straub, a few years after I started reading King, who taught me the finer details of the trade.” – Ronald Malefi

“One of the finest horror authors to ever work, one of the most admired and by far one of the kindest.” –Christophe Golden

“A genius writer who inspired me during my teenage years, a terrific storyteller and a witty man who could make you laugh in an instant.” – Thomas Old Heuvelt

“A wonderful writer and a generous human being.” –Brian Evenson

“Oh lord, Peter Straub. Another great guy and great friend is gone. – Ramsey Campbell

“His joy in my career and his total confidence in me is a buoy that I will cling to for the rest of my life.” -Emma Straub

Book Review: A Matter of Age, Jacinta Parsons


“Don’t age,” my grandmother once advised me. I nodded in futile agreement, wondering what the alternative was, and how old was ‘old’ anyway?

Jacinta Parsons is not old Old. She’s somewhere in her early forties, peri-menopausal, a woman who’s stopped getting calls on the street. “I’m only in the early stages of what aging will mean to me,” she wrote.

More than a memoir on aging, it is very precisely and politically about aging as a woman. It’s about being objectified all your life and then all of a sudden becoming invisible and wondering where all this rage is coming from. Parsons recounts his internal struggle with the “creep” of midlife, how realizations of his changing form and place in society set in, and that the middle is “always the worst place”.

Parsons uses Odyssian descriptions of the elements – fire, wind and water – to describe the experience of being a woman. She seeks mythological archetypes such as ‘the witch’, ‘the mother’ and ‘the slut’ to demonstrate how women have been placed in boxes all their lives, subjected to ‘street harassment’ and told to conform to expectations. of the society.

The first chapters cover “the maiden”, becoming a mother and being a woman who “defies the power elite” and will be “destroyed like women before them”. She weaves memoirs with statistics and anecdotes to back up her thoughts.

The point is, Parsons uses “woman” imagery universally, but it seems the type of aging she describes is anything but universal. It’s a deeply Western version, shaped by culture more than anything else.

She briefly touches on this point, acknowledging that “the experience of aging can be largely cultural” and that “aging comes to us both as a fact of biology and as a construct of culture”. She even states, at the beginning, her limited perspective as a cisgender white woman.

But the picture she paints is of a deeply dysfunctional society in which women are victims of patriarchy, internalized misogyny and a hyper-sexualized culture, which may be true, but it’s hard to believe that it is a universal experience. Don’t women from other cultures age with more dignity, without all these internal struggles? I started to wonder if it was all this internal struggle that made us all so unhappy about getting old.

One of the last chapters is a meditation on death, and perhaps the strongest. It seems that the realities of aging are finally being realized in Parsons’ acceptance of his own ultimate conclusion. She watches an apple core succumb to rot and raves about its relationship with time. There is comfort, she writes, in knowing that you will return to earth to nurture another; that letting go requires “absolute courage”.

Read: Book Review: This Devastating Fever, Sophie Cunningham

While there are some lovely snippets of footage that are sure to find an audience with fans of Parsons’ previous work, A matter of age looks like a long blog post with no groundbreaking revelations.

Shortly after, I retrieved Lily Brett’s memoir, Old seems to be other peoplein which she recounts, among other things, being assisted in an Apple store by two zealous and caring employees who use the “tone of voice you would use if you were talking to a three-year-old child”.

I found this vignette, with its kernels of insight into what aging in modern Western society actually looks like, more truthful.

A matter of age: Women, aging and the eternal selfHyacinth Parsons
Publisher: HarperCollins
ISBN: 9780733342165
Format: Paperback
Pages: 304 pages
MSRP: $34.99
Release date: September 7, 2022

American moon dreams are on hold


By now the spacecraft should be on its way to the moon. To this day, NASA hoped the gumball-shaped capsule, designed to one day carry astronauts, would send all sorts of data home, showing engineers how its first trip to space was going.

But the capsule is still there, sitting atop a giant rocket that has so far refused to leave Earth. NASA has spent weeks promoting the maiden flight of the Space Launch System, the rocket at the center of the ambitious US effort to land astronauts on the moon again this decade. Celebrity appearances and musical performances were on the agenda. There were enough Krispy Kreme donuts at the Kennedy Space Center to feed the entire state of Florida. Even the vice president has arrived. And yet, the rocket remained in place.

Many natural factors can delay the launch: nearby lightning, hovering cumulus clouds, the rotation of the planet itself. But in the case of the space launch system, the problems were with the rocket. NASA postponed its first attempt in late August after a sensor reported a problem with one of the main engines. The agency called off its second attempt this weekend after the liquid hydrogen tank caused a leak too big for engineers to contain. NASA will have a chance to make a third attempt in late September or October, after engineers remove the rocket from the launch pad and bring it back inside to inspect the system and reset its batteries. “We’re not going to launch until it’s good,” NASA administrator Bill Nelson told reporters over the weekend. The moon will have to wait a little longer.

People in the rocket industry weren’t surprised that the space launch system didn’t lift off on its first, or even second, attempt. Delays happen, as do leaks; The Space Launch System is a new vehicle made in part from familiar old parts from NASA’s now-retired space shuttle fleet, which have experienced their own frustrating share of hydrogen exhaust. But two abandoned attempts in a week are a disappointing setback for the country’s new moon program, named Artemis (for Apollo’s sister in Greek mythology).

The rocket program is already years behind schedule and many taxpayer dollars are over budget. NASA no longer faces a geopolitical space race, but faces domestic competition from private rocket makers who have pledged to fly more often and more cheaply than the government. A series of delays could bolster the argument that perhaps NASA, the only organization to ever put humans on the lunar surface, shouldn’t launch lunar rockets at all. Proper operation of the Space Launch System is as much about getting back to the moon as it is about demonstrating that NASA’s approach is worth it.

The first Artemis mission involves the Space Launch System lifting the astronaut’s capsule, called Orion, on a week-long trek around the moon and back. It is a technical demonstration, a test of countless parts and components to ensure that the vehicle is safe for people. If Orion performs as planned, survives the meteoric reentry into Earth’s atmosphere, and ends up in the hands of engineers, NASA will move on to the next stage of the program: another test drive around the moon, this time with a crew of four astronauts. If all goes well, the next mission will end with a surface landing.

Humanity has done this stuff before. From 1969 to 1972, NASA sent men to the moon six times, using technology less powerful than the small devices that run our lives in the 21st century. Astronauts descended to the surface and explored, ate and slept while the rest of humanity advanced nearly 240,000 miles. This time, NASA wants to do things a little differently. The next crew to set foot on the dusty regolith, for example, won’t be all white men; NASA promised the group would include the first woman and the first person of color on the moon. And the landings are meant to bring a sustained presence on the moon, a future with habitats and rovers on the surface and a small space station spinning above.

At Kennedy Space Center, along the country’s ‘Space Coast’, people were buzzing with anticipation in the days leading up to the two Artemis 1 attempts. Astronauts dressed in blue suits moved by, glancing furtively to the rocket that could one day be their turn. When I asked Victor Glover, a NASA astronaut who could very well be part of the first crew to land, what Artemis trip he would like to take, he said, “I don’t know, but if they want me mission, I will be ready when my time comes.

A rocket built for the moon hasn’t flown since 1972. After the Apollo 17 crew returned, America’s space program, subject to political whims and budget fluctuations, moved closer to home. NASA built space shuttles, and astronauts put them into orbit and helped assemble the International Space Station. Development of the Space Launch System began in 2010 and, fueled by bipartisan support and liquid hydrogen, the effort has managed to survive several presidential administrations and reach the launch pad this year, bringing the country one step closer to a return to the moon than he was. in recent memory.

This whole story, however, could slow NASA down. The Space Launch System design is based on hardware used in NASA shuttles, which were retired in 2011 after 30 years of operation. The rocket fuel includes liquid hydrogen, which, while more efficient, is also more prone to leaks than the methane that other rocket makers have started using. And after each launch, NASA’s rocket must abandon very expensive hardware in the ocean with no hope of reusing anything, which commercial companies have shown they can do.

One such commercial company, SpaceX, is developing its own lunar rocket, known as Starship. Ten years ago, the public might have scoffed at the idea of ​​Elon Musk’s rowdy start-up doing something very historic. But today, SpaceX is NASA’s only route to the International Space Station, and the agency has signed on with the company to launch several of its upcoming missions, including a new space telescope and a probe to study one. icy moons of Jupiter. Not only that, NASA has also contracted SpaceX to produce the lander that future Artemis astronauts will use to descend to the surface of the moon, as well as the spacecraft that will help it to lunar orbit. In a future where SpaceX technology could do all of this, the government rocket might seem almost superfluous. Of course, like NASA’s rocket, Starship will likely face its own set of problems. But if a ship explodes, Congress isn’t going to appeal to SpaceX officials and demand a formal explanation. Private enterprise can continue in a way that a federal space agency cannot.

NASA has set very ambitious deadlines for the Artemis program, and each should be taken with a speck of moon dust, especially the work goal for the first landing, in 2025. SpaceX’s landing technology is still In progress. The spacesuits aren’t finished yet. Even the toilets that will eventually be installed in the Orion capsule, don’t laugh; it is crucial technology! – is still being tested on the International Space Station and, according to a NASA engineering official, it is having problems. NASA budgets didn’t begin to factor in the habitats and rovers astronauts would use after they perfected surface landing. America could certainly send astronauts to the moon before the end of this decade, but we are a long way from lunar glamping.

Early in the Artemis story, high-profile delays raise all sorts of questions that NASA would rather not answer, ranging from What’s taking so long to get back there? at Why are we even going at all? The US space program has always received mixed reviews. NASA doesn’t talk about it now, but many Americans didn’t support the Apollo program, which took place in the late 1960s, a chaotic and painful time in the country’s history. The United States had enough work to do here on this planet without paying money to leave it, people said. Mark Kirasich, NASA’s deputy associate administrator responsible for defining the Artemis program, was 9 years old when Neil Armstrong and Buzz Aldrin walked on the moon, and he remembers thinking that after a feat like that, the people would soon be traveling even deeper into space. In fact, NASA officials predicted that after the lunar feat, astronauts would be able to reach Mars in the early 1980s. “When you looked at my coloring book, there were all kinds of space vehicles flying around the universe,” Kirasich told me.

This time around, NASA’s budget is much smaller and the agency is selling the public several reasons to return to the Moon: scientific exploration, economic opportunities, inspiring a new generation. At the Kennedy Space Center, the wrapper for a special launch treat – an Artemis-brand chocolate-and-marshmallow-covered cookie – said the launch was “for the benefit of all mankind.” Artemis 1’s unofficial tagline – “We’re going” – is, in a way, perfect. It offers no immediate explanation; it is exempt from justification.

Whatever the reason, a triumphant return to the Moon can only begin in one place: on the launch pad, with the successful liftoff of a rocket. NASA must now wait for technicians to carry out various repairs, including replacing a seal that would prevent liquid hydrogen from escaping. Hydrogen is the smallest molecule in the universe, making it difficult to contain even with the best materials on the market, Jim Free, NASA associate administrator for systems development, told me this weekend. of exploration. Free joined NASA in 1990, when the agency spent months trying to find the source of a hydrogen leak in one of the space shuttles. They couldn’t take off without solving it. When I asked Free if he thought the Space Launch System could face its own frustrating season – that a tiny molecule could block the nation’s attempt to reach the moon this year – he had a nervous laughter. “I hope not,” he said.

10 New Mutant Stories Everyone Should Read


The New Mutants have never reached the level of their older counterparts x-menthe widespread notoriety and cultural impact of . However, New Mutants is a Marvel title that has retained a loyal following for forty years, and x-men scholars often tout their stories as a high point in comic book history as well as some of the best X-comics available.

Related: 10 Marvel Properties Celebrating Milestones In 2022 (& How They’re Celebrated)

With a long history dating back to the introductory graphic novel by Chris Claremont and Bob Macleod, published in 1982, newcomers to the New Mutants may not know where to start. Thankfully, the series produced several salient issues that longtime fans can point out to new readers.

ten Steal This Planet Presents Lila Cheney

New Mutants didn’t just create a younger cast of mutants to add teenage drama to X titles. He introduced a slew of characters who would go on to become mainstays of all X titles, including teleported mutant rock star Lila Cheney .

In New Mutants Annual #1:Steal this planet!– written by Chris Claremont, drawn by Bob Mcleod, inked by Tom Palmer – the Mutants stumble upon Lila’s plan to steal Earth and auction it off. Her mad plan is interrupted by an alien faction and she loses control of the Stargate. Steal this planet! is a pleasure Inspired by Star Wars space adventure and a great standalone issue for new readers.

9 Sleepover is all about relaxation

Some of the best stories of the many x-men the series focuses on mutants hanging out with each other and socializing, with few major threats to worry about. New Mutants #21 – written by Chris Claremont, drawn and inked by Bill Sienkiewicz – “Slumber Party” is both a fun number and an introduction to New Mutants mainstay Warlock.

Related: 10 Things The New Mutants Do Better Than The X-Men

Defying Professor X’s propensity for secrets, the New Mutants women decide to invite some local girls over for a sleepover. However, when the injured and confused alien Warlock crash-lands near the mansion, the New Mutants must deal with its chaotic presence while keeping it hidden from unsuspecting non-mutant partygoers in a superhero comedy of errors.

8 The demon bear saga is essential

The “Demon Bear Saga” is such an influential artistic achievement by writer Chris Claremont and artist Bill Sienkiewicz that it tends to overshadow the rest of the original. New Mutants Course. While new readers shouldn’t stop reading once they’ve finished this tale, it’s absolutely an essential story for new readers and comic book fans in general.

Beginning with Volume 1, Issue 18, the saga follows Dani Moonstar’s quest for revenge against the Demon Bear, the mysterious entity that killed her parents. She finds the creature, but it is far more powerful than she ever imagined, and the New Mutants are swept away into the creature’s nightmarish, hallucinatory realm. This story was a turning point for the title, firmly establishing its identity as a coming-of-age comic with dark overtones.

seven Number 26 Presentation of the Legion

David Haller, AKA Legion, is the powerful and mentally ill son of Professor X. He is an incredibly powerful mutant, but also dangerous, as some of his characters are malevolent and he is filled with rage because his father abandoned him .

In New Mutants #26, “Legion” – written by Chris Claremont, drawn and inked by Bill Sienkiewicz – Xavier takes the Mutants to Scotland when he learns that a comatose David’s powers are spiraling out of control. The story becomes a judgment call for Xavier, who fathered and abandoned a child, and for Wolfsbane, whose abusive upbringing at the hands of a religious fanatic also began in Scotland.

6 The annual issue 2 brought Psylocke to America

Prior to New Mutants Annual #2, Betsy Braddock – AKA Psylocke – was a Marvel UK character Captain Brittany series and is not officially part of the 616 universe. Annual #2 officially introduced the Braddocks to Marvel’s American books, paving the way for x-menis the excellent “Australian era” and the beloved Excalibur books.

Related: X-Men: 10 Lesser-Known Stories For Fans Who Want To Go Deeper

Annual #2, written by Chris Claremont and drawn and inked by Alan Davis, is a fun and weird story. The New Mutants are abducted by Mojo and taken to his new show, “Wildways”. It’s the kind of trippy adventure that any issue involving Mojo tends to become, but it also features plenty of great New Mutants character moments, especially Cypher.

5 Magneto became the school principal

“The Trial of Magneto” was a landmark story in x-men it ended with Xavier going to space and putting Magneto in charge of his school. In New Mutants number 35 – written by Chris Claremont, drawn by Mary Wilshire and inked by Bill Sienkiewicz – the teenagers are suspicious of the new director, and his attempts to get them to participate in the Danger Room drills fail.

However, when Dani is almost sexually assaulted by a trio of men, Magneto springs into action. He keeps Dani safe, then tracks down the attackers and unleashes his powers on them until they surrender to the police. This story illustrated the effectiveness of Magneto’s caring approach, and the way it protects its students is a lesson that real-world institutions should learn.

4 The New Mutants Died in Issue #37

Secret Wars II is a notorious crossover event where the omnipotent Beyonder wanders loosely around the Earth. However, the crossing resulted in the excellent New Mutants issue 37 – written by Chris Claremont, drawn by Mary Wilshire, and inked by Bill Sienkiewicz – where the Beyonder killed the entire team.

Dani Moonstar foresees the death of the New Mutants, and there’s nothing she can do about it. She is the last to fall after her friends are all killed and erased from existence. The Beyonder resurrected the New Mutants in an issue of Secret Warsbut the spinoff spanned several issues, resulting in some of Claremont’s best character writing.

3 Issue 64 saw an alien wrestle death

Although it was presented as a x-men title for young readers, New Mutants turned into an incredibly dark comic with sinister themes. Few issues were more unsettling than issue #64, written by Louise Simonson, drawn by Bret Blevins and inked by Terry Austin.

This story takes place the day before Doug Ramsey’s funeral. Warlock doesn’t fully understand what Doug’s death really means. In an attempt to bring his best friend back to life, Warlock steals Doug’s body and the puppeteer in a gruesome resurrection attempt. It’s as heartbreaking as it is horrible.

2 Two issues followed fan favorites

Find unique problems from the latest set of New Mutants recommending may prove difficult for fans, as story arcs in modern comics are spread across so many issues that none of those individual issues are truly readable on their own. However, at the beginning of the Krakoa era new mutants, Ed Brisson wrote two issues that ran separately from the main story with pencils and inks by Flaviano Armentaro.

Related: 10 C-List Mutants Who Should Join The X-Men

Numbers 3 and 6 of New Mutants flight. The following 4 characters not usually associated with New Mutants: Armor, Boom-Boom, and Beak. Armor, along with Glob Herman, Maxine, and Manon, go to Beak’s cabin to find out why he didn’t move to Krakoa like most other mutants. The story has some refreshing stakes, though a fight does occur between the New Mutants and a biker gang.

1 Number 45 is tragic but full of hope

As written by Chris Claremont, penciled by Jackson Guice and inked by Kyle Baker, number 45 of New Mutants starts out like any light teen drama. The New Mutants and Kitty Pryde attend a mixing board at a nearby school, and Kitty meets and befriends Larry Bodine. Unfortunately, he ruins his newfound friendship with the New Mutants before it begins by telling anti-mutant jokes.

The New Mutants reject him, but unbeknownst to them, Larry is actually a mutant and was trying to fit in with what he thought were normal teenagers. Larry commits suicide, leaving Kitty and her friends feeling guilty. The New Mutants grapple with tragedy, each in their own way, and the issue culminates with Kitty giving one of the best speeches of them all. x-men history at Larry’s memorial service.

Next: The 10 Best X-Men Mutants Who Haven’t Been In A Movie Yet

A veteran author will release a western novel on September 17 – Morning Journal


The Wild West of the 1880s provides the setting and drama for “Travis, Texas,” a novel written by Gary Harmon of Erie County, according to a press release.

Author RJ Norgard says of the book, “Travis, Texas,” showcases Harmon’s flair for the historical western, and he infuses the book with a realism that rings true on every page has created a corral full of colorful characters.
and makes you care about them.

Harmon was born and raised in Evansville, Indiana.

His father was a cattle dealer, and soon Harmon was going into meatpacking and the cattle business on his own, according to the statement.

Harmon served as a cattle buyer/seller in the Evansville markets; Owensboro, Ky.; Chicago; and Kansas City, Mo., the statement said.

Often he heard Western stories from cattle dealers and traders, the statement said.

As a U.S. Army veteran, Harmon attended the University of Evansville.

In 1968 he moved to Erie County as a pork buyer for the Waldock Meat Packing Co.

When that factory closed, Harmon went into real estate, a career that would last 40 years.

It was also in 1968 that he met and married Dona, his companion for 53 years, until his death in 2022.

Following his flair for story and storytelling, Harmon has written two novels: ‘The Broken Spur’ and ‘Amber’s Place’, both published by Drinian Press.

This new book is published by Bird Dog Publishing, an independent Ohio publisher.

Novelist Patrick Lawrence O’Keeffe says, “Gary Harmon’s storytelling voice engages the reader in a daring adventure that is as historically instructive as it is exciting.

Harmon will hold a book launch at 1:30 p.m., September 17, for the Coffeehouse Readings series at Mr. Smith’s Coffeehouse, located at 140 Columbus Ave. in downtown Sandusky.

The 218-page novel is available from the publisher at http://smithdocs.net and in book or Kindle form from Amazon.com, according to the release.

AM Homes on his novel, ‘The Unfolding’, Trump and his family


On the bookshelf

The course

By AM Homes
Viking: 416 pages, $28

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AM Homes knows controversy well. Her first novel, “Jack,” written when she was 19, has been among the American Library Association’s most banned and contested books since its publication in 1989. Her fourth novel, “Music for Torching,” stung a nerve at an explosive moment. It dealt with a school shooting and its publication date – April 20, 1999 – coincided with the Columbine massacre.

His latest novel, “The Unfolding”, has a similar claim to uncanny prescience. Homes began writing it over a decade ago, around the time of President Obama’s defeat of Senator John McCain. In the book, a character identified only as “the Big Guy” organizes a group of wealthy Republicans to form the “Forever Men”, a secret cabal that has pledged to use any means necessary to sustain themselves and their species in the world. power. They assume that the women in their life will fall right behind them. But the Big Guy’s wife and daughter aren’t that flexible. They make discoveries that propel them on wacky journeys of their own.

I recently sat down to discuss “The Unfolding,” which comes out this week. The novel combines slapstick political satire with tender observations about the relationship between parents and children. Aspects of the story are reminiscent of Homes’ own adoption memoir, “The Mistress’s Daughter”, which traces the unexpected appearance of his biological mother in his life and the discovery of his biological father. It’s her first novel since “May We Be Forgiven,” which won the 2013 Women’s Fiction Award.

Homes and I have been professional acquaintances for years. In the early 1990s mutual friends insisted that we meet. At the time, I was writing a cultural history of the Barbie doll, and Homes recently published “A Real Doll,” a disturbing short story that begins, “I’m dating my sister’s Barbie.” Our conversation has been condensed and edited for clarity.

“The course” felt authentic because its fictional characters interact with real people. For example, Malcolm Moos, who wrote President Eisenhower’s 1961 speech warning against the “military-industrial complex,” is a real person. And George Washington too. What surprised you when you were doing the research?

I was fascinated by this feeling of confidence that comes not only from knowing its history, but also from having a legacy of historical significance. As I was finishing the book, this strange piece of information came to me: my ancestors owned the land that is now Capitol Hill – as everything Earth.

Ancestors of your biological father?

Yes, Dr. Thomas Gerrard. I also learned that two of my ancestors – they were sisters – sequentially married George Washington’s great-grandfather. There’s something about literally writing your way to some kind of story that you know on some level, not really knowing what you’re doing.

Are you saying you knew about a genetics level?

I am. My biological father had said things – and his own behavior was a bit “Big Guy” in that sense of large-scale trust and a sense of ownership or privilege of a place. And I didn’t quite understand that. But when I discovered this information, it made a lot more sense.

Who was your biological father?

A banker in Washington, DC In the book, the common thread of the Big Guy and his daughter Meghan is an echo of my life but also completely different. Because obviously I didn’t grow up with my dad. And we had none of those conversations and never spent more than 36 minutes together.

Your fiction has tended to be ahead of the curve – to portray cultural upheavals before they happen. Is it prescience or is it the reading of culture?

This is by no means the first time I’ve written my way to something. When I was writing “Jack”, my teachers were saying, “It’s going to be very controversial”. And I remember asking myself: Why? Was it because at the time there were no books about children whose parents were gay? Was it prescience? I like to think as a writer that it’s reading culture.

I like the way you evoke the values ​​of an entire class with three terms that vanish: “nobility obliges, haberdashery and supper”.

I was thinking of a generation that, for me, is rapidly fading. When I look at what happened with Trump, you see so much rule breaking. A lot of those rules weren’t written down because no one thought we ever had to write them down. Because people were expected to behave accordingly – and they all had the same desire to preserve democracy. But then one of my editors in England said, “Well, I’m confused because they keep talking about wanting to ‘preserve democracy’ but they don’t seem to want to.”

And I’m like, well, now democracy means different things to different people. Your “democracy” and my “democracy” are not necessarily the same things.

Where do the Forever Men — and their plans for disruption — fit in? The book ends before Trump emerges.

I’ve always been very interested in America after WWII, the investment in the American dream and the loss of understanding of the dream. This fits with the rise of big money and black money in politics. I imagine these men looking at Trump and asking, “Did we do that?” In other words, would it be attributable to them?

What did you hope to accomplish with this novel?

It’s important to me that this book be a weave of the ideas that are considered the great American novel – that is, a novel written by someone named Jonathan (that’s what the Jonathans do) – and the domestic intimate, which is also the feminine novel. It was a chance to weave them together and capture the big socio-political ideas and experiences with that of family. It also illustrates the differences between our public and private selves. The way the Big Guy is one person with his family and another version of himself when he’s with the Forever Men.

Despite its humor, the book paints a grim picture of America. Is there anything to be optimistic about?

Looking at the January 6 hearings, I look at all the women — the Young women – who intervened and provided information. Who put themselves in difficult positions. They were in these rooms and witnesses of things and the men did not take their presence into account.

Meghan is very specifically her own person. She comes to her senses and realizes that she may see the world differently from how it was described to her by her family. This process of individuation and separation is universal. I loved watching her discover her own sense of agency. If you don’t enter into yourself in a certain way, no one will push you there. The Big Guy may think she’s going to fall into her ideas. But it’s the Big Guy who is naive about his point of view.

Lord, author of “The Accidental Feminist,” is an associate professor at USC.

Who is vying for the top legal positions in the new government?


legal cheek speculates who the new Lord Chancellor and Attorney General could be

With the new Prime Minister due to be appointed by the Queen at Balmoral tomorrow, political pundits are plagued with predictions about who will get the top government jobs.

The posts of Justice Secretary and Lord Chancellor, currently held by former Linklaters man Dominic Raab, and Attorney General, currently held by Suella Braverman, are expected to see new incumbents. But who is in the running?

legal cheek takes a look at the candidates who have been touted for the highest legal posts of Lord Chancellor and Attorney General and who may be best placed to tackle the current challenges of managing criminal barristers’ strikes, smoothing the Northern Ireland Protocol Bill and the reassessment of the Bill of Rights Bill.

Brandon Lewis

With not only a law degree but also a degree in economics from the University of Buckingham and an LLM in commercial law from King’s College London, the former Secretary of State for Northern Ireland was approached by The Telegraph and legal commentator Joshua Rozenberg as future Justice Secretary and Lord Chancellor. Although called the bar, there is no evidence that Lewis ever actually used his legal qualifications as a barrister. Nevertheless, he has faced tough questions in the past on topics such as whether the Internal Markets Bill, as drafted in 2020, would breach international law – a question that is likely to reappear in connection with the Northern Ireland Protocol Bill.

Lucy Fraser

With the full title of Lucy Frazer QC MP, the seasoned commercial lawyer has spent more time as a lawyer than as an MP. The Cambridge Uni law graduate, who was president of Cambridge Union, took up silk in 2013 and was later elected as an MP a few years later in 2015.

After serving as Solicitor General and Deputy Minister in the Department of Justice, Frazer is currently Financial Secretary of the Treasury where she rubbed shoulders with former Chancellor Rishi Sunak, whom she supported in this leadership campaign. Interestingly, she has recently been particularly vocal on both the Northern Ireland Protocol and the backlog of the criminal justice system (although her comments on the latter were praised by anonymous bestselling author The Secret Barrister as “false, absurd or both”).

Simon Clark

It would appear the stars are aligned for Clarke to take over from Raab as Justice Secretary with a shared background as Magic Circle trainees. While Raab began his career as an intern at Linklaters, Clarke, 37, did a TC at Slaughter and May before apparently continuing to work for Raab in 2010. 12 years later, the former Slaughters rookie is became a full member of parliament. right and is currently Chief Secretary to the Treasury. Will the new Prime Minister see poetic continuity in allowing Clarke to take over from his former boss Raab, somewhat echoing Rishi Sunak’s takeover of his “Jedi Masterpredecessor Sajid Javid as Chancellor?

Robert Buckland

A Durham law graduate and former criminal barrister practicing in Wales, Robert Buckland has already held two of the three most senior legal posts in government in his role as Solicitor General under the Cameron and May governments and then Lord Chancellor under Boris Johnson before he was replaced by Raab. Opting for Buckland would almost certainly see much of Raab’s legacy as Justice Secretary unravel. Buckland criticized Raab’s pet bill, the Bill of Rights, which largely ignored recommendations from the Justice Department’s independent human rights law review. If he returns to the post of Lord Chancellor, he is likely to water down the bill, although others could also do the same.

