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Buy this undervalued stock before everyone else

Buy this undervalued stock before everyone else

Banks have had a strong year in general, with the sector seeing a 27 percent gain in value so far this year, outpacing the growth rate of the S&P 500. Following the epidemic, several banks saw their stock values plummet to such an extent that they were forced to boost interest rates to compensate. This is partially due to macroeconomic trends such as government stimulus spending and a growing economy, but it is also attributable to other factors.

A bank that was undervalued but was still successful was tossed into the mix. There are additional factors that might contribute to it rising even more in the future. As a consequence, you might consider investing in bank stocks that are very affordable, such as New York Community Bancorp (NYSE: NYCB).

Get a loan at Bridge Payday and invest in bank.

We are in the process of switching banks.

According to New York Community Bank, which is a wholly-owned subsidiary of New York Community Bancorp, the bank has around $57 billion in assets under administration. Investing and saving are two phrases that are sometimes used interchangeably to describe a savings bank, which also provides its customers with access to checking and savings accounts, as well as credit cards, among other services. Commercial banks provide a broad variety of goods and services, while credit unions are more limited in their offerings.

The New York Community Bank, headquartered in New York City, has 237 branches in five states: New York, New Jersey, Florida, Arizona, and Ohio. Its headquarters are in New York City. Because to acquisitions, the bank has expanded its presence to include branches in more states.

Following the acquisition of Flagstar Bancorp (NYSE: FBC) in the fourth quarter of this year, the stock is already on the rise again. Flagstar will add $27 billion in capital assets to New York Community Bancorp, as well as new branches in Michigan and Indiana, as well as in California, Wisconsin, and Ohio, to help the bank expand its reach. In addition to being a mortgage loan and service provider, Flagstar may also be a major wholesale network of merchants with 86 retail outlets in 28 different states.

The acquisition of this year’s assets, which total $ 85 billion, will be completed in the fourth quarter. The company has 400 branches in nine states and 86 retail lending centers in twenty-eight states. As previously stated, CEO and President Thomas Cangemi stated in April that the transaction would enable the two of them to “carry on the transformation of our bank into a fully-service bank, commercial banking, by expanding our product offerings and expanding our geographical reach without having branches that are in conflict.”

Cangemi said at the results conference that the deal represented “significant growth” due to “compelling financial metrics, including double-digit EPS increase and quick tangible book value development.” a bank account as well as financing alternatives

As a result of having a more balanced financial statement, we will be able to profit from a broader variety of enterprises and grow our market share. Loan services for multi-family properties are supplied by these companies in the form of indirect and direct multi-family loan services, as well as the extension of traditional construction and improvement loans in all of our markets.

There has just been the debut of a new company that takes payments via digital methods.

This acquisition by Flagstar has been a major contributor to the bank’s remarkable year, which has seen revenue expand by 32 percent, net profit climb by 48 percent, and net interest margins increase by 32 basis points. Second half of the year has come and gone without a trace. Loan volume was up 4 percent on an annualized basis at the end of the second quarter, but efficiency had dropped to a record low of 37 percent.

Aside from that, she has formed a partnership with Figure Technologies to develop a digital payment system for the financial services sector that will be built on the Provenance Blockchain. It is vital to note that New York Community Bancorp will act as a financial intermediary between sellers and buyers of digital stock of Figure via the use of its brand new electronic marker, USDForward, which will be launched shortly. A digital marker has been created for the first time by a bank using the Provenance Blockchain, which is a first in the financial industry.

The bank intends to explore further major transactions and future projects with Figure Technologies as part of their larger strategic engagement with the company. Mike Cagney, CEO of Figure, said, “This is the first in a series of ground-breaking transactions that we want to accomplish with New York Community Bank.”

At the moment, the stock is underappreciated.

If you take an efficient bank and expand it by making a significant acquisition and adding a pioneering new firm in the realm of blockchain technology, for example, you have a beautiful story on your hands. When you consider that this bank has a forward price-to-earnings (P/E) ratio of about 8, which is lower than its book value, the story gets more compelling when you consider that the bank is severely undervalued at the moment. It makes sense to invest in this bank before the rest of the market does.

The thoughts stated in this article are those of the author and do not necessarily represent the views of The Motley Fool’s premium consulting service, which is available for a fee. We have a varied variety of people! The chance to think critically about investing arises when we do not trust the thesis of an investment, even our own. As a result, we are better able to make better and more gratifying decisions for ourselves and our family. As a consequence, our own wealth grows as well as our social standing.

REVIEW: Gaia of Abrams – Earth Goddess


  • gaia blanket
    Gaia – Earth Goddess

    Imogen Greenberg

    Isabelle Greenberg

    Isabelle Greenberg

    Cover artist:
    Isabelle Greenberg



    Release date:

    Isabelle Greenberg

Classic ancient Greek mythology of gods and titans is retold and repositioned for audiences of all ages in the new original graphic novel Gaia: Earth Goddess, published by the imprint of Abrams Amulet Books. Written by Imogen Greenberg and drawn by Isabel Greenberg, the graphic novel is a faithful account of the formation of the Olympian pantheon and how the eponymous goddess created the world. The graphic novel is the perfect read for intermediate readers looking for a colorful, lush, and streamlined account of the birth of the Greek gods and how Gaia allowed life to flourish.

Divided into seven chapters, Gaia: Earth Goddess follows Gaia as she creates the universe, only to find that her husband Ouranos, leader of the titans, revels in the chaos and injustice on Earth as he moves to subjugate it. As Ouranos turns on Gaia for her opposition to her plans for conquest, the gods arrive and overthrow the titans only to show questionable behavior regarding Earth and humanity itself. Throughout all divine upheaval, Gaia works to encourage the Fates and humanity to live in peace and harmony, enhancing her greatest creation.

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Which makes Earth Goddess more distinct from other contemporary retellings of classical Greek myths is that it is, as the title and premise suggest, told almost entirely from Gaia’s perspective. It reframes iconic moments in mythology, from Cronus feasting on his children to the Trojan War in a new light while emphasizing the Greenbergs’ narrative theme of learning from the past to make the world a better place. Obviously, not every Greek myth is covered in this graphic novel, but every major beat involving Gaia is represented here.

The artwork here is vaguely reminiscent of the classic Hellenistic style found on ancient amphoras, highlighted by a vibrant color palette. Greenberg distills the essence of each deity, making each easily identifiable and radiating with their own distinctive personality. The inclusion of a character guide at the top of the story also helps tremendously. It is remarkable how much history is covered by Earth Goddessmoving at a brisk pace yet concisely captured.

RELATED: Disney’s Live-Action Hercules Movie Director Guy Ritchie

Tonally, Gaia: Earth Goddess is as family-friendly as Greek mythology can be presented without compromising the main lines of the messages and what happens in each story. Cronus still devours his own children, and the gods are just as petty as ever, but they are positioned in such a way that the subject matter is never particularly scary and disreputable. This book is designed for intermediate level readers, of course, but it is still a faithful adaptation that invites its readers to learn more about the culture and its virtues while gently encouraging them to follow the example of Gaya.

After introducing readers to Athena in the similar original graphic novel Athena: goddess of war and wisdom, the Greenbergs dubbed their retelling of Greek mythology with Gaia as their focus. Engaging and incredibly comprehensive in its breadth of storytelling, the graphic novel is perfect for those looking to introduce young readers to classic folklore. With its engaging artwork and streamlined narration of classic myths, Gaia: Earth Goddess is a timeless, age-appropriate introduction for those looking for a fresh look at these ancient tales.

Janice Bluestein Longone, cookbook collector, dies at 89

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Janice Bluestein Longone, a former bookseller who amassed thousands of cookbooks and other relics of American cuisine into a collection that helped give food a place at the table of history, died on March 3. August at a nursing home in Ann Arbor, Michigan. She was 89.

She suffered from congestive heart failure, her nephew Jay Bluestein said.

Ms. Longone had no doctorate in history, no formal training in library science and no Michelin star to her name. But over more than half a century, it has amassed an archive of gastronomy that is revered by chefs, scholars and foodies alike as an unparalleled repository of culinary history. Julia Child and James Beard were among cooks and cookbook authors who reportedly turned to Ms Longone, a self-proclaimed “researcher”, for help locating particularly hard-to-find recipes or volumes.

The Culinary Archives Janice Bluestein Longone, housed since the early 2000s at the University of Michigan, includes more than 20,000 cookbooks, menus, brochures, labels, posters, and product advertisements. Together, these materials help reveal not only the history of American cuisine, but also American history itself – the arrival of immigrants who brought with them the foods of their homeland, the women’s movement, and the changing roles of women in the home and in society, even the effect of the introduction of refrigeration in American homes.

“Women’s voices, so often lost, featured prominently in cookbooks, and the collection she acquired was extraordinary.” Ruth Reichl, the food writer and former editor of Gourmet magazine, said in an interview. “She saw in [a cookbook] much more than recipes. She really saw that it was a way of understanding the past.

In its early days, Mrs. Longone’s collection was a project undertaken to satisfy her personal curiosity. The daughter of Jewish immigrants from Ukraine, she grew up in a Boston tenement and remembered the kitchen as the center from his family’s home. She gained much of her early knowledge of food from her lifetime subscription to Gourmet magazine, a gift from her husband when they were newlyweds in 1954.

Ms. Longone began collecting historic cookbooks and in 1972 opened the Wine and Food Library, a bookstore she operated from her home in Ann Arbor. It quickly rose to fame, attracting a devoted coterie of mail-order customers as well as cooking enthusiasts who traveled great distances to browse its teeming shelves. For older volumes, prices ranged from $10 to $8,000.

“She was the oldest American cookbook dealer,” said Bonnie Slotnick, the owner of Bonnie Slotnick Cookbooks, an out-of-print and old bookstore in Manhattan. “I don’t know if there’s anyone else around today who might approach her.”

Ms. Longone kept her personal collection of cookbooks in her living room and books for sale in the basement. The volumes were organized by subject but “certainly…not using the Dewey Decimal system,” Nick Malgieri, a famous pastry chef and author who frequented Mrs. Longone’s shop, remembers with admiration. Such an attempt at rigid categorization would have “collapsed under the weight of the hard-to-classify amounts of books,” he remarked.

Mrs. Longone’s collection was the most robust in its 19th and early 20th century holdings, but expanded into the 18th and 21st. She recalled her outrage when, at a conference in Oxford, England, someone said that “America has no history, let alone culinary history.” Ms. Longone responded with a thorough rebuttal, she told the St. Petersburg Times, citing dishes such as Rhode Island apple slump, Florida guava jam, Idaho miner’s bread and a recipe she called “Kansas Poor Man’s Pudding”.

In addition to more formally bound cookbooks, Ms Longone collected “benefit cookbooks” published, often by women, to raise money for churches or other places of worship and for causes such as suffrage. women.

“The women used what they knew, what they could, to make their case,” Ms. Longone, a frequent speaker on culinary topics, observed at a conference. “If that meant baking a cake or cooking dinner or writing a cookbook, they did it.”

Among his most notable holdings was the only known copy of “A household cookbookby Malinda Russell, an 1866 text that Ms. Langone determined was “the first unequivocal American work by black authorship devoted solely to cooking.” He had arrived at the bottom of a box of other articles.

“When he arrived, I almost fainted”, Ms Longone told the Detroit News in 2020. “I was amazed: here was a book no one had ever heard of — and I had the only copy! I thought, “This is probably one of America’s most important books. ”

Mrs. Longone also procured a copy of the “Jewish Cookery Book”, an 1871 volume which, according to the frontis generally considered to be the first Jewish cookbook published in the United States.

She collected mountains of items known to archivists as “ephemera” – restaurant menus, brochures, advertisements for products such as Jell-O, a World War I poster calling on Americans to help ” to re-chicken devastated France”.

“She was interested in all these everyday objects around us, but most of us look at them but don’t think about their deeper meaning because they’re not great art,” said Darra Goldsteinthe founding editor of the food journal Gastronomy.

“My vision is to create the best collection in the world for the study of American culinary history,” Ms. Longone told the Newhouse News Service, “and catalog it properly for the use of historians.”

For all the obscurity and exoticism in her bookshop and collection, Ms Longone said the most frequent request she received was for “Betty Crocker’s Picture Cook Book”, the best-selling cookbook in the world. American history, with 75 million copies sold since its introduction. in 1950. “Nostalgia,” Ms. Longone told the St. Louis Post-Dispatch, by way of explanation.

Janice Barbara Bluestein was born in Boston on July 31, 1933. Her father sold kitchen utensils and her mother was a housewife. His parents did not keep kosher but served traditional Jewish food, and they always ate as a family.

“I grew up in a household where I knew the importance of food,” she told the New Orleans Times-Picayune, “and the importance of sharing it with people and sitting around it. ‘a table and talk – whether you’re 3 or 93. .

Mrs. Longone received a bachelor’s degree in education and history from present-day Bridgewater State University in Massachusetts in 1954. She and her husband, Daniel T. Longone, her childhood sweetheart, both attended graduate school at the ‘Cornell University, where they hosted international students. for the meals. Ms. Longone embarked on her study of American cuisine in part to show these students that one existed.

“I started searching and finding, then collecting books,” she said. says the front“and unbeknownst to me, I had to decide to open an antique cookbook store because I had bought all the books I could find at rare bookstores, but I would buy four copies.”

It was also during these years that she began her readership of Gourmet magazine. To the devastation of epicureans around the world, the magazine was discontinued in 2009. Six years later, when a reporter inquired about it, Ms. Longone was still searching for the one issue of the magazine that was missing from her collection – the March edition. 1941.