Edward Timson

Son of Sir John Timpson, owner of the famous chain of key-cutting and shoe repair shops, Edward Timpson practiced family law as a solicitor in Cheshire, specializing in cases involving vulnerable children. He made headlines in 2014 for his foster care reforms, being named Minister of the Year in 2014 for his efforts. He attributes his passion in this field to his parents who took in 87 children over a 30-year period, some of whom grew up with Timpson. The collapse of Boris Johnson’s premiership, however, saw him take on the role of Solicitor General and back Rishi Sunak in the Tory leadership election. It remains to be seen whether he remains in this position, is promoted or demoted.

Guy Opperman

This former criminal lawyer, who described himself as being “on the left” of the Conservative party, is a sort of legal hero. With various awards and accolades for his pro bono work over his 20-year career as a criminal lawyer (plus a stint as a jockey!), Guy Opperman found his purpose in politics working in the ministry for Work and Pensions, where he has served as Parliamentary Under-Secretary of State since 2017. The Buckingham law graduate, however, clearly has strong views on the criminal justice system, as evidenced by his 2012 book Making Time: Prisons in the 21st Century. With a stellar reputation and long experience at the criminal bar, perhaps Opperman is a well-placed outsider who could thaw tensions with criminal attorneys?

Who do you think will get one of the best legal posts in the new government? Let us know in the comments below!

Las Vegas journalist Jeff German found stabbed outside his home


Award-winning Las Vegas Review-Journal reporter Jeff German was found stabbed to death outside his home on Saturday morning, according to local media and police reports.

The Review-Journal reported that police responded to a 911 call around 10:30 a.m. Saturday and found German, 69, dead outside his home with stab wounds. Police believe German was in an altercation before the stabbing and it appears to be an isolated incident.

Police were looking for a suspect on Sunday, according to the Associated Press.

“This is shocking and incomprehensible to everyone in our newsroom. This is a huge blow. Jeff was loved, admired, trusted and incredibly valuable to our organization,” said editor Glenn. Cook in an interview, “And it goes without saying that he will be missed terribly and it just won’t be the same to come back to the newsroom and he won’t be a part of it.”

Cook said German had not raised any concerns about his safety with the newspaper’s management team.

“We hope they find this person very quickly so that we can get answers to all the questions that we have as colleagues and friends, in relation to the work that we all do,” he said. .

German was previously a longtime columnist and reporter for the Las Vegas Sun, where he covered courts, politics, labor, government and organized crime, according to his biography. He joined the Review-Journal in 2010, where his investigative work covered articles on organized crime, political corruption and government failures.

Cook said German’s “bread and butter” “heralds big stories”, with many of his investigations leading to significant reform.

“It’s very hard to imagine what Las Vegas would be like today without all of its accountability over the past decades,” he said. “Jeff wasn’t one of those larger-than-life personalities in the newsroom. But you could tell he almost had this kind of cranky streak and if he walked around the newsroom with a groove on the forehead, you knew something big was coming and it was close. That’s how you knew Jeff was about to smash a big one.

“We were saddened to learn of the passing of Jeff German. Looking at all of his work over the years, it’s clear he’s had a major impact on Las Vegas and Clark County,” wrote Diana R. Fuentes, executive director of Investigative Reporters and Editors, in an email to The Times. “He was doing what we all aspire to as journalists: holding those in power accountable and giving voice to the voiceless.

German was the author of a 2001 organized crime book, “Murder in Sin City: The Death of a Las Vegas Casino Boss”, and was the author and host of the second season of the podcast on the Review-Journal’s true crime “Mobbed Up: The Fight for Vegas.

In 2017, the German announced that the Mandalay Bay mass shooter had targeted jet fuel tanks before spraying bullets from his hotel room into crowds at country music festivals on the Las Vegas Strip, killing people. dozens of people, according to the Review-Journal.

“Shocked to learn of the passing of longtime Las Vegas journalist Jeff German. It was a senseless act of violence. The loss of life in this way is always shocking and must stop. We will be following the police investigation closely,” Las Vegas Mayor Carolyn Goodman wrote on Twitter.

Nevada Governor Steve Sisolak called German “hard but fair,and “an excellent mentor for young reporters”.

Cook said German was unmarried and had no children, but had surviving siblings.

German’s colleagues will continue to cover the story, Cook said, from the time a suspect is arrested through the prosecution and adjudication of any case.

“We will remember his murder intensely for a long time. And it’s difficult,” Cook said, adding that the newspaper’s management is in the process of making bereavement counseling available to staff.

German’s colleagues flooded social media to remember his work and presence in the press room. They characterized the German as a dogged journalist passionate about the kind of stories that hold powerful people to account and inspire policy change.

“To mourn my gifted friend and colleagueRhonda Prast, the paper’s associate editor for investigations and engagement, wrote on Twitter. “So proud to have worked with you for the past 3 years in the I-team. A huge loss for me and #LasVegas.”

“Jeff loved his job,” Cook said. “He loved being an investigative journalist. That’s all he wanted to do. And people like that are irreplaceable.

The Documentary You Didn’t Know Jamie Lee Curtis Told


There’s more dirt than you think. Jamie Lee Curtis teams up with co-directors Bill Benenson, Gene Rosow and Eleonore Dailly to tell “Dirt!” from 2009. – a story honoring the very ground we walk on (by IMDb). Soil is one of the building blocks of life, playing a key role in politics, the economy and our environment. Just like humans, dirt is alive, harboring billions and billions of microorganisms, PBS reported. However, because of industrialization, our soil is attacked. “Dirt!” is a call to action, exploring the catastrophic repercussions of neglecting the land that sustains us.

But Curtis doesn’t just speak as the film’s narrator. In 1987, she patented “Infant Garment”, a full pocket diaper with built-in wipes, according to The Hollywood Reporter. However, the “Halloween” star insists on making the product biodegradable, refusing to go ahead with production until a more sustainable model is possible (via Lemelson-MIT). Recently, Curtis teamed up with Russell Goldman to write “Mother Nature,” described as an “ecological horror graphic novel” by Weekly entertainment. Scheduled to be released in fall 2022, “Mother Nature” will be made into a movie of the same name, directed by Curtis herself. “When I was 18, I had the idea for an eco-horror movie called Mother Nature,” Curtis said. vogue in a 2021 interview. “At the time, the idea of ​​a pipeline blasting oil through a mountain was cause for rigor, and obviously things haven’t really improved.”

Donald Trump has repeatedly called for long prison sentences for those he says mishandled classified information



Former President Donald Trump has repeatedly called for the prolonged imprisonment of his opponents who he says mishandled classified documents.

CNN’s KFile reviewed the former president’s comments, dating back to his first presidential campaign in 2016, from speeches, interviews and comments made on social media.

The former president is in potential legal danger after the Justice Department’s search of his Mar-a-Lago residence last month recovered more than 100 classified documents, with the DOJ alleging US government documents were ” likely concealed and removed” from a storage room at the Florida resort as part of an effort to “hinder” the FBI investigation. More than 320 classified documents have now been recovered from Mar-a-Lago, the Justice Department said, including more than 100 during the FBI search earlier this month.

Speaking in 2016 about the government’s decision not to indict Hillary Clinton with crimes related to their investigation into her handling of classified documents and use of a private email server while secretary of state, Trump , then a candidate, repeatedly promised that his administration would strictly enforce all rules regarding classified material.

He saw Hillary Clinton’s emails. Here’s Why He Says Trump’s Situation Can’t Be Compared

“On political corruption, we will restore honor to our government,” Trump said in August 2016. “In my administration, I will enforce all laws regarding the protection of classified information. No one will be above the law. »

“One of the first things we need to do is apply all classification rules and enforce all laws relating to the handling of classified information,” he said in September 2016.

Speaking in July of that year, Trump said Clinton’s mismanagement “disqualifies” her from public office.

“Any government employee who engages in this kind of behavior would be prohibited from handling classified information,” Trump said. “Again, that alone disqualifies her.”

It wasn’t just Clinton whom Trump criticized, he also repeatedly called for the jailing of other opponents for what he said was mishandling of classified documents.

In 2017, when calls between Trump and foreign governments were leaked, as well as communications between new national security adviser Michael Flynn and foreign governments, Trump suggested those responsible for the leaks should go to jail.

“It’s the most confidential stuff,” Trump said. “Classified. It’s classified. You go to jail when you release stuff like that.

Trump has also repeatedly said that former FBI Director James Comey should be “prosecuted” in tweets pushing unfounded accusations that Comey leaked classified information. A DOJ Inspector General’s report found “no evidence that Comey or his attorneys disclosed the classified information contained in the memos to members of the media.” The IG’s office referred the findings of its report to the Justice Department for possible prosecution, and prosecutors declined to press charges.

“He leaked CLASSIFIED information, for which he should be prosecuted,” said a tweet from Trump in April 2018, with another saying Comey should be in jail.

Trump has also repeatedly and strongly called for the prosecution of his former national security adviser John Bolton. Following the release of Bolton’s memoir from his time in the Trump White House, “The Room Where It Happened,” Trump said the book contained classified information.

A federal judge involved in one of Bolton’s cases found he likely endangered national security with his book, but the judge also dismissed the Trump administration’s attempt to block publication of the book.

In 2020, Trump told Fox News that Bolton should go to jail for “many, many years” for publishing the memoirs.

“Confidential information; he should go to jail for this for many years,” Trump said.

In an interview with Greta Van Susteren, Trump again called for Bolton to be jailed.

“Here’s what he did: he released classified information, highly classified information, and confidential information, all different categories,” Trump said. “John Bolton should never have been allowed to do this. You know, the young sailor who sent a picture to his mother and other people. They go to jail for a long time. You can not do this. And it wasn’t as vital, as important as John Bolton.

Trump tweeted in June 2020 that Bolton had been “washed” until Trump hired him.

“I took it back and gave it a chance,” the tweet read. “[He] broke the law by disseminating classified information, in massive quantities. He must pay a very high price for it, as others have done before him. This should never happen again!!!”

Trump later said in an interview with Brian Kilmeade that regardless of whether Bolton had unknowingly leaked information in his book, “he should go to jail.”

A Justice Department investigation into Bolton was dropped in 2021, and he told CNN’s Wolf Blitzer on “The Situation Room” last year that his book “went through a review process. prior to publication” and that it “had been authorized by the team of experts who reviewed it, ardently.

For his part, the former president insisted that he declassify all documents seized during the FBI’s search of Mar-a-Lago, saying in a statement that he had a “standing order” saying “that the documents removed from the Oval Office and taken to Residence were deemed downgraded the moment he removed them.

The search warrant issued by the Justice Department identified possible violations of three laws, none of which depend solely on the classification of information.

In a filing Tuesday evening, the Justice Department alleged that government documents were also “likely concealed and removed” from a storage room at Mar-a-Lago as part of an effort to “hinder the FBI’s investigation into Trump’s potential mismanagement. classified materials.

In response, Trump acknowledged in a court filing on Wednesday that classified documents were found at Mar-a-Lago in January, but argued that shouldn’t have been alarming – and shouldn’t have led to the search of Trump’s Florida residence earlier this month.

Storeless bookstore celebrates a decade of selling books


Calling itself an “airline bookstore”, Ika Bunko is a bookstore without a real physical storefront.

Instead of selling his own books, the manager organizes book fairs in bookstores for a fee and sells original items.

Now celebrating its 10th anniversary, Ika Bunko is going strong, earning the respect of booksellers for its promotional talent.


Ika Bunko director Yuki Kasukawa, 44, appeared on “Asaichi”, Japan Broadcasting Corp’s morning news show. (NHK), on July 15 to introduce comics to connoisseurs.

Along with a selection of books, t-shirts, badges and other quirky items are lined up for a book fair held at SPBS Honten Bookstore in Tokyo’s Shibuya district in March to celebrate the 10th anniversary of Ika Bunko. (Roppei Tsuda)

She has appeared on the show at least 10 times.

“The joy of books is that they take you to a new world,” Kasukawa said.

His main job is to borrow shelves from real bookstores to organize book fairs.

For example, she selects books dealing with everyday themes such as “Shinjuku and “travel” and attaches handwritten introductory texts to each book.

While the bookstore receives payment when books are sold, Ika Bunko also receives planning fees and proceeds from the sale of original products.

Kasukawa held book fairs at major bookstore chains such as Kinokuniya Shoten, Yurindo, and at local bookstores and public libraries in Tottori, Yamagata, and elsewhere.

Ika Bunko even graced the pages of a men’s fashion magazine.

When the manager hosted an event for book and music lovers, she lined up a selection of books at a live music club in Tokyo’s Shibuya district.

She said her strong point is that she can open Ika Bunko anywhere because it doesn’t need a physical presence.

But when asked about the downside, Kasukawa said, “I think it’s the fact that I don’t have a physical store. People often ask me if I sell books online, and it’s hard to explain.

Ika Bunko has five employees, including the manager and part-time workers in Japan and overseas.

Staff members publish a series of magazine columns and frequently use Twitter (@ika_bunko) to spread information about their favorite books and bookstores, as well as “ika”, which means squid.


Original items with official Ika Bunko (Roppei Tsuda) logo

Ika Bunko is the brainchild of book lovers who came up with the idea in the spring of 2012.

It all started when Kasukawa was thinking about what name she wanted to give her bookstore if she opened one.

The store’s name, which means “squid library,” comes from an iPhone case she was using at the time, which was shaped like a squid.

The other potential name was “Yakisoba Bunko”, which means “stir-fried noodle library”.

She asked an acquaintance to create a squid logo before she started posting a free diary and tweeting on social media every day.

The Air Bookstore has expanded its business since then, earning the respect of other bookstores.

“It’s amazing to stick to the concept of non-physical existence,” said Takeshi Hanamoto, 45, who works at Konno Shoten, a long-established bookstore in Tokyo’s Nishi-Ogikubo district.

He said it’s enviable to see Ika Bunko operating without worrying about sales, inventory and rent.

“But we share the same feeling that we want everyone to read books that we love,” he added.

Hiromitsu Kitada, 38, store manager of Umeda Tsutaya Books in Osaka, praises Ika Bunko’s efforts, saying he uses a wide range of approaches to broaden the bookstore’s scope of operations and create new book lovers. books.

“Selling books at a fixed location is not the only job of booksellers,” he said. “Ika Bunko showed us that those who transmit the joy of books are also called booksellers.”

Kasukawa currently works as a regular employee at a bookstore in Tokyo, living the life of a “two-way bookseller”.

She takes both jobs seriously and doesn’t believe Ika Bunko is a hobby.

Kasukawa never imagined this would continue for 10 years, she said with a smile.

A children’s playground that opened in Yamagata in April features a collection of 1,000 picture books and children’s books, each selected by Ika Bunko members, who decided which books should be included .

“I want to keep trying a lot of things like Ika Bunko always did because I want to convey the fun of books and bookstores even to those who don’t know about books,” Kasukawa said.

‘Too Dead to Die’ OGN promises a classic 1980s spy novel


Image Comics has revealed a new original spy graphic novel that will be released on December 14 called too dead to die. From creators Marc Guggenheim and Howard Chaykin, the OGN will feature classic spy novel styles.

too dead to die is one of those ideas I had been thinking about for years before the Covid quarantine gave me the opportunity to write it. I started writing “on spec” without any particular artist in mind. But ten pages later, I realized that all the images I was seeing in my head were illustrated by Howard, who I was lucky enough to collaborate with on Blade and Wolverine,” he said. “I was writing with Howard in mind without realizing it. Luckily Howard was willing to come on board and I love how he brought Simon’s story to life. It’s been very exciting to get people to know Too Dead To Die to the world after all this time.

Listen to the latest episode of our weekly comic book podcast!

So what too dead to die on?

In the 1980s, Simon Cross was America’s top spy. In too dead to diehe confronts the very different world of today and a past that comes back to haunt him, forcing him out of retirement for one last adventure.

Chaykin added, “Few things thrill me more, professionally, at least, than collaborating with Marc Guggenheim. I had a great time drawing this Simon Cross adventure, and I can only hope that every reader can share in that enjoyment.

For more on this news, read the official press release below.

PORTLAND, Ore. 02/09/2022 – The fan-favorite writer/artist team of Marc Guggenheim and Howard Chaykin (Blade, Wolverine) reunites for an original graphic novel in the upcoming Too Dead to Die. This all-new story promises the suspense of a classic spy novel and is set to hit Image Comics shelves in December.

In the 1980s, Simon Cross was America’s top spy. In too dead to diehe confronts the very different world of today and a past that comes back to haunt him, forcing him out of retirement for one last adventure.

The project achieves a long-standing goal for Guggenheim. “too dead to die is one of those ideas I had been thinking about for years before the Covid quarantine gave me the opportunity to write it. I started writing “on spec” without any particular artist in mind. But ten pages later, I realized that all the images I saw in my head were illustrated by Howard, with whom I had the good fortune to collaborate on Blade and Wolverine,” he said. “I was writing with Howard in mind without realizing it. Luckily Howard was willing to come on board and I love how he brought Simon’s story to life. It’s very exciting to get too dead to die in the world after all this time.

Chaykin added, “Few things thrill me more, professionally, at least, than collaborating with Marc Guggenheim. I had a great time drawing this Simon Cross adventure, and I can only hope that every reader can share in that enjoyment.

too dead to die (ISBN: 978-1-5343-2451-0, Diamond Code SEP220161) will be available on Wednesday, December 14 on local comic shops and to independent bookstores, Amazon, Barnes & Nobles, pounds per millionand Indigo Tuesday, December 20.

too dead to die will also be available on many digital platforms, including Amazon Kindle, Apple Books and Google Play.

Become a patron today to get exclusive perks, like access to our exclusive Discord community and monthly comic club, ad-free browsing on aiptcomics.com, a physical paperback mailed to you every month, and more!

The Hidden Gems book launch


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Book Launch The Hidden Gems – A Collection of Prose and Poems by Aman Talwar

New Delhi (India), September 1: Author-poet Aman Talwar’s latest title, “The Hidden Gems,” is a fine collection of prose and poetry. This book is special because it can significantly help readers change their perspective on the way they see things. The book provides readers with a bundle of positive energy, as this book teaches us the importance of relationships and our loved ones that we sometimes take for granted. Each of the ’40 Poems and Feature Articles’ in this book is like a unique sketch of emotional love, the pain that occurs in human life, their belief in spirituality, etc. The author here has cast magic spells with his words in this book, as this title has also earned the privilege of becoming the #1 bestseller on Amazon!

Moreover, through this title, “The Hidden Gems”, the author explains wonderfully how we see our working life, materialistic things, the non-living quotient, and the effort we put into such things is more high than we spend time with our loved ones & our beloved relationship. Taking our loved ones for granted is a mistake we consciously and unconsciously make every day. Hope, faith, laughter, feelings and emotions play a vital role in our daily lives. However, we often forget to express them. Reading such expressions of forgetfulness can undoubtedly help readers reorient and rewire their minds. This book emits warm emotions, which readers are sure to feel once they pick up this worthy book for a read.

Interestingly, author Aman Talwar’s latest title, “The Hidden Gems” (https://www.amazon.in/dp/9394607749), has won #1 bestseller on Amazon a few days after its release. Undoubtedly, the book was a huge pick for the readers as they loved that author Aman Talwar took a giant leap forward with his book. In just six months, the author released two books, and in her second book, she made sure to amaze everyone and win everyone’s hearts. This title, Hidden Gems’ is the perfect proof of author Aman Talwar’s growth as a true writer, talented poet and natural author!

Now, if we review the initial works of author Aman Talwar, the name of his first book, “Weaving Emotions”, appears. Well, this book strikes every nerve in the heart. It dwells on the different facets of the emotions we experience and tries to intertwine them with the various aspects of life. He tries to reflect on the importance of the bonds between parents. The book consists of a beautiful collection of poems, one after another, which are mainly based on the different aspects of life like togetherness, feelings, relationships, faith and happiness! Readers have shown immense love for this title and the book has received some truly motivating and positive reviews in all online markets. The fact that the poems in this book, ‘Weaving Emotions’ got off to a good start, which is also retained by the author until the very end, turned out to be the best thing about this title.

The way the author expressed himself with his well-versed poems in this collection of poems, “Weaving Emotions” is something truly amazing and is undoubtedly reason enough for you to focus on his poems and give a chance to this book. It is the poets, who play the pivotal role in touching the inner chords of our emotions and making us believe and think as their words intend and the author-poet, Aman Talwar had done this job in an exceptionally excellent manner !

Amazon India’s best-selling author Aman Talwar is that admirable personality, who knows the art of turning stones into precious gold with his perfect magic words. Be it her debut track, ‘Weaving Emotions’ or her latest track ‘The Hidden Gems’ published by Astitva Prakashan (https://astitvaprakashan.com/ ) she captured readers’ hearts time after time with her magical lyrics. Author Aman has a punchy voice in his words, which makes readers think about how his poems and prose intend readers to think.

USDA predicts higher farm profits for 2022


The Department of Agriculture updated net farm income projections for 2022 on Thursday. Micheal Clements shares the details.

Clement: The USDA’s Economic Research Service released its September 2022 farm income forecast on Thursday. American Farm Bureau Federation economist Bernt Nelson says the USDA has revised farm income to be higher.

Nelson: Today’s report adjusted the net farm income forecast for 2022, up $7.3 billion, or 5.2% from 2021. This follows a $45.9 billion increase dollars in 2021 from 2020. ERS also adjusted the Feb. 4 net farm income projection for 2021, raising the forecast in the September report by $21.3 billion, or nearly 30%.

Clement: While benefiting from increased farm income, expenses are also higher.

Nelson: The February report showed a 17% increase from 2021 to 2022 in total agricultural spending. The September forecast increased total spending by $437.3 billion. The largest increases in spending came first from fertilizers, up 41%, and second from pesticides, up 25% from a year ago. In third place, we have fuel costs that have increased by 22% since 2021.

Clement: Nelson adds that there have been many changes in the world since the February report.

Nelson: I think the Russian invasion of Ukraine was really a wake-up call when we talk about a secure food supply. The disruption caused by the invasion caused crop prices to spike and then come back down. It’s the result of our farmers, they really got together and the production was good. That alleviated some of our supply concerns a bit.

Clement: Michael Clements, Washington.

John Tulloh, ABC TV’s first foreign editor, is remembered for his talent and people skills before the digital revolution


ABC News’ first foreign editor, John Tulloh, was a much-loved legendary figure who inspired generations of journalists, encouraging them to go out into the world and tell compelling stories.

Former ABC Northeast Asia correspondent Wally Hamilton, who worked alongside Tulloh, paid tribute to him for ABC Backstory.

How is international news covered?

These days, a story can be filmed on a cell phone, edited on a laptop, and delivered via email. This was not always the case.

Previously, news cameras were Bell and Howells or hand-cranked Sony CP16s that held 400 feet, or 10 minutes, of film that had to be chemically processed and manually cut into a story.

The script was often recorded on tape and sent to be adapted later.

Customs formalities, an airline strike, censorship or bad weather could easily prevent an item from reaching its destination.

Over a 40-year television career, John Tulloh has witnessed the transition from film to digital file, from telex to email, from shipping to satellite feed.

He started at the Visnews news agency in London and later became the first foreign editor of Sydney-based ABC TV before retiring as head of international operations in 2004.

His recent passing, at the age of 82, brought back memories of a golden age of news.

John Tulloh this year with Jacquie Sheppard, the widow of close friend Jack Sheppard, and her daughter Stephanie(Provided)

Born in 1940 as one of four siblings including a twin sister, Tulloh grew up in Adelaide by the beach.

His father worked for The News, an afternoon daily, before setting up a public relations firm.

After serving as a cadet at The News, Tulloh sailed for the UK in 1961 seeking adventure and career opportunities.

He was eventually hired by Visnews as a screenwriter at its London headquarters.

Missions have taken him to Mexico, Calcutta, Cairo, Hong Kong, New York… the list is long.

The success of “analog” journalism depended more on human and human skills than on technology, and Tulloh had both.

David Brill, a distinguished cameraman who knew him well, said, “The great thing about Tulloh was the consistency and loyalty of his friendships.”

This has allowed him to form and maintain friendships with key people in the media around the world.

These contacts have often allowed ABC correspondents to connect to a wider and richer network of resources.

When President Marcos of the Philippines was ousted in a coup in 1986, Ian Macintosh led the company’s coverage team in Manila.

The ABC teamed up with the BBC and NBC, beating out Australian commercial stations scrambling to cover the story.

“I couldn’t have gotten the ABC accepted as a junior partner in the consortium – that was John’s job,” Macintosh recalls.

So it was when Macintosh reopened the ABC office in Jakarta in 1991, after years of being sidelined by the Suharto regime.

Trying to book a satellite to send a report was often a nightmare.

“Where I couldn’t get permission through official lines in Indonesia, he could through his contacts at TVRI [the national broadcaster]“said Macintosh.

Jill Colgan found herself “in the desert in Afghanistan, without means of communication and without reinforcement”, and trouble is looming.

Using a satellite phone recovered from another reporter, she dialed “JT”, as he was affectionately known.

“We have been brought into the fold of the BBC, more secure, supported and able to give evidence on the coming war without running out of time,” she said.

“He was a lifesaver.”

John Tulloh and Jane
John Tulloh with former ABC Hong Kong correspondent Jane Hutcheon.(Provided )

Greg Wilesmith, who reported from war-torn Belgrade in 1998, said Tulloh was a “master organizer”.

“After NATO bombed the main TV station, communications became a bit more difficult, and we had to get the video tapes across the Romanian border,” he said.

“That kind of logistics was meat and drink to him.”

In 1991, after the Gulf War, Trevor Bormann was tasked with setting up a new office in Amman, Jordan.

Tulloh handled the “almost daily” requests for extra expenses with good humor, as this excerpt from a note to Trevor shows:

“We are so concerned about your aversion to walking around the seven djebels[hillsofAmmanthatwehaveconcludedyour4W-driveproposalisagoodone”[collinesd’Ammanquenousavonsconcluquevotrepropositionde4W-driveestbonne”[hills’ ofAmmanthatwehaveconcludedyour4W-driveproposalisagoodone”

Driver: “No problem, go ahead. What’s your next request, a butler?”

During the Cambodian civil war in the 1970s, a freelance Korean cameraman working for Visnews disappeared for weeks and it was feared that he was dead.

Tulloh “inflated” the story fee and flew to Seoul with a large sum of money for his family.

Fortunately, the man escaped his captors and found himself safe and sound in Phnom Penh.

His biggest problem then was explaining to his wife how he made so much money while sending little home.

Tulloh knew all too well the dangers of the job.

His friend Neil Davis died in 1985 when he was hit by shrapnel while filming during a coup in Thailand.

Tulloh described Davis as “always calm, unflappable, and ever so unassuming about his experiences”.

He shared the same personal qualities, which earned him a place among the best foreign publishers in the world.

In 2003, ABC contract cameraman Paul Moran was killed in northern Iraq by a suicide bomber.

Tulloh handled the terrible aftermath with his usual tact and delicacy.

Moran’s widow would receive a call from JT on every birthday thereafter.

The first Gulf War, the overthrow of the Twin Towers, the invasion of Iraq and the scourge of terrorism made the protection of personnel stationed in hostile areas a greater challenge.

“Survival training” before deployment, the wearing of NBC (nuclear, biological, chemical) suits, even armored vehicles have become requirements.

While reporting from Bosnia in 1993, Max Uechtriz heard “the ping of a sniper bullet” hit the fortified Range Rover they called “The Hog”.

“There were different sized tires on each of the four wheels and the heating system had been stolen,” he said.

“We had a very cold winter there in Sarajevo.”

A man in a suit sitting on the ground next to a dog.
John Tulloh in Adelaide around 1961, before he left for Europe. (Provided )

Uechtriz had covered the Tiananmen Square protests and military crackdown in Beijing in 1989, where Singapore-based cameraman Willie Phua captured famous footage of the “tank-man” carrying his shopping bags and restraining the PLA.

Tulloh’s ability to anticipate story development, source coverage and keep lines of communication open once again proved crucial.

A former Washington correspondent, now ABC’s editorial director, Craig McMurtrie described Tulloh as calm in times of crisis and unwaveringly supportive.

“JT seemed to watch, read and listen to everything you dropped off and didn’t dodge tough comments when necessary,” McMurtrie said.

Tulloh once wrote, “News is a serious commodity.”

He hated it turning into gossip or rumor, and he swooped like a hawk on sloppy language, jargon, or slang in the scripts.

John Cameron, a foreign correspondent who became director of news and current affairs, commented: “You knew what was expected of you.

“His comments were carefully worded as encouragement rather than criticism,” he said.

“And yes – he was a follower of standards, but never in a superior way.”

Tulloh wanted value-added stories from his correspondents, not articles re-edited from briefings or documents.

He wanted stories that captured the mood and attitudes of ordinary people in Central America or downtown Tokyo, not just the competing elites.