Mrs. Longone and her husband settled in Ann Arbor, where he became a professor of chemistry at the University of Michigan. Besides her husband, of Ann Arbor, the survivors include a brother.

Ms. Longone has written for Gastronomica, writing a column called “Notes on Vintage Volumes” and contributed to reference guides including “The Oxford Encyclopedia of Food and Drink in America”. The encyclopedia, noted a Toledo Blade reporter, would have been incomplete without an entry on Mrs. Longone; he described her as a “scholar, detective, collector, rare book dealer, lecturer, and … mentor and primary resource for countless food professionals, scholars, authors, entrepreneurs, and journalists”.

Visitors to Ms. Longone’s shop and collection might have been surprised to learn that she didn’t cook from cookbooks, or at least not directly. She preferred to study several recipes for a particular dish, combining the most appealing elements of each into a creation of her own.

Of her most enduring creation—her collection—she once told the Detroit Free Press that “it’s me. It’s who I am. It is not just a profession or a hobby.

She was content to know, she said, that long after her death, the records would remain available to anyone curious, as she had been, about the dishes and traditions of the past. The cookbooks that had passed through the generations to hers would still be waiting for new ones.

“Isn’t it wonderful that someone saved all those things?” she says.

Raymond Briggs, creator of beloved children’s tale ‘The Snowman’, dies aged 88


LONDON, Aug 10 (Reuters) – Raymond Briggs, creator of the bittersweet children’s book ‘The Snowman’, has died aged 88, his family said on Wednesday.

First published in 1978, the pencil-and-pencil-illustrated wordless picture book has sold more than 5.5 million copies worldwide while a television adaptation has become a Christmas favorite in Britain and was nominated for an Oscar.

It tells the story of a boy whose smiling snowman comes to life for play during the night, then takes him on a flight through the British winter landscapes.

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The book ends on a melancholy note when the boy wakes up to find that the snowman has melted.

“We know that Raymond’s books have been loved and touched by millions of people around the world, who will be saddened to hear this news,” said the family’s statement, released by his publisher.

“Fan drawings – especially children’s drawings – inspired by his books were treasured by Raymond and pinned to his studio wall.”

Briggs was born in London in 1934 and studied art before publishing a range of children’s books.

Although The Snowman does not depict Christmas itself, an animated television adaptation that first aired on Boxing Day 1982 does, and it remains a staple of British broadcasters’ seasonal programming, telling the story to new generations of fans. ‘children.

It was nominated for an Oscar in 1983 and won a British Academy Television Award the same year.

To celebrate the 40th anniversary of the book’s publication, the Royal Mint has produced a special color coin featuring the boy and his snowman flying over Brighton Pier, on the south coast of England.

Other Briggs characters included a frightening-to-human monster with a surprisingly mundane life named Fungus the Bogeyman, whose daily routine gently satirizes British culture.

He has also published the graphic novels ‘When the Wind Blows’, about a nuclear attack on Britain from the perspective of a retired couple, and ‘Ethel and Ernest’, which tells how his father, a milkman, met his mother, a housekeeper.

“Raymond loved playing the grumpy professional, but he will be remembered for his stories of love and loss,” his literary agent Hilary Delamere said in a statement.

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Reporting by William James and Farouq Suleiman; Editing by Kate Holton and Mark Heinrich

Our standards: The Thomson Reuters Trust Principles.

Crazy Eddie’s life was crazy!


GANGSTER IN RETAIL: The Crazy Real-Life Story of Crazy Eddie
By Gary Weiss
336 p. Hatchet books. $29.

The most famous television advertisement of the Orwellian year of 1984, carefully inspired by the novel named for that year, was for the Apple Macintosh desktop computer. The most infamous were those of Crazy Eddie, a chain of discount electronics stores in the New York metropolitan area.

Gesturing wildly in a variety of suits or just a gray turtleneck and dark blazer, actor Jerry Carroll, often mistaken for the mysterious Eddie, rattled off a sales pitch ending with vibrant, bug-eyed assurance: “His prices are INSANE!”

People hated those commercials, journalist Gary Weiss reminds us of in “Retail Gangster,” a compact and engaging account of Crazy Eddie’s artificially inflated rise and slow-motion collapse. But they worked — the company went public, with the inauspicious ticker symbol CRZY — and also worked their way into the punchlines of popular culture.

Daryl Hannah’s mermaid character watched a Crazy Eddie commercial while learning English in “Splash.” Dan Aykroyd did a parody of Crazy Ernie on “Saturday Night Live”. And the spots themselves spoofed everything from “Saturday Night Fever” to “Casablanca” and Santa Claus, bursting into the city that never sleeps in the cheap wee hours of late-night programming, becoming as much a component of its identity as graffiti and Gray’s Papaya.

Subcutaneously, “Retail Gangster” is a tender requiem for a time, pre-streaming, when people tended to listen to the same things: movies in theaters, programs on television, the “ American Top 40″ by Casey Kasem. Also for a grittier, perhaps more colorful New York that had risen out of the financial and existential abyss of the mid-1970s with stripes (Yankee, stockbroker), punchy “I heart designed by Milton Glaser and – apparently – rock ‘n’ roll crazed baby boomers are buying stereo equipment.

But the meat of this soft-spoken book is its investigation into the deep family drama and fun money behind Crazy Eddie, which has aggressively undermined competitors like Circuit City and The Wiz with surprisingly shady business practices. Taking charge of this complicated story, if at first a small potato, Weiss is like that brave wife who finally decides to rummage through the big box of tangled cords and wires in the basement and painstakingly straighten them.

Credit…Anjali Sharma

The real Eddie, surname Antar, was born in 1947 to Sam M. Antar, a window cutter whose finances revolved around silver suitcases known as “nehkdi”, and his second wife, Rosie Tawil , the daughter of a seller of dry goods. . They were part of a Syrian Jewish community in Brooklyn, nicknamed SY, who generally looked down on their Eastern European Jewish peers, whom they called J-Dubs. Eddie was small but muscular and handsome, nicknamed Kelso, after the racehorse. He dropped out of high school (where he met his first wife, Debbie Rosen, a J-Dub) and apprenticed with a young uncle at a music video near 42nd Street in Manhattan before joining his father and son. cousin Ronnie in a TV and appliance business on Kings Road. And the rest is history.

From the start of his career, Weiss shows with elegant disbelief that Antar skimmed, ripped off, stole and fired switcheroos: by having employees clean up display models or returned merchandise, for example, and hand them over. in new packaging. Sales tax was consistently unpaid. Warranty claims were fabricated. Improbable international schemes unfolded in Panama and Saint Lucia. Even the Crazy Eddie logo for the then copious print ads, of a spiky-haired guy in a bow tie, was removed from cartoonist Robert Crumb (although his long nose also suggests Pinocchio). When the listeners materialized, the underlings were instructed to approach them. “They didn’t want to believe we were crooks,” says another cousin of Antar, Sammy, who would testify at length against the company and who is Weiss’ No. 1 source.

Through numerous interviews and court documents, Antar appears not only as a con man and an office bully, but as a serial cheater and wife-beater who tried to give Debbie, mother of his five daughters (including the one died of cancer aged 18) “a big hot slice of bupkis” when they divorced; he remarried a woman also named Debbie, who bore him a son. While court marshals were closing in, his most valuable inventory was not air conditioners and VCRs, but security bugging devices and paper shredders.After fleeing to Israel by exploiting that country’s law of return and falsifying passports from his family, he spent time in the same prison Adolf Eichmann was executed in. Once extradited, Antar spent almost seven years in a US federal prison and attempted various returns, including – how disappointingly – a website, before to die at age 68 in 2016.

The author of previous books on Wall Street, the Mafia and Ayn Rand, Weiss is sure-footed here, wandering through discolored filing boxes of legal material, with only the occasional theft in an unfortunate zoological metaphor. On one page we read that “even after a feeding, the fraudulent rattlesnake did not feel full. He only increased his hunger”; on the other hand, that some employees were “as innocent as baby lambs”; and on yet another that “Crazy Eddie was like a wounded blue jay, screaming loudly in the grass as red-tailed hawks circled overhead.” Someone alert the National Park Service!

The big cloud hanging over “Retail Gangster” is, of course, the Internet. Apple’s advertisement of walking automata proved to be the most prescient and widespread. Carroll, the tireless face and voice of Crazy Eddie TV commercials, died in 2020, unannounced. The stuff Crazy Eddie was selling had gone stale years before, and also – with all the bugs – his warm, funny, heartwarming touch.

Reviews | The FBI Raid at Trump’s Mar-a-Lago Home


For the editor:

Re “Trump Says FBI Searched Home in South Florida” (front page, August 9):

Many of us law-abiding citizens have wondered how it could be that no criminal charges have yet been brought against former President Donald Trump for all the gross acts of corruption and constitutional violations that, according to us, have taken place. Finally, it looks like there could be some progress.

Attorney General Merrick Garland is known as a prudent man who considers his actions carefully and does not act in haste. He apparently authorized the unprecedented execution of a search warrant against a former president, a large contingent of officers visiting Mr Trump’s Mar-a-Lago residence.

Naturally, Mr. Trump is playing the beleaguered pauper as he always does, claiming the raid was unnecessary and inappropriate (“They even broke into my safe!”), and stating, seemingly seriously, that he has been cooperative – as he has for years conducted tooth and nail investigations and requests for documents. He will try to use the situation to his advantage to improve his political prospects and raise millions more from the gullible.

If Mr. Trump believes the justice system is on his trail, he may be right. Patriotic Americans who cherish our system of democratic governance can hope that a former president who flouted American ideals and values ​​will finally be held accountable. Stay tuned!

Oren Spiegler
Peters Township, Pennsylvania.

For the editor:

The key thing to note about House Minority Leader Kevin McCarthy’s outraged reaction to the search of Donald Trump’s home is his complete lack of interest in facts. Mr. Trump may have gotten away with documents that belong to the government, not Mr. Trump. The Republican Law and Order Party would once have called this theft, but today’s Republican leaders don’t care about the facts.

What are the facts ? If Mr. Trump did nothing wrong, the facts will acquit him. If he broke the law, he should be held accountable. It would be a first.

Don Doernberg
Penn Valley, California.

For the editor:

Forty-seven percent of voters in the 2020 presidential election voted for Donald Trump despite aggressive efforts by many media outlets to see him defeated.

The FBI’s raid on Mr. Trump’s personal space without an explicit explanation from a judge or the Justice Department reinforces the impression among most of his voters that the Democratic Party will do anything to eliminate his possible candidacy in 2024.

I currently sympathize with Mr. Trump. He survived two impeachment hearings and the Russia collusion investigation, but it looks like Democrats will stop at nothing to neutralize him.

James S. Kennedy
Smyrna, Tenn.

For the editor:

Regarding “Trump Lament to Aide: Why Aren’t My Generals Like Hitler’s? Book Says” (news article, August 9):

Donald Trump’s lament reflects the fact that Nazi Germany law required every member of the armed forces to take an oath of personal loyalty to their Führer.

When I did my military service in Vietnam, I took an oath of allegiance to the Constitution! Oaths are important.

When American servicemen are required to swear loyalty to a person, we will know that our experiment in government by the people has failed.

Geoffrey H. Basson
New York

For the editor:

Re “David McCullough, 1933-2022: spellbinding author who took his audience to 1776 and back” (obituary, front page, August 9):

No one was better at bringing to life the remarkable personalities and events of the American experience than David McCullough. The Great Courage of Theodore Roosevelt. The insatiable curiosity of the Wright brothers. The pugnacious determination of Harry S. Truman and the extraordinary partnership of John and Abigail Adams.

With his death at 89, the biographer and historian leaves behind a series of great stories encompassing a group of men and women who achieved immortality by leaving the United States of America better than they could. they found. The same can be said of David McCullough.

Laurence Jurdem
Darien, Conn.
The author is assistant professor of United States history at Fordham University.

For the editor:

We have lost our historical consciousness at a time when we desperately need it.

Rask Brand

For the editor:

I’m a singer-songwriter who recently released a song, “Alithia’s Flowers (Children of Uvalde)”, based on a drawing by 10-year-old Alithia Ramirez, a victim of the recent Texas school shooting. Since then, I have been in contact with Alithia’s parents and others in the Uvalde community. Just to be close to the depth of pain people there are feeling is heartbreaking.

Reading “In Parkland Trial, Families Lay Bare Shattered Lives and Anguish” (front page, August 6) made me wonder about shooters. What kind of company produced them? One who often glorifies violence, guns, power over others; allows easy access to military style weapons; denigrates women, people of color, LGBTQ+ people, and anyone seen as weak — and also one who has paid tragically insufficient attention to people with serious mental health issues.

The article says prosecutors in the Parkland case believe the only appropriate response to this crime is to kill the killer or lock him up for life. This also implies that he may have brain damage.

I hope this will be considered and the outcome will include professional help for this person, while keeping others safe from him for as long as necessary. If we pretend that some people are just “evil”, who need to be extinguished, we won’t be able to prevent these terrible things from happening.

Mary Lyn Maiscott
New York

For the editor:

Re “The outdoor cat: mascot or neighborhood threat?” (nytimes.com, August 2):

The horrors I’ve seen cats endure have cured me of ever letting them out on the streets. People for the Ethical Treatment of Animals (PETA) has come to the aid of cats that have been caught in steel traps, poisoned by rat bait, attacked by larger predators, hit by cars, infected with leukemia feline or feline immunodeficiency virus, or deliberately injured by cruel people. Others were trapped and sold to labs or used by dog ​​hunters as training tools.

Cats that like to be outdoors can enjoy the sights and sounds of the outdoors from a screened window, an enclosed porch, a custom cat enclosure or “catio”, or a yard with a cat proof fence, or they may like to walk on a harness. Animals rely on us to protect them.

Ingrid E. Newkirk
The writer is president of People for the Ethical Treatment of Animals and author of “250 Vital Things Your Cat Wants You Know.”

Will this mega streaming stock cause trouble for Disney and Netflix?


Discovery of Warner Bros. (WBD -3.91%) announced that it will merge its HBO Max and Discovery+ services into a new offering next summer. The company has yet to give a name to the unified streamer, but promises that it will combine the best of both platforms.

With this in mind, other entertainment companies waltz disney (SAY 2.33%) and netflix (NFLX 2.96%) could face serious competition.

Image source: Getty Images.

HBO Max has superheroes and mature content

When HBO Max launched in May 2020, the streamer had the advantage of having highly rated HBO shows such as The Sopranos, Veepand game of thrones to help her through the door. Since then, the service has continued to offer customers premium content with the likes of white lotus, Avenue 5and Peacemaker. And speaking of superhero content, HBO Max is now the streaming home for DC movies after wrapping their theatrical releases, so subscribers have access to movies like Joker and Wonder Woman 1984.

Disney+ has a sizable slate of superhero content with Loki, Ms. Marvel, and the many other Marvel movies and shows. But when it comes to more adult-oriented dramas, they have less to offer. Indeed, when Disney+ was announced in 2019, it focused on PG-13 and lower content. The company has since taken a more adult turn by adding the dead Pool deductible and Logan to Disney+, but it’s hard to imagine he’ll ever wear something like Thread Where Magic Mike XXL.

Netflix has plenty of mature programs such as the award-winning ozark and Peaky Blinders, but he struggled to make a name for himself with comic book material. The company recently launched a show based on the DC graphic novel Sand sellerand he took out the show Jupiter’s Legacybased on the superhero comics from Millarworld, last year – although Netflix canceled it after just one season.

Discovery+ has plenty of reality shows and documentaries

Netflix and Disney+ both offer customers a wide range of unscripted content. Netflix offers hundreds of documentaries and many reality TV shows. Disney+ viewers get access to National Geographic programming, and Hulu — which is available to Disney Bundle subscribers — offers a range of reality shows.

The Discovery brand built its name on unscripted content, so when Discovery+ launched in January 2021, the streamer was able to take advantage of an extensive back catalog. Indeed, Discovery+ promises subscribers access to 70,000 episodes, as well as hundreds of hours of exclusive programming.

But perhaps the most important detail in all of this is that, of Warner Bros. Discovery, only 24 million subscribe to Discovery+. When HBO Max and Discovery+ merge, tens of millions of homes will have access to all that extra unscripted content.

Skeptics might suggest that quality of content matters more than quantity, and that’s a reasonable argument. But since Warner Bros. Discovery will soon be giving subscribers some of their most beloved TV shows and movies alongside thousands of hours of unscripted programming, sure to make for a compelling offering.

Warner Bros. Discovery has yet to explain what HBO Max and Discovery+ will look like as a single platform, or what it will cost. HBO Max’s ad-free tier is $14.99 per month, while ad-free Discovery+ is $6.99 per month. However, if Warner Bros. Discovery is willing to take a haircut on the price and offer it at $20 a month, then it would be the same price as the Disney bundle and Netflix’s top tier, which would only add to the competition.

Tom Wilton has business dealings with Netflix, but has no financial position in the stocks mentioned. The Motley Fool holds positions and recommends Netflix and Walt Disney. The Motley Fool recommends Warner Bros. Discovery and recommends the following options: January 2024 long calls at $145 on Walt Disney and January 2024 short calls at $155 on Walt Disney. The Motley Fool has a disclosure policy.

MMC professor helps students shine with two new publications • Psychology • Marymount Manhattan College

  • Dr. Nava Silton

Nava Silton, Ph.D., professor of psychology and director of the Center for Health and Human Development at Marymount Manhattan, celebrates the recent publication of two new books, one of which includes nine MMC students as contributors!

In July, Silton released the graphic novel Facts: The Mental Health Edition, a series designed for ages 11 to 15 that explores mental health issues. The book is a sequel to his award-winning comic book collection Realities: the Omnibuswhich follows a group of children with visible and invisible disabilities on thrilling adventures.

Both series “teach about disabilities and mental health issues in an authentic way, but also in a way that would make typical developing children more interested in interacting with and getting to know children of varying abilities,” Silton said. Both titles received five-star reviews from critics.

Earlier this summer, she also released her seventh manual, The impact of the COVID-19 pandemic on the development of children, adolescents and adults. It explores how the COVID-19 pandemic has negatively impacted people with disabilities and affected schooling, relationships, and mental, physical, and developmental health.

The books are part of several multi-media health and human development projects Silton has in the works, including content for stage and screen that has been picked up by LeVar Burton Entertainment and The Jim Henson Company.

MMC students have helped her throughout her journey, supporting her research and quality control efforts. “With the comics, we did pre-testing and post-testing to make sure we were improving children’s intentions, knowledge and attitudes towards children with disabilities,” Silton said.

Along with the textbook, Silton gave students in his classes the ability to write entire chapters. The list of MMC contributors published in the book includes Emily Angelillo ’22, Brianna Blackwell ’21, Ingrid Brussier ’21, Regina Colie ’21, Amanda Hall ’21, Manuella Hounton ’21, Ariana Lopez ’21, Alexandra McClellan ’22, and Justin Vrana ’21.

“I love it when Marymount Manhattan students post before they leave us,” Silton said. “That way, when they pursue higher education, they have a real feather in their cap. It is important to me to promote our students in every way possible.

The Bookseller – Rights – #Merky signs his first romantic comedy with the “smart and fresh” debut of Rumble


Penguin Random House publisher of Stormzy #Merky Books has signed a romantic comedy to its list for the first time, with Taylor-Dior’s “indisputable” novel Rumble The situation.

Deputy editor Tallulah Lyons has acquired worldwide rights to the novel, which follows a struggling writer living in south London, from Seren Adams at United Agents, for publication in August 2023.

The book follows Tia Martin, who feels like her life is going nowhere. The synopsis explains: “Between never succeeding in the prestigious offices of London Central News and her first love returning from America with a new girlfriend, Tia is heartbroken and in despair.

“Her best friends beg her to move on, and to her surprise, she meets Nate: a charming and sexy photographer who gives her everything she could have wished for. When Tia mixes work and pleasure and the lines begin to fade, she and Nate fall in love – or at least she guesses they’re both on the same page…”

Rumble, a south-east London born and raised writer who began her career as a BBC News reporter aged 18 and has since gone on to produce and cover stories ranging from dark hair politics to colorism in Hollywood, described the book as “a love letter to South London”.

She said: “While it’s an exploration of the harrowing chaos that frequents (men), it’s also centered around self-discovery, the weight of impostor syndrome and, above all, , a young woman trying to put herself first. Going on this journey with #MerkyBooks, a team that truly understands my voice and vision, feels so surreal – but definitely meant to be. It’s honestly a dream come true. I feel incredibly blessed and can’t wait for the world to meet Tia.”

Lyons commented, “Laughing out loud funny and extremely relatable, Taylor-Dior wrote a smart and fresh debut, exploring the trials and tribulations of modern dating. I fell in love with Tia from page one and stayed rooted for her throughout. Taylor-Dior is an incredible talent and I’m thrilled to add such a bold, smart and compelling business voice to the #Merky Books list.

How a tiny Chinatown bookstore became a hub for authentic Asian American stories


An only child raised by a Chinese immigrant mother in West Los Angeles, she spent a lot of time in bookstores. But it seemed like the stories she was most connected to — those written by immigrants and people of color — were often relegated to a single shelf or heritage month display.

“I just wanted to get into a place where I didn’t have to search so much,” she said.

Yu, a chemical engineer by training, began his search and found an abundance of titles dating back decades from authors with names or backgrounds like his. But she said many of those books were quickly placed on the bottom list, a publishing term referring to older books that are still in print but not usually actively promoted.

“I think the publishing industry didn’t think they were going to sell or that people were interested in our stories,” Yu added. “But they had always been there and these authors and these writers and these stories have always been there.”

Yu launched a crowdfunding campaign last year to realize her vision and achieved her goal in just a few weeks, saying she’s not the only one who wants more of these books. In December, Yu and Me Books opened in Manhattan’s Chinatown and has been growing ever since. The store now has four employees, including Yu.
The bookstore has also become a literary and community hub. Yu and Me Books hosted conversations with immigrant authors, a book ephemera workshop, and clothing swaps. And as Asian Americans in New York City, including Chinatown, faced attacks on their communities, the store partnered with the nonprofit Soar Over Hate to distribute free pepper spray and personal safety devices.

Yu sees room for improvement in publishing

Despite this, Yu did not decide to open an Asian American bookstore.

When she designed her small business, she dreamed of a space that would reflect the rich diversity of her community. She envisioned a place dedicated to stories written by immigrants and people of color — which included Asian American authors.

The space always reflects his vision. But perhaps because of Yu’s own Asian American identity, perhaps because of the historic location of his bookstore, or perhaps because of Asian Americans’ thirst for authentic representations of their communities, Yu and Me Books has since become a go-to for Asian American readers hoping to find their experiences reflected on its shelves.

“It was really interesting to see how I was kind of pushed down the Asian American bookstore route,” she said. “I think if I wasn’t Asian American, maybe I wouldn’t have had to put myself in that bracket.”

This feeling of being pigeonholed is familiar to many Asian Americans, whether they work in the media, the restaurant business, or the literary scene like Yu. For so long, Asian American representation in the creative sectors has been rare, while Asian American depictions in popular culture have been filled with tired tropes and stereotypes. So when Yu launched his community-focused bookstore last year, it came with added pressure and expectations.

As Yu stuck to her mission to shine a light on stories of immigrants and people of color more broadly, she leaned into customer demand for books by Asian American authors. Most of its inventory is now geared towards Asian American books, she said, making Yu and Me Books a rare and special place.

“As someone who is thinking about my own identity and also a business owner, I want to be able to support anyone who wants to come in and find books that represent themselves,” she said. “But I love that there’s a lot of love and desire for Asian American books and representation.”

Yet Yu makes it a point to challenge and delight visitors to his store.

Its shelves include bestsellers such as Min Jin Lee’s “Pachinko” and Michelle Zauner’s “Crying in H Mart”, as well as niche titles from small presses. Visitors can leaf through cookbooks, romance novels, young adult novels, and volumes of poetry by Asian American authors — and the selection keeps growing. For a few hours most nights, glass of wine in hand, Yu researches what other books she doesn’t know yet that she could acquire.

“One of my favorite things I hear when customers walk into the store (is) ‘I’ve never heard of this title before’ or ‘I’ve never seen 40% of this inventory before’ “, said Yu. “It makes me so happy because you can connect to a story that is not necessarily pushed by editors.

While Yu and Me Books celebrates and showcases the breadth of work that Asian American writers have produced over the decades, Yu also encourages its visitors to keep an open mind.

“I also try to remind readers as much as possible that outside of the Asian American experience, there are so many books written by other immigrants that we can relate to,” she said. added.

Since Yu and Me Books opened, Yu said he has seen positive changes in the publishing industry. She sees more diversity among authors who are published, but those authors are often called upon to be “educators of our experience,” Yu said. As exciting as it may be to see those experiences authentically represented, she hopes that the industry will reach a point where authors can transcend their identity.

“I want authors of color to write only about unicorns or cupcakes — whatever they want to write about,” she added.

Michigan Public Library insists on including books with graphic sexual content, wins funding in vote


After a battle over LGBT-themed books with explicit illustrations, residents of Jamestown Township, Michigan, voted overwhelmingly not to renew a property tax mile that helped fund their public library.

Over 60% of Jamestown voters voted “no” on Tuesday to a 10-year renewal and mileage increase for the Patmos local library. Some 3,000 people, representing a third of the township’s population, took part in the election.

Most of the library’s $245,000 annual budget comes from the now defeated mileage, which means that, according to Library Board Chairman Larry Walton, Patmos will run out of money by early 2023. It also means that residents will not see their property taxes increase. by $24.

walton said Michigan Bridge that he “didn’t expect” the battle over LGBT-themed graphic books to end like this, saying it was “very disappointing” that people were “myopic” closing the library because of these documents.

Jamestown resident Sarah Johnson told the outlet after casting her vote for library funding: ‘We’re all for the library. I use it. We want to make a statement that we want some to have a say in the books.

According to Bridge Michigan, a parent complained earlier this year about the inclusion of Maia Kobabe’s “Gender Queer: A Memoir” on Patmos. The graphic novel depicts a variety of sexual acts, including the author’s self-proclaimed non-binary sexual experiences. When asked to remove “Gender Queer” from circulation, the library board instead put it behind the counter so children wouldn’t encounter it.

Residents of Jamestown also reportedly took issue with some other titles, including “Spinning,” a graphic novel about a teenage lesbian skater, and “Kiss Number 8,” a graphic novel with similar gay themes. Despite popular demand for their removal, the council insisted on keeping these books in the young adult section.

Patmos Library could not immediately be reached for comment.

Nathan Triplett, president of the Michigan chapter of the American Civil Liberties Union (ACLU), praised Patmos for refusing to “yield to the demands” of people whose taxpayer dollars support the operation of the library.

“It is a credit to the staff and management of Patmos Library for steadfastly refusing to give in to demand that they purge their collection of LGBTQ materials. We need more courage and determination today ‘today,” Triplett wrote on Twitter, in response to a post from the national ACLU regarding what he called “censorship” in school and public libraries.