A man smiles with a camera around his neck.
In his 40-year career in journalism, John Tulloh has seen the shift from film to digital. He is remembered for his dedication to his craft. (Provided)

He deeply regretted the homogenization of information.

“Such international coverage is due to the ripple effect of what is happening in the most powerful country in the world,” he said.

“So many journalists based in the United States, especially inside the Washington beltway, are influenced by what they read on the front pages of The New York Times and The Washington Post and, to some extent, by the newsletters network evening news.

“It’s like an infection.”

How is international news covered?

Tulloh’s own simple description of himself as a boy offers an answer: “I was not a curious child, but I learned to be observant.”

Summer reading program could help drag test scores


DULUTH, MN. (CBS 3 Duluth) – The summer reading program at the Duluth Public Library ended Wednesday after hundreds of participants tracked their reading minutes throughout the season.

The program ends just before school starts in Duluth and throughout Northland. The Minnesota Department of Education has released the latest results from the 2022 Minnesota Comprehensive Assessment, which measures students’ skills in reading, math, and science.

45% of Minnesota students were proficient in math and 55% proficient in reading. Since 2010, math proficiency has dropped 10 points and reading has slipped seven.

Perhaps the summer reading program in Duluth could increase those numbers. A total of 857 people used the library’s summer program and 650 of them were aged 18 and under.

“It was nice to get out and see kids and read stories and sing songs,” said Maddi Bear, one of the parents at story time at the Duluth Public Library downtown. .

She and her daughter love to read, it even helped her daughter grow up fast.

“I mean it definitely helped her develop her language,” Bear said.

While still young, Bear says her daughter’s understanding has improved since she started turning the pages.

“Now she’s going to sit on the couch with a book and pretend to read the book,” she said, “turning the pages.”

Carmella Hatch is an early literacy librarian. She specializes in books for children and adolescents. Hatch said children model their behavior on adults.

“So if they see the adults in their life reading and enjoying it, they’ll be more likely to do that as well,” she said.

In his opinion, any book can help children with learning loss, such as a large book with chapters or even a smaller graphic novel, but the most important thing for children is to have fun while they read.

But in recent months that enjoyment has been drowned out by concerns from parents and teachers who have come to say their child is not at the reading level they should be.

“I think that was a problem with that in the pandemic in general,” Hatch said, “kids haven’t been given the same kind of education they were getting in the past and the same routine.”

Reading helps children learn other subjects, she says, and can even improve test scores.

“They say before you go into third grade you learn to read and after third grade you often use reading to learn other subjects,” Hatch said.

Reading multi-level books will also help children develop their reading comprehension and their ability to learn vocabulary.

“Having these books that are below their level or on their level is just really good encouragement,” she said, “it builds their confidence that they can read them and they love reading them for that. “

Copyright 2022 CBS 3 Duluth. All rights reserved.

Virginia judge dismisses lawsuit challenging sale of two ‘obscene’ books



A Virginia judge on Tuesday dismissed a lawsuit brought by two Republicans who sought to limit how bookstores and public school libraries could distribute two books to minors, shutting down — at least temporarily — an unusual business strategy in the campaign to protect students of literature, say conservatives. not age appropriate.

The two books at the heart of the lawsuit are Maia Kobabe’s “Gender Queer,” a memoir on identifying as non-binary, and Sarah J. Maas’ “A Court of Mist and Fury,” a fantasy novel that depicts a dark fairy romance. Both have raised objections for their sexual material. The lawsuit, filed in Virginia Beach Circuit Court by Del. Tim Anderson (R-Virginia Beach) and congressional candidate Tommy Altman, sought to prevent the Virginia Beach school system and private bookseller Barnes & Noble locations from selling the books to children without first obtaining parental permission.

In her order dismissing the suit, Judge Pamela Baskervill found that part of Virginia state law dealing with obscenity is unconstitutional. The little-known and little-used section of the state code, around which the Republicans’ lawsuit was built, states that any citizen of Virginia can file a lawsuit in court to have a book declared obscene and, if a judge agrees , that anyone who subsequently distributes the book “is presumed to have knowledge that the book is obscene” and could be held criminally liable. The code is decades old.

In his ruling, Baskervill said the law violates the First Amendment by allowing government censorship and assuming that anyone distributing an obscene book must consciously decide to break the law, when in fact those people might “not know that a book can be considered obscene.” The law “imposes a presumption of scientificor the knowledge that one’s actions are wrong, Baskervill wrote. In similar reasoning, Baskervill concluded that the law violates the due process clause of the constitution “by permitting judgment without notice to the parties concerned.”

Virginia Code § 18.2-384 is unconstitutional on its face,” Baskerville wrote in his final order in the case. Thus, the case itself is no longer valid and deserves to be dismissed, she wrote.

Baskervill, who came out of retirement to govern because fellow Virginia Beach judges recused themselves, also found plaintiffs failed to establish that either book was obscene under Virginia law. “The petition does not allege sufficient facts to support a conclusion…that the book is obscene,” Baskervill wrote of “Gender Queer” and “A Court of Mist and Fury.”

In May, Baskervill discovered there was “probable cause” for designating the two books as obscene while the court considered arguments in the case. In his Tuesday order ending the case, Baskervill wrote that the finding was “released without the benefit of briefing or argument by the parties involved” and “was rendered on an incomplete record.”

“It’s a cliche of Thanos,” said Jeff Trexler, acting director of the Comic Book Legal Defense Fund who represented Kobabe in the case, of Baskervill’s gutting of his own previous decision.

He added that he believed justice had been served: “The fact is, [‘Gender Queer’] is not obscene, it is a work of serious, substantial, artistic, literary and political significance… This case should never have been brought, and a case like this should never be brought again.

Anderson wrote in a statement Tuesday that his client, Altman, is “considering his appeal options” and may look to “review by higher courts to conclusively answer this question.” He also suggested that they could request “additions to the code by the General Assembly”. Kobabe and Maas did not immediately respond to requests for comment on Tuesday.

What happens next depends on whether Altman and Anderson decide to appeal. Because First Amendment and due process issues are involved, Trexler predicted, the case could eventually go to the Virginia Supreme Court — and onward to the Supreme Court.

For now, Baskervill’s decision, while it remains unchallenged, means that the specific section of Virginia’s obscenity law that she found unconstitutional is no longer valid in the particular slice of the state. under the jurisdiction of the Virginia Beach City Circuit Court, Trexler said. And that means both books can be freely sold by private bookseller Barnes & Noble.

However, at least one of the two texts is no longer available in public schools in Virginia Beach City. Around the same time the lawsuit was making its way through the courts in May, the school board decided to remove all copies of “Gender Queer” from its libraries due to the book’s sexual content. On Tuesday, before the judge’s final ruling, Anderson and Altman withdrew part of their lawsuit that targeted the school system, citing the fact that the district had already barred students from “Gender Queer” access.

Kamala Lannetti, an attorney for the Virginia Beach school board, wrote in a statement that, “in today’s hearing, the school board argued that the court lacked jurisdiction over the school board” because that Virginia’s obscenity law “exempts public schools from the application of … Proceedings against an allegedly obscene book. But, Lannetti wrote, this issue became “moot” after the plaintiff withdrew — and the “school board took no position on the other arguments before the Court”.

Barnes & Noble did not respond to a request for comment on Tuesday.

“Gender Queer,” written as a graphic novel, charts author Kobabe’s journey from adolescence to adulthood and his asexual, gender-nonbinary coming out. The book contains graphic sexual scenes – for example depictions of oral sex, masturbation and a sexual fantasy involving fellatio between an apparent teenager and an older bearded man – which have drawn strong criticism from parents, including allegations that the book features pedophilia.

“A Court of Mist and Fury” is the second in Maas’ best-selling series, Court of Thorns and Roses, which re-invent well-known sagas and fairy tales, such as “Beauty and the Beast”, from new and different perspectives. Common Sense Media, the book review site, recommended the text for ages 17 and up, noting that it is “full of sex, gore magic”.

The lawsuit comes amid an unprecedented nationwide curtailment of student reading freedom in the United States. Challenges and book bans both reached historic highs last year. In the past two years, six states have passed laws that mandate parent involvement in book reviews or make it easier for parents to remove or restrict texts in school, while five more states are considering legislation. similar. And Republican lawmakers in at least nine states are passing laws that require school library databases to block certain types of content.

Globally, the targeted books are primarily written by and about people of color and LGBTQ people, according to PEN American and the American Library Association — the latter of which recently found “Gender Queer” to be the most contested book of 2021.

The university core welcomes a new scholarship holder


Teacher. Roger Alfani, Ph.D.

Core University welcomes new Core Fellow, Professor Roger Alfani, Ph.D. Professor Alfani served as an adjunct faculty member of the School of Diplomacy and Core University for four years, but will join Core as a Fellow full-time and a faculty member for the fall 2022 semester. “Teaching at Seton Hall University for the academic core and the School of Diplomacy was not just about sharing knowledge or imparting information” , remarks Alfani, “It really means engaging with students who come from different disciplines and who are eager to learn and motivated to make a positive impact on this world. That’s the kind of passion I witness at Seton Hall. Passion for excellence, passion to lead and serve both locally and globally!”

Alfani comes to Seton Hall with a doctorate from the University of Montreal in religious studies and peacebuilding. He also holds a master’s degree from the same university in biblical studies and theology, where his studies focused on the Hebrew word “Ruah” (meaning “breath” or “spirit”) used in the Book of Judges. Subsequently, he continued his education and earned an Executive MS degree in International Affairs and Foreign Policy Analysis from Seton Hall’s School of Diplomacy.

Aflani’s book, Consolidation of Religious Peace in the Democratic Republic of Congo, is a study of the role of religious groups in peacebuilding in war-torn Congo. This publication led him to play a consulting role in an ongoing documentary production on the Congolese struggle for independence. Alfani also recently collaborated with Professor Jon Radwan of the Department of Communications on a paper “Communicating Transcendent Love: Interpersonal Encounter and Church-State Transitions in Fratelli Tutti,” which appears in a special issue on “Catholic Church–State Relations in Global Transition” in the journal religion.

A National Endowment for the Humanities Grant (NEH) recipient, Alfani is “so excited about the NEH Collaborative Fellowship that my colleague Nicole Eggers and I received. -confessional focuses on the role of religion in the lives of Congolese refugees through their experiences of flight and resettlement or repatriation. One of the main outcomes of this fascinating project will be to produce a co-authored monograph that will not only make a contribution to the fields of refugee studies and religious studies, but will also be a rich archive of refugee life stories. .” The hot topic of refugees through a religious lens will be a theme in a Foundation III course that Alfani is developing.

Known internationally as an expert on the history of Congolese politics, Alfani recently received two book offers from a leading academic press in the UK. With knowledge of reading and writing eight languages, including ancient Hebrew and Greek, Alfani also brings to his core courses an in-depth knowledge of diplomacy, culture and religion. The University Core is proud to welcome our dear colleague, Professor Roger Alfani, to his new role as Senior Fellow and we look forward to his future contributions to Seton Hall University.

“Women, the Courts, and Changing Notions of Liberty”


Dahlia Lithwick. Image by Kathryn Hollinrake.

Florida Atlantic University presents “Women, the Courts and the Shifting Notions of Liberty,” with award-winning journalist and legal affairs analyst Dahlia Lithwick. The lecture and book signing will take place Thursday, September 15 at 2 p.m. in Osher’s Lifelong Learning Auditorium, 777 Glades Road, Boca Raton Campus.

In the wake of controversial Supreme Court rulings this summer, including the overturning of Roe v. Wade, Lithwick will help decipher this complicated moment in American history and explain the broader complications for First Amendment freedoms.

Tickets are $25, and the first 200 people to get a ticket will receive a copy of Lithwick’s book “Lady Justice: Women, the law and the battle to save America. FAU students, faculty, staff and alumni are free with ID and all tickets are available at www.fauevents.com or by calling 561-297-6124. Osher Lifelong Learning students can purchase tickets at olliboca.fau.edu.

Lithwick is editor at Slatewhere she writes since 1999 the sections “Supreme Court Dispatches” and “Jurisprudence”. His work has also appeared in the New York Times, Harper’s, The New Yorker, The Washington Post, The New Republic and Comment, among other places. She is the host of “Amicus”, Slatethe award-winning bi-weekly podcast on the law and the Supreme Court. She is also a frequent commentator on MSNBC.

In 2018, Lithwick received the American Constitution Society’s Progressive Champion Award and the Hillman Prize for Opinion and Analysis. She won a 2013 National Magazine Award for her columns on the Affordable Care Act and twice received an Online Journalism Award for her legal commentary. She was also inducted into the American Academy of Arts and Sciences in October 2018.

Lithwick earned a JD degree from Stanford University and a BA in English from Yale University.


best books to read in september 2022


September brings spring and also – yes, that’s right – the start of the Christmas book season, when booksellers do a vital and important part of their annual business.

By December, there will be a steady stream of books of all kinds – children’s, cookery, fiction, stories, biographies, memoirs – filling the shelves.

This is the manna of books for a few months.

The Booklist is a weekly newsletter for book lovers from book editor Jason Steger. Get delivered every Friday.


CourseIan McEwan

Cape Jonathan, $32.99, September 15

Course has one of those classic Ian McEwan openings – maybe not as dramatic as in lasting love Where The child in time – with Roland, the adolescent hero, whom we then follow for many decades, seduced by an older woman, his piano teacher. As our impending review puts it, “It’s impossible not to admire a writer of McEwan’s reputation who is always risking a new adventure.”


This devastating feverSophie Cunningham

Ultimo Press, $32.99, September 7

This ambitious third novel took environmentalist and former publisher Sophie Cunningham 16 years to bring together subjects as disparate as colonialism, Leonard Woolf – husband of Virginia – and the Bloomsbury circle, and through the figure of a novelist writing on Woolf today, the various issues facing our world. It’s a slick and original novel that’s clearly going to spark a lot of conversations.


Faith, Hope and CarnageNick Cave and Sean O’Hagan

Text, $45, September 20

What else is there to know about Nick Cave? A lot if the pre-publication of this book is to be believed, produced from hours of conversation between the deep-minded musician and his old friend, British journalist Sean O’Hagan. It focuses on Cave’s inner life in the six years since the death of his son Arthur and was sparked by the lockdown and his ongoing dialogue with fans through his Red Hand Files.


The portrait of marriageMaggie O’Farrell

Tinder Press, $32.99, August 30

How to follow up on commercial and critical success like Hamnet? Maggie O’Farrell turned to the Italian Renaissance with the story of Lucrezia de Medicia, who was only 13 when she married Alfonso, Duke of Ferrara, who was twice her age. The historical record is unclear, but the suggestion is that he killed her. O’Farrell brilliantly revives Lucrezia in 16th-century Florence.


The ruleJock Serong

Text, $32.99, August 30

This is the third of Jock Serong’s historical novels set around the Furneaux Islands. As our next review says, Preservation and The Burning Island were “rather historical novels, but eclipsed in ambition by this devastating work”. The settlement is Wybelenna on Flinders Island where George Augustus Robinson gathered the indigenous people of Tasmania, and Serong reimagines the ill-conceived scheme in captivating fashion.


ExilesJane Harper

Macmillan, $32.99, September 20

The best-selling author of The dry brings her back AFP detective Aaron Falk for what she says is her final appearance. Visiting friends in a small town in South Australia, Falk is intrigued by the mysterious disappearance of a local woman and mother of a newborn baby, and an earlier fatal hit-and-run. As with his previous books, you will immediately find yourself hooked by the plot and the characters.


Charlie is fine tonightPaul Sexton

HarperCollins, $34.99, September 21

When Rolling Stones drummer Charlie Watts died last year, the tributes were legion and heartfelt. He was such a contrast to the rest of the band and you wonder if they would have survived this long without his constant and brilliant influence. Paul Sexton’s title comes from this line from Jagger – “Charlie is good tonight, ineee?” – trapped Little Queen on the 1969 live album Get out Yer Ya-Ya!


Emperors in Lilliputjim davidson

Miegunyah Press, $59.99, September 20

Meanjin and By the road remain beacons in the literary landscape. Historian, biographer and second editor of MeanjinJim Davidson, looks at the two men who founded the magazines, Clem Christesen and Stephen Murray-Smith respectively, and how both steered the magazines for 34 years through the sometimes turbulent waters of the times, while nurturing the writers and thinkers.


The history of art without menKaty Hessel

Hutchinson Heinemann, $55, Aug. 30

The title says it all. Here are the female artists who have traditionally been overlooked in stories written by men. This comprehensive investigation by art historian Katy Hessel restores and revives the artists’ reputations and puts them at the center of attention. As our review puts it, “it’s a broad revisionist story of women’s artistic creation, but it’s also a story of how women – against insurmountable odds – succeeded in making art”.


Wild flowersPeggy Frew

Allen & Unwin, $32.99, Aug. 30

It is the story of three sisters – Meg, Nina and Amber – whom we meet in their childhood, then later, at more stressful times after the youngest (the golden child long tipped for the most life brilliant) has fallen into the grip of addiction. In the Miles Franklin-selected author’s fourth novel, Peggy Frew, Meg, and Nina trigger a sisterhood intervention. But can a spell in Queensland help the sisters save Amber and solve their own problems?

The Booklist is a weekly newsletter for book lovers from book editor Jason Steger. Get delivered every Friday.

Review: Netflix’s exquisite The Sandman is the stuff dreams are made of

Enlarge / Neil Gaiman’s classic “unfilmable” graphic novel series is getting the adaptation he’s always wanted.


Like many nerds of a certain age, I loved Neil Gaiman’s for a long time. Sand seller graphic novel series; it was a huge influence on my younger self. So I was thrilled to hear about the planned adaptation from Netflix when it was announced in 2019, but I also felt some trepidation given past misguided efforts to bring the story to the screen. This apprehension was unjustified because The sand man is a triumph. It’s everything I was hoping to see in an adaptation, and it was well worth the wait.

(Warning: some spoilers for the original graphic novels and the Netflix series below.)

The titular “sandman” is Dream, but he’s also called Morpheus, among other names. He is one of the seven entities known as the Endless. (The other Endless are Destiny, Destruction, Despair, Desire, Delirium and Death.) dark humor. There really is nothing quite like it, and the series has proven to be hugely popular and enduring. A standalone story“A Midsummer Night’s dream” (The sand man No. 19) even won the 1991 World Fantasy Award for Best Short Fiction, the only time a comic has been so honored.

The first season is largely based on the events depicted in Preludes and Nocturnes and A doll’s house, with some additional material taken from or referring to later documents. We open with Morpheus (Tom Sturridge) leaving the Dreaming to bring back a prodigal nightmare called the Corinthian (Boyd Holbrook). Before he can do so, he is captured by an occult ritual performed by an occultist named Roderick Burgess (Charles Dance), who sought to capture Death to bring back his son, who died in World War I. Dream refuses to give in to her demands. , and while the aristocrat’s son, Alex (Laurie Kynaston), initially plans to free Morpheus, he ends up becoming his father’s accomplice.

Dream is imprisoned for 106 years, finally breaking free in 2021. But the Dreaming has been ruined in his absence, and his power totems – his helmet, sandbag, and ruby ​​- have been stolen. He must recover the totems and begin to restore the Dream, which includes tracking down the Corinthian and other escaped dreams and nightmares. He must also deal with the emergence of a Vortex – a human capable of traversing the dreams of others, weakening the barrier between the waking world and the Dream and capable of destroying them entirely.

There’s so much to love about this adaptation, but let’s start with the brilliant cast, with major names like Dance, David Thewlis (John Dee), Stephen Fry (Gilbert/Fiddler’s Green), Patton Oswalt (voice of Raven Matthew) , Mark Hamill (voice of Mervyn Pumpkinhead) and Derek Jacobi (Erasmus Fry). With his lean build, razor-sharp cheekbones and deep voice, Tom Sturridge makes a compelling Morpheus, even when Dream is too proud or mean-spirited or downright cruel at first – flaws that are central to the character’s personal growth all the way. along the route. Of the history. He’s not just a pretty emo-boy, and that’s largely thanks to Sturridge’s performance.

Jeff Bezos tweets about first job at McDonalds as 1994 Amazon job ad goes viral


Amazon founder and billionaire Jeff Bezos referred to his first job at McDonalds on Sunday, days after a job posting he posted in 1994 for the ‘first job’ at the tech company became viral.

Mr Bezos posted a photo on Twitter on Sunday, showing him with a meal from the fast food chain.

He worked at McDonalds when he was 16, then graduated from Princeton University.

“You can learn responsibility in any job if you take it seriously,” Bezos told Cody Teets, author of Golden Opportunity: Remarkable Careers That Started at McDonald’s.

“You learn a lot as a teenager working at McDonald’s. It’s different from what you learn in school. Don’t underestimate the value of that.”

Last week, an ad posted by Mr. Bezos dated August 22, 1994 and titled “Well Capitalized Seattle Startup Seeks Unix Developers” was posted on Twitter as Amazon’s first job posting.

The company, now the world’s largest online retailer, was established a month earlier as a bookseller.

Mr. Bezos wrote that he wanted developers to “help pioneer commerce on the Internet”, and that he was not looking for average performers, but exceptional candidates.

“You should have experience designing and building large and complex (but maintainable) systems, and you should be able to do it in about a third of the time that most competent people think possible,” says the author. ‘announcement.

“You should have a BS, MS or PhD in Computer Science or equivalent. Top notch communication skills are essential. Knowledge of web servers and HTML would be helpful but not required.”

Mr. Bezos also described the type of workforce he was looking to create.

“Expect talented, driven, intense and interesting colleagues,” he wrote.

Successful applicants were required to relocate to the Seattle area, and compensation would include a “significant equity investment.”

The ad noted at the foot that Amazon was “an equal opportunity employer.”

Amazon’s market capitalization currently stands at $1.33 trillion. Its global workforce, including part-timers but not contractors and agency workers, was 1.52 million at the end of June, according to Statista.

That was 85,000 fewer than at the end of 2021 as Amazon and the other big tech companies in the US, such as Apple, Meta and Google, froze hiring amid a slowing economy. American.

Amazon posted a net loss of $2 billion in the second quarter as the company was adversely affected by exchange rate changes throughout the April-June period.

Mr Bezos, 58, is ranked as the richest person in the world behind Elon Musk, with a net worth of $154 billion.

Last year, he traveled into space aboard his company Blue Origin’s New Shepard rocket.


Updated: August 29, 2022, 7:21 a.m.

How Woke Put Paid for Editing


The news that Salman Rushdie had been stabbed on stage at a literary festival in New York shocked the world. This sparked an outpouring of sympathy for the author, who has spent more than 30 years with a fatwa placed on his life. Amid concern for Rushdie’s health, some have begun to wonder if satanic verseshis 1988 novel accused of blasphemy against Islam, may even be published today.

It’s not an unreasonable question. Attitudes towards free speech, blasphemy and Islam have all changed significantly over the past three decades. Horrible crimes such as the murder of journalists from the French publication Charlie Hebdo in 2015 continued prompt support for freedom of the press. But it took exactly two days for some to suggest that #JeSuisCharlie solidarity would play “into the game of racists and fascists”. Rare is the defense of freedom of expression that comes without reservations: freedom of expression, but not for racists or Islamophobes; but not without consequences; but not the freedom to say things that I personally find offensive.

The result is that many who work in journalism, academia or publishing are now more concerned with avoiding offense than testing the limits of what can be said. In this context, advocating for freedom of expression often arouses mistrust. Defenders say they are aligned with racists, transphobes, deplorables. And nobody wants that. Rather than post and be damned, the message is to censor yourself in accordance with fashionable awakened values, or risk being cancelled. How did it happen?

In the 1980s, “woke” was black American street slang for being alert to specific racist threats as well as prejudice and injustice more broadly. “Woke” exploded into mainstream consciousness with the first incarnation of Black Lives Matter after the police killing of Michael Brown in Ferguson, Missouri, in 2014. In 2016, magazines were publishing lists of “young and woke” featuring featured “Celebs Who Lead by Example.” They profiled “15 Hot Celebs Who Get Even Hotter Once You Realize How Aroused They Are” and gave us “The Ultimate Guide to Arousing Celebrity Bros.”

As the revival grew in popularity, its definition narrowed. To challenge injustice in general means adopting a particular political position. To be awake today is to see the world through an identity lens. People are not viewed as individuals but as members of a group, with each group assigned a place in a hierarchy of privilege and oppression. Recognizing this “intersectionality” requires that, rather than being color blind, we focus on skin color and judge people accordingly. New orthodoxies are emerging: racism is systematically embedded in the psyche of white people; gender floats without biology. To challenge these orthodoxies is an act of heresy, a modern form of blasphemy. At the same time, those who now police have woken up are denying the label. Woke only exists in the imagination of old white men, they claim.

Yet, as I explore in my new book, How Woke won, despite the few activists, organized groups, or political parties that rally around the word “woke”, the values ​​associated with the term have come to dominate all aspects of society, from schools and universities to the police. , business, health care and justice. The creative industries – museums and art galleries, journalism and publishing – have proven to be particularly fertile ground for cultivating awakened values. This did not happen overnight, but over several decades. And this did not happen because of the merits of enlightened thought, but because institutions, devoid of any intrinsic sense of purpose, were unable or unwilling to uphold liberal values.

The fatwa against Rushdie was issued in 1989 by Ayatollah Khomeini, Iran’s Supreme Leader. In 2022, the ethos of the fatwa seems contemporary with Western attitudes. Wokethinking asserts that certain identity groups are more vulnerable than others due to oppression, even though it asserts that words are not only powerful, but equivalent to actual violence. To paraphrase a popular academic text, words can hurt. According to this way of thinking, not using the correct pronouns for a transgender person is not just a slip or statement of biological fact, but an invalidation of the person’s identity and a denial of their right to exist. The meeting of these two ideas – that people are vulnerable to offense and that words hurt – leads to censorship. Tragically, it can justify in the minds of a small number of deformed individuals acts of murderous violence.

Such beliefs impact every aspect of the publishing industry. The first task any author faces is securing a book deal. This is much more difficult to achieve if your views are heterodox but your identity is not. Stories abound of even established authors seeing new work turned down by mainstream publishers, or books rejected long after contracts have been signed. Those lucky enough to make it to the submission stage of a manuscript may find that they are expected to work with a sensitivity reader – in effect, a second editor, whose role is to point out stereotypes and report any word or phrase likely to offend so that they can be modified or deleted.

Even a proven ability to produce international bestsellers does not guarantee you a smooth journey through the publishing process. In November 2020, employees of Penguin Random House Canada complained that they had to work on Jordan Peterson’s site. 12 more rules for life. According to an article in Vice: “Another employee said that ‘people were crying in the meeting about how Jordan Peterson had affected their lives.’ They said a colleague explained how Peterson had radicalized their father and another explained how the publication of the book would negatively affect their non-binary friend. In June this year, Amazon workers staged a “die-in” protest to try to get the online retailer to stop selling what protesters called “anti-trans” books. They no doubt wanted Amazon to emulate Target, which pulled Abigail Shrier’s searing book, Irreversible damageoff its shelves following complaints from transgender activists.

Books are no longer safe from woke censorship, even when they have been in the public domain for a long time. In 2020, author and teacher Kate Clanchy won the prestigious Orwell Prize for her memoir Some Children I Taught and What They Taught Me. Just two years later, following reader reviews accusing Clanchy of employing racial stereotypes, her publisher dropped her and all distribution of her catalog of works ceased. Meanwhile, non-copyrighted classic texts are given trigger warnings to alert students to hidden dangers contained within their words.

When all of these censorship tactics fail and a “problematic” author slips through the net, activists plunge to new depths. Harry Potter Author JK Rowling has been bombarded with misogynistic abuse and death threats since speaking out for women’s rights. In 2021, Rowling said she had “gotten enough death threats to make up my house”. These threats must be taken seriously. Three activists have gone from targeting online to posting a picture of themselves outside her house, revealing to the world where Rowling’s family residence is. Scariest of all was the death threat Rowling received after expressing sympathy for Salman Rushdie on Twitter. “Don’t worry, you’re next,” replied a man who had previously tweeted his support for Hadi Matar, Rushdie’s alleged attacker.

Rather than offering her support for Rowling, best-selling novelist Joanne Harris, president of the UK’s Society of Authors, created a poll on Twitter. She asked her fellow authors if they had ever received a death threat, with potential responses being: “Yes”, “Hell, yes”, “No, never” and “Show me, damn it”. The lighthearted nature of the poll seemed to imply that Rowling was making a fuss over nothing. After a backlash, Harris deleted the poll, replacing it with one asking the same questions but in a slightly less upbeat tone.

Harris has since said the dispute between her and Rowling is “fabricated”, although the two women have been known to disagree on issues surrounding gender self-identification. But while Rowling, who believes gender is immutable, faces abuse on social media and her books pulled from stores, Harris, who believes trans women are actually women, continues to occupy the spotlight. one of the most influential positions in British publishing.