Progressive activists have denounced “censorship” when concerned parents seek transparency about what their children are exposed to and challenge sexually explicit books in classrooms or libraries.

In Virginia, under a new policy (pdf) which is to be released under Republican Governor Glenn Youngkin’s administration, schools must alert parents to any “sexually explicit content” and post all materials used for lessons and curriculum on the school’s website at least 30 days before the start of these courses. The policy states that it is designed to help parents make education-related decisions that are consistent with their own “customs, beliefs and values.”

The ACLU says such a policy “will lead to censorship in the classroom.”

“As written, the proposed model policies codify and compel all Virginia school districts to adopt this anti-free speech practice and will only exacerbate an alarming trend of classroom censorship, while denying students the opportunity to be inspired by stories of people from all walks of life. of life by trying to live authentically in the school curriculum,” the Virginia Chapter of the ACLU said.


Bill Pan is a reporter for The Epoch Times.

Feel his heart


I had the good fortune to buy and read a wonderful book, which hit the New York Times bestseller list in just a few weeks. The title of the book is “The Women of the Bible Speak” by Shannon Bream. This book contains the wisdom of 16 women scattered throughout the Bible.

The reason for the title “You Can Feel Her Heart” is that there are parts of the book, especially in the chapter about Hannah, you can actually feel Shannon’s heart because she is so emotionally involved with similar experiences. in his own life.

If you’re a Bible student, you already know there’s so much out there for anyone looking for a better life. I have read the Bible cover to cover 25 times.

The women featured, in this order, are Sarah, Hagar, Rachel, Leah, Tamar, Ruth, Deborah, Jael, Hannah, Miriam, Esther, Rahab, Mary, Martha, Mary the mother of Jesus, and Mary Magdalene. What a collection of fantastic women. If you’ve ever thought that women in the Bible didn’t really matter, you absolutely have to read this book. Don’t forget that there wouldn’t be fantastic men if there weren’t fantastic women.

First, just a word about the author: Shannon Bream is also the author of “Finding the Bright Side”, the anchor of Fox News at Night and the main legal correspondent for Fox News Channel. She has covered landmark cases in the Supreme Court and heated political campaigns and political battles from the White House to Capitol Hill.

In my own experience, there are some women, some chapters, and some stories that I like more than others, like the story of Ruth, the only non-Jewish woman to have a book named after her. She and Naomi, her mother-in-law, are returning from Moab to Israel after the famine ended, and Naomi has encouraged her to stay in her homeland.

This is when Ruth makes her famous statement: “Do not make me leave you or turn me away from you. Where you go, I will go, and where you stay, I will stay. Your people will be my people. and your God my God. Where you die, I will die. And there I will be buried. (Ruth 1:16-17A.) Ruth later marries Boaz and becomes an important part of Jewish history.

The other stories are all good, but my favorite is about Hannah. This is where I feel the heart of the author. Hannah marries Elkanah and he has two wives. His wife, Peninnah, has children, but Hannah is sterile and Peninnah taunts her. Hannah goes to the Tabernacle and swears to God, and to Eli the priest, that if he gives her a son, she will dedicate him to God to serve all the days of her life. God does and she does, and this sets the wheels in motion for his son, the prophet Samuel, to anoint David as king of Israel. And the rest is history. The flag of Israel bears the Star of David – a reference to this biblical king.

In addition to these fantastic stories, Shannon Bream talks about her own life and the parallels that speak to her personally. In all my years of writing, it was different for me. Not to be redundant, it was almost as if you could feel the heart of the author as she shared these touching stories. This book is so good. Peace!

The UT Book Festival is back live and online


Books live. Books endure and prevail. Books are printed humanity. Books are the journal of the human race. As we age, we become all the ages we once had. And by exploring books, we become everything we have read.

“Reading gives us a place to go when we need to stay where we are,” writes Mason Cooley. His insight is a brief echo of Emily Dickinson’s 1873 poem:

There is no frigate like a book
To take us lands away –
Nor any courier like a page
From Prancing Poetry —

This crossing that the poorest take
Without oppressing de Toll —
How frugal is the Chariot
Who carries a human soul.

The San Diego Union-Tribune Festival of Books, with a new home at USD, returns Saturday, August 20, from 9 a.m. to 5 p.m. No surprise there, as San Diego is consistently ranked by Amazon as one of the most read in the country. Cities. I’ll be signing my books and I’d like to meet you there.


What do you get when you cross a gorilla with a clay worker? You end up with a Hairy Potter. We recently celebrated the 25th anniversary of the publication of the first Harry Potter book, Harry Potter at the Sorcerer’s Stoneby British author JK Rowling.

Jobless and living on state benefits, single mother Rowling wrote much of her first novel sitting in local Edinburgh cafes or typing on a manual typewriter in her sister’s house. Harry Potter at the Sorcerer’s Stone was rejected by 12 publishers before being accepted by Bloomsbury Publishing – and only then because the CEO’s 8-year-old daughter insisted. By the time she had completed six of the seven books in her projected series, Rowling was named Britain’s greatest living writer – and she certainly became the wealthiest by far.


Lewis Carroll published his on the other side of the mirror fantasy novel on December 27, 1871, but the year was listed as 1872, so we are celebrating its one hundred and fiftieth anniversary. In this sequel to Alice’s Adventures in Wonderland (1865), Alice again enters a fantasy world, this time climbing through a mirror.

Carroll showed a particular aptitude for conjuring up mixed words by merging two words and eliminating parts of one or both. He called these inventions portmanteau words because he liked to put two words together into one while the clothes are piled up in a coat rack or a duffel bag. The most famous example of Lewis Carroll’s easy gift for mixing is his poem “Jabberwocky”, in on the other side of the mirror. This most familiar absurd verse begins:

‘Twas brillig, and the toves slithy
Did he twirl and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

When Alice asks Humpty Dumpty to explain the word sly, he replies, “Well sly means ‘soft and viscous.’ You see, it’s like a coat rack – there are two meanings rolled into one word. The Egg Head (Soon to Be an Omelet) Performs Later mummy: “Well, mummy is ‘frail and miserable’ (there’s another portmanteau for you). Two words that later appear in “Jabberwocky” have become enshrined in English dictionaries – chuckle (“laugh” + “sniff”) and galumping (“gallop” + “triumph”):

When we eat today Frogquaff Knob juice and fruitopiahave brunch (“breakfast” + “lunch”), take a stay (“stay” + “vacation”) rather than staying in a motel (“motor” + “hotel”), get on our moped (“motor” + “pedal”), deplore the smog (“smoke” + “fog”), learn from webinars (“web” + “seminars”), play fictional (“fiction” + “dictionary”), read Freakonomics (“freak” + “economy”), write to a enemy (“friend” + “enemy”), save money with let’s group (“group” + “coupons”), getting hammered by stagflation (“stagnation” + “inflation”) and avoid covidiotes (“COVID” + “idiots”), we imbibe Lewis Carroll gigantic (“giant” + “huge”) revels in portmanteau words.

Recently Rohana Khattal, 16, from Islamabad, Pakistan coined the word suitcase forgetful to describe a billionaire who is oblivious to inequality. Forgot won The Learning Network’s “Make Up a Word” challenge.

‘The Devil Takes You Home’ invites readers to consider the depths of darkness: NPR

The devil bring you home

Consider this: In 2021, 596 migrants at the US-Mexico border died or went missing, according to the Missing Migrants Project – and this year so far the number is 252. Due to the recent SCOTUS ruling on the reproductive rights, Americans are currently traveling to Mexico or ordering drugs from Mexico in order to access abortions. Meanwhile, this year there have been at least 356 mass shootings in the United States (and that’s just August); at least 21 trans people have been murdered; climate change continues apace; the most common variant of COVID-19 in recent times is more resistant to vaccines than previous ones; and monkeypox has been declared a public health emergency by the World Health Organization.

Do you feel nihilistic enough? Good. That’s exactly what you want to be when you read Gabino Iglesias’ captivating new novel, The devil bring you home a black barrio that invites readers to consider the depths of darkness in this world, its material effects, and the cycles of violence we enter into willingly and by force.

At the start of the novel, Mario, the narrator, and his wife Melisa have just learned that their daughter Anita has been diagnosed with leukemia. A few weeks later, Mario is fired from his job after taking too long to care for her. Bills, medical and otherwise, pile up, and in desperation Mario reaches out to Brian, a former colleague who once told him “Call if the damn noose of poverty gets too tight, yeah?” Before long, Brian gives Mario a gun, a mark, and the promise of $6,000. Mario shoots the stranger he is accused of killing and, despite having fought with himself beforehand, he admits: “I didn’t feel bad. I felt good. scared a little and I couldn’t breathe, but it was like energy running through my veins…He deserved it. He was as guilty of Anita’s illness as everyone else.”

When Anita dies and Melisa leaves (it’s early enough in the book not to be considered a spoiler, I promise), Mario is left with nothing but grief, rage, and hunting down collection agencies. When Brian offers Mario to join him and a man called Juanca on a two-day job that will earn them $200,000 each, Mario – both of whom are fully aware of what he is doing and desperately hoping the money l will somehow help get Melisa back. , accept.

The devil bring you home is written in both English and Spanish – the former takes precedence over the latter, and any Spanish dialogue too much for plot or mood is translated – and takes readers on a journey to hell and back. Whether the hell is American racism, the Mexican cartel industry, Mario’s grief and growing comfort with violence, or all of the above, it works; as Juanca says, “the devil is everywhere”.

According to Otto Penzler, owner of the Mysterious Bookshop in New York and one of the editors of The best American black of the centurydark fiction (often confused with hard crime fiction) is about lost characters “who are caught in the inescapable prisons of their own construction, forever trapped by their isolation from their own souls, as well as from society and the moral restrictions that allow him to be considered civilized.”

Iglesias, who is the author of several books including Zero Saints and coyote songs as well as a book reviewer (for NPR, among others), certainly draws inspiration from these elements of noir. But he has a broader definition of barrio noir, which “is any writing that wanders between languages, borders and cultures [and] which occupies a plethora of interstitial spaces and is not afraid to engage with all religions and superstitions as well as bring supernatural elements.”

The mixture of religious, superstitious and supernatural elements adds a dimension to the novel that accentuates its horror, but also its social commentary. Mario, whose mother used drugs, always said he had angels watching over him, and he had waking visions all his life; At the beginning of the book, a neighbor from Mario’s time in Puerto Rico as a child, who may not even be alive anymore, shows up to give him a warning. Increasingly over the course of the book, however, Mario’s visions become the least of his problems, as gods and demons are called upon to bless a series of gruesome deeds that make no sense. But as Mario knows, “stuff that doesn’t make sense happens all the time.” Things like Mario, being bilingual, college-educated, and smart, being denied jobs because of his race; things like racist white men getting a cut of the Mexican cartel money because they can so easily buy guns in Texas; things like priests who need to come to terms with the violence around them in order to continue caring for their communities; things like doctors calling a dying child a “fascinating case.”

The devil bring you home may not be a joyous book, but it still allows for glimpses of love, moments of connection, and glimmers of beauty. Even if these cannot save us, they point to what, with a little effort and luck, just might.

Ilana Masad is a fiction writer, book reviewer and novel author All my mother’s lovers.

The 10 Best Batgirl Comics To Read Now The Movie’s Canceled


Next up is Batgirl no. 3, Stephanie Brown. The daughter of Riddler knock-off Cluemaster, she was featured as Spoiler in Detective Comics #647 (Chuck Dixon and Tom Lyle). After a brief tenure as Robin, she became Batgirl after Cassandra left the role. Her adventures were chronicled by Bryan Q. Miller and a rotating team of artists in a solo “Batgirl” series published from 2009 to 2011.

Miller is primarily a television writer; he got involved with DC Comics because he met Geoff Johns while writing for “Smallville”. With his roots in television, it’s no surprise he wrote Stephanie as Buffy Summers; she’s a spunky prankster who must balance college life with superheroes. Although she is often knocked down, she always gets back up. As she did with Cass, Barbara appears as Stephanie’s mentor.

Series highlights include Batgirl teaming up with Supergirl in issue #13 to fight Bela Lugosi’s Dracula, who came to life in a science experiment accident. Next, Stephanie opens issue #15 with an abbreviated (but accurate) account of the Bat family’s history. Finally, Stephanie introduces surly Damian Wayne to the joys of a moon bounce at the end of issue #17.

It was the last “Batgirl” comic before DC relaunched its universe with the New 52 initiative. It upended Miller’s plans; issue #24 takes a look at stories that might have been had her “Batgirl” “Season 2” played out. Yet, as Stephanie argues with the book’s closing words, “it’s only the end if you want it to be.”

Read if: You’re a “Buffy” fan.

Where to read: Miller’s “Batgirl” series has been collected twice, first as a three-volume edition (“Batgirl Rising,” “The Flood,” and “The Lesson”) and a two-volume “Batgirl: Stephanie Brown”. The race can be played in total on DC Universe Infinite.

The Bookseller – News – Judge recommends dismissing lawsuit accusing Amazon and the Big Five of price-fixing US e-books


A class action lawsuit accusing Amazon and the Big Five U.S. publishers of conspiring to fix e-book prices should be dismissed, a judge has heard.

The lawsuit was filed by Hagens Berman in District Court for the Southern District of New York last year, claiming that Amazon.com and five “co-conspirators” – Hachette, HarperCollins, Macmillan, Penguin Random House and Simon & Schuster – had agreed to price restrictions that led consumers to pay too much for e-books.

In the lawsuit, the use of various forms of most-favoured-nation (MFN) clauses, shielding Amazon from competition from other e-book distributors, has come under scrutiny for allegedly upholding the artificially high e-book prices.

However, lawyers for the publishing houses and Amazon had called the allegations “implausible” and pointed to the lack of evidence of a conspiracy.

US Magistrate Judge Valerie Figueredo has now recommended a motion to dismiss the case brought by Amazon and the Big Five should be granted, Weekly editors reported.

She said: “Each publisher could have rationally concluded that it was in its own best interest to enter into an agency agreement with Amazon, a crucial book-selling partner, in order to preserve its ability to distribute e-books through the largest retailer in the United States, even if it meant granting Amazon’s request for an MFN clause.

“And, because publishers compete in a concentrated market with a single dominant retailer, each publisher could reasonably have expected other publishers to come to the same conclusion about the need for a deal with Amazon.”

The recommendation to throw the case will now go to Presiding Judge Gregory H Woods.

Prince Harry POLL: Do you think Duke has ‘remorse’ over his memoir? | royal | New


Prince Harry, Duke of Sussex, is due to publish a memoir exploring his current life in the Royal Family. No official release date has been announced, but Harry’s publisher Penguin Random House initially said it was considering a worldwide release “late 2022”.

Speaking on the latest episode of True Royalty TV’s The Royal Beat, Daily Mail editor Richard Kay claimed the Duke of Sussex may rethink his release.

Mr Kay claimed there was ‘still a possibility that the Royal Family’s pleas have not fallen on deaf ears’.

He added that Harry might have “doubts about when he will publish this book”.

There are also reports that the book was delayed because it was not included in the publisher’s marketing and promotional list.

A royal insider told The Sun last month: ‘If this book comes out this year as originally planned, it should be on the publisher’s marketing and promotional list – unless they are planning a surprise or that there was a delay. His omission raised many eyebrows in royal circles.

A spokeswoman for Transworld, part of Penguin Random House, said: “We don’t put every book on the list, so there’s nothing to extrapolate from that.”

Royal author Angela Levin told Channel 5’s Jeremy Vine last month that Harry may “have second thoughts” about the book’s publication.

Ms Levin said: ‘Well, we don’t know what’s in it, so I don’t think we can say whether it’s true or not.

“It obviously had some doubts because it would be on the publisher’s list and out in about a month.”

So what do you think? Do you think Harry might have “doubts” about his upcoming memoir? Vote in our poll and leave your thoughts in the comments section below.

Should Prince Harry ‘reduce’ potential royal attacks in his memoirs?

Mr Kay also claimed Harry could ‘reduce’ potential royal attacks in his memoir.

Speaking to True Royalty TV’s Royal Beat, Mr Kay said: ‘The book was finished, we think, around January, Harry was part of it, the interviews.

“It was really when Harry was at the height of his rage if you will, with Britain, the royal family, the siblings. Since then there has been a certain rapprochement.

“We saw it at the Jubilee. There was a small attempt on Harry’s part to slow down a bit.

“He may want to readjust what he wrote. All of these things must be going through his head.

Will you be reading Harry’s next reveal book?

Harry and his wife Meghan Markle stepped back from their roles as senior royals two years ago.

They moved to the United States to become financially independent from the royal family and pursue other projects.

Harry has been working on his book with the help of ghostwriter and Pulitzer Prize-winning author JR Moehringer since 2020.

In a statement announcing the release, posted on the Penguin Random House website, Harry said: “I write this not as the prince I was born, but as the man I have become.”

He claimed the book would document the “ups and downs, mistakes, lessons learned”.

So what do you think? Will you be reading Harry’s next reveal book? Vote in our poll and leave your thoughts in the comments section below.

Batter Royale by Leisl Adams


With the end of summer, it’s the perfect time to read new books, especially Royal paste by Leisl Adams.

While most people use the summer to read long books, it’s also a great time to lounge in the pool and read shorter books. While most people think of novels or short stories, graphic novels are a great option if you’re looking for something with a little more pizzazz.

In particular, this graphic novel has a little something for everyone and is a 2022 release, so it’s easy to get your hands on. All in all, though, it’s a perfect way to add to your TBR and then quickly remove it as it plays pretty fast.

Even so, this week’s #TBRTrending book might be the perfect summer gift for you.

Leisl Adams’ Batter Royale might be your new favorite treat.

Unlike other episodes in this series, this is the first graphic novel to make the cut. As the title shows, Royal pastethis book follows Rose, a young waitress who wants to become a chef, and Fred, her colleague and friend whom she recruits to help her win a baking competition.

Royal paste does a great job of fleshing out Rose as a character, but gives a lot of insight into why she acts the way she does. Additionally, we also see a lot of secondary characters getting similar treatment. Although not to the same extent, it was interesting to see how Leisl Adams decided to portray certain characters and subvert expectations. There’s a bit of romance to the story that you can’t help but root for too.

Overall, what makes the book so compelling is the baking contest. Once the competition starts, you don’t want to let go of the book. Seeing all the challenges and how Rose and Fred overcome them and the drama is just awesome. It really seems to mirror all the popular baking competitions out there today, but it’s still a lot of fun.

Of course, I would be remiss if I didn’t mention the beautiful art style and the fact that the author actually featured recipes in the book. While this book won’t blow you away with its story, it’s a lot of fun and a pretty quick read. All in all, it’s a great summertime treat if you’re looking to change up the format you read in or just want something light and airy.

Do you plan to add Royal paste to your TBR? Be sure to share your favorite graphics in the comments.

NDG Book Review: Great Reads for Kids on Tolerance and Inclusion


By Terri Schlichenmeyer

School will start soon and you will meet many new children.

You will meet children from other cities and perhaps other countries; some will have lighter hair and some will have darker skin. Maybe they’ll be like you, and maybe they won’t, so why not find out what’s different and interesting about these new kids by reading one (or all!) of these great books….

Do you know where your new classmates will live? In “My Town Mi Pueblo” by Nicholas Solis, illustrated by Luisi Uribe (Nancy Paulsen Books, $17.99), two cousins ​​live very close to each other and very far apart . She lives in the United States, he lives in Mexico, and they’re separated by a big river. In this book, they tell you about their cities – her, in English; Him, in Spanish – they explain why they like to visit each other in the town across the river, and what they do for fun. This is an excellent book for bilingual children and for those who have playmates who are. Look for it on August 16.

(Terri Schlichenmeyer)

For the kid who straddles two cultures, or the kid whose playmates do, Jyoti Rajan Gopal’s “American Desi,” illustrated by Supriya Kelkar (Little, Brown Young Readers $18.99) is the book to share. .

Here, a young girl has “one foot” in America and the other in India. So is she Indian or American… or both? Can she enjoy her bindis and bracelets and still love hip-hop music? How she reconciles her two lives and even brings them together is a story of pure joy, illustrated in colorful pages that your child will want to watch again and again.

For future black men and their current playmates, “Black Boy, Black Boy” by Ali Kamanda and Jorge Redmond, photos by Ken Daley (Sourcebooks, $17.99) is a book that inspires and informs.

Here, a father proudly walks his black son on a path through history to show the boy that inventors, activists, writers, musicians, politicians and others have gone before him and paved the way. This pride-inspiring book comes out August 9th.

And finally, for every child everywhere, no matter who he or she is, “Our World Is One Family” by Miry Whitehill and Jennifer Jackson, photos by Nomar Perez (Sourcebooks, $17.99) is fun and helpful. The words inside this book show children and their families from around the world, including children with disabilities, children who speak different languages, children who eat unusual foods, and children who need friends. It explains immigration in words small children can understand and teaches children how to be welcoming to those who are different.

These books are great for ages 4-7, but if you’re looking for inclusive books for older children or toddlers, contact your favorite librarian or bookseller. They’ll help you find exactly what you need for your child, regardless of their reading (or listening) level. Your librarian or your bookseller will make you discover all kinds of novelties to meet.

Schenectady’s Mandy McHugh Taps Horror Fandom in ‘Chloe Cates is Missing’


Talk to most writers and they’ll tell you how long it took to write their first novel, find an agent, and then a publisher. It often takes years and a lot of disappointment before publication, but Mandy McHugh, the Schenectady novelist behind “Chloe Cates is Missing” (Scarlet Suspense), found success faster than most.

“I’ve wanted to be a writer since I was in elementary school. I started writing my own little stories when I came across RL Stine’s ‘Fear Street’ series.

She started to really pursue writing six years ago when her son was a baby. “I was up at 2 a.m. with him and instead of going back to sleep I started writing short stories, mostly in the horror genre because that’s what I was reading.”

In 2017, McHugh’s first story was published in an anthology, and soon after, two more were published. One of the stories was read on a popular horror podcast. “That’s when I decided to start writing a novel. I sat down and didn’t plan anything. I just picked my first idea and wrote,” she said,

McHugh found a community of writers on Twitter and suggested a story idea on the Pitch Wars website. “My first novel was picked up by a small press, but they folded within a year. ‘Chloe Cates’ was actually my third novel, and the fastest I’ve ever written. I finished the first draft in less than a month and I found my agent a month later. It all happened so fast.” McHugh is finishing edits to his second book, “Play the Fool,” a thriller loosely based on “King Lear.”

In “Chloe Cates Has Disappeared,” 13-year-old Abby Scarborough, aka child celebrity Chloe Cates, may have been kidnapped or murdered. Detective Emilina Stone uncovers Abby’s diary and discovers how Abby dislikes portraying the character of Chloe, even though it’s the family’s main source of income.

Most thriller and mystery writers work diligently to plot their books before writing their first line. One of the most popular crime writers of all time, Agatha Christie, often wrote 50 or more pages detailing each character and outlining each chapter before she began writing, but McHugh did it differently.

“I had a very vague idea of ​​where I wanted these characters to go. I kept surprising myself along the way. I wanted this ruthless mother character, Jennifer, with a dark backstory, and I knew she was sort of related to being a detective. Mainly, I really wanted to take a look at the culture of social media through Jennifer’s relationship with her 13-year-old daughter who became a child internet star. story unfolded.

McHugh went from chapter to chapter not knowing where it was all going. “My first draft was much darker and every day when I wrote I surprised myself. ‘Gone Girl’ is the book that most writers in this genre stick to. This book had all these twists and turns and plots, and that motivated me to write this book.

McHugh said there are little bits of her in every character in the book. “When I started writing the book, I had a lot of sympathy for Jennifer and her struggles as a new mom and feeling on the outside. I had similar insecurities. Jennifer’s flashbacks in the 1990s are my memories of that time with all the girl cliques I had to go through, it was a time when it was so important how you were perceived by other people.

One of the major themes of this book is how destructive and addictive social media can be. “I have an 8-year-old daughter and everyone in her class has a cell phone or tablet. She already has Facebook Messenger to connect with her friends, and I’m worried about her online presence and how which her friends are going to take a picture of her and maybe post it online.

McHugh admits to being intrigued by the dark side of humanity. “I love to hear or read about a corpse, and I don’t think I’m the only one who has that feeling. I was probably 8 years old when I started watching ‘Unsolved Mysteries’. I’ve always been fascinated by crime stories and ghost stories.I always wanted to know why people do bad things.

She said that even when she was training, she loved editing a movie like “The Shining.” “There’s nothing rational about it. I love the feeling of being scared even though I know I’m perfectly safe.

Her kids also love that McHugh writes scary stories. “They want me to tell them what’s going on in the stories and the books, but I tell them, ‘You’ll have to read them when you’re older.'”

“Chloe Cates Has Disappeared” by Mandy McHugh

Scarlet Suspense, an imprint of Penzler Publishers

‘No one has copyright over the teachings of holy books like Quran’: Delhi court dismisses copyright infringement lawsuit


A Delhi court has dismissed a copyright infringement claim brought for the publication of a book titled “Islamic Studies” and imposed a cost of Rs 50,000 on the plaintiff, observing that no one can have a right to author on the teachings of the Quran and other Islamic books.

District (Commercial) Judge Sanjeev Kumar Aggarwal, in his order dated July 25, observed: “Some contents are bound to be similar, because the teaching given in the holy books, the Quran and Hadees, and other religious texts related to the Islamic religion are necessarily the same in all the books which concern the teaching of Islam. In my opinion, no one can have the copyright on these teachings which are written in the Holy Books of the Quran and Hadiths or other Islamic books.

The complaint was filed by Islamic Book Service (P) Ltd, a publisher and exporter of Islamic books located at Daryaganj in Delhi, claiming that Maulvi Abdul Aziz, as the owner and author of the literary work titled “Islami Taleemat”, series of books, Parts I to VIII, had ceded its copyright to the company unconditionally and had also delivered the manuscript of the work for consideration.

The company alleged that in May 2018 it learned that the accused, a certain Abdur Rauf Najeeb Bakali, had begun publishing Maulvi Aziz’s literary work under the name and style of “Islamic Studies from the First to the fifth year.

The company said that it has been publishing the “Studies in Islam” book series (Grade I to Grade VIII) exclusively and continuously since 1992 and it is being sold widely in Delhi as well as abroad. The company alleged that the defendant infringed its copyright on “Studies in Islam” by publishing the book “Islamic Studies”.

While considering whether the defendant had copied the contents of “Studies in Islam Grade I” into his book “Islamic Studies”, the court observed: “No comparison of the books of the plaintiff and the defendant has been given to show either in the complaint or in the evidence. of PW1 (prosecution witness) so that the defendant can be said to have copied the plaintiff’s book and thereby infringed the copyright of the book “Studies in Islam”.

Rejecting the company’s argument that the names of the books ‘Islamic Studies’ and ‘Islamic Studies’ were almost similar because they contained the words ‘Islam’ and ‘studies’, the court said: “In my opinion , there can be no copyright. on the word ‘Islam’ or ‘studies’. The name of the plaintiff’s book is “Studies in Islam” while the name of the defendant’s book is “Islamic Studies”. The color printing of the cover page of the two books is also very different.