What should concern everyone is the message the publishing industry sends to young writers: Transgress current orthodoxies and you’re unlikely to ever see your work in print or on bookstore shelves. And if you somehow pull off this feat, no one will stand up for you when the inevitable abuse comes your way. A cowardly reluctance to defend freedom of expression now invades publishing, to the detriment of literature, creativity and reasoned argument.

As for satanic verses: the woke takeover of publishing indeed makes it highly unlikely that such a novel will be published today, at least by a major publishing house. Until the industry claims its allegiance to free speech rather than ideological orthodoxies, readers and writers will suffer.

Photo by Richard Baker/In pictures via Getty Images

The Bookworm Sez: This book keeps you in suspense | Lifestyles


You hear footsteps.

If it’s not a dark, stormy night and you’re not alone, it’s probably not a big deal. You might even anticipate it, if you’re leading a group, walking with a friend, or walking in public. Most of the time, you probably don’t notice the soft sound of footsteps – but what if, like in William Kent Krueger’s new novel “Fox Creek,” the footsteps don’t follow?

What if they hunt?

Cork O’Connor was used to people asking him for help. Born in Tamarack County, Minnesota, he had been sheriff there once and he knew everyone. So when a man he didn’t know, a Lou Morriseau, asked about Henry Meloux, it raised Cork’s eyebrows.

He didn’t like this stranger. Morriseau claimed that his wife, Delores, was with Henry, and that he wanted her to come home – but he was wrong on two counts: Henry was a Mide, a healer in the Anishinaabe community, and he had to have at least a hundred years. year. He was neither an intruder nor a woman thief. And later, when Cork showed Delores a photo he had quietly taken of Morriseau, she said he wasn’t her husband. She had never seen the guy before.

She said a day or two before she disappeared into the north woods, with Cork’s wife, Rainy, and Henry Meloux…

Calling himself LeLoup – or “The Wolf” – a man quietly paddled to the edge of the lake and hid his kayak; Kimball, an ex-soldier he had known from Iraq, had hired him to do a job and LeLoup would get through it, one way or another. He would find this Delores woman wandering in the north woods and he would bring her back to Kimball, who never said why he wanted her. If she was with Henry, finding her wouldn’t be hard; LeLoup had spent his whole life in the woods and he could read them as well as the old man he was following.

As long as he could stay one step ahead of the men following him, LeLoup would find the Mide and bring this woman back.

Even if he had to kill to do so.

You know the screaming feeling you get when you wake up gasping for breath, shocked from one of those hunting dreams? Well, buckle up for the same double time, inside “Fox Creek”.

Indeed, author William Kent Krueger takes a normal Boundary Waters cat-and-mouse tale and he throws a rat of a different kind into a heart-pounding plot: Krueger’s sweetest and most beloved recurring character, Henry Meloux, has finally met his match. While this kicks off a tale that literally takes readers all over northern Minnesota, it also does double duty. Krueger uses the land he loves, the trees and the waters, the rocks and the lichens as the backdrop for a sometimes spiritual, sometimes new-age, life-or-death situation, a beautiful thriller and a real terror that Krueger finally says hides between his lines.

Find out more in the author’s note, but don’t read it early or you’ll spoil the novel for yourself. Save it for the end of “Fox Creek” and first enjoy a story that will keep you hooked.

“Fox Creek: A Novel” by William Kent Krueger. circa 2022, Atria $28.00 400 pages.

Letters to the Editor – The Power of Books and the Backlash Against Some of Them


powerful words

Re: “It’s a Book, Not a Belief System – We Risk Groping Our Children’s Futures, America’s Ideals”, by Shirley Robinson, Opinion, August 19.

Dallas Morning News, thank you very much for posting Robinson’s words in your opinion section. She speaks for so many people. Reading, reflecting and discussing books lifts us to a higher level.

Books enrich us. What a powerful statement!

Naomi Bennett, Richardson

Protect the freedom of others

Thank you, Shirley Robinson, for explaining so clearly why every Texan should stand up against the assault on our personal freedoms in the form of banning books from school libraries. In his own words, “The strength of this country comes from the richness of histories, experiences and cultures that should be celebrated. … We cannot allow a single political party or belief system to dictate what free people can read and learn. …Parents and guardians have the right to have the final say on what their children read. … However, this privilege does not extend to making this choice for other families and children.

Amen! Our own freedoms are only protected as long as we protect the freedoms of others.

Karen Wiese, North Dallas

Dawson inspires

Re: “Memoirs Under Review at Southlake School – Campus Named After Author Says He’s Not Banned, Despite Messages,” Wednesday’s Metro & Business article.

Reading about the book’s possible ban Life is so beautiful, which tells the story of the life of George Dawson, evoked a wonderful memory of meeting Dawson at the King of Glory Lutheran Church. King of Glory featured Dawson and author Richard Glaubman in the adult forum class shortly after the book’s publication.

In 20 years of having many notable speakers in the classroom, I don’t know of any who have had the impact that Dawson’s story has had. Hearing the details of the life of a poor black worker during the Jim Crow years is a very powerful lesson for all of us to hear.

But more importantly, also hearing that Dawson would conclude that “life is so beautiful.” And to realize that a neighborhood literacy project has reached out to him by inviting him to take reading lessons. He learned to read at 98.

There are so many important lessons associated with this man’s story. This book should be considered for any middle school or high school classroom.

Becky Brakke, North Dallas

The student becomes the teacher

Re: “Keep the Message Alive: Read Books Aloud – Educator and author Jim Trelease has spread the news that hearing words has given children a huge boost in school”, by Christopher de Vinck , Opinion of 20 August.

Reading Jim Trelease’s story about the importance of reading aloud to children, I must have smiled as I remembered an incident when I was a volunteer tutor at my neighborhood ISD school in Dallas. I taught reading to 5-year-olds and one student told me, “I speak Spanish at home and I speak English at school.

I realized that this little one was already bilingual! I knew she probably taught English to her mother and whoever lived with her. So here was a case where the child was the teacher. Whatever the situation, learning works both ways.

Mary Mallardi, Far North Dallas

An important part

I just read the Jim Trelease opinion piece, and it might be one of the most important essays I’ve read in a long time. Please repost regularly. People, read it and send a copy of his book, The textbook read aloud, to all your children’s teachers!

Mark Koch, North Dallas

An important program lies on a shelf

Jim Trelease, like many visionaries before him, was not appreciated in his time. The gap of 32 million words he spoke of between the student being read to and the one who is not is a blight on society. We know that if you don’t read at the fourth-grade level until fourth grade, you’ll probably never be able to catch up.

Even more frightening, a colleague who teaches in a poor neighborhood said that for the first time he saw students arriving at school who had never seen a book. And some don’t even know that the books exist.

The best part of Trelease’s read-aloud program is that it costs nothing to implement. No million-dollar program with assistants to teach teachers or textbooks for them to read, no three-month deadline to get it into the curriculum. You can grab a pound and put it in place the next day and see the immediate benefits.

However, since no one will make a profit, this will probably never see the light of day, and we will all continue to suffer the effects of poverty and the crime it increases, and this 32 million word gap.

Robert Preston Jones, East Dallas

Better to leave?

I was educated in the St. Louis public school system in the 1950s and 1960s when it was a national leader in excellence. Like many big city education systems, it’s not as good as it used to be, but I have fond memories and am grateful for the intensive reading program that started in elementary school and has continued until high school.

In 1963, I was a sophomore in high school and had to read and bring back the revealing and life-changing book by Harper Lee. Kill a mockingbird. I remember Mr. Conley, our literature teacher, telling us to be thankful we didn’t live in Texas because so many school districts were banning this wonderful novel.

I am almost 75 years old and for various reasons I will probably never leave Texas. But the recent movement to ban books from school libraries makes me think my children and grandchildren would be better off elsewhere.

Thomas D. Kelly, Lantana

‘Education deserts’ are unfair to children

We’ve read about “food deserts,” those neglected communities where fresh produce can’t be found, and only crisps and soft drinks are on store shelves. Now that the Keller and Grapevine-Colleyville school districts have enacted their rude measures to censor libraries and muzzle teachers, we may soon be calling these towns education deserts, and possibly intelligence deserts.

This hardly seems fair to children who want to learn to think for themselves. These policies come from the same people who speak out against “cancel culture” without ever looking in the mirror.

Garry Potts, Highland Park

An interesting caveat

Re: “District sets CRT and bathroom boundaries – Grapevine-Colleyville administrators also play big role in book selection,” Wednesday Metro & Business article.

Buried in this story about a number of far-right decisions by the Grapevine-Colleyville school board is a notice that any books they remove from school libraries “shall not be considered for added again for at least 10 years”. In other words, “We have the right to ban the books, but future trustees are prohibited from altering our decisions for a time.” too long time.” Hopefully this accumulated idiocy on idiocy can be challenged in court.

Bill Halstead, Far North Dallas

And Rand?

With all the concern over the use of books in public schools, the following descriptive statement in this story struck me: “to repel the overt harmful infiltration of social and cultural propaganda”.

I find it surprising that no one has claimed Ayn Rand’s book draw, as Source Where Atlas shrugged., on public school shelves. His books are loaded with political ideology and propaganda.

I guess they hurt young minds a lot more than And Tango makes three. But I haven’t heard anyone mention them or want to delete them. How come?

James R. Bridges, Destiny

Find these books elsewhere

Here is a proposal for the book ban problem. If you think certain books are right for your child but the school thinks there is a problem with that particular book, just check it out at the library or buy it. But a school library should not be a place that arouses controversy. The issues that come to the fore are issues of personal values ​​and lifestyles. Always the hardest problems to normalize.

Thomas R. Youngblood, Dallas

We welcome your thoughts in a letter to the editor. Consult the instructions and drop your letter here.

See Evan Peters as an infamous serial killer


By James Brizuela | Posted

Netflix has been ramping up its true crime content lately, and the most recent comes in the form of a series about one of history’s most infamous serial killers: Jeffrey Dahmer. Although Dahmer’s life has been covered before, this new series is meant to do things a little differently. The plot of the 10-episode series will cover Dahmer’s killing spree but will be shown through the eyes of his victims. It will also address the mistakes of the police who mishandled Dahmer’s case, allowing him to kill many more people. The show is called Monster: The Jeffrey Dahmer Story and features Even Peters in the lead role. Netflix has released the first teaser image of Peter in complete disguise, and it looks pretty convincing. You can see the image below:

evan peters jeffrey dahmer

Although we only see Evan Peters’ back, it appears to be pretty much the same as Jeffrey Dahmer’s appearance in real life. The most recent biopic involving Dahmer’s life was the 2017 film, My friend Dahmer. My friend Dahmer was based on a graphic novel of the same name which was written by John “Derf” Backderf. Backderf had grown up and been friends with Dahmer in high school. Now Peters will take another version of the character but will focus on the killing spree where Dahmer killed 17 young men and boys from 1978 to 1991.

Monster: The Jeffrey Dahmer Story stars Evan Peters as Jeffrey Dahmer. Joining him is an all-star cast that includes Niecy Nash, Penelope Ann Miller, Shaun J. Brown, Colin Ford and Richard Jenkins. Paris Barclay, Carl Franklin and Janet Mock are directing the series. Ryan Murphy and Ian Brennan co-created the series and they are both executive producers. They also wrote the first four episodes, with Mock, David McMillan, Reilly Smith and Todd Kubrak also receive writing credits.

Evan Peters is perhaps best known for his time portraying Quicksilver in the MCU and the Fox-produced X-Men films. He also devoted time to american horror story, which is probably why he was cast as Dahmer, as Ryan Murphy is also the creator of that series. He has a deep familiarity with Peters from working together on this series. Peters has been working more exclusively on his television roles lately.

Monster: The Jeffrey Dahmer Story revealed a quick teasing, viewable on the Netflix app. Dahmer’s (Evan Peters) eye takes center stage in the teaser, as the camera pans inward, leaving the iris of his eye as if swallowing the entire viewer. There are sounds of what could be screeches and wails of sirens before a final click is heard. The teaser is probably the type of unsettling feeling that many are going to get when watching this new true crime biographical series.

Monster: The Jeffrey Dahmer Story is set to debut on Netflix later this year, although we haven’t received an exact date yet. We can assume that this new series will debut in September or October, which is perfect timing. Although we’ve seen many iterations of Jeffrey Dahmer, we’re excited to see how Evan Peters fares in this role.

The Indies Expect Happy Holidays – The Great Books of Autumn


The two dozen booksellers TP recently asked about holiday sales expectations for a strong season even before, late last month, Penguin Random House announced the Nov. 15 release of The light we carry. Michelle Obama’s timely follow-up to Becomeabout staying positive despite life’s challenges, will have a circulation of 2.75 million copies.

“This is great news,” says David Enyeart, director of Next Chapter Booksellers in St. Paul, Minn. of the year, that books are a valuable and desirable gift option. We will be ordering large quantities, because I absolutely do not want to run out of this book. The big issue here will be where to keep all those books until we can start selling them.

Luisa Smith, purchasing manager for Book Passage in Corte Madera and San Francisco, is also ordering big. “Our greatest hope,” Smith says, “is that customers who buy his book will come to our stores and linger, discover a few more books to buy, and also increase the season for other authors.”

Declaring that The light we carry is “definitely at the top of my list, for adults,” Ramunda Lark Young, co-owner of MahoganyBooks in Washington, D.C., and National Harbor, Md., says she’s also “really excited” about April Ryan’s Black Women Will Save the World: An Anthem, which intertwines the journalist’s personal story with profiles of black women leaders.

Noting that celebrity memoirs are perfect for gift givers who are “nervous to pull the trigger on a novel,” Emily Berg, managing director of Books & Books in Key West, Fla., is enthusiastic about Paul Newman . The extraordinary life of an ordinary man and that of Steve Martin Step number one: my life in the Movies and other entertainmentwith designs by Harry Bliss.

Top picks from Colleen Kammer and Cary Loren, co-owners of suburban Detroit Book Beat, are Patti Smith’s memoir in photographs inspired by her Instagram, A book of days; by Bob Dylan The Philosophy of Modern Song, his first book since receiving the Nobel Prize for Literature; and Eye Dreaming: Photographs by Anthony Barboza, by Barboza, Aaron Bryant and Mazie M. Harris. “Many of our clients are artists, writers, poets and musicians,” says Loren. “We tend to look for books that are interesting, even a little edgy. And we haven’t seen one of Barboza’s books in years. He’s one of my favorite photographers. »

Alie Hess, senior buyer at Brookline Booksmith in Brookline, Mass., is stocking up on cookbooks, which are selling very well in her store. She is particularly enthusiastic about Ina Garten Unmissable dinners and Deb Perelman Kitchen keepers banged. Among the non-fiction books she dubs a “Brookline book” is the sequel to Randall Munroe’s bestseller What if?simply titled What Whether? 2.

Andrea Griffith, owner of Browsers Bookshop in Olympia, Washington, curates Ross Gay’s new collection of essays, Encourage joy. His previous collection, The book of delights, is one of his favorites, and Griffith says the cover of his new book is even better. As for Carrie Koepke, manager of Skylark Bookshop in Columbia, Mo., her response to Encourage joyit is potential as a holiday sale is, “Yes. Yes, simply.

Booksellers are also buzzing with fiction, especially two first novels, Louise Kennedy’s Offenses and that of Joanna Quinn The Whale Bone Theateras well as Morgan Talty’s collection of stories, Living Ground Night.

“I heard Talty speak in April and was blown away,” said Ellen Richmond, owner of Book Cellar in Waterville, Maine. “He spoke incredibly well about the Aboriginal experience. The book is set in New England, it’s nice to have that voice.

Many booksellers are eager to sell Cormac McCarthy’s two related releases scheduled a month apart: The passenger and Stella Maris. “Two books by the same author, and it’s Cormac McCarthy,” says Brookline’s Hess. “He hasn’t had a book for so long. It wouldn’t surprise me if people bought two or three of each to give to friends.

Other fiction titles by well-known writers that booksellers are excited about include Barbara Kingsolver demon copper headby Ian McEwan Courseby Celeste Ng Our missing heartsand Maggie O’Farrell The wedding portrait.

Chris Weber, co-owner of the library in Cincinnati, singles out Matthew Quick’s we are the light. “It took me to places I didn’t want to go,” he says. “But I’m glad that Lucas [the book’s protagonist] showed me the way. This is one of the most powerful stories I’ve read in years.

Hot picks for kids

On the children’s side, booksellers predict picture books by beloved authors and illustrators will fly off the shelves, including The three gruff goats by Mac Barnett and Jon Klassen, Green is for Christmas by Drew Daywalt and Oliver Jeffers, and Meanwhile back on Earth by Oliver Jeffers. Enyeart of Next Chapter is also pleased to sell a bilingual edition of question book by Pablo Neruda and Paloma Valdivia, which he describes as “both magnificent and poetic”.

Average-quality fiction with historical backdrops tops many booksellers’ lists. Amy Brabenec, Brookline Booksmith’s children’s buyer and assistant operations manager, is blown away by Kwame Alexander The door of no return. “Hearing that this is not a book about slavery but rather a coming of age story that also touches on that story makes me think this will be one of those books that adults choose for children but with which children fall in love,” she says.

Shirley Mullin, owner of Kids Ink children’s bookstore in Indianapolis, is intrigued by Michael Leali’s “fascinating” dive into LGBTQ history, Amos Abernathy’s Civil War.

Series also dominates this fall’s mid-level and YA picks. Jill Yeomans, co-owner of White Whale Bookstore in Pittsburgh, Pennsylvania, is “obsessed” with The biggest in the world!, the first book in Ben Clanton’s new graphic novel series, Tater Tales. She also says she “fell in love” with the art and humor in S’more Magic by Sophie Escabasse, the third volume in the Witches of Brooklyn graphic novel series. His top YA pick is bloodiedthe second book in Tracy Deonn’s Legendborn Cycle.

Bookseller Andrew King of the Secret Garden Bookshop in Seattle says his top YA pick is Jas Hammonds’ standalone book We deserve monuments. “It absolutely delivered and is so well thought out and perfectly interwoven,” he adds. “None of us could believe it was a start.”

As for non-fiction for children, recommendations from booksellers testify to the importance of books well beyond the holiday season. MahoganyBooks’ Young is an evangelist of the memoirs of Olympic gold medalist Tommie Smith, Victory. Support! Raise my fist for Justicee, co-authored by Derrick Barnes and Dawud Anyabwile. She calls it “a beautiful bridge to history that is also current.”

Jessica Hahl, events coordinator at Country Bookshelf in Bozeman, Mont., is also passionate about the YA edition of Robin Wall Kimmerer’s bestseller. Sweet grass braiding, adapted by Monique Gray Smith. “I’m trying to get it into as many hands as possible,” Hahl says, “I think it can save the world.”

Back to main function.

A version of this article originally appeared in the 08/29/2022 issue of Weekly editors under the title: Big Holiday Books

White House demands immediate public access to all US-funded research papers by 2025 | Science


A decades-long battle over how best to provide the public with access to the fruits of US government-funded research has come to a head.

President Joe Biden’s administration announced yesterday that, by the end of 2025, federal agencies must make articles describing taxpayer-funded work freely available to the public upon publication of the final peer-reviewed manuscript. . The data underlying these publications must also be made available free of charge “without delay”.

Many details of the new policy, including exactly how the government will fund immediate public access, remain to be decided. But it dramatically reshapes and expands existing — and fiercely contested — US access rules that have been in place since 2013. federally funded items. behind a subscription paywall for up to 1 year.

Many commercial publishers and nonprofit scientific societies have long fought to maintain the year-long embargo, saying it is essential to protect subscription revenues that cover publishing and production costs and fund company activities. But critics of paywalls say they impede the free flow of information, have allowed price gouging by some publishers and force US taxpayers to “pay twice” – once to fund research and once to watch. the results. Since the late 1990s, critics have lobbied Congress and the White House to demand free and immediate “open access” to government-funded research.

The Biden administration has heeded those calls, though the new policy doesn’t expressly encompass the term open access — it uses the words “public access.” This is “a de facto open access mandate,” says Stefano Bertuzzi, CEO of the American Society for Microbiology (ASM), which publishes 16 journals. And many open access advocates applaud it.

“It’s a huge step forward,” says Heather Joseph, executive director of the Scholarly Publishing and Academic Resources Coalition, one of the oldest open access advocacy groups in the United States. “Getting rid of this embargo is huge.”

The embargo and related policies “were sheer betrayals of the public interest”, tweeted molecular biologist Michael Eisen of the University of California at Berkeley, a prominent critic of access policies in the United States and co-founder of PLOS journals, which helped pioneer an open access business model in which authors pay a fee to make their articles immediately free for everyone. “The best thing I can say about this new policy is that publishers are going to hate it.”

Many publishers say they support a move to immediate public access but criticize the new US policy. “We would have preferred to chart our own course to open access without a government mandate,” says Bertuzzi. Six of ASM’s journals are already open access, with the others to follow by 2027.

The Association of American Publishers, a leading trade group, complained in a statement that the policy arrived “without formal and meaningful consultation or input from the public…on a decision that will have wide ramifications, including a serious economic impact”. (White House officials say they have met with publishers big and small over the past year to discuss the change.)

Others have taken a wait-and-see approach. Sudip Parikh, CEO of AAAS, which publishes the Science family of journals, says “it is too early to tell if this direction will have an impact on our journals”. (AAAS publishes a fully open access journal, Scientists progressand in 2021 its paywall Science journals began to allow authors to deposit near-final peer-reviewed manuscripts into institutional repositories upon publication.)

The impact of the new requirement could vary depending on which of the more than 20 US funding agencies are funding the author’s research. Each agency must finalize its policy by the end of 2024 and implement it by the end of 2025.

The policy is not intended to mandate a particular business model for publishing, Alondra Nelson, acting director of the White House Office of Science and Technology Policy (OSTP), said in an interview with ScienceInitiated. For example, it will not require federally funded researchers to publish only in paid open access journals. Researchers who publish in subscription journals might be able to satisfy the rule by depositing the near-final, peer-reviewed, accepted version in a public repository or other agency-approved outlet. Journals will still be able to keep their final, published version of an article behind a paywall. (But some scholars say that only the final published version is adequate for scientific purposes. Not-quite-final, “author-accepted” versions may lack final editing, typesetting, and formatted data tables. )

Nelson says the OSTP is acutely aware of concerns about who will pay the costs associated with the new policy, particularly if publication in a fee-paying journal becomes widespread practice. Some worry that US policy—combined with similar policies adopted in Europe and elsewhere—would accelerate the rise of such journals, ultimately making publication more difficult for authors with modest or no grants, especially those working in underfunded institutions and in developing countries.

The OSTP states in a blog post that it wants to “ensure that public access policies come with support for the most vulnerable members of the search ecosystem.” Agencies could, for example, allow researchers to use grant funds to cover open access publishing costs — as some already do — or could fund the expansion of public repositories, Nelson says. “We are not naive to the challenges we face,” she says. “The implementation of any new policy is essential.”

The new policy reflects the profound changes that have rocked academic publishing since the public access debate began in the United States more than 25 years ago. Second, subscription-print journals were the primary means of disseminating research results, and publishers fiercely resisted any policy changes that threatened an often highly profitable business model. But pressure from university libraries tired of paying escalating subscription fees and patient groups unhappy about having to pay to read taxpayer-funded biomedical studies have helped catalyze serious discussion about policy change. At the same time, the rise of the Internet has fueled publishing experiments, such as open access journals and the publication of freely accessible “preprints” that have not been peer reviewed.

In Washington, DC, these changes have prompted Republicans and Democrats to urge the federal government to revise its access policies. In 2013, then-President Barack Obama tried to find a compromise – via the one-year embargo rule – between publishers and open access advocates.

But many, including Biden, then Obama’s vice president, were unhappy with the deal. In a 2016 speech, for example, Biden noted, “Taxpayers fund $5 billion a year in cancer research, but once it’s out, almost all of that is behind it. [pay]walls. Tell me how it moves the [scientific] process faster.

Former President Donald Trump’s administration has also considered requiring immediate public access. And several developments in recent years have increased the pressure for an overhaul. In 2019, the US National Cancer Institute’s “Cancer Moonshot” research program, which Biden helped create under Obama, required recipients to write papers developed with its funding for free. In 2018, a group of European science funders called Coalition S unveiled a similar policy, which will come into full effect in January 2025. (Coalition S imposes an additional requirement that publishers waive copyright; policies existing and new articles do not.) And in 2020, the editors have agreed to make all articles relevant to COVID-19 open access, at least temporarily.

Now, the new US rules will apply to a substantial part of the world’s academic literature – and hundreds of thousands of new academic papers will be freely available to everyone without delay. In 2020, the OSTP estimates that federal research funds produced 195,000 to 263,000 published articles, or about 7% to 9% of the 2.9 million articles published worldwide that year. And because the policy now applies to any federal agency that funds research — not just those spending $100 million or more a year — the free material could also include work funded by national endowments for the arts. and the humanities. The OSTP says agencies could also decide that the rule covers other documents, such as book chapters and conference proceedings, that are peer-reviewed.

Analysts say it’s difficult to predict how the change will ultimately affect the finances of specific journals, publishers and researchers. In some journals, for example, only a small fraction of the articles might be the product of US funding. And academic libraries might still be willing to pay subscription fees, even if their faculty can read the same articles for free elsewhere, if publishers offer a better interface, search functions or other services.

Bertuzzi, however, says the new policy is likely to have a global impact that will be hard to ignore, as “the US government is the 800-pound gorilla in the room.”

Review of Breaking History: A White House Memoir by Jared Kushner



All memories are interested – it’s just a matter of degree. But Jared Kushner’s memoir, “Breaking History,” is, at its core, an expansive press release that exists primarily to exculpate its author after his role in one of the most destructive presidential administrations of my lifetime. However, any reader inclined to sift through the more than 450 pages of often tedious and repetitive claims will have a pretty good idea of ​​what Kushner really is – what he looks like, how he views his interactions with others, and what his values ​​are. are.

I know this because I worked for him in 2011 and 2012, when I was editor of the New York Observer, a prestigious newspaper that Kushner bought in 2006 when he was 25. At the time, he was ostensibly a Democrat, and Donald Trump was pretending to fire people on national television. Early in the Trump administration, I wrote in the Washington Post about my time working for Kushner, who starved the Observer of funding and ran it largely as a vanity project until which he folds it shortly after his father-in-law is elected president. In March 2017, Kushner was put in charge of a new White House office tasked with overhauling the federal bureaucracy. I hesitated to write about my previous work with him for fear of sounding unprofessional, but I was deeply concerned that someone with Kushner’s limited experience running a family-owned commercial real estate company – a job he inherited – now had a huge government portfolio with real consequences for many people.

The memoir mostly covers Kushner’s time next to Trump, beginning with the end of the presidential campaign and moving through the next four years. It claims to give readers an inside view of what it was like to be a senior White House adviser with unusual access to the president. Kushner, of course, conveniently sidesteps the fact that this unusual outburst was primarily the inevitable result of his marriage to the president’s daughter. In describing his work for the nation – the many roles he accrued and then abandoned – he claims to be imbued with a particular understanding of Beltway lingo, where a particular bureaucrat’s skill is called a “record”. In Kushner’s story, everyone wants to keep giving him more files because, like his stepfather, he’s the only person who can step in and fix a problem. (My 7-year-old son, a huge Marvel fan, recently asked me what a hypothetical worst superhero would look like, and now I have an answer.)

What Kushner’s book is really about, however, is a portrait of a man whose moral compass has been degaussed. When Kushner met with Saudi Crown Prince Mohammed bin Salman, the men discussed the murder of journalist Jamal Khashoggi. Kushner has accepted Mohammed’s deviation, and he goes off topic in a single paragraph. “The Crown Prince took responsibility for the fact that this happened on his watch,” writes Kushner, “although he said he was not personally involved.” The CIA came to a different conclusion in a February 2021 report, stating, “We believe that Saudi Crown Prince Muhammad bin Salman approved an operation in Istanbul, Turkey, to capture or kill Saudi journalist Jamal Khashoggi.”

Kushner comes across as an overconfident tyro who patronizes ill-informed advice to professionals with far more wisdom and expertise than he will ever have. Kushner’s tale as a savior is backed up with flattering quotes from a handful of colleagues and his father-in-law. An example, courtesy of Mike Pompeo: “I wish I had someone like you on every file.” It does not occur to Kushner that this flattery is a strategic political policy on the part of the flatterers. When Trump, speaking in the Oval Office, says, “Jared is a genius,” Kushner accepts it as an affectionate joke. But when others suggest the White House would crumble without him, Kushner readily believes it.