The court therefore found that the company had “failed miserably” to prove that it owned a copyright in the book “Islamic Studies” or that the defendant had infringed the copyright of his book by publishing ” Islamic Studies”.

The court declared that the plaintiff was not entitled to any relief and dismissed the company’s lawsuit with a cost of Rs 50,000, which the company must pay to the defendant for the costs and expenses incurred by him.

Eli N. Evans, who wrote about Southern Jews, dies at 85


Eli N. Evans, a courteous Carolina Tarheel who rose to the upper echelons of New York’s philanthropic world but left her greatest mark as the author of three books exploring the culture and history of Jews in the South of the United States, including his own family, died July 26 in Manhattan. He was 85 years old.

The death, in a hospital, was confirmed by his son and only survivor, Joshua Evans, who said the cause was complications from Covid-19.

A Yale law graduate and White House speechwriter, Mr. Evans was one of a cohort of erudite Southern expats who landed on the Manhattan literary scene in the 1950s and 1960s – many of them, including Willie Morris, the Mississippi-born editor of Harper’s Magazine, became good friends of his.

Like them, Mr. Evans, who worked at the Carnegie Corporation before becoming chairman of the Charles H. Revson Philanthropic Foundation, has intertwined his cosmopolitan worldview with his Southern roots. He could move easily among diplomats and tycoons, but he also enjoyed playing the banjo and telling stories of his childhood in the tobacco fields around Durham, North Carolina.

It was these stories, often told over long Sunday brunches, that led Mr. Morris to commission Mr. Evans to write about the Jews of the South, and in particular about his family of peddlers, merchants and politicians in North Carolina. North.

The mission turned into a book, “The Provincials: A Personal History of Southern Jews.” Published in 1971, it sparked a wave of interest in a culture that many people outside the region were unaware of.

In fact, as Mr. Evans pointed out, until the early 19th century there were more Jews arriving in port towns like Savannah, Georgia, and Charleston, South Carolina, than in towns north of the Mason-Dixon line. Thousands more came south overland, often as factory workers or peddlers, like the Evanses and Nachamsons, his paternal and maternal ancestors.

Mr. Evans was not the first person to study Southern Jews; scholars, rabbis, and historical societies had long documented disparate local communities. But “Les Provinciaux” was the first attempt to tell a synthetic regional story to a wider audience.

“I’m one of those people who, when they read ‘Provincials’, feel recognized for the first time,” said Marcie Cohen Ferris, a professor of American studies at the University of North Carolina who grew up in the ‘Arkansas. interview. “They had never seen their experience of Jewish life reflected in this way.”

Mr. Evans’ title was a bit ironic: Southern Jews were only provincial in the eyes of their northern urban co-religionists. Back home, by contrast, “the Jews were not strangers in the Promised Land, but part of the blood and bones of the South,” he writes.

Mr. Evans was a gifted writer whose sentences resembled the lush lyricism of other mid-century Southerners like James Agee and Reynolds Price. But he centered those sentences on a culture that until then had been the domain of northern Jewish writers like Bernard Malamud and Saul Bellow.

“Eli really showed the way; he opened the door to a new generation of Southern Jewish writers,” Roy Hoffman, a novelist who lives in Mobile, Alabama, said in an interview.

‘The Provincials’ alternates Mr Evans’ personal account of his childhood as the son of a prominent Durham businessman – who was also the town’s first Jewish mayor – with chapters grappling with anti-Semitism , the anxiety of assimilation and the role of Jews in civil society. rights movement.

The book revels in the confluences, ironies, overlaps, and buried histories of the Jewish South. The ham can be served during a Sabbath meal. Christian parents would bring their young children to Mr. Evans’ father’s store to have them blessed in Hebrew. He joked that on Passover no one needed to open the door for Elijah because it was so hot that all the doors were already ajar.

“I’m not sure what it means to be both Jewish and Southern,” he concluded, “to have inherited the Jewish desire for a homeland while being raised with a sense of home. southerner”.

He followed “The Provincials” with two other well-received books: a 1987 biography of Judah P. Benjamin, the Jewish slave-owning politician who served as Confederate Secretary of State, and “The Lonely Days Were Sundays: Reflections of a Jewish Southerner” (1993), a collection of essays.

He also became a major proponent of efforts to leverage his own work. He helped found the Carolina Center for Jewish Studies at the University of North Carolina; he spoke on panels; and he wrote chapters, introductions, and introductions for countless books that followed his.

“He was sort of a patron saint of Southern Jewish history,” said Shari Rabin, associate professor of Jewish studies and religion at Oberlin College in Ohio, who writes a history of Southern Jews. .

What Mr. Evans wanted above all was to complicate easy assumptions about his people and his region, to show that the Jews were a distinct but central part of the Southern narrative.

“The history of Southern Jews is not the Ku Klux Klan crossfires, bombings, acts of overt anti-Semitism,” he wrote in “The Provincials.” “It is found in the experience of growing up Jewish in the Bible Belt, the inner story reflected in family histories, storytelling and letters home.”

Eli Nachamson Evans was born on July 28, 1936 in Durham, North Carolina. According to family lore, Evans was an anglicized version of Eban, the Hebrew word for stonemason. (Coincidentally, Mr. Evans was good friends with Israeli diplomat Abba Eban, although they were not related.)

Mr Evans’ paternal grandfather, Issac, was born in what is now Lithuania and later worked in New York’s garment district. He saved enough money to buy a bundle full of goods and headed south as a peddler. According to the family’s story, he arrived by train in Fayetteville, North Carolina, where he saw a burning building. He came out to help fight it, and in the meantime the train left.

Stranded, he set up as a merchant, a trade followed by his sons Monroe and Emmanuel, the father of Mr. Evans. Known around town as Mutt, Emmanuel Evans was a star athlete at the University of North Carolina. founded Evans United Dollar, a chain of discount stores; and was mayor of Durham from 1951 to 1963. (Monroe Evans was mayor of Fayetteville in the 1960s.)

Mr. Evans’ maternal grandmother, Jennie Nachamson, founded Hadassah’s first Southern chapter, the Jewish women’s organization. His mother, Sara (Nachamson) Evans, developed this commitment as a regional and national organizer; he called it “Hadassah’s southern accent”.

Mr. Evans excelled at the University of North Carolina, where he served as the first Jewish student body president and spent a summer on a kibbutz in Israel. He earned a degree in English Literature in 1958. After two years in the Navy, he entered Yale Law School and graduated in 1963.

He worked for a year as a White House speechwriter, and for another year as an aide to Terry Sanford, the liberal governor of North Carolina, before moving to New York to join the Carnegie Corporation.

There he led efforts to promote suffrage in the South, as well as public television subsidies – he was an early supporter of “Sesame Street”.

In 1977, he became president of the Revson Foundation, where he continued his involvement in television: he provided essential funding for programs such as “Heritage: Civilization and the Jews” and “Genesis: A Living Conversation”, and he was inspired by the Oslo Accords. from 1993 to support “Rechov Sumsum,” an Israeli version of “Sesame Street.”

In Manhattan, he met another Southern Jewish transplant, Judith London, who had grown up in an Orthodox family in Montgomery, Ala. They married in 1981; she died in 2008.

Although Mr. Evans never lived in the South after the 1960s, he visited often and continued to feel a deep connection to his home region. When his son was born in a Manhattan hospital, Mr. Evans took away a vial of Caroline’s soil.

“With one hand I held Judith’s hand and with the other I gripped the southern soil,” he wrote in “The Lonely Days Were Sundays.” “I wanted him to know his roots, and I believe in creating family legends early.”

A few years later, when his mother died, he planted a cherry tree in front of a Hadassah-sponsored hospital in Jerusalem. Below, there was this same vial of earth from Caroline.

Wuxia Graphic Novel, Assassin G by Jen Troy & He Tao, Gets a Trailer



Later this month, Immortal Studios is releasing its latest Kickstarter campaign for their latest Immortaverse series, Assassin G by Jen Troy, a writer for the CW super girl and artist He Tao, with coloring by Hi-Fi Design and lettering by AndWorld Design. “With his mastery of iconic Vermillion Pavilion combat moves such as Chiral Light and Umbral Strike, Assassin G is truly unrivaled,” said Hank Kanalz, new publishing director of Immortal Studios. “This is our fourth addition to the Immortal Storyverse, and I’m very pleased with how this story has strong threads in our other series, and yet stands on its own as an exciting new quest for revenge packed action.”

Bleeding Cool previously reported that former DC Comics editors Brian Cunninghamand former SVP DC and young blood co-creator Hank Kanalzhad joined Immortal Studios, working with Dynamite Entertainment on a line of Wuxia-genre graphic novels to comic book stores that had been crowdfunded on Kickstarter, as part of their Storyverse, or Immortaverse, with a series of interconnected comics inspired by by the narration of Shiao Yi. His son Peter Payhuan Shiao is CEO and Founder of Immortal Studios, collaborating with a team of comic book storytellers, to modernize and globalize the Wuxia genre.

The cover art and trailer are below…

Assassin G by Jen Troy & He Tao

ASSASSIN G presents the deadly saga of revenge between warring factions in the martial world in the early 1980s. The world’s preeminent Chinese-language IP that has been adapted for television four times, and this new series will mark the first comic in history and adaptation in English. A pre-launch page that fans can click to receive an email when the Assassin G Kickstarter campaign launches is now live.

In ASSASSIN G, Margot Gan was orphaned at the age of two and raised to become a master martial artist, the virtually unstoppable, ghostly Assassin G. His only mission in life is to eliminate the powerful families of the Seven Cultures Alliance and avenge their betrayal. of his mother-in-law, the fearsome Shui Hongshao. But everything changes when Assassin G meets JP Yin, the main heir of the Yueyang family (one of the families of the Seven Cultures Alliance).

“At the heart of ASSASSIN G is an exciting game of cat and mouse that is played between a syndicate of assassins and the ruling martial families,” said Jen Troy. “When they meet, fists and romantic sparks fly, which makes us wonder: will their mutual admiration lead to something more or will their loyalty to their respective families drive them apart like Romeo and Juliet? It’s the classic ‘will they, won’t they’, and it’s set in a super fun globetrotting adventure in the 80s.

“ASSASSIN G offers Wuxia action and international intrigue,” said He Tao, an artist from Tan Comics, who has worked on HOME and Free Fire comics. “Each page should capture the interpersonal drama that drives the story, as well as the big-screen settings and 80s culture. I was a fan of the original 19th Sister Gang in Chinese, and this is a career high for telling the story of Assassin G and Jp Yin come to life in the first-ever comic book adaptation of the story to bring this classic to a new international audience.”

“Our goal is to bring the entirety of the wuxia tradition from its founding spiritual ideals thousands of years ago, and more recent interpretations, into the contemporary world,” said Peter Shiao. “In Assassin G, we transport key story elements from the original 甘19妹 (gan the 19th Assassin) to the greed, pop, and post-war fueled days of the early 1980s, to a time when many old traditions are dying out to reflect where we are today. I’m so excited to bring this legendary story to the West for the first time, while also providing millions of existing fans with all-new elements of story.

Assassin G #1 will feature a main cover of He Taoas well as variant covers of Joyce Chin, Gene Ha and Gian Gulang, who created the artwork for the Criterion Collection Bruce Lee box set – this will be his first comic book art project.

Posted in: Comics, Dynamite | Tagged: Assassin G, dynamite, immortal, kickstarter, wuxia

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The Bookseller – News – Welsh launches picture book site for emotional well-being


Children’s author Clare Helen Welsh has launched a picture book site aimed at stocking titles covering emotional situations, including family separations and illness.

books that help was created by the former elementary school teacher to encourage emotional literacy in children, advocating the use of picture books to help families through difficult times.

The site will feature a range of titles focusing on issues such as grief, anxiety, well-being and moving.

Each month, the site will spotlight an independent bookstore that “puts important books into the hands of little readers.” The store logo and website links will be promoted on the site and branded on Books That Help social media channels.

“We are honored to champion this initiative having worked with Clare over the years on her own range of picture books which help families through difficult times,” said Sam Carr, owner of The Snug Bookshop in Bridgwater. “As booksellers, we champion books that can provide support in times when the right words can be hard to find. The Books That Help site will be a place for families, teachers and healthcare professionals to find books that can help, all in one place.”

Welsh plans to mentor aspiring children’s authors and organize events for teachers.

“What a great initiative. Clare Helen Welsh writes the most beautiful books herself, so any collection she curates is sure to be invaluable,” said Bob Stone, author and owner of Write Blend Bookstore.

NCAA released new allegations against Louisville, Rick Pitino in Brian Bowen recruiting case, report says


The NCAA has issued new allegations against Rick Pitino in the Louisville offenses case involving the recruiting of Brian Bowen when Pitino was a Cardinals coach. According to the Louisville Courier-Journal, which obtained UL’s response to the NCAA’s amended Notice of Allegations, the source of the new allegations is due to Merl Code’s “Black Market” book, which portrays the former coach of Louisville as an accomplice in a bribery scheme that Bowen – a five-star recruit from the Class of 2017 – and Adidas

Code, who has already spent time in prison for his role, released his book earlier this year. In it, he wrote that Pitino was well aware of an offer of $100,000 to Bowen’s father and authorized it. The Courier-Journal was first to report news of the NCAA’s Complex Cases Unit submitting the additional allegations after obtaining information through an open records request. The CCU had issued its original Amended Notice of Allegations last September and will be decided by the independent liability resolution process.