I knew Kushner as an Olympic-level social climber, and he larded his memoir with famous names, however distant: Bono, Billy Joel, Kim Kardashian. He is often unaware of the implications of his name dropping. “When I heard the crowd reaction that night in Springfield,” he wrote of a Trump rally, “it reminded me of a book Rupert Murdoch had given me months earlier: Charles Murray’s ‘Coming Apart.'” Kushner is oblivious to the significance of endorsing Murray, co-author of ‘The Bell Curve’ (1994), who asserted controversial views on race and intelligence that have since been discredited. But Kushner fully understands the status implications of emphasizing his relationship with Murdoch.

The memoir opens with Kushner’s experience of his father’s incarceration. In 2004, Charles Kushner pleaded guilty to witness tampering, tax evasion, and making false statements to the Federal Election Commission. He was sentenced to two years in prison. Chris Christie, who would later become governor of New Jersey, was the US attorney at the time who sued the elder Kushner. Jared Kushner calls his father’s misdeeds a “private family feud,” which included sordid antics involving a video of Jared’s uncle sleeping with a sex worker. hired by Jared’s father – who had the juicy recording sent to Jared’s aunt. Speaking about the ordeal, Kushner says he was angry with his family, his father, his father’s lawyers and one other person: “I was angry with Chris Christie, who knew that my father had been an important support from his Democratic rivals in New Jersey.”

Kushner has a facility for blaming others for problems he or the White House have caused. He lambastes Steve Bannon for the backlash to Trump’s executive order barring people from seven predominantly Muslim countries from entering the United States, a move known as the “Muslim ban.” In Kushner’s view, the ensuing brouhaha erupted because “the facts got lost in the chaos that arose from Bannon’s botched deployment.” Another target of Kushner: Rex Tillerson, whom he believes is responsible for worsening disorder in the Middle East. “While Tillerson had entered the administration with exorbitant expectations,” writes Kushner, “his tenure was a failure by any measure.” Alex Azar Is Responsible for Pandemic Missteps; “I was livid that the secretary had not done more to prevent the [ventilator] shortage.” More importantly, former White House chief of staff John Kelly is repeatedly blamed for nearly everything that goes wrong, not because Kelly has obvious, well-documented flaws, but mostly because he kept Jared out of meetings.The memoir is a kind of burnt book, heavily populated with petty grievances and conflicts that could have easily been avoided with less ego and more maturity.

While insisting he doesn’t need the credit, Kushner takes credit for the hard work of others. The Abraham Accords, which normalized relations between Israel and several Arab countries – arguably his greatest achievement – ​​are presented in detail, and Kushner recounts how Israel and the United States credit him with achieving the agreement . He recalls a tribute given by then-Israeli Prime Minister Benjamin Netanyahu at the inauguration of a Kushner Peace Garden: “It is fitting that we choose to honor Jared Kushner in this way. … We will ensure that future generations will know what your contribution has been. .” But Kushner’s focus on himself obscures the importance of Yousef Al Otaiba, the UAE ambassador to the United States, who was instrumental in removing obstacles to the Abraham Accords.

Kushner is also quick to remind readers of a Kushner courtship at the American Embassy in Jerusalem. A plaque, we know, reads, “Dedicated in honor of Jared Kushner and inspired by his tireless pursuit of peace.” In a similar take on credit, Kushner gives only a small amount of ink to Sen. Chuck Grassley’s (R-Iowa) role in the First Step Act, a criminal justice reform bill. Grassley’s work on the issue long predates Kushner’s tenure in the White House.

The best memoirs invite the reader to understand the author’s experience in all its complexity and depth. It requires vulnerability on the part of the writer and a willingness to admit fear and examples of shameful behavior. It means fighting against what you do not know and cannot understand, as well as against the contradictions in yourself and in others. Above all, it means being honest.

I’m not sure Kushner is capable of any of these things, let alone the last. He’s the only boss I’ve ever had who asked me to lie on his behalf, and when I refused, he was really confused. He was used to yes-men, and not saying yes was considered insubordination.

If he was a different person, he could have written an insightful memoir that would serve the public. But if he was a different person, his time in the White House would also have been very different. His relationship with his father is complex and formative, in a way that somewhat mirrors Trump’s relationship with his own father. That alone is material for an honest and fascinating memoir.

When I was still at the Observer, the New York Times ran a sprawling Style section profile of Jared and Ivanka. The article noted the incarceration of Charles Kushner and the fact that his teenage son had flown to a federal prison in Montgomery, Alabama, to see him every weekend – something that, in my opinion, made Jared more sympathetic and human. I expected him to be angry that this detail was in the story, and he was. He called the reporter and yelled at him. At that time, I had a conversation with a relative of Kushner and said that I knew it must be difficult for the family to remember Charles Kushner’s incarceration, even though it was a part necessary for the story. I expressed my sympathy. I could understand because my late younger brother was incarcerated on and off for a decade. I knew how devastating it was for my parents. My brother was a veteran with severe mental illness and was coincidentally treated by a psychiatrist at the same military facility in Montgomery where Charles Kushner was incarcerated.

“Well, I feel bad for your family,” Kushner’s relative told me. “Your brother was mentally ill. Our family’s pain is often self-inflicted. This, in a nutshell, is the memoir Kushner could have written.

On the last page, Kushner shares what his time in Washington taught him: “I learned to stay away from petty fights and power struggles to make fewer enemies and more friends, to talk less and do more.” The problem is that the book contradicts each of these claims. His memoirs are a litany of small fights, constant elimination of enemies, and a cascade of self-aggrandizing chatter.

Elizabeth Spiers is a progressive digital strategist and writer.

New book about Blue Benn Diner serves up a slice of Vermont life


Vermont Business Magazine For generations, diner-loving foodies have flocked to the Blue Benn in southwestern Vermont, where they can sit at the counter worn by countless patrons, sip a bottomless cup of coffee and banter with the waitresses. Even today, despite a change in ownership, the Blue Benn remains a city haunt, prized almost as much for free-flowing conversation as it is for appetizing food.

Now a lavishly illustrated new book captures the essence of this Bennington landmark. Sonny’s Blue Benn: Feeding the Soul of a Vermont Town documents the history of this legendary restaurant and the family that created it. But the book also celebrates the restaurant’s status as a community meeting place, a place that over the years has given townspeople a chance to bond with their neighbors, regardless of side of the political divide or economy where they were.

Sonny Monroe was a short-lived chef with big ambitions. A born culinary talent, he dreamed of running his own restaurant where he could create recipes that would challenge his skills and spark his imagination. In 1974 Sonny and his wife Mary Lou acquired a small restaurant known as Blue Benn. It was a ramshackle dive of a place, best known for its cheap eats, but it was also an original Silk City restaurant, one of less than 500 ever built. It wasn’t long before Sonny’s eclectic, inspired menu was winning over the crowds, making Little Hole in the Wall one of Vermont’s most famous restaurants.

The story of Blue Benn’s is told here by the people who made the restaurant an iconic Vermont institution: the family that built the business, the regulars who ate there and the staff who served them. They are cooks and truck drivers, artists and teachers, doctors and lawyers, lumberjacks and carpenters, to name a few. They serve up homemade, funny, and often poignant tales of life in Benn, and in doing so, offer a slice of small-town Vermont life.


The team behind Sonny’s Blue Benn is writer Caitlin Randall and photographer and book designer Peter Crabtree. Together they run The Story Project, a writing and design service that creates books of all kinds for individuals, families and institutions.

Previous works include Giovanna Buetti: A Life, a portrait of an Italian-American woman who narrowly escaped World War II on the last ship to leave Italy for the United States. Current projects include Pat Barr: Notes of a Life, a tribute to the late Vermont attorney, who was a prominent peace and breast cancer activist.

Caitlin has worked as a correspondent for Reuters and Dow Jones News Service in New York, London and Madrid and has taught journalism and documentary writing at Roehampton and Middlesex universities in London.

It was published in The Wall Street Journal, The Wilson Quarterly, Environmental Finance Magazine, Newsday, The Financial Times, The Miami Herald, Art & Antiques Magazine and Narratively.com, among other publications.

After a career as a reporter and editor in Vermont, during which he freelanced for The New York Times and other metropolitan dailies, Peter devoted himself full-time to photography. His work has been widely exhibited and appeared in literary and artistic journals, including tin house and Sculptureas well as an academic journal, Quarterly visual communications.


Q: How did you Sonny’s Blue Benn: Feeding the Soul of a Vermont Town to arrive?

A: The Story Project was approached by a long-time patron of Blue Benn who wanted to pay tribute to former owners, Sonny and Mary Lou Monroe. Shortly after Blue Benn was sold to its current owner, John Getchell, we launched the project. It was a good time to look at the history of the restaurant.

Q: Do you know of any other books like yours?

A: Most diner books tend to be investigative, briefly touching on the history of a large number of establishments. We know of no other book that delves so deeply into the history of a single restaurant. Diners, Bowling Alleys and Trailer Parks by Andrew Hurley helped with historical research, The big good place by Ray Oldenburg and Studs Terkel’s Work, although not specifically about diners, they inspired the writing of the book.

Q: How did you decide who to interview? It was a process of whittling down a long list. At the top was the Monroe family and as many staff members, past and present, as possible. We chose other interviewees based on who those people remembered as devoted regulars. The interviews took place during the pandemic, which presented a range of challenges both in convincing people to participate and in setting up a safe interview space.

Q: In addition to photographs by Peter Crabtree from The Story Project, the book features a wealth of visual material. Where does all this come from?

A: Over the years, Mary Lou Monroe and her daughter Lisa have collected Blue Benn memorabilia. They gave us access to old menus, artwork and snapshots found in the book. Others, like restaurant aficionado Larry Cultrera and former journalist Rob Woolmington, have generously loaned us archival photos. And several interviewees, including client Jim Woodward, provided their own photos.

Q: From your perspective, what is the most compelling aspect of the book?

A: Certainly the photos and memories included in the book are heartwarming and evoke wonderful memories for those who know and love the Blue Benn. If the book is a tribute to a man and a family, it is also a tribute to a community. In these divided times, it is especially heartwarming to read about a place where townspeople of all types and political persuasions could come together and be neighbors, friends and fellow citizens.

The Story Project, North Bennington

‘Samaritan’ review: As a superhero, Stallone is fun but not Marvel


There’s a standard roadmap for an actor like Sylvester Stallone — at 76, still handsome, but no longer with a rock(y) body — to get into the comic book movie zone, and that’s for him to play a character like the righteous Ravager Stakar Ogord in “Guardians of the Galaxy Vol. 2” or to voice King Shark in “The Suicide Squad.” It’s quite a likable nostalgic novelty cast. But what if Stallone, who in his own way has played invincible superheroes for decades (think “Rambo” and its sequels or “The Expendables” and its sequels), wants to become a complete avenger and portray a total comic book demigod?

He’ll star in a chintzy slice of hellfire like “Samaritan,” based on the Mythos Comics graphic novel that was released in 2014. It’s set in Granite City, an everyday dystopia where Stallone lugs his body around with a reluctant mess . He plays an aging crime fighter in hiding in a film which, as written by Bragi F. Schut (who also wrote the comic) and directed by Julius Avery, offers a conventional yet downbeat, low-plot but maximally incendiary variation. on bare bones superhero action.

In an opening credits prologue that is very…molten, a boy narrator explains to us that years ago a battle took place between Samaritan and Nemesis, sworn enemy twin brothers. Samaritan became a superhero; Nemesis, consumed with revenge, became a supervillain, with “a hammer into which he poured all his hate and rage. It was the only thing that could destroy Samaritan. The two fought to the death at a power plant, where they both died in an apocalyptic explosion. “That’s the story we’ve all been told,” the boy tells us. “But I believe Samaritan is still alive.”

The boy, Sam (Javon “Wanna” Walton), who is 13 and lives with his mother (Dascha Polanco) in a squalid city, believes it all the more when he sees Joe Smith (Stallone), a garbage collector who lives in the building opposite. Stallone, in an El Greco beard like the one he first tried in the 1981 thriller “Nighthawks,” sports a scar that curves around his right eye and scars that crisscross his back. He wears a hoodie and flannel shirt under a dirty beige down jacket, which gives him the superhero mystique as a regular prole that Bruce Willis had in “Unbreakable.”

Joe, as we learn, is impervious to bullets, knife wounds, or collisions with a car (although it takes him a minute or two to flex and straighten his old broken limbs). But he’s basically Stallone’s idea of ​​a comic book crime fighter: a super murderer. He’s like The Thing with a slurry Method growl. Joe has to smash tubs of ice cream to cool his literally overheated body. (The movie’s ad line should be “It’s not Superman. He’s super crazy.”)

Stallone, however, is also a bit deadpan here – in his acting and in Joe’s actions. Joe enjoys salvaging old scrap pieces like toasters and fixing them, as he identifies with them; it’s a relic that needs a little TLC. He has a good reason for not wanting to show himself, he lives in a “troglodyte” in a shabby apartment. But when he spots Sam being bullied by punk gangs (led by the charismatic Moises Arias, who looks like a Dickensian street urchin with tattoos and purple dreads), Joe’s instinct is to protect him. . And when Cyrus (Pilou Asbæk), the local junkyard sociopath, tries to revive the mantle of Nemesis, with that hammer and a horde of “revolutionary” followers – the film’s bid for “Joker” relevance, well that this crowd looks like something out of a lesser sequel to “Purge” – Sam is caught between good and bad father figures, which kind of defines Joe’s fate for him.

There’s a slight element of camp to the way Stallone in “Samaritan” will face a warehouse full of thugs and attack them like he would in an “Expendables” movie, punching them with fists of fury. In this case, however, a body he crushes will fly 10 feet into a wall, making the fight scenes play like “The Expendables” with helium. Cyrus, with a complicated beard and frosty hair shaved into a mohawk fade that reveals a snake tattoo, is played by ‘Game of Thrones’ Pilou Asbæk in a casually psychotic manner. He’s like Guy Fieri’s evil brother as a “Mad Max” renegade. The vehicles, too, resemble “Mad Max” rides: vintage muscle cars painted dull black. “Samaritan” is basic enough to often play like a video game movie in which someone forgot to add the CGI. But the movie turns into a really good twist, and Stallone, in his own way, brings a vibe to it, with an ’80s kiss line (“Have a blast!”) delivered in a growl so deliberate it carves itself practically in the background.

The Bookseller – News – SPCK to lead sales and distribution of US Christian book publisher Lexham Press


SPCK will become the sole sales and distribution partner of US Christian publisher Lexham Press in the UK and EU, with Lexham titles available through Wiley Distribution Services from January 15, 2023.

Lexham is a Washington-based publisher that focuses on Bible study materials, scholarly works, and pastoral resources.

SPCK said the partnership offered an opportunity to increase the visibility and sales of its books in the UK and EU, strengthening SPCK as “the go-to publisher for quality Christian content for booksellers”.

Lexham joins Crossway, IVP USA, St Vladimir’s Seminary Press and Kregel as the US publisher represented by SPCK.

Rowan Miller, Head of Sales at SPCK, said, “SPCK is delighted to assume representation of Lexham Press titles. The titles published by Lexham are truly exceptional and well suited to the UK religious and academic markets. Lexham’s mission to increase biblical literacy around the world aligns powerfully with SPCK’s own vision to transform the world through the promotion of Christian knowledge. We are thrilled to see Lexham Press titles touch readers and change lives.”

Kim Shurley, Associate Marketing and Sales Editor at Faithlife, owner of Lexham, said: “We couldn’t be happier to have such focused and respected representation of Lexham titles in the UK and EU.

“With Lexham’s diverse catalog, we are confident that SPCK will provide professional and efficient service and exposure to maximize our availability and sales. We are grateful for the work of SPCK and privileged to be welcomed into their catalog. Together we will provide exceptional service to the Christian retail products industry and consumers around the world. »

Civil Rights Museum names winners of 2022 Freedom Awards


Civil rights historian Taylor Branch, FedEx founder Fred Smith, and Isabel Wilkerson, author of the best-selling book “The Warmth of Other Suns,” about the so-called “Great Migration” of black citizens out of the South, are the National Civil Rights winners of the museum’s 2022 Freedom Award, museum officials announced Wednesday.

The awards will be presented Oct. 20 at the Orpheum, in a ceremony that will represent the Freedom Award’s first public gala since the 2020 COVID pandemic. That year’s event has been canceled, while the awards 2021 were re-livened a “virtual” show at the Orpheum which was not open to the public.

Museum officials acknowledged that the selection of Branch and Wilkerson – two Pulitzer Prize-winning writers whose work chronicles the black experience and examines the history of race relations in the United States, often with a strong emphasis on Memphis – was a rebuke to recent legislative efforts in Tennessee. and elsewhere that prohibit teaching school children lessons about race that would cause “discomfort” or “guilt” because of “the race or sex of the individual” (to quote words and phrases in a draft Tennessee law passed in 2021).

Fred Smith

Museum president Russell T. Wigginton Jr. said the museum’s awards committee is trying to select winners who are “particularly relevant at this time.”

He said Branch and Wilkerson’s writings offer crucial information about “African American life, culture, and history,” but also provide an “educational context” for understanding racial attitudes in America.

Taylor branch

Also, said Wigginton, Branch’s selection — author of a 2,912-page trilogy on Dr. Martin Luther King. Jr. known as “America in the King Years” – recalls that the National Civil Rights Museum was built on the site of the Lorraine Motel, where King was killed in 1968.

The museum opened in 1991 to celebrate King’s legacy and continue his work — “to educate and serve as a catalyst to inspire action to create positive social change,” according to its mission statement. Said Wigginton: “His ideals are central to our mission.”

In more detail, the winners are:

  • Taylor branch, author of the historic civil rights trilogy, “America in the Royal Years.” The first book, “Parting the Waters: America in the King Years, 1954-63,” won the Pulitzer Prize for History in 1989; it was followed by the volumes “Pillar of Fire: America in the King Years, 1963-65” and “At Canaan’s Edge: America in the King Year’s, 1965-68”. A chronicler of current and past injustices, Branch’s 2011 cover story in The Atlantic, “The Shame of College Sports,” sparked a debate about the NCAA’s control over student-athletes that continues to burn.
  • Fred Smith (or, more formally, Frederick W. Smith), founder and executive chairman of FedEx. A longtime supporter of the National Civil Rights Museum and similar institutions, Smith and FedEx have also launched programs in support of Historically Black Colleges and Universities (HBCUs) and “influenced millions of contributions to advance inclusion, strengthen economic opportunity and encourage learning and leadership for nonprofit organizations,” according to the museum.
  • Isabelle Wilkerson, author of two best-selling books over the past 12 years, “The Warmth of Other Suns: The Epic Story of America’s Great Migration” and “Caste: The Origins of Our Discontents,” which examines racism and social stratification. As Chicago bureau chief of The New York Times, in 1994 she became the first African-American woman to win a Pulitzer Prize for journalism, for her reporting.

Also being honored at the Freedom Awards will be Memphis-born Jeffery Robinson, a longtime ACLU executive whose work on racial justice and education inspired the 2022 documentary, “Who We Are: A Chronicle of Racism in America,” currently on Netflix. Segments of the documentary were filmed at the museum.

January 18, 2019 - Jeff Robinson, ACLU Deputy Legal Director and Director of the Throne Center for Justice and Equality, stands outside the National Civil Rights Museum while filming part of

Billed by the museum as “one of the nation’s most prestigious events,” the Freedom Award has been presented to nearly 100 winners over the past three decades. Some of the recipients include Coretta Scott King, Nelson Mandela, Jimmy Carter, Lech Walesa, Sidney Poitier, Stevie Wonder, Earvin “Magic” Johnson, Bishop Desmond Tutu, the Dalai Lama and at least three such famous people – Bono, Oprah and Usher – they don’t need last names.

In 2018, future President Joe Biden was one of the winners, while Michelle Obama was among last year’s winners.

Russell Wigginton, outside the National Civil Rights Museum (built from the Lorraine Motel, where Dr. Martin Luther King Jr. was assassinated in 1968).

Tickets will go on sale September 1. Tickets start at $100, with proceeds going to the museum.

The main sponsors of this year’s Freedom Awards are International Paper, FedEx, Nike, the Hyde Family Foundation and the Ford Motor Company.

The host, for the fourth time, will be actor and activist Lamman Rucker. The Freedom Award Gala will begin at 5:30 p.m. on October 20 at the Halloran Center and the ceremony will take place at 7 p.m. at the Orpheum Theater adjacent to 203 S. Main.

For more information, visit civilrightsmuseum.org.

John Beifuss covers current affairs, reporting and pop culture. He can be contacted at [email protected]

The Old Farmer’s Almanac Needs A Reboot



The nonsense begins around mid-August. As the latest editions of the Farmers’ Almanacs are shipped to checkouts across the country, their creators are updating the media with their weather forecasts for next year. Will the northeast have a cold January? Will the mid-Atlantic states get more snow than usual? According to a preview of The Old Farmer’s Almanac 2023, the answers are yes and yes.

Of course, these forecasts aren’t exactly reliable: meteorologists can hardly predict the weather with any real accuracy beyond next week, let alone next June. But getting angry at the almanac can be a bit like protesting against the fortune teller’s tent at the county fair. The Old Farmer’s Almanac is a sweet kind of fake news. To leaf through its 2023 edition is to be nostalgic for the days when pop culture’s bunk was limited to astrology, psychics and ancient folk remedies. (Hay fever? Find the nearest mule and kiss her nostrils.) Cute, the post is printed with a hole in the corner, so you can easily hang it in your woodshed, outhouse, or anywhere you like keep your fantasies of mud- muddy and astronomical agrarian life.

My 10 year old son reminded me of the lure of the Almanac

The Old Farmer’s Almanac is now strangely disconnected from its purpose. He wants to evoke our affection for nature without showing much interest in human nature or the natural sciences. So he thinks small – gardening tips, life hacks, folklore. Consider the latest edition’s two-page chart of “best days” for doing certain things each month, according to Moon’s readings. July 25, for example, is a good day to slaughter your cattle. March 8 is good for quitting smoking. (Isn’t it a day?)

The almanac envisions a world largely untouched by current events. Beyond a few articles on its website, covid has always been outside the almanac’s commitment to “new, useful and entertaining topics”. His articles are devoted to recipes, curiosities, gardening suggestions, jokes, a history lesson on mistletoe, an article on Ukrainian Christmas food – but no mention of why Ukraine might be interesting at the moment. It is a pale legacy for a publication that grew with a certain urgency: Robert B. Thomas hastened to publish the first edition of the Old Farmer’s Almanac in 1792 just after he was discharged from the hospital for a vaccination against smallpox.

The book may be full of hokum, but it’s hokum with scope: Together, The Old Farmer’s Almanac (along with its main competitor, The Farmers’ Almanac) boasts a circulation of around 4 million copies. every year, with substantial web and social media presences – numbers that place the almanac in the realm of America’s most widely circulated magazines.

That’s why I’ve come to believe that, for the good of the nation, the Farmers’ Almanac needs a reboot. It would be nice to purge it of false weather forecasts and astrological hooey. Instead, the almanac should be more aligned with its original mission: to teach Americans to live in this new place they invented.

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This was Benjamin Franklin’s stated intention when he published his first “Poor Richard’s Almanac” in 1732. It was, as he wrote in his autobiography, “a suitable vehicle for conveying instruction among the people ordinary people, who hardly bought any other books”. Reliable information at the time could be scarce; the concept of a public library was still more than a century old. Franklin saw his pedagogical role in this regard as primarily delivering his famous folk maxims and proverbs. But as the country evolved, so did the content; during the Revolutionary War, many almanacs promoted the patriot cause. By the time Thomas published the first edition of the Old Farmer’s Almanac, America had ratified its Constitution but had not yet determined its identity. Thus, the almanac included information on state house rulers, machinery of government, court schedules, religious dates, even a history of Jewish persecution. He provided the contours of American civic life to a country that had not yet settled there.

As Jess McHugh notes in “Americanon,” her 2021 book of influential bestsellers in American history, Thomas’ almanac “began to weave a tradition of democracy into the everyday lives of average Americans, physically linking their agricultural cycles and the cycles of their government”. And by containing such diverse information, she adds, it has made Americans culturally omnivorous, curious and observant. That is, products of the same Enlightenment culture that created the country itself.

Admittedly, the old-school Farmer’s Almanac also promoted a flimsy mythology early on. He had a narrow idea of ​​what it meant to be an American farmer, or an American period. He elided slavery, or black farmers, or much of the wisdom that resided outside of the white landowning class. But the almanac was generally intended to be an ambitious document, a unifying force for the way citizens conducted their affairs, committed to American ideals.

In this regard, The Old Farmer’s Almanac never strove to be particularly provocative, nor was it meant to be the stubbornly harmless mix that it is today. Its original purpose of planting stakes around which you could build a society gave way to something far more mundane: chicken soup for Soul positivity. “We don’t do politics; we don’t get involved in religious subjects in the publication,” the almanac’s current editor, Janice Stillman, told McHugh. “As I like to say sometimes, this is all good news. There is no bad news in the “Farmer’s Almanac”. ”

Physical books are alive with memories. Has the pandemic pushed them into the ether for good?

But: Vaccines are good news. Elections free of baseless accusations of fraud are good news. Books are good news, even if efforts to ban them are not. Climate science is good news, even if its conclusions are often not. Civic institutions that are significant to America’s definition of itself – its parks, museums, government, schools and more – are good news. It is not wrong to call these things “politics”, in the sense that everything is. But to treat them as intellectual third rails or divisive ideologies that cannot be talked about is to associate with an American population that generally knows better and certainly deserves better.

The Old Farmer’s Almanac of 2023 indicates that August 22 is a particularly good day for tearing things down. But the point is, any day is a good day to shoot down a bad idea and start fresh.

Marc Athitakisis a critic in Phoenix and author of “The New Midwest.”

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My third book to top the bestseller list | Daily Democrat


it goes to the top! “Task Force IED”, my third book, is at the top of the bestseller lists. Amazon rated it five stars. Unlike my first two books which were autobiographical, “Task Force IED” is a fictional narration based on a true story. I interviewed many Middle Eastern war veterans, men and women, and their spouses, men and women, to compile this incredible story of bravery, tragedy and wounded souls.

Got a good story? Call or text Curt Swarm in Mt. Pleasant at 319-217-0526, or find him on Facebook.

Michael Malone, novelist and television writer, dies at 79


Michael Malone, a novelist and television writer who moved seamlessly between genres, writing serious comedy, serious comedy and bestselling crime novels – in addition to working on the soap opera “One Life to Live”, who won critical acclaim during his tenure as editor for his goofy humor and sensitive explorations of social issues — died Aug. 19 at his home in Clinton, Connecticut. He was 79 years old.

He had pancreatic cancer, said his daughter, Maggie Malone.

A North Carolina native who wrote frequently about his home country, Mr. Malone has published more than a dozen novels, including the picaresque 1983 “Handling Sin,” a tale of “Don Quixote” in the southern states. States and “Uncivil Seasons”. which was released later that same year and marked his first foray into the mystery genre. The book introduced readers to a mismatched pair of North Carolina police officers, junk-eater Cudberth “Cuddy” Mangum and aristocrat Justin Bartholomew Savile V, whom New York Times reviewer Evan Hunter considered ” two of the most memorable police detectives of all time”. appear in detective novels.

Mr Malone went on to write two more Justin and Cuddy mysteries, including ‘Time’s Witness’ (1989), which explored the relationship between racism and capital punishment, and the best-selling ‘First Lady’ (2002), on the “Guess Who Killer”. “, a serial murderer targeting women in fiction from Hillston, North Carolina. He was working on a fourth novel in the series when he died, his daughter said.

Before turning to the mystery genre, Mr. Malone was best known for writing comic novels with a sprawling cast of characters and quirky humor. His 1980 book, “Dingley Falls,” was set in a small town in Connecticut and featured characters with names like Habzi Rabies, Rich Rage, and Mrs. Canopy, a patron of the arts who visits the cemetery to speak on the grave of her late husband. “She didn’t necessarily assume he was listening below,” Mr Malone wrote. “Besides, he had rarely listened when he sat across from her at dinner, or in front of the fire in the living room. The change was that he no longer got up or went to bed until she was done.

Mr Malone said he sought to capture the spirit of a place in his work and found crime fiction allowed him to portray a wider cross-section of the communities he wrote about. “What interests me is presenting a politically and socially engaged world,” he told The Guardian newspaper, “and once you write about a police service, you write about social issues , you are in all the politics of a region. By making your characters police officers, you engage them in all ranks of society.

It was partly to be able to tell socially relevant stories to a national audience that Mr. Malone left the University of Pennsylvania, where he taught fiction writing, to join “One Life to Live” as an editor. chef in 1991. “I couldn’t resist it,” he told The New York Times. “I think Dickens would have done it. I invent characters and here they are in the flesh. I have my own Shakespeare company!

Working under executive producer Linda Gottlieb, with whom he previously teamed up on an unproduced film, Mr. Malone helped shape a few experimental but popular seasons of the ABC soap opera. The series featured quirky characters and idiosyncratic storylines — one involved an Egyptologist, a jewel thief, and a sex therapist — while tackling important issues such as sexual assault.

Mr. Malone and his writing staff won a Daytime Emmy Award in 1994 after creating a series of widely discussed episodes about a college student, Marty Saybrooke (played by Susan Haskell), who is raped by a jock and his frat brothers. , and who later brings his attackers to justice. Mr Malone previously made headlines for a story arc featuring the AIDS Memorial Quilt and centering on a teenager (Ryan Phillippe) who is bullied for being gay.

In a 1992 interview with the Los Angeles Times, journalist Freeman Gunter, editor of Soap Opera Weekly and veteran of the gay press, described the plot as “a breakthrough”, saying it showed “what c is to be gay in a hostile world.

Mr Malone said he hoped the show would increase acceptance of gay people and other AIDS victims.

“There was no way in God’s green earth that five million people a week would read my novels,” he told North Carolina newspaper Indy Week, “but they could see Viki,” the the show’s longtime protagonist, “wearing that quilt against AIDS”. .”

Mr. Malone left the show in 1996 and worked as head writer for the NBC soap opera ‘Another World’ before returning to ‘One Life to Live’ in 2003 and 2004. During his second stint as a screenwriter in chef, he’s been working on a thriller. , “The Killing Club”, which tied into the series, with Mr. Malone and one of the series’ characters, Marcie Walsh, both listed as authors. The book made national bestseller lists and used some of the eye-catching techniques Mr. Malone learned during his years working in television.

“My chapters were closing very quietly; now they can end up saying, “Get out of the car!” There’s a bomb in the car! he told January Magazine, a literary publication. “It’s the crochet trick that I learned on television. Not a bad lesson to learn either.

The eldest of six children, Michael Christopher Malone was born in Durham, North Carolina on November 1, 1942. His parents divorced when he was young and he grew up with his mother, a fourth grade teacher who was deaf. Mr. Malone served as his ear, developing skills of observation which he later used in his novels. His father was a psychiatrist and Mr. Malone liked to say he was in the same profession, except he listened to “the voices in my head” instead of “the voices on my couch”.

By age 9, he was writing plays, including a 42-act epic titled “The Prince of Chinese Elephants.” “To this day my siblings who live in North Carolina will flee the state if I say anything about putting on a play because they know they’re going to have to dress up as a bumblebee or something. and be in it,” he said. told NPR in 2009. By the time he got to college, he thought he’d like to pursue philosophy instead of acting; a professor suggested he switch to studying literature, noting that Mr. Malone seemed more interested in the lives of philosophers than their theories.

Mr. Malone graduated from the University of North Carolina at Chapel Hill in 1964, earned a master’s degree from the school two years later and pursued a doctorate in English at Harvard University, where he met his wife, Maureen Quilligan, a scholar. Renaissance literature that partly inspired his first novel, “Painting the Roses Red” (1975), about a young woman in 1960s California.

As Mr. Malone said, he wrote the novel to avoid writing his thesis, a study of American cinema which later served as the basis for his book “Heroes of Eros: Male Sexuality in the Movies” (1979) . He never got his doctorate, but he went on to teach at schools such as the University of Pennsylvania, Yale and Duke, where he led a film class in which students were divided into teams to write and produce their own 20-minute films. Their films were honored at a “Golden Apples” ceremony Mr. Malone inspired by the Oscars, with a Best Director award presented by Duke men’s basketball coach Mike Krzyzewski.

Mr. Malone divided his time for many years between Connecticut and North Carolina, where he and his wife settled in the small town of Hillsborough, a literary mecca that was also home to writers such as David Payne, Frances Mayes and Allan Gurganus, with whom he performed an annual two-man stage adaptation of Charles Dickens’ “A Christmas Carol.” “When I got here,” Mr. Malone told the Wall Street Journal, “I started writing as if I had been set on fire.”

Other novels include ‘Foolscap’ (1991), about a college professor assigned to write the biography of an aging playwright, and ‘The Four Corners of Heaven’ (2009), a family saga and epic story. adventure involving a missing treasure, a crook and naval aviator.

In addition to his daughter, survivors include his wife of 47 years, Quilligan; a sister and a half-sister; a brother and half-brother; and a granddaughter.

Mr Malone recalled that ‘the most important thing that has ever been said to me as a writer’ came from author Eudora Welty, whom he met at a literary gathering at Yale at the end of the 1970s. When Welty learned that Mr. Malone had written three novels, none of which were set in his native North Carolina, she advised him to “let your fiction grow out of the ground beneath your feet”. He soon began work on “Uncivil Seasons”, which he described as “the first of my novels to be set in this land of red clay, this landscape of my childhood imagination”.

A few years later, he drove from his home in North Carolina to Welty’s home in Jackson, Miss., to say thank you. He sat there for hours but “was too shy to ring the doorbell,” he told the Journal. Finally, he returned home. He didn’t tell Welty about the episode until years later, when he spotted her in the lobby of New York’s Algonquin Hotel. “She looked at me and smiled,” he recalled, “and she said, ‘Oh honey, was that you? I almost called the police.

Chilean Farm Leaders Face Logistics Crisis – Produce Blue Book


The main players in the export and import sectors are working in a coordinated manner to urgently identify effective solutions to the logistics problems that have driven up food prices around the world and have seriously affected Chile and its partners. global trade.

Significant progress has already been made, as meetings have taken place with the Ministries of Transport and Economy. This type of coordination between the public and private sectors is unprecedented in Chile.

Main players in the supply chain, including the National Chamber of Commerce (CNC), the National Corporation of Consumers and Users (Conadecus), the Food Export Council, the Association of Fruit Exporters of Chile (ASOEX), the Federation of Fruit Producers of Chile (Fedefruta) and port logistics operators, are working with transporters, drivers and workers at the ports of Valparaíso and San Antonio, who have expressed their intention to help assess and define, together with the authorities , the measures to be implemented to untangle the logistical problems that Chile is facing.

This way, Chile will be able to guarantee timely deliveries of top quality fruit to its global partners.

It was recognized that while logistical problems have further worsened due to the pandemic and the war between Russia and Ukraine, the national solution to the problem is to take short and medium-term measures to improve the efficiency of Chilean ports, solving the shortage of workers throughout the country. supply chain and finding a way to mitigate rising shipping rates, among other issues.

One of the measures envisaged is the authorization of the port of Ventanas to receive cargoes. Other measures include prioritizing food and strategic supplies in port operations, making rooming ships available at Valparaíso and Coquimbo terminals and ports in the eighth region, and changing restrictions of wave height in the port of San Antonio, which would facilitate the arrival and departure of more ships.

Chilean Economy Minister Nicolás Grau said that “there is ongoing coordination with the Ministry of Transport and Telecommunications to address these challenges ahead of the months of greatest demand between November 2022 and April 2023.” He added that “we are working to relaunch the Collaborative Logistics Plan for Foreign Trade (PLC), which involves public-private collaboration and the participation of multiple actors along the supply chain.”

Conadecus President Hernán Calderón expressed concern about the impact of this crisis on consumers. He considered that “the serious logistical crisis, which affects the whole country, endangers the prices of foodstuffs and basic necessities, affecting the entire population in an alarming inflationary context and where urgent solutions are needed. impose to protect the poorest. ”

Ronald Bown said the crisis was affecting Chile’s reputation as the world’s leading fruit supplier

For his part, the president of ASOEX, Ronald Bown, said that “the loss of fruit and the uncertainty generated by the impossibility of getting the fruit to international customers on time is generating a crisis that is affecting the image of Chile. as the world’s largest supplier”. . This seriously jeopardizes Chile’s place as the main producer-exporter of fresh fruit in the southern hemisphere and fifth in the world. Therefore, we seek urgent solutions from the joint efforts of the public and private sectors. We are off to a good start. We have all the right partners sitting at the table to resolve key issues, and we are confident that in the coming season we will return to pre-pandemic service levels.

Claudio Cilveti, President of the Food Export Council, highlighted the need to strengthen the supply chain for the recovery of the export sector which has been hit hard by the pandemic. He explained that foreign food exports reach $18 billion a year, so “a robust management model must be put in place to meet commitments with destination countries, boost foreign trade, promote production and increase supply of products, thus promoting the growth of the country, employment and the economy at a time when it is most needed.

Finally, CNC Chairman Ricardo Mewes pointed out that “increasing fuel costs, together with changes in transport routes and capacities, are putting increased pressure on freight rates, which has had an impact on the cost of imports In the commercial sector, where most products are imported, it is the final consumer, i.e. the people and their families who are already under the pressure of inflation, who are impacted.

How ‘Funky Winkerbean’ Became the Darkest Strip on the Comic Book Pages



Tom Batiuk was 25 when he cracked the comics page and was touted as a voice for his generation. Today, at 75, the Ohio-based cartoonist remains true to that mission.

“I started out writing about high school kids worrying about trying to get a date and rope climbing in gym class,” the ‘Funky Winkerbean’ creator explains this month. by Zoom from Medina, Ohio. “Now I write about going to financial seminars, getting colonoscopies, and playing pickleball.”

He smiled with an understatement: “It’s a whole other world.”

Batiuk believes his longtime readers have acquired the wisdom of life just like his characters – through the long arc of experience and perspective. And starting Monday, “Funky Winkerbean” will celebrate its 50th anniversary with a storyline in which a gray-haired reunion of the main character and his Westview High peers leads to senior discoveries.

‘I look behind the scenes at meetings,’ Batiuk says of the underlying honesty the initial artifice of such a gathering, as former classmates realize that they all felt “clueless” in high school.

The reunion arc shines a light on aging characters who have weathered so much of the half-century of “Funky,” from enduring love to deep loss — a golden milestone rarely achieved by a single syndicated creator. And no modern mainstream comic this side of “Doonesbury” has so often addressed the challenges of mental and physical health, and so sensitively dealt with the death of a beloved actor.

Suicide. Abuse. PTSD. ETC. And most poignant, cancer. Given such subject matter, pain and mortality often lurk in “Funky Winkerbean.”

Batiuk proudly owns this creative space, balancing cockiness and gloom. He smiles when the serious themes of “Funky” are satirized on the Comics humor site Curmudgeon, and laughs when he remembers a reader emailing him accusing him: “You’re ruining comics for everything. the world”.

“I never wrote a comic so I wouldn’t get complaints,” says Batiuk. “I’m on this railroad that goes around the other comics – I’m out there all alone. No one bothers me and I can do whatever I want. This includes handling import themes with optimism, including LGTBQ acceptance at a ball. Now, “No one moves an eye.”

Batiuk also notes that in discussions with King Features, he negotiated editorial control of “Funky”, which his union says is distributed to about 400 newspapers.

“One of the things that Tom does beautifully is he’s really able to tell serialized stories that are real, serious stories, and balance that really well with humor,” says Tea Fougner, editorial director of comics at King.

She thinks “Funky Winkerbean” and “Crankshaft” — the spinoff Batiuk is creating with Chuck Ayers — “feel like sitcoms that deal with real issues that matter to people.”

It’s a far cry from where “Funky” started.

Batiuk was born in Akron and raised in Ohio, that famous birthplace of cartoonists, from pioneering 19th century writer-artist “Yellow Kid” Richard Outcault to modern greats such as Bill Watterson of “Calvin and Hobbes” . The “Funky” creator graduated from Kent State – the year before the Vietnam War-era shootings on campus – and by the early 1970s was teaching graphic arts in college and pursuing an artistic career himself .

After drawing newspaper comics aimed at teenage audiences for his hometown Elyria Chronicle Telegram, Batiuk traveled to New York to visit the unions. Publishers had an appetite for new features depicting youth culture — a far cry, he recalls, from the malt shops and letterman sweaters in older comics.

During Batiuk’s first stop, a publisher handed him a newly launched ‘Doonesbury’ book from his union to peruse. A later stop, Publishers-Hall Syndicate, was “looking for something akin to ‘Doonesbury’.” Batiuk signed.

“As soon as I got my hands on my tape, I started running,” he says. “It was never like ‘Doonesbury’ – it kind of covered the same territory, but I quickly went to different places.”

As ‘Doonesbury’ turns 50, Garry Trudeau picks his 10 defining tapes

Batiuk built his original characters around people he knew: a roommate here, a teacher there, as well as students in the classes he taught. “I changed the names just to avoid being sued,” he laughs. And centering his band around high school life, including the geeks in the band — he was a trombonist himself — allowed him to “come to terms with something I really understood.”

“Funky” was a gag-a-day band for the better part of two decades. Yet Batiuk aspired to go further.

Batiuk stopped teaching for a while when he released “Funky”. One of his former high school art teachers, however, invited the cartoonist to occasionally attend his class – to keep in touch with the way real students spoke and behaved. This environment has long sparked ideas.

At one point, Batiuk drew a pregnant student. A few weeks later, he found inspiration in this drawing. In 1986, he decided that a newly introduced student character, Lisa, would bear a child – the first time a mainstream comic had dealt with teenage pregnancy, according to the union, which received tens of thousands of requests for reprints of this series.

“I didn’t know at the time what it was going to do, because it changed my characters,” Batiuk says. “That little story arc allowed them to grow just enough that I couldn’t take them back to do silly stuff.”

As Batiuk delved deeper into his characters, he eventually chose to restart his strip. In 1992, “Funky” unveiled its first time leap: a cast graduating from high school suddenly stepped into young adult life – a character aging that is relatively rare in newspaper comics, and most enduringly executed by “Gasoline Alley”, a comic Batiuk read as a child.

“When I did the first time jump, it was amazing – it was a Road to Damascus moment” in the band’s evolution, Batiuk says, noting that it went from “doing entertainment and from escapism to something more adult and confrontational.” His strip reflected reality more sharply. He realized, “I could stop writing about cartoon characters and I could start writing about human beings .”

Batiuk headed for longer arcs. In 1995, he broached the subject of teenage suicide. Later in the decade, Lisa and her boyfriend Les got married, as did the main character and his girlfriend, Cindy. Then in 1999, Lisa was diagnosed with breast cancer; Batiuk described her journey, including chemotherapy and a mastectomy.

Lisa had a daughter and pursued a career in law before her cancer returned in 2006. Her death a year later shook many fans. Batiuk was named a Pulitzer Prize finalist in 2008 for his portrayal of Lisa’s battle, and the collected cancer tapes were released as “Lisa’s Story: The Other Shoe”.

“The cancer story almost chose me,” says Batiuk. Between the first and second parts of Lisa’s medical story, Batiuk himself learned that he had prostate and thyroid cancer (he is cured today). His own diagnosis, he says, “made me realize the difference between empathy and personal experience.” He tapped into emotions such as fear. “I think that’s what deepened the work when I got to the last part of the story.”

He also heard about cancer patients while doing signings in coordination with hospitals. A woman told him she had been checked – her breast cancer was detected early – because of “Lisa’s story”, he says.

Shortly after Lisa’s death, Batiuk decided to reboot “Funky” because he didn’t want to dwell on Les’s grief. The tape leaped forward a decade. “As I’ve aged these characters, my readers have gracefully aged with us — with me and my characters,” he says. “These are the people who still read newspapers, and that’s a very good thing.”

Batiuk considers himself lucky to have chronicled his comic world for so long: “I’m just following this work that I created 50 years ago, where I’m sitting in this high school and drawing and seeing things happen and I translate them into stories.”

And now that he is 75, is retirement on the horizon?

“Willie Nelson had the perfect answer to that. Someone asked him if he was going to retire. He goes: ‘Retreat from What?’ This is what I wanted to be all my life. This is my dream job.

Books banned in US schools


Theocratic politicians take power. The first remedy is to suppress the freedom of the press and the rights of women. From then on, Offred, the protagonist, only serves to reproduce in the Republic of Gilead. The Handmaid’s Tale, by author Margaret Atwood, is a dystopian work with strong social criticism. It was a bestseller and an inspiration for an HBO series. Its graphic novel version, with vignettes by Renée Nault, is now one of 11 books a Texas school district has banned from public libraries. The organization Penn America, under the freedom of expression, considered it an unfair practice of censorship “based on the demands of certain parents”.

“The whole process has been unusual, opaque and disturbing, more to appease vulnerable families than to serve students. There’s no denying that any censored books are related to LGBTQ+ issues, gender or racism,” said Jonathan Friedman, director of free speech and education at Penn America.

Also on the list is Carmen Maria Machado’s book In the House of Dreams, a novel in which the author describes how she was abused by her girlfriend. Or the famous graphic novel V for Vendetta written by Alan Moore with illustrations by David Lloyd.

Books banned in US schools

But it’s not something unique to Texas. A school board in Tennessee also retired none other than Mauss, the first graphic work to win a Pulitzer. Its author, Wladeck Spiegelmann, is the son of Polish Jewish survivors of the Auschwitz extermination camp. But the eight swearwords and the nudity of the rats in this comic were stronger than the actual testimony of Nazism.

Quickly, the Nirvana Comics store in Knoxville opened a Go Found Me to send a copy of the novel to all students who wanted it. In just 10 days, he raised around 100,000 euros. The ban also meant that, 45 years after its first edition, Mauss was on the bestseller list. There’s nothing like a good joke to get a teenager’s attention.

One of the places where the reactionary fuse began to ignite was Central York, Pennsylvania. Following the racial unrest sparked by the death of George Floyd, the district banned various educational materials from its schools. It was November 9, 2020. “Many parents have expressed concern that some of the resources on this list encourage inequality by promoting different behavior in people. He believes that instead of uniting in diversity, some resources become polarized and divided,” school board chairwoman Jane Johnson said at the time about the anti-racism materials he said would enable coexistence. Breaks. The York Central Band Books Club has compiled a list of such banned materials, and there were over 250 of them.

Books banned in US schools

“These racist actions are not welcome here or in any other community,” he told the club. On the program, books on race like Malala: My Story or Hair Love, a bestseller which highlights the relationship between a black father and his daughter through the hair of a little girl. But also books with LGTBI characters and functional variety.

Librarian Samantha Hull in Pennsylvania told the Washington Post that eight titles had disappeared from the shelves of the elementary school she visited. One of them was when Aidan became a brother, whose main character is a trans boy. He said parents at a Lancaster County high school also called for the removal of Gender Queer, a memoir about being non-binary, and Lawn Boy, which included a depiction of a sexual encounter between two boys. East.

Race and sexuality, controversial issues

And so on in many other school boards across the country. The American Library Association’s (ALA) Office for Intellectual Freedom (OIF) is receiving increasing reports of efforts to ban the books. One of the last material lists published by Roald Dahl is The Witches. To Kill a Mockingbird, by Harper Lee, is repeated almost every year.

Books banned in US schools

The ALA reports that half of all book complaints filed in the United States come from families. Some form the group No Left Turn, calling themselves “common sense parents”. According to him, these books “degrade our nation and its heroes revise our history and divide us as a people to educate children in a dangerous ideology”.

Suzanne Nossel, executive director of Penn America, told the Guardian that these cases happen to her almost every day. The use of censorship, according to Nossel, comes from both the left and the right. The former point the finger at books they consider offensive, particularly because they were written in another era. “But it is the authority that has put in place the machinery of government, including legislative proposals in dozens of states, to enforce these restrictions, the most serious assaults on free speech.”

The legislative proposals also provide for fines and jail time for those who lend explicit material to students under 18. If approved, becoming a librarian would become a risky profession. There was already an Oklahoma legislator who compared the librarian to a cockroach.

Award-winning science fiction author shares his storytelling tips


Eric Choi is a longtime science fiction writer who specializes in “hard” science fiction and drawing true stories in space exploration.

Choi, is the winner of Aurora Awards in 2011 and 2015, twice receiving one of Canada’s top science fiction awards. Choi spoke with Space.com about the release of his recent collection, “Just Like Being There (opens in a new tab)(Springer Press, May 2022).

The 15 short stories are a collection of Choi’s work over the past 25 years, with each story ending with an afterword explaining the real-life inspiration behind the characters, plot, and other details.

Space.com recently caught up with Choi to discuss his new book and everything from “Star Trek” to Mars to how to use space as inspiration for compelling storytelling. Read on to see what he said.

headshot Eric Choi

Eric Choi is a Chartered Professional Engineer (P.Eng) with a BASc in Engineering Science and MASc in Aerospace Engineering, both from the University of Toronto, and an MBA from York University. In 2009, he was one of 40 finalists (out of 5,351 applicants) in the Canadian Space Agency’s astronaut recruitment campaign.

Space.com: How did you start telling stories?

Eric Choi: Throughout my life, science and science fiction have almost been like two sides of the same coin. Some of my earliest memories were of course early shuttle flights, including the first space shuttle mission, STS-1. Along with that was a longstanding interest in drawing inspiration from science fiction, including, of course, “Star Trek.” I was from that generation that wasn’t around when the original series aired in the 1960s. But when I was a kid, I remembered watching it in reruns.

I think my earliest memory of this show was this very unfortunate person in the red shirt, who was about to be consumed by an acid-secreting creature. I later learned that it was the classic “The Original Series” episode “The Devil in the Dark”, which really freaked me out. I progressed in my career as an engineer. I never gave up on the sci-fi aspects either.

The big breakthrough happened during my undergraduate studies in engineering science at the University of Toronto, where I entered a writing contest. It was then called the Isaac Asimov Prize; it’s now the Dell Magazines Award. To my surprise, I actually won first place in this contest the first year it was offered. It really shook things up for me.

array of star trek characters in different color shirts

Eric Choi says he was inspired by a classic “Star Trek” episode, during which he was terrified by the death of a “Red Shirt”. Traditionally, members of “Star Trek” crews in red shirts are more prone to death and disappearance. But not always. (Image credit: Paramount Plus)

Space.com: Let’s go story by story. We’ll start with Aurora Prize-winning “Crimson Sky” first. Can you talk about the scientific inspiration behind this?

Choi: The impetus behind this story dates back to my graduate studies at the Institute for Aerospace Studies at the University of Toronto. It has come to my attention that there are people out there thinking about what it would take to operate or fly a heavier than local atmospheric air vehicle in a harsh environment like Mars. [Editor’s note: The NASA Ingenuity mission is testing out drone flights on Mars right now.]

I took these concepts from academic publications and thought about what it would take to operate a raw version of these vehicles in the harsh Martian environment, and what the story is really about is a research mission and rescue on Mars.

Then I started thinking, we have things like paramedics on Earth, or people who have to administer first aid. How would this work in space or in a harsh planetary environment like Mars? If someone, for example, has injured their neck, how do you prepare it? You obviously can’t ask that person to take off their helmet, for example. How would you handle these things? How would you administer the medications? You can’t just stick a needle in someone’s arm very easily, when they’re wearing a spacesuit.

I was also interested in talking about the nature of exploration and pushing boundaries. In some ways, it was prescient and reflected some of the discussion and perhaps controversy surrounding some of the affluent people interested in spaceflight these days. I’m very happy that the story was well received.

On the 198th day of its mission, NASA's Perseverance Mars rover took this selfie.

NASA’s Mars Perseverance rover is a very capable machine, but like all distant explorers, it’s subject to delays. Eric Choi explains how to get around deadlines in his short story, “Just Like Being There.” (Image credit: NASA/JPL-Caltech/MSSS)

Space.com: What was your inspiration for your short story, “Just Like Being There”, from which the anthology takes its name?

Choi: This was written for a previous anthology composed by [Canadian science fiction writer] Julie Czerneda. She is actually a biologist by training and was very interested in using science fiction to advance science awareness, education and literacy. She collected a series of books aimed at young readers that touched on or illustrated aspects of the science curriculum in colleges. [junior high] in Ontario. I wrote this story for this collection with the intention of exploring this eternal question of humans versus robots. What are the advantages and disadvantages?

The context is that it takes place in the near future where, due to a series of tragedies involving human exploration, it has been decided not to send people into space anymore. There’s a bit of a hands-on technology called Ansible, which is a communication device that comes from Ursula Le Guin. With this technology, we are able to eliminate one of the most serious obstacles in robotic exploration, namely the [communications] delay. When trying to operate a robotic system remotely, for example, on Mars or further out in the solar system, if you could somehow operate without delay in real time, regardless of location where you are in the solar system, it would be like being there, wouldn’t it?

It turns out that the story’s protagonist, his father, was one of the last people to explore Mars in person. So there is a little crisis. There is a small interpersonal conflict between the father and the son. I hope what I’ve done with the story is not just to illustrate some of the fascinating science behind planetary exploration, but perhaps to stimulate an interesting discussion of the relative pros and cons of human or robotic space exploration.

astronauts in space suits holding moon rocks on the moon

Eric Choi says he tries to write for the “near future,” meaning the exploration that might be possible in a human lifetime or longer. These two depicted astronauts could arrive for real, for example, when the Artemis program sends people to the moon as early as the 2020s. (Image credit: NASA)

Space.com: The last story we’d like to talk about is “Heaven and Heaven.”

Choi: The context for this story comes from two places. In 2003, I had the opportunity to go down to Kennedy Space Center to witness the landing of STS-107, Columbia, which unfortunately and tragically did not happen. That experience has lingered and lingered with me all these years. A little more recently, in 2016, I had the opportunity to participate in a panel at the International Space University. One of the special events of this session was that the late widow of Ilan Ramon, the first Israeli astronaut killed on Columbia, was part of a distinguished panel. It moved me deeply too. I was impressed by the persistence, legacy and strength with which the memory of Ilan Ramon was kept alive in Israel.

I was thinking about how to combine these elements in an alternate history. What has been on my mind for many years, as I am sure in many people’s minds, could anything have been done to save the crew of STS 107? The answer to this question is yes, as it was actually well documented in the Columbia accident investigation report. A flight options assessment detailed two scenarios. One was a rescue scenario involving another shuttle, and the other was an attempt to repair damage in orbit with an EVA [extra-vehicular activity, or spacewalk.]

Thus, these two scenarios were sketched out in the Columbia investigation report. Really, these things were the genesis of the story. It’s in the kind of what they call an alternate history, or counterfactual. It took a lot of research to write this, but it was a very personal story. At the risk of being immodest, I’m quite proud of it. I’m glad this is the last story in my collection.

group of astronauts floating together in shirt sleeves

Eric Choi was inspired for one of his short stories by the deceased STS-107 crew aboard Space Shuttle Columbia in February 2003. (Image credit: NASA)

Space.com: If you’re writing science fiction for the first time, how do you approach a good story while respecting science and engineering as much as possible without sacrificing plot and all those storytelling devices?

Choi: If people are interested in writing, just do it. It’s not an easy thing. The first rule of writing by Robert A. Heinlein, American science fiction writer and space enthusiast (opens in a new tab) was if you want to be a writer, you have to write, and you have to finish what you write. If you can muster the courage to do it, put it out there for people to read and enjoy.

I tend to write in a subgenre known as hard science fiction. It’s the kind of story where if you took out the science element, there would be virtually no story. The prototypical example of this is “Frankenstein” by Mary Shelley. The other aspect is that the science or engineering being described is either based on current understanding or a reasonable extrapolation from it.

Obviously, the genre of science fiction is much broader and more diverse than that. The alternate history I’ve written about in several of the stories in this book is arguably another subgenre of that, for example. I encompass these aspects of hard science fiction as well as alternate history, fantasy, or horror.

These stories truly become, to quote American science fiction writer Larry Niven, playgrounds of the mind. (opens in a new tab). It’s a bit of a mind’s playground to think about what might be possible in the near future. I like it because in the near future I hope people like you and me and many more will spend more time. It’s kind of nice to get a little preview of things that might be coming in the not too distant future.

Follow Elizabeth Howell on Twitter @howellspace (opens in a new tab). Follow us on twitter @Spacedotcom (opens in a new tab) Or on Facebook (opens in a new tab).

Can “House of the Dragon” trigger a major media meltdown?



Mergers are difficult. Most fail. David Zaslav, CEO of Warner Bros. Discovery, Inc., seems determined to defy the odds. Since overseeing the company’s merger in April, he’s made a series of tough calls to bring new discipline to his content strategy, ranging from scrapping the newly launched CNN+ streaming service and movie $90 million “Batgirl” to layoffs and corporate reorganizations. The longer-term plan promises to be a handful of expensive ‘date TV’ galleons (produced by HBO) and a flotilla of cheaper reality ‘comfort viewing’ options (produced by Discovery+) . This weekend, the strategy faces its first big test: HBO’s well-funded “Game of Thrones” prequel, “House of the Dragon.”

With “Game of Thrones”, HBO caught lightning in a bottle. Who knew so many viewers would flock to a show based on an unfinished 1990s series of 1,000+ page fantasy novels inspired by the English Wars of the Roses? It might be hard to remember now, but people were once surprised that a show in which sibling incest played such a big part could find such a large audience. It ended with 164 Emmy Award nominations.