“As a consultant for Adidas, I did not act on my own, and I could not have done so,” Code wrote in his book. “I simply presented the proposal to my bosses, who did the same after consulting Rick Pitino, and the response that came back from above was, ‘Rick wants our help. Do it.”

In February, Tim Sullivan reported that Pitino’s lawyer had tried to stop the publication of “Black Market”. However, these efforts were unsuccessful as it still released in March. So far, Pitino – now Iona’s trainer – hasn’t commented much on the book, but he has denied Code’s claims.

“For the 10th time, I have no idea who Merle Code is and why he uses me and others to be relevant,” Pitino said in February. “It has already been proven under oath by Brian Bowen’s father, Christian Dawkins and TJ Gassonola of my non-involvement.”

Pitino published his own book in 2018 titled “Pitino: My Story” in which he denied knowing anything about Adidas paying Brian Bowen’s family.

Meanwhile, Louisville also denies Code’s allegations and called the allegations “triple hearsay.”

“Reasonably prudent persons would not rely on the statements made in the Code book to guide their conduct in serious matters, because Code has been found guilty of engaging in a criminal conspiracy to commit fraud related about which the CCU is relying on,” reads Louisville’s response, according to USA Today.

“…Including sensational allegations in his book, regardless of their accuracy, is an obvious route to goose book sales (and Code revenue) and, perhaps in the eyes of some, lessening his culpability for the crimes he committed and rehabilitate his image.”

Regenerative brakes: how do they work?


If you’re shopping for a hybrid or electric vehicle, you may have heard of regenerative braking. If you’re wondering what it is and how it works, you’ve come to the right place.

What are regenerative brakes?

Regenerative brakes use electric motors rather than a traditional friction braking system to slow and stop a car. Hybrid and electric vehicles typically use these types of brakes.

With a traditional hydraulic braking system – usually disc or drum brakes – braking wastes energy. It takes the kinetic energy that drives your car and turns it into heat rather than motion. Although effective in slowing down a moving vehicle, friction braking wastes energy.

With regenerative brakes, the braking system captures this kinetic energy and transfers it to the car’s batteries. The system wastes less energy than it would with friction braking. The use of regenerative brakes makes it possible to preserve and restore the range of an electric or plug-in hybrid vehicle.

In a conventional hybrid, energy recovered from regenerative braking helps power certain auxiliary functions in the car, such as the audio and climate control systems. This relieves some of the load on the engine and electrical system and improves efficiency.

There is another type of regenerative braking called Hydraulic Power Assist. It generally only applies to commercial vehicles. Electric regenerative braking is the relevant type of system for the average driver learning about regenerative braking.

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What types of electric vehicles have regenerative brakes?

All electric and plug-in hybrid vehicles currently on the market in the United States are equipped with a regenerative braking system. Some conventional hybrids do this too, like the Toyota Prius.

Here are a few cars on the market today with regenerative brakes. This list is not understandable:

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Energy recovered: Hydraulic brakes waste energy by turning kinetic energy into heat. However, regenerative braking feeds that energy into the car’s batteries and turns it into a little extra range.

Improved range: Regenerative braking does not add significant miles to your range. Yet these reclaimed energy gains can really add up when used liberally and consistently. Drivers of hybrids and electric vehicles know that every mile of battery life counts.

Reduced brake wear: The more regenerative brakes you use, the less you need to use traditional friction brakes. This means fewer trips to a service center for brake pads, rotors and shoes. With regenerative braking, some hybrids and electric vehicles can travel around 100,000 miles between braking services.

The inconvenients

You have to get used to: Regenerative brakes take a bit of getting used to, especially if you’re shopping for a used example of an older electric or hybrid vehicle. This technology is advancing, but regenerative braking sometimes has an odd feel that can be shocking to the driver.

Less reliable at high speed: Friction braking is a very old and very reliable technology. When you apply the brakes on a car equipped with hydraulic disc or drum brakes, the vehicle comes to a stop reliably and quickly. Regenerative brakes are not as good as friction brakes for emergencies where the car needs to come to a complete stop quickly. This is why hybrids and electric vehicles generally use both types of braking systems.

Low speed, low advantage: When you use regenerative braking in low-speed city driving, it does not generate enough energy to have a significant impact on your car’s range. For this reason, there is little benefit to using regenerative brakes when driving at low speeds.

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How Regenerative Brakes Work

Regenerative brakes work by reversing the electric motors that propel a car. It works like a generator and feeds power back into the hybrid or electric system to help replenish some range. These small increases in battery life can add up and improve efficiency over time when used regularly.

Drivers can activate regenerative brakes in different ways. Some hybrid and electric cars have a paddle near the steering wheel that activates the regenerative brakes. However, activation is seamless in most cars with regenerative braking. Applying the regular brake pedal with your foot allows the regenerative and friction brakes to work together to slow the vehicle. Cars with a particularly aggressive system can use regenerative brakes when the car is coasting. Sometimes called one-pedal driving, drivers can use the feature in a specific driving mode that emphasizes efficiency on long trips.

Although regenerative brakes use different engineering than friction brakes, they accomplish the same goal of slowing and stopping a moving car. Since it has the same effect as regular brakes, the brake lights always turn on when using regenerative brakes for safety.

For example, let’s say you drive a Nissan Leaf in e-Pedal mode. When you take your foot off the accelerator, the regenerative brakes automatically activate. At the same time, the brake lights at the rear of the car come on as they would if you were to press the brake pedal.

Brake and regenerate

Regenerative brakes are a great way to preserve the range of an electric vehicle and improve the efficiency of a hybrid. You can use them a lot to recover a lot of energy, or you can let them work in the background without changing your driving habits. Either way, you’ll be glad your next hybrid or EV has them.

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Book Review | Remembering Agyeya: Writer, Rebel, Soldier, Lover


Akshaya Mukul has named the full biography which summarizes various facets of Agyeya’s life as Writer, Rebel, Soldier, Lover: The Many Lives of Agyeya. The book was published by Vintage, part of the Penguin Group. The book is huge not only because it tells a factual and contextual story of the many lives of a faithful writer; it is also huge in size with a total of 565 biography pages and an additional 200 or more pages of reference material.

I believe this is the most documented biography ever written of a Hindi writer. In fact, rarely has a writer been the subject of a biography of such epic magnitude in Indian literature at large. Mukul spent several years writing the book and scoured all possible sources around the world for authentic facts and references.

Writer, rebel, soldier, lover: the many lives of Agyeya by Akshaya Mukul. (Penguin, 2022)

Such refinement and perseverance are rare in Hindi. Very few biographies meet the standard in terms of authenticity, detail, and due diligence to facts and data. Penguin will soon publish the Hindi translation of this colossal biography. For nearly four decades, Agyeya was a dominant figure in modern Hindi literature. He was the most controversial Hindi writer of his lifetime. Countless rumors spread about his personal life. Akshaya Mukul must have known them too. But he told Agyeya’s life story in a very objective way based on references and documents. Its narrative flows like an articulate novel and there’s almost no room for boredom or oddities.

Another little-known love affair between Agyeya and Kripa Sen is probably finding Akshaya and hence Agyeya was rightly referred to as a lover in the title of the book. Besides, Agyeya also wrote poignant love poems.

The book contains a detailed account of Agyeya’s early life, his life in prison, and his own defense of the court case. The arguments and facts presented by Agyeya in his defense gave a glimpse of his future: it was clear that he would defy social and political norms.

To those who continually accuse Agyeya of being an aristocrat and staying aloof from the masses, the biography details how the writer had a close association with, for example, the peasant movement. Later, with Renu, he continuously covered the plight of farmers and failures of administration during the Bihar famine.

Agyeya was almost always strapped for money as he took up writing as a profession at a time when most writers of Hindi literature received very little or no pay. Popular novels like Shekhar earned him a tiny sum in royalties from Saraswati Press. Therefore, Agyeya’s insistence on being paid for his lectures later in his career makes sense.

It should also be noted that when he started receiving money from, say, the Jnanpith Prize, he ventured to form a trust with twice the prize money and spent it on d other writers. Agyeya was probably the first Hindi writer to do so.

Agyeya’s association with the Congress for Cultural Liberty was at the center of another controversy. Although the affiliation is a fact, it is also true that many world famous writers at the time had such connections. Previously, Agyeya had organized a major conference with progressive writers against fascism. Freedom and self-respect were values ​​on which he never compromised. This biography attests to this notion.

Agyeya’s literature, thought and ideological pursuit do not prove his pro-Americanism. Moreover, if it was justified to receive financial assistance from the then Soviet Union to publish books at low cost and to receive the price of Soviet land, then any American aid would also have to be justified. Ironically, both sides were unaware of the Soviet genocide at the time and the United States’ involvement in the subsequent wars and genocide in Vietnam and Korea.

The biography also reminds me of a personal incident that I had almost forgotten. My correspondence and communication with Agyeya started when I was 18 years old. During one of these correspondences, when he was not even 50 years old, Agyeya once expressed his desire to stop writing.

I registered my protest against such a desire and wrote to him that it would be unfortunate and a great loss. I even suggested that Agyeya publish a new collection of poems and include a long essay on his poetic experiences, the problems faced by contemporary poets and “Nai Kavita” or modern poetry.

I even dared to write that Nirmal Verma and Raghuveer Sahay were the most authentic representatives of modern fiction (nai kahani) and modern poetry of the time. I was pleasantly surprised to learn that Agyeya kept this correspondence while I lost the letters I had received from him.

Another aspect of Agyeya emerges from this biography: his connection and interaction with many active members across generations in his time. He also supported many writers in due time. There have also been controversies regarding the writers’ camps organized by Vatsal Nidhi. Akshay Mukul carefully considered them in context and studied the discussions held.

For decades, many left-leaning writers have condemned the Faithful as right-wing, anti-people, etc. This biography makes it clear that unlike most leftists, Agyeya spent three years in prison for participating in the liberation movement. It remained associated with minor movements thereafter. He never took a pro-government or anti-popular position when he was editor of Dinaman and Nav Bharat Hours. On the contrary, he was a democrat and a critic of the government and supported Jayaprakash Narayan in his massive and decisive mass movement.

He shared long dialogues with Muktibodh and in Naya Prateek had even condemned the attack on Harishankar Parsai by Rashtriya Swayamsevak Sangh henchmen.

If one reads this biography with a broad perspective, one gets an intimate glimpse of Agyeya’s life struggle, his self-respect and dignity as an author, and his authentic, if somewhat obscure, existence.

The beginning and the end

Here are the opening lines of the famous award-winning novel by Geetanjali Shree Ret Samadhi (The sand tomb):

“A story is being told. It can be complete, but also incomplete, as all tales are. This particular tale has a border and women who come and go as they please. Once you have women and a border, a story can be written. Even single women are enough. The women are stories unto themselves, full of quivers and whispers that float on the wind, bend to every blade of grass. The setting sun gathers fragments of tales and shapes them into luminous lanterns hanging from the clouds. These too will join our story. The path of the story unfolds without knowing where it will end, weaving right and left, twisting and turning, allowing everything and nothing to join the narrative.

And the last lines:

“But there is no shortage of stories in life, and maybe one day I too will be in the middle of one. There is the moon in the sky which sheds supernatural light. What a beautiful night it is. The gentle breeze blows softly whistling. It is a night full of shadows and sparkling moonlight. The stories go by, where will they cast their net?

I stand outside the window, filled with longing. As if it were no longer a window, but a corner of a canvas that has yet to be filled with color, a place where a plethora of new stories and characters await the moment they will take shape.

Ashok Vajpeyi is a well-known Hindi poet-critic and art lover.

Originally published in Hindi, this article was translated by Nausheen.

RZA’s “Bobby Digital” Graphic Novel Soundtrack – VIBE.com


RZA has plans for his own upcoming graphic novel, Bobby Digital and the Snake Pitand recently released the soundtrack to his book.

The eight-song album includes two previously premiered tracks – “Under the Sun” and “We Push”, featuring Shot and Stone Mecca respectively – as well as six new songs. Friday (July 22), RZA presents: Bobby Digital and the Snake Pit was released via 36 Chambers ALC/MRNK and is a multi-genre body of work comprised of sounds from hip-hop, indie rock and soul music. The compilation encapsulates the tone and mood of Bobby Digital’s original script, written by Wu-Tang member Vasilis Lolos and Ryan O’Sullivan. Lolos is also the lead book artist behind the graphic novel cover and soundtrack.

According to the project’s official press release, Bobby Digital and the Snake Pit follows Bobby Digital as he “embraces his identity, his ego and his superego and embarks on a quest to understand the nature of his reality and of himself”. RZA will commemorate the release of the soundtrack and graphic novel with a special signing at Midtown Comics in New York on its release date.

Fans can listen to the soundtrack on digital streaming platforms while they wait RZA Presents: Bobby Digital and The Pit of Snakes‘ out August 13, 2022, via Z2 Comics. Watch the official soundtrack song visualizer, “Cowards”.

A young man from Preston attacks Samuel Horrocks with a meat cleaver, 1823

Early 19th Century Labor Peak: Historic England

One fine Sunday in 1823, Andrew Ryding, a young man from Preston, decided to attack one of the biggest mill owners in town, with a dull meat cleaver.


As Samuel Horrocks was walking home from church, he was accosted. Ryder knew that his trial, for attempted murder, would expose the fate of the factory workers in Preston, who were paid 20% less than workers in Manchester. So what were Ryder’s main grievances?