“Dragon” is HBO’s second attempt to see if the unlikely magic (and revenue) can be rekindled. Producers have invested $30 million in a pilot for a prequel series starring Oscar-nominated actress Naomi Watts. “It was very adult and sophisticated and smart, and there was a thematic conversation at the center of it about disenfranchisement in the face of colonialism and religious extremism,” HBO executive Francesca Orsi told The Daily Mail. Hollywood Reporter. It feels a bit more like HBO’s pre-Thrones comfort zone (like “The Wire” and “The Sopranos”), and a bit headier than the original series. “Thrones” showrunners David Benioff and DB Weiss dismissed the themes as “for eighth-grade book reports”. Executives dracarysed the Watts project last year.

Under Zaslav, HBO seems willing to make a simpler bet. There is no need to subvert expectations or blow anyone away. Just give people more of the same. And they’re probably not wrong; there are plenty of viewers who simply want more of the original series, or, as one cast member put it reductively, “t-ts and dragons.”

Regardless of the source of its appeal, “Thrones” earned an estimated $285 million per episode over eight seasons. That kind of money makes its final season budget of $15 million per episode budget pretty reasonable. “Thrones” is still one of the most streamed shows on television, three years after its stunning finale, and Zaslav says the original series’ viewership is actually growing with the new show’s marketing push.

Despite the cost savings he seeks in other parts of the business, Zaslav said “Thrones” and its spinoffs are one area they see as a worthwhile investment. “Dragon” was greenlighted without a pilot and would have cost $20 million per episode. George RR Martin, who wrote the books and works on the TV shows, compared the franchise to the Marvel Cinematic Universe, which grossed around $38 billion, and a major producer compared it to ‘Star Wars’. , which had a much longer time to rack up over $69 billion. If those parallels are right, there’s still plenty of revenue to capture: “Thrones” has only grossed around $4.4 billion so far. For comparison, that puts it just below “Seinfeld” in the highest-grossing media properties of all time, or just over half of a “PAW Patrol,” which premiered two years later.” Thrones”.

That kind of money would be a huge win for Warner Bros. Discovery, although at that point they might as well change the name of the whole company to “HBO.” But can they do it?

While “Dragon” looks lavish in previews, there’s reason to think some viewers might find it difficult. Unlike the original series, the story (loosely based on the English Civil War period known as The Anarchy) does not lend itself to heroes; with no major changes to the source material, there’s no Stark family equivalent for fans to feel good about. This can give it a gritty historical realism that appeals to critics and core fans, but makes it less accessible to a wider audience. In Marvel and Star Wars films, there is usually a clear hero.

And unlike the worlds of Star Wars and Marvel, the world of Westeros is very adult. There’s gore and orgies, and yes, all that incest. That makes it harder to cash in on spinoffs and spinoffs — and also limits the appeal of having “Thrones” and now “Dragons” bumping elbows with sweeter Discovery Plus reality TV fare. Think “90 Day Fiancé” and “For the Love of Kitchens.” No spoilers here, but I don’t think we’ll see many little girls dressing up as Rhaenyra Targaryen in October.

Given how profitable family franchises are, it seems odd that during a recent earnings call, CFO Gunnar Wiedenfels indicated that the company has no plans to prioritize content aimed at children. (One of the direct-to-stream movies that Zaslav recently killed off was a Scooby-Doo feature.) This would seem to be an area where some of the hoped-for fusion synergies would materialize: Warner Bros. owns the Looney Tunes, DC Comics and Harry Potter franchises, and HBO has been exploring spin-off “Thrones” series that could work for younger audiences – notably, a series based on the simpler, more categorized “Dunk and Egg” novels Martin’s PG-13. Still, it makes sense that Zaslav would push Warner Bros. Discovery to be much more selective about which projects to embark on, and that it is going all out in Westeros. If it earns even half of what Marvel earned, it would easily become the highest grossing TV franchise of all time. Yes, that kind of success could drive HBO further and further away from its old core of intellectual city fare like “Treme” and “Succession,” and would seem to leave Discovery little more than the producer of new “Deadliest Catch” seasons. But these are undoubtedly problems that Zaslav would like to have. If you find yourself riding a dragon, the best thing to do is hang on.

This column does not necessarily reflect the opinion of the Editorial Board or of Bloomberg LP and its owners.

Sarah Green Carmichael is editor-in-chief of Bloomberg Opinion. Previously, she was Ideas and Commentary Editor at Barron’s and Managing Editor of Harvard Business Review, where she hosted “HBR IdeaCast.”

More stories like this are available at bloomberg.com/opinion

An Abundance of Books – Winnipeg Free Press


After a summer of breezy beach readings, there’s no season book lovers look forward to more than fall.

Publishers are eager to make waves with new writing by established and emerging writers – books that challenge, comfort, inspire, infuriate, and/or incite laughter, tears, swearing, or some combination of the above.

This upcoming fall book season features a tantalizing array of short stories, novels, memoirs, biographies, graphic novels and more. Here are 20 titles to watch in the coming months that are sure to cause a stir…

Make love with the earth

By Joshua Whitehead (August 23, Knopf Canada)

In Calgary-based Whitehead’s debut collection of non-fiction, First Nation writer Peguis explores life as a queer Indigenous person in Canada through a range of genres, including notes, essays, confessions and more.

The Myth of Normalcy: Trauma, Illness, and Healing in a Toxic Culture

By Gabor Mate and Daniel Mate (September 13, Knopf Canada)

Well-known psychologist and author Gabor Maté teams up with his son Daniel, a composer/lyricist, to examine Western healthcare systems and why chronic disease and ill health are on the rise in Western societies.

The crow theory

By David A. Robertson (September 13, HarperCollins)

It’s not a fall book preview without a new title from prolific Winnipeg author David A. Robertson. His adult novel features an estranged father and 16-year-old daughter searching for a cabin on the family trapline. When things go wrong, they have to rely on each other.

Ducks: two years in the oil sands

By Kate Beaton (September 13, randomly drawn and quarterly)

In her weighty graphic novel, Beaton, raised in Cape Breton, recounts her journey to Alberta to work in the tar sands, in an attempt to pay off her student loans, while criticizing the tar sands culture and the perception of Canada in as guardian of the environment.

The greatest evil is war

By Chris Hedges (September 20, Seven Stories Press)

Triggered by the conflict in Ukraine, Hedges (who in 2002 wrote War is a force that gives us meaning) offers arguments against war based on his direct encounters with victims and their families, veterans and more.

The Divider: Trump in the White House, 2017-2021

By Peter Baker and Susan Glasser (September 20, Doubleday)

The authors of The man who ran Washington offer an examination of how the 45th president thrived in chaos and how those around him struggled with moral choices. The book features interviews with many key players, including Donald Trump and his family.

Laughing with the Trickster: On Sex, Death, and Accordions

Via the Tomson Highway (September 27, House of Anansi)

The Manitoba-born author and playwright follows his memoir Permanent astonishment with the latest installment of the CBC Massey Lectures series, in which he ruminates on five key themes of the human condition: language, humour, sex/gender, creation and death.

Fen, Bog & Swamp: A brief history of peatland destruction and its role in the climate crisis

By Annie Proulx (September 27, Scribner)

Pulitzer-winning Proulx returns with a non-fiction book about how the world’s wetlands are among the most crucial and misunderstood resources, and the crucial role they play in the future of our planet and our survival.

Confidence Man: The Creation of Donald Trump and America’s Collapse

By Maggie Haberman (October 4, Penguin)

The long-awaited book New York Times The reporter who has closely followed the Trump presidency is expected to make major waves and bring in heaps of new details via interviews with hundreds of people in the know.


By Ann-Marie MacDonald (October 11, Knopf)

MacDonald’s sprawling new novel, set in the 19th century on the titular estate on the border of England and Scotland, follows Charlotte, who grows up in Fayne with her father, sequestered from the rest of the world. When she discovers an unexpected artifact, her world is turned upside down.

The Tragedy of Eva Mott

By David Adams Richards (October 11, Doubleday Canada)

The new novel by the author and New Brunswick senator follows brothers who own an asbestos factory who come under scrutiny for health issues — and their extended family, who are a different kind toxic to the community.

Dying of politeness: a memoir

By Geena Davis (October 11, HarperCollins)

From her well-raised childhood (when, at three, she proclaimed she would be in movies) to her two Oscars to her time in show business, Davis details the path she took and the roles that made her the star she is today. .

The day of liberation

By George Saunders (October 18, Random House)

The Booker Prize-winning author Lincoln at Bardo returns with its first collection of short stories in nearly a decade. Saunders’ nine stories ruminate on themes of ethics, power, community and justice.

Running Down from a Dream: A Memoir

By Candy Palmater (October 18, HarperCollins)

These posthumous memoirs of Palmater, who died in late 2021, chronicle the ups and downs of her life and career – from her upbringing by bikers in New Brunswick to her career as an actress and comedian to her family love.

The last chairlift

By John Irving (October 18, Knopf Canada)

Irving’s first new novel in seven years begins in the 1940s, when a slalom skier becomes pregnant and follows her adult son’s journey to Aspen (where he was conceived) to seek answers about his origins.

The passenger

By Cormac McCarthy (October 25, Knopf)

The first of two long-awaited volumes from the iconic Pulitzer Prize-winning McCarthy, The passenger follows a rescue diver who discovers the site of a plane crash, travels across the southern United States and struggles with his struggling family. The second volume, Stella Marisarrives on December 6.

The Philosophy of Modern Song

By Bob Dylan (November 1, Simon & Schuster)

Dylan’s first book since winning the Nobel Prize for Literature in 2016 (and since his last book, the 2004 one Chronicles: Volume 1) contains 60 essays on songs by other artists across a wide range of genres, offering reflections on the human condition as only Bob Dylan can.

Surrender: 40 songs, one story

By Bono (November 1, Doubleday Canada)

The U2 frontman’s memoir, divided into 40 chapters named after the Irish rock band’s songs, chronicles his early years in Dublin, the death of his mother aged 14, the band’s beginnings and rise to stardom, and his activism.

True reconciliation: how to be a force for change

By Jody Wilson-Raybould (November 8, McClelland & Stewart)

Wilson-Raybould lays out his vision of what true reconciliation means and what we can do to advance the cause. Built around three key elements – learn, understand, act – Wilson-Raybould examines past and present rights and wrongs, and what needs to change in the future.

The Light We Carry: Overcoming in Uncertain Times

By Michelle Obama (15 November, Corona)

The former first lady pursues her runaway bestseller Become with thoughts and insights on how, in our turbulent present, we can examine our lives, find our positivity and sources of happiness, and make meaningful connections.

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Ben Sigurdson

Ben Sigurdson
Literary editor, beverage author

Ben Sigurdson edits the books section of Free Press and also writes about wine, beer and spirits.

The Bookseller – Commentary – Where are our books?


There’s a reason why all i know about love was a Sunday time bestseller in its first week of publication in 2018. This is the same reason why The defining decade has sold over 500,000 copies, and why The Wrong Knickers: A Decade of Mayhem greet me every WH Smith at a train station despite first publishing it eight years ago. What is the common point between these books ? They are aimed at young women, presented as required reading to help them make sense of a dynamic, heartbreaking and pivotal decade: their twenties. The success of these titles represents a shift in demand and a thirst for more.

As a lifelong reader, I’ve always dreamed of stories that help me make sense of my own life and emotions. This is one of the many reasons I read and the predominant reason I write; connecting with a book is pure magic. In 2019, I was freshly graduated in a brand new city: living in a shared apartment, approaching the world of work and being heartbroken. For the first time when I scoured bookstores, I had a hard time finding characters whose interior monologue resembled mine. I craved stories with protagonists who felt as confused as I did by the adult world. Engaging in conversations with other readers and launching my most recent novel has shown me that I am not alone in this feeling. As the generation that saw young adult literature thrive alongside our own formative years, there is a demand for books that have aged with us. Where are all the books that take place after the 12-18 installment, and before the stories of motherhood, marriage, and the property ladder? Somewhere during the YA boom, this market was forgotten, and the recent arrival of titles such as normal people and Chandelier restarted the conversation once again.

It says a lot about the publication that for years our instinctive response to a young woman feeling lost in the early chapters of her adult life was to reference Bridget Jones. Bridget’s journey of love, friendship, and career-challenging (not to mention excellent one-liners) might encompass similar themes, but the protagonist is 32 years old. A seasoned adult rather than a new one. Books aimed at the early twenties, with characters who are actually in their twenties, represent a huge current void in the market. That’s why character-driven novels like those by Sally Rooney and Raven Leilani are so popular; they explore often unexplored experiences. Filthy roommates, the grim bottom rung of career ladders, and the searing pain of love are all about a forgotten toothbrush and obsessively checking to see if WhatsApp says “online.” Where the main characters in our lives aren’t babies or wedding rings, but friendships born in club toilets and the desperation of Freshers Week. There is a craving for books that depict this exhilarating but often exhausting time in life, so why aren’t we publishing them?

The BookTok effect

Conversations about reader demands in 2022 are pointless without mentioning BookTok, the book club-style social media giant and TikTok sub-community that is radically changing the way books are consumed. The 20-24 year olds are one of the most influenced and influential age groups on the app and have taken the lead in direct sales. It ends with us, Colleen Hoover’s backlist title that has gained popularity on social media, is the UK’s best-selling book of 2022 (according to Nielsen BookScan), despite being published in 2016. How old is Lily Bloom, the protagonist of the book? Twenty-three years old, and a recent college graduate. Viral titles can tell us a lot about the demand for books that represent a 20-something audience and the power of that audience to propel a title to success. It’s a mistake to ignore readers who are leading trendsetters and ignore their demographics and life experiences instead of using them to shape the books of 2023, 2024, and beyond.

So yeah, there’s a reason why all i know about love was a Sunday time bestseller in its first week of publication, and why the television adaptation of Alderton’s memoir has had a similar reception. It’s the same reason why “books for people in their twenties” is a popular Google search. Twenty-somethings are a group of readers going through a vital period of growth in their adult lives, seeking reassuring material and characters that make them feel less alone. It is a symbiotic relationship; there is a void in the market for books for 20-somethings, and coming out of lockdown, 20-somethings need literature more than ever to make sense of it all. Politically, socially and culturally, we are a generation making room to be heard. Take care of a twenties and we’ll scream for you.

Since 1989, threats against Salman Rushdie have sparked free speech debates: NPR


In 1989, after Iranian religious leader Ayatollah Ruhollah Khomeini issued a fatwa calling for the death of author Salman Rushdie, readings of his works were held in the United States. During this one in San Francisco, novelist Alice Walker reads aloud excerpts from Rushdie’s satanic verses.

Eric Risberg/Associated Press

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Eric Risberg/Associated Press

In 1989, after Iranian religious leader Ayatollah Ruhollah Khomeini issued a fatwa calling for the death of author Salman Rushdie, readings of his works were held in the United States. During this one in San Francisco, novelist Alice Walker reads aloud excerpts from Rushdie’s satanic verses.

Eric Risberg/Associated Press

In a small meeting room in midtown Manhattan in 1989, more than 20 prominent writers stood in turn to read aloud the work of writer Salman Rushdie and denounce the fatwa that had just ordered his dead.

At the time, the fatwa sparked an outpouring of support for Rushdie while sparking a debate about the complicated collision of art and free speech with offense.

Now, more than three decades later, those outpourings and debates have come to the fore again following a brutal stabbing attack on Rushdie during an arts and literary retreat in New York.

PEN America, the free-speech writers group, hosted Rushdie’s reading in 1989. Speakers then included writer Joan Didion, novelist Norman Mailer and essayist Christopher Hitchens, all of whom have denounced the fatwa in the name of freedom of expression.

“Censorship was imposed in the United States,” said biographer Robert Caro. “There are issues on which no compromise is possible, and this is one of them.”

But not all responses to the fatwa were such full-throated defenses of Rushdie. Perhaps more importantly, former President Jimmy Carter wrote an op-ed in The New York Times with a title proclaiming satanic verses be an “insult”.

“While Rushdie’s First Amendment freedoms are important, we have tended to promote him and his book without recognizing that it is a direct insult to those millions of Muslims whose sacred beliefs have been raped and suffer in restrained silence,” Carter wrote.

Commenting on Twitter in the days following last week’s attack on Rushdie, Iranian-American writer Roya Hakakian criticized a response from a US official. Later, while post a link to Carter’s 1989 op-edshe attributed what she called the abandonment of Rushdie and free speech to the “elites in 1989” and tweeted, “it is also the elites of today, who are laying all the foundations of today’s unsightly cancel culture”.

The attack on Rushdie comes at a time when libraries and schools are under immense pressure from conservatives to remove books about race and LGBTQ issues from their shelves. The publishing industry has also faced its share of criticism over representational issues in literary fiction and young adult books, as well as pressure to drop book deals with the likes of Republican Senator Josh. Hawley, Woody Allen and a Louisville, Ky., Police officer involved in the death of Breonna Taylor.

“When literature departments refuse to teach lolitalectures on Dostoyevsky are canceled following the Russian invasion of Ukraine, Oscar winners feel comfortable slapping comedians on live television, journalists and cartoonists can be killed for publishing a thought or joke that offends their readers is a dangerous world for both artists and art itself,” Israeli writer Etgar Keret wrote this week.

Several writers, including Graeme Wood of Atlantic and David Rieffhave suggested that satanic verses might not have been published if it had been written today.

satanic verses, published in 1988, includes a section in which the Prophet Muhammad is tricked by Satan into proclaiming a revelation, the titular Satanic Verses, which he then has to retract. Because the sequence depicts the fallibility and human weakness of the prophet, the novel is considered blasphemous by some Muslims.

The year after the book was published, Iran’s religious leader Ayatollah Ruhollah Khomeini issued an order, known as a fatwa, calling for Rushdie’s death and the death of anyone involved in publishing the book. book.

Thereafter, Rushdie spent nearly a decade hiding under police protection. During these years, several publishers and translators were attacked, including the Japanese translator of the book, who was killed in 1991.

Rushdie gradually reappeared in public life in the early 2000s. He said he still received periodic threats as the fatwa had not been lifted. Over the years, hardliners in Iran have reportedly pooled a bounty totaling more than $3 million.

Last Friday, Rushdie, now 75, was preparing to speak at the retreat in New York when a man ran onto the stage and stabbed him 12 times in the neck, chest, stomach , by hand and by eye. Rushdie was hospitalized and his condition has since improved, his relatives said.

The assailant, a 24-year-old Lebanese-American, was charged with attempted murder. Iran has denied any involvement in the attack.

Now, on Friday, PEN America will host a new take on Rushdie’s 1989 reading: A group of writers will gather on the steps of the main branch of the New York Public Library to read passages from Rushdie’s writing in a show of support. The event will include Hakakian, as well as actor and comedian Aasif Mandvi, National Book Award winner Colum McCann and others.

“As publishers, we have a collective responsibility to support writers whose books and ideas ensure an open and ever-changing society,” said Markus Dohle, CEO of Rushdie’s publisher Penguin Random House, in a statement.

Texas school district temporarily removes 41 books, including the Bible


A school district in Texas has temporarily removed all books from library shelves that have been challenged in the past year, including all versions of the Bible and an adaptation of Anne Frank’s diary.

Driving the news: The Keller Independent School District near Fort Worth has ordered all teachers and librarians to remove 41 books and review them under new policies passed by the school district last week, the Texas Tribune first reported. .

  • “Right now, Keller ISD administration is asking our campus staff and librarians to review books that were challenged in the past year to determine if they meet the requirements of the new policy,” said the school district in a statement after the Tribune obtained an email sent to principals about the policy.
  • “All of the books included in Tuesday’s email have been included in the Keller ISD Book Challenge list within the past year,” according to the statement.
  • “Books that meet the new guidelines will be returned to libraries as soon as it is confirmed that they comply with the new policy.”

What they say : “Anne Frank is one of the best known of the six million Jews who died in the Holocaust,” said the US Holocaust Memorial Museum in Washington DC. tweeted As news of the book ban gained traction on social media on Wednesday, she made no specific mention of the book removal in Texas.

  • “For many students around the world, his diary is the first encounter they have with the story of Nazi Germany’s attempt to murder all of Europe’s Jews during World War II.”

State of play: Parents, employees, and residents of the district are permitted to formally file objections to books or educational materials, depending on the district.

  • A committee then reviews the material to determine if it will remain in schools.

The big picture: The decision in Texas comes as school districts across the country have reviewed — and removed — books from school libraries, most often when the books deal with LGBTQ and race issues.

  • The demands are the product of a culture war that has ground schools across the country, reports Axios’ Russell Contreras.

Go further… Book bans are back in fashion

Editor’s note: This story was updated with a tweet from the US Holocaust Memorial Museum in Washington, DC

Sandman Season 1 review: “Made with a deep love for the material and the worlds Morpheus inhabits”


Adapting The Sandman for television was always going to be a risk. Sure, the comic is well known and loved, but its premise, structure, and protagonist are so idiosyncratic that it’s a lot harder to sell than, say, another DC or Marvel superhero show. Likewise, it lacks the nostalgia value of Stranger Things or the instantly intriguing elevator pitch of Squid Game.

And yet, here we are looking back at a ten-episode season that successfully brought the first two major arcs of Neil Gaiman’s seminal graphic novel to new audiences. and reached number one on the Netflix charts. It’s impressive.

If there’s one thing the show’s massive success suggests, it’s that audiences are hungry for new ideas. The series is based on a comic book first published over 30 years ago, but its genre tone, distinctive half-anthology/half-series nature, and aloof, unnerving protagonist feel quite fresh and different from everything that’s happening on TV right now.

It also proves that the minority of online jerks who have sparked an angry story about certain characters’ “woke” gender-swapping are dead wrong. It turns out that if you give the audience good stories, the vast majority will be happy enough to agree to Lucifer Morningstar being played by Gwendoline Christie instead of David Bowie (who, let’s not forget, no longer hangs around in this dimension anyway).

The sand man

(Image credit: Netflix)

That doesn’t mean I liked everything. There’s a lot of material to explore in the Dollhouse arc over the last third of the season, but it felt compressed, with things like the collector’s “cereal” convention suffering in the process. . The Sound of Her Wings seems to have been a hit with fans, but the weird split structure didn’t work for me at all. And as I continued at length in my episodic reviews, I found Boyd Holbrook’s take on the Corinthian – a living nightmare, let’s not forget – largely unthreatening, although I enjoyed the character as the series progressed and I consciously leaned into making it a more sympathetic figure.

But when The Sandman was good, boy, was it fun. Sleep Of The Just and 24/7 were both excellent adaptations and excellent examples of episodic television. The latter, in particular, felt like a standalone play, successfully evoking a sense of growing dread while allowing us to get to know and care for a cast of all-new characters before mercilessly killing them all at the end. . Great stuff.

Likewise, the cast was superb, with special props in particular for Vivienne Acheampong as Lucienne (playing a much larger role here than her comic book equivalent) and David Thewlis as the harrowing and terrifying role of John Dee.

Then there’s Tom Sturridge in the title role. At first it’s a little hard to come to terms with her childish good looks and My Chemical Romance fan haircut – it’s often forgotten, but one of the striking things about how Sam Kieth and Mike Dringenberg initially drawn Morpheus was how strange and ancient the character often looked. – but as soon as Sturridge speaks, you don’t know why he was chosen. It’s the voice of the sandman, as dark as those inky black bubbles, but with small glimmers of humanity showing through.

Gwendoline Christie as Lucifer in The Sandman

(Image credit: Netflix)

Although nothing has been announced yet, it is almost certain that we will have a second season. It’s great – there’s definitely a lot to look forward to. The season finale hinted at Lucifer’s plot to exact revenge on Morpheus and if the series largely sticks to the flow of the comics, we’ll likely also see adaptations of A Midsummer Night’s Dream (The Sandman #19) in which the Morpheus bargain with Shakespeare is explored and the A Game Of You arc, which picks up the Barbie story. We might even get A Dream Of A Thousand Cats (The Sandman #18), a cat-centric tale that, if done right, will break social media and be GIF’d endlessly.

Exciting stuff, but hopefully some changes as well. I was slightly taken aback by how the visual effects went from beautiful to nearly unfinished and hope Season 2 has enough time and money to do the next arcs justice. Although very different in tone and form, The Sandman will soon be competing with House Of The Dragon and Lord Of The Rings: The Rings Of Power, two great fantasy shows which – from what we’ve already seen – look dazzling – to die for.

The Sandman also deserves an extended episode order. The comics are full of ideas, and it’s clear now that the showrunners are committed to including as much original material as possible. Characters like Hal and Rose’s other roommates were left relatively unexplored, largely because there were so many stories to go through in a limited space of time. Two or three more episodes would make a big difference in that regard.

So mixed feelings but overall positive about this one personally. It’s very pleasing, however, to see how happy this show has made fans of the comics and other Neil Gaiman works purely happy. Sometimes the adaptations can feel a little cynical, but it’s very clear that it was made with a deep love for the material and the worlds Morpheus inhabits. I will be happy to see him again and I am very glad to hear more about Desire’s perverted plans…

The Sandman is now streaming on Netflix. For more on the streamer, here are the best Netflix shows and the best Netflix movies you should watch.

Book recommendations by Michelle Zauner


Welcome to Shelf Life, ELLE.com’s book column, where authors share their most memorable reads. Whether you’re looking for a book to comfort you, move you deeply, or make you laugh, consider a recommendation from the writers in our series, who, like you (because you’re here), love books. Maybe one of their favorite titles will also become one of yours.

Crying in H Mart – by Michelle Zauner (Hardcover)

A few weeks ago, first-time author Michelle Zauner celebrated a milestone: 52 weeks on the New York Times bestseller list (and still going strong) for his memoirs, Crying in H Mart (Knopf), about coping with his grief after losing his mother to cancer while cooking Korean food. Since its publication, it has apparently been in perpetual motion. Release of his third album, Jubilee, with his indie pop group Japanese Breakfast. Play Coachella, SXSW, Bonnaroo. Appearing in a Rodarte pre-fall campaign and a Levi’s x Free People ad. Manufacturing TimeThe 100 most influential people in listing. covering his single “Be Sweet” in simlish and composition the Sable video game soundtrack (she also has a game called Break Quest). Attending the Grammys as a double nominee dressed in Valentino. performing on SNL final. Throwing the first pitch during a New York Mets game. She is also writing the film adaptation of her book for Orion Pictures and right in the middle of a world Tour.

Born in Seoul, Eugene, Oregon, Brooklyn-based Zauner is an Aries, was the editor her college newspaper (she was thinking of doing journalism); was a competition chess fourth- to seventh-grade player; did Small office gig; once work locker room at Union Transfer in Philadelphia, which she sold five nights in a row; studied creative writing at Bryn Mawr; worked in advertising sales; got it first guitarr—a Yamaha acoustic—as a Christmas present from his mother; and dance at the carpenters Rainy days and Monday at his wedding.

Likes: Wilco, Cibo Matto and Karen O; dried cuttlefish and Kewpie mayonnaise (this last one is one of them) tattoos), Gwangjang Market in Seoul; Michael Imperioli (who appears in JBrekkie’s “Savage Good Boy” video); Café Reanimator Keystone blend. Do not like : Fusion kitchen, Trek.

The book that:

…should be included in all university curricula:

by Marilyn Robinson Housekeeping. I read this book in a novel-writing class at Bryn Mawr, and it completely changed me.

…helped me become a better writer:

by Richard Ford rock springs. I have re-read this book so many times. At one point, while I was reviewing Crying in H Mart, I picked it up and underlined all the phrases about the weather to figure out how to infuse more mood into my prose. It really is a master class in short fiction.

…I would love to be made into a Netflix show:

Frances Cha’s If I had your face. This novel is a real page-turner. It reads like a TV series, richly detailed and visually evocative.

…features a character I love to hate:

by Jane Austen Sense and sensitivity. In my opinion, John Willoughby is the ultimate fuckboy.

… grew on me:

At Megha Majumdar A burning. I don’t know why it didn’t appeal to me from the start, but a few chapters later I was hooked. I couldn’t put it down.

…helped me through a loss:

by Joan Didion The Year of Magical Thinking. A wonderful book on grief by a true master.

… presents the most beautiful jacket:

Last year on tour I picked up a beautiful vintage Charlotte Brontë hardcover Jane Eyrewhich features illustrations such as Procession of Lowood Orphan Girls in Gothic Dress.

… has the best title:

What are we talking about when we talk about love by Raymond Carver. Iconic. Unforgettable.

… made me laugh out loud:

by George Saunders Civilwarland in bad decline. George Saunders is hands down the funniest writer on the planet and an exceptional reader. I attended one of his lectures in college and was practically in tears.

…kept me up way too late:

At Jhumpa Lahiri’s In other words. I love Jhumpa Lahiri’s writing so much. His thoughts on language, education and belonging resonate so strongly with my current interests. Another book I couldn’t put down.

… currently sits on my bedside table:

I am currently reading a galley copy of The 12th Commandment by my former creative writing teacher, Daniel Torday. Daniel has been such a great friend and mentor to me. It is a pleasure to read it at its peak. The novel is an incredibly suspenseful detective story that revolves around a Jewish-Islamic cult in Columbus, Ohio.

…I recommend again and again:

MFK Fisher’s The gastronomic me. MFK Fisher’s food writing is spectacular and deeply inspired me while working on Crying in H Mart. She is so delicious, sensual, funny. Ahead of its time.

Read Zauner’s picks:
Household Picador

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rock springs
Grove Press Rock Springs

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If I had your face
If I had your face

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Sense and sensitivity
A burning
The Year of Magical Thinking
Vintage The Year of Magical Thinking

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Jane Eyre
Penguin Classics Jane Eyre
What are we talking about when we talk about love
Vintage What we talk about when we talk about love

Now 13% off

CivilWarLand in bad decline
Random House Trade Paperbacks CivilWarLand in Bad Decline

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In other words
The vintage in other words

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Concerns Grow Over Decline of Bees in New Jersey and Beyond


For six summers, researchers at Rutgers University visited watermelon fields in central New Jersey and painstakingly recorded the number of bees spreading pollen from flower to flower to produce fruit that, within a month, would sit under a Jersey Fresh banner at a farm stand or supermarket. .

What they found was disturbing.

The bee population plunged in the last two years of the project, mirroring a global trend that has seen bee populations plummet in New Jersey and beyond, according to a recently published study by Rutgers researchers. The number of wild bees, which fell at a faster rate than that of honey bees managed by beekeepers, was behind the decline.

“The number of bees has changed dramatically, especially over the past two years,” said Andrew Aldercotte, Rutgers PhD candidate and lead author of the study. “But we also saw a lot of inconsistencies with numbers bouncing around a lot from year to year.”

Aldercotte said that unless more data is collected, he cannot conclude whether the decline is a trend that shows a threat to food supply or a normal variation over a few years.

At least for now, it doesn’t appear that bee population declines have had a significant impact on the quality or quantity of New Jersey’s produce, which generates nearly $400 million in annual sales. said Peter Furey, executive director of the nonprofit New Jersey Agricultural Bureau.

But it’s clear that bees are being hit hard everywhere, including in New Jersey.

Blame the varroa destructor

About 28% of the state’s honey bees were lost each year a decade ago. These annual losses have reached up to 50% in recent years, according to the Bee Informed Partnership, a consortium of scientists and beekeepers.

While there could be many reasons for declining bee populations, the main culprit for the recent decline is believed to be a parasite with a comic book villain name: varroa destructor.

In addition to feeding on developing larvae, Varroa destructor is also a vector of deadly viruses that affect bees. And it is found all over the world. Australia destroyed around 15 million infected bees this summer in a bid to stop the spread.

Frank Mortimer, a master beekeeper from Cornell University, said it’s important for all beekeepers to deal with these parasitic mites because the viruses that kill honey bees often spread to some native bee species, such as those cited in the Rutgers report.

“Beekeepers need to be stewards of all pollinators because caring for their bees impacts all the other bees around them,” said Mortimer, who raises bees at his home in Bergen County.

For subscribers:Why a Bergen woman fought back (and won) after local authorities forced her to mow her lawn

COVID Testing Update:Murphy lifts COVID testing mandate for unvaccinated teachers and daycare workers

The Rutgers study showed that between 2005 and 2012, flower visits to farms in New Jersey and eastern Pennsylvania by managed and wild bees decreased by 37%, from about 31 visits every flower per hour at about 20. Visits from wild bees decreased by 58%. over the period of the study – the end of which coincides with the beginning of a precipitous decline in bees in New Jersey.

Because bees play such a vital role in agricultural production, their decline would have a significant impact on New Jersey, where agriculture is still the state’s third-largest industry, behind pharmaceuticals and tourism. Agriculture generates more than $1 billion in revenue each year in the state, with fruits and vegetables second only to nursery and greenhouse production. New Jersey’s major crops, including cranberries, blueberries, apples, and cucumbers, depend on pollination by bees to produce abundant, high-quality fruits and vegetables.

Furey of the Farm Bureau said he hadn’t heard of any major problems from growers. Most farms hire commercial beekeepers who provide enough hives to keep state crop yields high, he said.

“It seems a little surprising, even though everyone respects the essential role of bee pollination and is wary of threats to native bee populations,” Furey said of Rutgers’ findings.

While honey bees do the bulk of crop pollination, studies have shown that many fruits and vegetables are more thoroughly pollinated when honey bees work in combination with wild native bees, Mortimer said.

There are many reasons why wild bees are in decline, but a big part of it is the loss of their natural habitat, he said. While 248,000 acres of farms have been preserved in New Jersey, these fields are still prime land for real estate developers.

“The more we develop the land around us, the more it impacts vulnerable pollinators at risk,” said Mortimer, author of “Bee People and the Bugs They Love.” “Many native bees are very specialized, and when we remove their habitat, they cannot survive.”

Losses of bees in New Jersey

The amount of annual bee colony loss in New Jersey has increased from a decade ago.

  • 2020-21: 48%
  • 2019-20: 31%
  • 2018-19: 41%
  • 2017-18: 46%
  • 2016-17: 51%
  • 2015-16: 50%
  • 2014-15: 47%
  • 2013-14: 38%
  • 2012-13: 41%
  • 2011-12: 26%
  • 2010-11: 28%

Source: Bee-Informed Partnership

Nicholas Evans, author of ‘The Horse Whisperer’, dies at 72


Nicholas Evans, the British journalist-turned-author whose novel-turned-film, “The Horse Whisperer”, broke publishing and cinema records, as well as the hearts of readers who made the book a best-seller in 20 countries, died on August 9 at his home in London. He was 72 years old.

The cause was a heart attack, said his longtime agent, Caradoc King.

In 1993, Mr Evans, aged 43, was broke and adrift. He was working as a journalist and documentary filmmaker, and had spent two years on a film project that eventually fell apart, when he started looking for an idea for a novel. It was perhaps not the most winning formula for social success, as he retrospectively noted on his website: “Why should a first novel by an unknown author have a better chance of taking off than a movie ?”

However, he had found an intriguing subject: the mystical and virile art of horse whispering. His source was a farrier, and Mr. Evans soon learned that the vocation of calming horses had a long history dating back centuries.

In England, however, horse matters have too much class baggage, as he puts it, so he turned to the American West for his story. He got his trump cards when he met Tom Dorrance, a terse cowboy then in his 80s, and watched him soothe a frantic mare in California. He then found two other cowboys who practiced the same fascinating magic and began to create a character inspired by these three men.

Mr Evans sat down and wrote some 150 pages of what would become ‘The Horse Whisperer’, a soapy drama about a young girl and her horse who are hit by a truck, and what happens when her mother, editor of East Coast magazine finds a horse whisperer in Montana to treat her trauma.

The healing that ensues involves more than the horse. Mr Evans showed his draft to Mr King, who sent the partial manuscript to a number of publishers en route to the Frankfurt Book Fair that year. Suddenly Mr Evans was in the midst of a bidding maelstrom, juggling offers from Hollywood as well as book publishers on both sides of the Atlantic.

When Bob Bookman, the Creative Artists Agency agent negotiating the sale of the film rights, asked Mr. Evans what he wanted, Mr. Evans offered a whopping $50,000. “I think we can get $3 million,” Mr. Bookman said, as reported by Sarah Lyall of The New York Times. And they did. Hollywood Pictures and Robert Redford’s film studio Wildwood Pictures won the auction, at the time the largest amount ever paid for the rights to a first novel (nearly $6 million in today’s money). today). Mr. Evans’ North American book advance of $3.15 million from Dell Publishing set another record.

Then Mr. Evans had to finish the book. He told Ms Lyall he had become morbid and superstitious: He stopped cycling and took the slow lane while driving. What he didn’t reveal, not even to his agent, was that he had been diagnosed with melanoma.

Nevertheless, he survived and thrived. The book, which was published in 1995, was a worldwide bestseller that has been translated into 40 languages, although critics criticized it for its melodrama. Michiko Kakutani, writing in The New York Times, called it “a sappy romance novel, laced with sentimental patter about the emotional lives of animals and plenty of Walleresque hooey about men and women.”

“The only thing missing,” she added, “is a photo of Fabio on the cover.”

The film, which was released in 1998, received more favorable reviews and modest box office success, thanks to Mr. Redford’s star power and steady hand as a director. He delivered a more restrained version of the Mr. Evans tale, playing Tom Brooker, the horse whisperer. Kristin Scott Thomas was Annie MacLean, the mother, and Scarlett Johansson played Grace, the daughter. Sam Neill was Annie’s cuckolded husband. Mr. Redford’s version ended rather ambiguously; Mr Evans had chosen a more confrontational path and he was initially upset by the change.

For better or worse, Mr. Evans had unknowingly introduced the word “whisperer” into the popular lexicon as a catch-all term for experts capable of taming complicated creatures, such as babies.

“It was an extraordinary event,” Mr King said, recalling the frenzy surrounding Mr Evans’ novel. “That was just the magic of the story. That was the thing.

Nicholas Evans was born on July 26, 1950 in Worcestershire, in the West Midlands of England. He studied law at Oxford University, where he obtained a First, the highest distinction. He worked as a journalist for newspapers and television and produced a weekly current affairs programme. In the 1980s, he made documentary films about artists David Hockney and Francis Bacon, writer Patricia Highsmith and filmmaker David Lean, among others.

He followed “The Horse Whisperer” with three more novels, all bestsellers. “The Divide” (2005), explores what led to the death of a young woman whose body is found in a frozen mountain stream. The story was inspired, he told The Associated Press, by his own questions about the causes of marriage breakdowns – a broken marriage is the story of the book. His own 25-year marriage had recently come to an end, he said.

Like his characters, Mr. Evans was an avid outdoorsman, a charming Bill Nighy look-alike who skied and hiked. And in August 2008, he seems to fall into the plot of one of his own stories, a family idyll turned into a near-tragedy.

He and his second wife, singer-songwriter Charlotte Gordon Cumming, were staying with his brother, Alastair Gordon Cumming, and his wife, Lady Louisa, in the Scottish Highlands. They had picked and enjoyed a meal of wild mushrooms, which turned out to be poisonous. All four fell ill and their kidneys quickly failed. Mr Evans, Mrs Gordon Cumming and his brother needed years of dialysis – and new kidneys. Lauren, Mr Evans’ daughter, donated one of her own. Ms Gordon Cumming was gifted the kidney from the mother of her son’s best friend, and Mr Cumming’s was from a deceased patient. Mr Evans has become a patron of a kidney donation charity. Mrs. Gordon Cumming made a documentary film about her experience.

Mr Evans’ survivors include his wife and four children, Finlay, Lauren, Max and Harry.

His reviews have become more positive with each book. Nevertheless, he tended to avoid reading them.

“The book business is so weird – and the very definition of literary fiction versus business fiction has always struck me as weird,” Mr Evans told the Guardian in 2011. “One is defined by the number books sold, and the other by his ideas and so-called literary merit. And there are all sorts of assumptions that go into that. So, for example, if you’re selling tons of books, you can’t have any d interesting ideas, themes or things to say. And on the other hand, if nobody buys the book, it is considered a mark of their esteem because nobody is smart enough to understand it.

George A. Romero’s “The Amusement Park” is slated for digital, DVD and Blu-ray release in September!


After nearly 5 decades and loving restoration, George A. Romerois the amusement park is finally ready to open to the public! Recently discovered and restored 46 years after its completion, THE AMUSEMENT PARK stars MARTIN’s Lincoln Maazel as an elderly man who finds himself disoriented and increasingly isolated as the pains, tragedies and humiliations of aging in America play out through roller coasters and chaotic crowds .

Commissioned by the Lutheran Society, the film is perhaps Romero’s wildest and most imaginative film – an allegory on the nightmarish realities of aging and a seductive snapshot of the filmmaker’s early artistic ability and style. The “lost” film has been restored in 4K by IndieCollect in New York.

Blu-ray and DVD bonuses include:

  • Audio Commentary with Michael Gornick
  • Reopening of the “Park” with Suzanne Desrocher-Romero
  • Bill and Bonnie’s Excellent Adventure with Bonnie Hinzman
  • For your amusement with artist Ryan Carr
  • Interview with Suzanne Desrocher-Romero, Sandra Schulberg, Greg Nicotero and Daniel Kraus hosted by Samuel Zimmerman of Shudder
  • THE AMUSEMENT PARK Official brochure
  • Behind the scenes photo gallery

With over 100 minutes of bonus features, many only available on the DVD and Blu-ray release, fans will learn what happened behind the scenes of THE AMUSEMENT PARK with assistant cameraman Michael Gornick in audio commentary; find out what it took to restore the film 46 years after its completion in an interview with Suzanne Desrocher-Romero, President and Founder of the George A. Romero Foundation; take a ride with the late cinematographer Bill Hinzman’s wife, Bonnie, as she recounts her favorite moments working on the film both behind the scenes and in front of the camera; find out what Ryan Carr, illustrator for the George A. Romero Foundation, achieved in an interview on THE AMUSEMENT PARK graphic novel; Join Shudder’s Samuel Zimmerman in an interview with Suzanne Desrocher-Romero, President of IndieCollect Sandra Schulberg, Executive Producer and Director of AMC’s “The Walking Dead” and Genre Legend Greg Nicotero, and Author and Writer Daniel Kraus then that they discuss the film and Romero’s legacy; learn about the issues of aging in our society with the amusement park’s official brochure and script; and explore life behind the camera with a behind-the-scenes photo gallery.

The bookseller – News – Christopher Foyle dies aged 79


Christopher Foyle, former chairman of Foyles Bookstores, has died aged 79.

Foyle, who took over the family bookstore in 1999, died of acute myeloid leukemia on August 10, his family announced.

The book chain said in a statement: ‘We are very saddened to learn that Christopher Foyle, our former chairman and member of the founding Foyle family, has passed away at the age of 79. Christopher’s vision inspired today’s Foyles: after taking over as CEO in 1999, he modernized the business by opening new branches and was instrumental in creating the magnificent new flagship Foyles bookshop on Charing Cross Road which opened in 2014.

“Christopher Foyle was an affable and regular visitor to the bookstore who had plenty of stories to share and made time for everyone. He liked the unusual words, which he collected in the two volumes Foyle’s Philavery. Our thoughts go out to his family. »

Waterstones bought the chain in 2018. In a separate statement, the retailer described it as a “cautious and visionary guardian” and “a loyal friend to the business after its sale”.

James Daunt, Physician at Waterstones, added: “Christopher was passionate. He guided Foyles through his transformation and continued to provide his wise support after the sale. He will be greatly missed.”

Padma Lakshmi ‘worried and speechless’ for ex-husband Salman Rushdie


Padma Lakshmi expresses her relief that ex-husband Salman Rushdie is improving after he was stabbed on stage before giving a speech on Friday August 12.

The ‘Top Chef’ host, 51, posted a heartfelt message on Twitter after learning that the author had been taken off a ventilator.

“Relieved @SalmanRushdie is doing fine after Friday’s nightmare,” she wrote on Sunday morning. “Worried and mute, can finally expire. Now let’s hope for a quick recovery.

Back to their marriage

Lakshmi and Rushdie were married from 2004 to 2007 after first meeting in 1999. It was her fourth marriage and her only.

“For us Indians, he’s like Hemingway,” Lakshmi told People magazine in 2016. I mean, he was the best thing that ever happened to me by far. The fact that someone of that stature and caliber even cared enough about me to want to take me out to lunch was pretty incredible.

Lakshmi’s undiagnosed severe endometriosis resulted in chronic pain. That’s what she says led to their divorce.

Salman Rushdie and Padma Lakshmi.George Pimentel/Wire Image

“Endometriosis was definitely a big reason my marriage failed and I don’t think any of us understood that at the time,” she told the publication. “I think it’s also because I hid it to some degree, not intentionally but you know, it’s weird talking about your period all the time. It’s like the least sexy thing in the world to do.

“I think Salman took it personally and I think he felt rejected,” she said. “I can understand that.”

The couple have remained good friends and he even supported her by sharing intimate details of their marriage when she released her memoir in 2016.

“I said to him, ‘I just want you to know that I’m talking about the end of our marriage and I’m talking about it because I really wanted to talk about endometriosis and also that you were a big part of my life,'” Lakshmi said. “And he said, ‘You have the right to tell your side of the story as you see it.’

“I mean, listen, he’s the most famous proponent of free speech,” she added. “Besides, he’s a big boy. He can handle it.”

Luca Luca Fall 2002 Fashion Show, Bryant Park
Salman Rushdie, Padma Lakshmi at the Luca Luca Fall 2002 Fashion Show, Bryant Park.Sylvain Gaboury / FilmMagic

“His usual fiery and provocative sense of humor remains intact”

On Friday, the 75-year-old novelist was attacked and stabbed in the neck in New York. Rushdie was about to give a lecture at the Chautauqua Institution in Chautauqua when a man approached him.

An Associated Press reporter who witnessed the scene in rural New York said Rushdie fell to the ground and the man was restrained.

Authorities said Rushdie was airlifted by helicopter to a local hospital. Police also confirmed the writer underwent surgery after being stabbed a dozen times.

On Sunday, Rushdie’s son, Zafar, sent a statement to NBC News about his father’s condition.

“Following Friday’s attack, my father remains in critical condition in hospital and is receiving intensive medical care,” he began. “We are extremely relieved that yesterday he was taken off the ventilator and supplemental oxygen and was able to say a few words.”

He continued: “Although his life-changing injuries are severe, his usual fiery and defiant sense of humor remains intact. We are very grateful to all members of the public who bravely jumped to his (defense) and administered first aid with the police and doctors who cared for him and for the outpouring of love and support from around the world .

Zafar Rushdie concluded his statement by asking for patience and privacy for his family.

NBC News reported that the suspect – who has been identified as Hadi Matar, 24, of Fairview, New Jersey – has been charged with attempted second-degree murder as well as second-degree assault for injuring the show’s moderator. ‘event.

A spokesperson for the Chautauqua County District Attorney said Rushdie’s injuries include stab wounds to the neck and chest and others to the face and abdomen that punctured his eye and liver, according to NBC News.

Chautauqua County District Attorney Jason Schmidt also told NBC News the suspect was being held without bail at the Chautauqua County Jail.

A lawyer for Matar pleaded not guilty on his behalf, NBC News reported.

Rushdie has been the target of death threats since the 1980s when he published his book “The Satanic Verses”. In 1989, Iran’s Ayatollah Khomeini issued a fatwa – or edict – calling for the author’s death because of the novel’s content, which Iran deemed blasphemous to Islam. Thereafter, the writer and his family spent nearly a decade living underground.

According to the Associated Press, a $3.3 million bounty has been put on Rushdie’s head by an Iranian religious organization for anyone who kills him.

Elana Dykewomon, author who explored lesbian life, dies at 72


(“I figured if my name was Dykewomon,” she joked in an interview with J: The Jewish News of Northern California this year, “I would never be reviewed in the New York Times. Which was true.”

Her 1997 novel, “Beyond the Pale,” about Russian-Jewish lesbian immigrants who work in New York’s infamous Triangle shirt factory and survive its deadly fire to become trade unionists, won the Lambda Literary Award for Lesbian Fiction. In 2009, she released “Risk,” a novel about a struggling middle-aged lesbian who turns to gambling as an escape.

Elana Michelle Nachman was born in Manhattan on October 11, 1949, the oldest of three children born to Harvey and Rachel (Weisberger) Nachman. His father was a plaintiffs attorney who moved the family to Puerto Rico in 1958 to open a practice. His mother was a researcher for Life magazine and later a librarian in Puerto Rico.

They were a fiercely Zionist family. His father, who had been a navigator in the United States Air Force during World War II, volunteered as a pilot in the 1948 Arab-Israeli war, his brother, Mr. Nachman, said. and his mother helped smuggle weapons into Israel.

Ms. Dykewomon maintained a strong sense of Jewish identity, even though she was non-religious as an adult. Regarding her name change, she once said, “If I had to do it over again, I might have chosen Dykestein or Dykeberg,” according to a Times of Israel obituary.

Even before she was a teenager, Elana “knew she was somehow ‘different,’ but the doctors told her she couldn’t be gay,” her brother said in an interview. Living in Puerto Rico since the age of 8, he added, she also felt “strongly removed from the Latin macho culture and sexual role-playing of women and men there”.

Breaking History Review: Jared Kushner’s Disheartening Trump Book | Books


JHouse committee hearings on Jan. 6 portray Donald Trump as eager to storm the Capitol. He knew that the gathering organized in his name included armed individuals. When rioters chanted “Hang Mike Pence,” Jared Kushner’s stepfather remarked, “He deserves it.”

In response to a call from Kevin McCarthy, the 45th president questioned the Republican leader’s dedication to the House. The crowd invaded Congress. Trump sat and watched.

Kushner didn’t fare well either. In his panel testimony, he mocked Pat Cipollone as a “crybaby” and described deigning to step out of the shower to take a call from a panicked McCarthy. On screen, Kushner drips with height, non-existent empathy. This is not beautiful.

Next is Breaking History, Kushner’s White House memoir. It stands at the intersection of rotation, absolution and self-glorification.

“What is clear to me is that no one in the White House expected violence that day,” Kushner writes of Jan. 6. Cassidy Hutchinson says otherwise.

Kushner adds, “I’m confident that if my colleagues or the president had anticipated the violence, they would have prevented it from happening.” DC police tell a different story.

Kushner rebuffed early entreaties from Marc Short, the vice president’s chief of staff, to end Trump’s attempt to block certification of Joe Biden’s victory.

“You know, I’m really focused on the Middle East right now,” Kushner replied. “I haven’t really been involved in electoral affairs since Rudy Giuliani arrived.”

In the aftermath of Jan. 6, White House morale was at an all-time low, according to Kushner. A second indictment is looming. Kushner told the staff to stay the course.

“You took an oath to the country,” he recalls. “It’s a time when we have to do what’s right, not what’s popular. If the country is better with you here, then stay. If it doesn’t matter, do what you want.

This sales pitch seems canned. Those who had served in the military found the spiel stale and gritty.

In Kushner, Inc, author Vicky Ward described Kushner’s earlier efforts to persuade Mark Corallo to join the White House staff. Corallo was formerly in the military and also had a stint in the Department of Justice.

After saying no, Kushner asked, “You don’t want to serve your country?

Corallo replied, “As a young man, my three years leading an M-16 ticked that box.”

Trump dodged the draft for Vietnam. When his brother, Fred Jr, accepted a commission in the Air National Guard, he was met with scorn from his family. In contrast, Mike Pence’s son, the Biden boys, Steve Bannon: all wore uniforms.

In Breaking History, Kushner selectively distributes dirt. He tries to absolve his father for recruiting a sex worker to film his meeting with William Schulder, Charlie Kushner’s brother-in-law. At the time, Schulder, his wife, Esther (Charlie’s sister), and Charlie were locked in a battle for control of the family real estate business.

Kushner explains, “Billy’s infidelity was an open secret in the office, and to show his sister Esther what kind of man she had married, my father hired a prostitute who seduced Billy.

Schulder and Esther were also talking to the Feds.

The names of two Trump lovers, Stormy Daniels, the adult film star, and Karen McDougal, the Playboy model, do not appear in Kushner’s book. Then again, as Trump once said, “When you’re a star…you can do anything.” For Trump and Kushner, rules are for others.

Breaking History comes with conflicting creation stories. In June, The New York Times reported that Kushner took an online MasterClass from thriller author James Patterson and then “beat” 40,000 words.

The Guardian reported that Kushner received help from Ken Kurson, a former New York Observer editor who was pardoned by Trump on cyberstalking charges but later pleaded guilty after being accused of spying on his wife. . Avi Berkowitz, a Kushner aide who worked on the Abraham Accords, and Cassidy Luna, an aide married to Trump’s White House “body man” Nick Luna, were also on board.

Breaking History says nothing about Patterson but praises Kurson, Luna, and Berkowitz: “From the beginning of this endeavor, Ken’s brutally honest commentary and inventive suggestions have made this a better book.”

Kushner is rightly proud of the Abraham Accords, the normalization agreements between Israel and the United Arab Emirates, Bahrain, Sudan and Morocco. In the process, it provides a backstory to Trump’s frustration with Benjamin Netanyahu.

Ken Kurson, right, and Jared Kushner attend the New York Observer’s 25th anniversary party in New York City in 2013. Photography: Evan Agostini/Invision/AP

Israel’s then-prime minister earned himself a “fuck him” after hesitantly accepting Trump’s recognition of Jerusalem as Israel’s capital, seeking maximum concessions without grace or reciprocity. What Netanyahu yearned for but never received was US approval for Israeli annexation of the West Bank. Here, Breaking History comes to color Trump’s Peace by Barak Ravid.

According to Ravid, David Friedman, the US ambassador to Israel, was close to Netanyahu. He attended Israeli government meetings until he was expelled by cabinet members. Ravid also calls Friedman “the flesh of the settlers’ flesh.”

Enter Kushner. “Friedman had assured Bibi that he would get the White House to support annexation more immediately,” he says. “He hadn’t passed it on to me or anyone on my team.”

Things got heated. “You haven’t spoken to a single person from a country outside of Israel,” Kushner said. “You don’t have to deal with the British, you don’t have to deal with the Moroccans, and you don’t have to deal with the Saudis or the Emiratis, who all take my word and issue statements. I have to deal with the fallout of this. You don’t.

A Trump veteran described Breaking History to the Guardian as “just 493 pages of sheer boredom.” Not exactly. Kushner delivers a mix of news and cringe. It does not extract Trump from his current quagmire. On Wednesday, Kushner’s stepfather invoked the Fifth Amendment. Only Charlie Kushner got a pardon. A devoted child takes care of dad.

How the conscientious casting of women in ‘The Sandman’ challenges the trope of gender swapping


In “The Sandman,” the titular hero’s stronghold lies at the heart of The Dreaming, an aircraft where anything is possible if its master wills. Humans can be reborn as crows; crows can become people. Nightmares have the potential to turn into benevolent daydreams. Lands can expand and shrink, disappear and be recreated.

To believe that “Sandman” author Neil Gaiman wouldn’t give himself the same leeway to adapt his graphic novels into a lush live-action vision for Netflix would be silly. Then again, anyone making that assumption isn’t very familiar with Gaiman or his work.

As well as being a lifelong student and philosopher of myth, the author adjusts his work to the medium and time period in which he is presented. That’s why a story once considered unfilmable is blossoming as a TV series: Gaiman and showrunner Allan Heinberg are faithful to the original work without being zealous in recreating it exactly as it was first rendered. in 1989.

The Netflix series is a prime example of how the plot of a classic literary work can be streamlined and its characters’ motivations altered to better serve television audiences without losing any of its intellectual weight. “The Sandman” is designed to make television even more inclusive than it was when it was first released. Considering the importance of LGBTQIA and fluid characters in graphic novels, this is remarkable.

Gaman…[is] faithful to the original work without being zealously bound to recreate it exactly as it was first rendered in 1989.

It also makes the series’ ways of introducing women in place of characters originally written as male, or asexual, particularly enjoyable.

As Gaiman explains, their roles aren’t gender swaps but characters developed for the show. This means more women in prominent roles in a story whose original version disproportionately featured men in positions of power or authority.
Best of all, they aren’t small pieces that are easy to overlook. Each of the figures examined here is central to the larger mythos and played by a performer who helps broaden the story’s appeal without losing any of what makes it extraordinary. But then, fans already understand that. . . this is why very few of these changes caused an uproar.

Gwendoline Christie as Lucifer Morningstar in “The Sandman” (Laurence Cendrowicz/Netflix)

Lucifer Morning Star

When Netflix announced that Gwendoline Christie was cast as the ruler of Hell after playing Brienne of Tarth in “Game of Thrones,” only a fool wouldn’t have recognized the genius of that choice. Such a decision is not entirely unprecedented, after all; Wasn’t it exciting to see Tilda Swinton land at the end of “Constantine” in 2005 as the Archangel Gabriel? It was good.

Christie has a similar attraction. She masterfully wields her 6ft 3in height on screen and on stage and uses her physique and regal skittishness to tower over Tom Sturridge’s Dream in the scenes they share.

The actor also looks more like the golden-haired vision of Lucifer’s graphic novel than Tom Ellis’ raven-haired devil at the center of the popular 2016 TV series of that name. There again, who does not say that they are not the same being?

Gaiman described the devil as somewhat of a chameleon and, as he reminded readers in a recent New York Times interview, without gender: “We see Lucifer naked,” he said. “There’s nothing between Lucifer’s legs!”

This could also be true of this Lucifer. But who would dare to