The Combination Acts and the first unions

Union poster of 1917, the year of the Russian Revolution Pic: Libertatum
Union poster of 1917, the year of the Russian Revolution Pic: Libertatum

The Combination Acts of 1799 and 1800 made any form of union membership illegal. In fact, three spinners from Preston were imprisoned for trying to organize resistance to Horrocks’ low wages.

By the 1830s labor unrest was increasing and the first fledgling unions were forming. However, collective action at this time usually involved riots, such as the Swing Riots of 1830. Ironically, the Swing Riots, named for their leader, Captain Swing, were about mechanization and poor working conditions in agriculture and not in industry.

During the 19e century, union membership grew as the Labor Representation Committee transformed into the Labor political party.

By 1874 there were around one million union members, and the London dockers’ strike of 1889 achieved its objectives. The dockers lived in poverty and the strike caused wages to rise from 5 pence to 6 pence an hour. Additionally, Preston had its own agitator in Edward Swinglehurst.

Edward Swinglehurst, Preston Labor Activist, 1792-1862

Servants in Victorian England Pic: Quora
Servants in Victorian England Pic: Quora

Swinglehust was born in Westmoreland and moved to Preston in 1840. He became president of the Preston Chartist Association in 1841. He worked as a loom weaver at Robert Gardner’s cotton mill in Marsh Lane.

Swinglehurst opposed the Masters and Servants Bill, which was unfair and favored employers. He made workers’ disobedience illegal in law. That is why, at a meeting, where he addressed a large number of factory workers, he encouraged them to resist. A prominent speaker from the National United Trades Association was also present. The speaker urged officers to consider joining this national union.

Swinglehurst later became a newsagent and bookseller with a shop in Bridge Lane.

Depressed wages in Preston

Horrockses factory model in the Harris Pic: Preston Digital Archive
Horrockses factory model in the Harris Pic: Preston Digital Archive

In a letter to Horrocks, Ryding wrote:

“You are the cause of falling wages in Preston. The spinners of Preston work more than 20% under Manchester…There are many cotton masters who deserve to lose their lives, but you are, they say, and I believe to be true, the worst of all, so your life must come first.”

The trial of Andrew Ryding

Lancaster Castle, once Lancashire's main prison Pic: NuttyJimmy
Lancaster Castle, once Lancashire’s main prison Pic: NuttyJimmy

At trial, Ryding said:

“I knew I should be tried for the crime where…I will expose the oppression and injustice of these masters…I pulled out the cleaver not to kill but to cut…it does not was not sharp”

Ryder’s parents thought he was unfit for work and “had some instability in his head”. Before the attack, he was very agitated and his parents thought that “he was going to destroy himself or one of us”.

The jury found him insane and he was sent to Lancaster Castle Jail, instead of being hanged. However, he died at a young age still in prison.

Read more: See the latest news and headlines from Preston

‘Worlds Enough’ designed to inspire and delight minds young and old | Local News

Mary Canrobert

I have perused “Worlds Enough: Poems for and about children (and a few adults)” several times and have yet to get my fill of the sometimes wild, sometimes subtle, always colorful poems and illustrations.

Years ago, when I was teaching poetry to middle school kids, I was having so much fun because the kids were having fun. They went wild with clever thoughts and rich illustrations as we tackled each type of poem or poetic device one by one. The results were working albums, each unique to the teenager who created it.

“Worlds Enough,” written by Scott Owens and illustrated by Missy Cleveland, is an adult version from my middle schoolers’ collections. The book of 57 poems and even more illustrations is fun, vibrant and unique in its explorations of some of the simplest subjects, such as hiccups, kites, earthworms, leaves, stars and flowers. shadows as well as heavy problems: time, choice of words. , friendship and breakup. “Worlds Enough” introduces children – and probably some adults – to poetry, to the enjoyment of reading, to the value and enjoyment of illustrations, and to making connections with the opinions of others.

People also read…

I spoke to Scott and Missy about their book, recently published by Catawba Valley Community College’s Redhawk Publications, and found out how “Worlds Enough” came to be.

You may know Scott. He and his wife Julie Owens own Taste Full Beans in downtown Hickory. Scott is also a professor of creative writing at Lenoir-Rhyne University and an award-winning poet, having completed 16 books of poetry before writing Worlds Enough, his first children’s book. “Most fun I’ve had writing a book,” he offered with a smile.

Scott said he had worked with a photographer before, but this was his first time teaming up with an illustrator.

Missy is a self-taught artist, a muralist who also creates small painted and multimedia works. She co-founded the famous artist shop Bottega on Union Square in Hickory and currently produces custom commissioned canvases for the public and for the Old Hickory Tannery, a Newton furniture company. “Worlds Enough” represents Missy’s inaugural venture as a book illustrator. She said she enjoyed the process and was looking forward to doing it again if the opportunity arose.

Scott said he had written many children’s poems over the years, but never pursued publication because he did not have an illustrator. Then one morning, walking through Taste Full Beans, a specialty gift shop as well as a cafe, “this painting of Missy was on the wall,” Scott explained, “and it resonated with a poem I had just started. A poem about plurality, about the fact that we are not always the same person and that our faces reveal who we are at any given moment.

Said Missy, “I painted this piece probably two years ago and in the same spirit.” The faces in the painting are upside down, sideways, multicolored and representative of various moods.

“I have five of [Missy’s] paintings in my house,” Scott continued. “I looked at them and realized how wonderful they would be in a children’s book of poems.”

Thus, the book ended up containing poems from Scott’s distant past, including one from high school; his nearer past, especially the subjects and verses inspired by his daughter Sawyer; and just a few weeks before publication, some of Missy’s paintings inspired him to write poems about them.

Likewise, Missy had existing paintings that fitted naturally with some of Scott’s poems, and she painted or used markers, pen and ink, pencil or oil pastels so that new accompany other poems. An example is “I Bet I Can Make You Cry”, a poem about the power of chopped onions. Because she likes to put humor and color in her work, Missy created a painting of a lovely onion woman and a dapper onion man.

Along with free verse and traditional poetry with rhythm and rhyme, “Worlds Enough” features haikus, riddles, lots of fun poems, and a few stories. “If kids can think poetry is fun, then they’ll keep going,” Scott said.

Missy said she considered the book a great graduation gift, “just like [Dr. Seuss’s] ‘Oh, the places you’ll go!’”

” There is so much [Scott’s] written in this book that resonates with all ages,” Missy said.

Speaking of his daughter Sawyer as the inspiration for many of his poems, Scott shared the story behind “The word for what only 4 year olds can see”. After Sawyer’s maternal grandmother died, Sawyer spoke to her, Scott explained. He said he asked her who she was talking to, and Sawyer replied, “Grandma.” Scott told her he couldn’t see Grandma and she told Scott he was too old. He asked her what else she could see that he couldn’t, and she listed a number of things, “giving them made-up names”, he said. Sawyer coined the term effluctress to name his special ability.

As Scott and Missy talked, it was clear that the creatives were backing up all of their designs, ideas, and materials. Scott said he tells his students not to throw anything away, that they never know when they’ll need it. Missy agreed. “I can’t throw anything away,” she said.

Regarding the title “Worlds Enough”, Scott said it came from “To His Coy Mistress” by 17th century poet Andrew Marvell, the first line of which is “Had we but enough world and time”. “We have enough people and enough time,” Scott said. “We just have to recognize the joy and the opportunities around us.”

Missy agreed and added, “I know what the art in books did for me when I was a kid. With a bit of luck [this book] might have a similar effect on other kids there the same way it had on me.

“We really want to get the book into the hands of kids and people who spend time with kids,” Missy continued. “We will donate at least 200 books to the community.” She thanked the United Arts Council of Catawba County for supporting the publication of the book with a grant, allowing free books to be distributed to various institutions and individuals.

One person who has already received a free book is a middle-aged woman who stopped by Taste Full Beans and while waiting for the restroom to be unoccupied picked up the book and started looking through it. The toilet cleared, but the woman continued to read. Twenty minutes later, she was minding her own business and leaving, the copy of “Worlds Enough” in her hands – a gift from Scott.

Finally, here is an excerpt from the poem “Of”: “Poetry is contrary to productivity. Poetry encourages idleness. Poetry stands at the window because it is curious about flowers, this flower with its face fringed with yellow around its single brown eye. … Poetry comes and goes in a field that goes nowhere. …Poetry thinks it’s okay to look at the same sky day after day, sometimes minutes at a time, sometimes with no other purpose than to remember the blue.

“Worlds Enough: Poems For and About Children (and Some Adults)” is available for $15 from Taste Full Beans, 29 Second St. NW, Hickory; www.redhawkpublications.com; and Amazon.

Bid to block book merger sparks competition fight


WASHINGTON (AP) — In an era of mega-mergers and flashy high-tech corporate connections, America’s largest book publisher’s plan to buy the fourth-largest for just $2.2 billion may seem like something bit strange. But the deal represents such a key test for the Biden administration’s antitrust policy that the Justice Department is calling a standout witness to The Stand: author extraordinaire Stephen King.

In Penguin Random House’s proposed acquisition of rival Simon & Schuster, which would reduce the “Big Five” of U.S. publishers to four, the administration is bolstering its antitrust mettle and its fight against corporate concentration.

The Department of Justice sued to block the merger. The trial begins Monday in federal court in Washington.

The government argues the merger would hurt authors and ultimately readers if German media titan Bertelsmann were allowed to buy Simon & Schuster from US media and entertainment company Paramount Global. He says the deal would thwart competition and give Penguin Random House gigantic influence over books published in the United States, likely reducing authors’ salaries and giving consumers fewer books to choose from.

An appearance at some point by King, whose work is published by Simon & Schuster, will be highly unusual for an antitrust lawsuit and will attract widespread attention.

Publishers are fighting the lawsuit. They counter that the merger would increase competition between publishers to find and sell the most popular books. This would benefit readers, booksellers and authors, they say.

A look at the case:


The two New York-based publishers each have impressive stables of best-selling authors who have sold millions of copies and landed multimillion-dollar deals. Within the Penguin Random House constellation are Barack and Michelle Obama, whose memoir package totaled approximately $65 million, Bill Clinton (he received $15 million for his memoir), Toni Morrison, John Grisham and Dan Brown.

Simon & Schuster has Hillary Clinton (she received $8 million for hers), Bob Woodward and Walter Isaacson.

And King. His post-apocalyptic novel “The Stand,” published in 1978, swirled around a deadly gun flu pandemic.

Bruce Springsteen shared the difference: his “Renegades: Born in the USA,” starring Barack Obama, was published by Penguin Random House; his memoirs, by Simon & Schuster.



The Justice Department argues in its lawsuit that, as things stand, No. 1 Penguin Random House and No. 4 Simon & Schuster (by total sales) are in fierce competition for the rights. publication of best-selling books. If allowed to merge, the merged company would control nearly 50% of the market for such books, according to the report, harming competition by reducing advances paid to authors and diminishing output, creativity and diversity.

The Big Five – the other three are Hachette, HarperCollins and Macmillan – dominate American publishing. They account for 90% of the market for best-selling books, according to the government’s court filing. “The proposed merger would further increase consolidation in this concentrated industry, make the biggest player even bigger, and likely increase coordination in an industry with a history of coordination among major publishers,” he says.

The Justice Department case goes beyond the traditional antitrust concern of concentration raising prices for consumers, highlighting the impact on consumer choices and viewing perpetrators as workers as well as sellers of products on the market. global marketplace of ideas. The idea is that fewer buyers (publishers) competing on the same talent pool reduces the bargaining power of sellers (authors).

The case “potentially sets a precedent that could be used in the labor field,” says Rebecca Allensworth, an antitrust expert who is a professor of law at Vanderbilt University.



The Biden administration is breaking new ground in corporate concentration and competition, and the government’s case against publisher mergers can be seen as a milestone.

President Joe Biden has made competition a mainstay of his economic policy, denouncing what he calls the excessive market power of a range of industries and stressing the importance of vigorous competition for the economy, workers, consumers and small businesses. He called on federal regulators, including the Justice Department and the Federal Trade Commission, to pay greater attention to large business consolidations.

Biden issued an executive order a year ago targeting what he called anticompetitive practices in technology, health care, agriculture and many other sectors of the economy, establishing 72 actions and recommendations for federal agencies. Targets range from hearing aid prices to airline baggage fees.

Another competition lawsuit starting Monday in federal court: The Justice Department is suing to block UnitedHealth Group, which runs the largest U.S. health insurer, from acquiring health technology company Change Healthcare. The government argues the $13 billion deal would harm competition and put too much information about health care claims in the hands of one company.



Wait, Penguin Random House and Simon & Schuster say as they prepare to go to trial: The merger would actually increase competition among publishers to find and sell the most popular books, by allowing the combined company to offer higher compensation for authors.

This would benefit readers, booksellers and authors, publishers say, by creating a more efficient business that would lower book prices. The government has shown no harm to consumers as readers because the merger would not raise prices, the companies say.

“The American publishing industry is robust and highly competitive,” they state in their filing. “More readers are reading books than ever before, and the number is growing every year. Publishers compete vigorously to reach these readers, and the only way to compete effectively is to find, acquire, and publish the books readers want. read most. … The merger at issue in this case will encourage even more competition and growth in the American publishing industry.”

The companies reject the government’s focus on the market for early bestselling books – defined as those acquired for advances to authors of at least $250,000. They represent only a tiny fraction, about 2%, of all books published by commercial companies, according to the companies’ filing.


Follow Marcy Gordon at https://www.twitter.com/mgordonap

Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

Development of a new robust method to improve the solubility of oxaprozin as a nonsteroidal anti-inflammatory drug based on machine learning

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  • – Queen Mary University of London


    Published on :

    Dr Bernardine Evaristo OBE is the author of ten internationally acclaimed books focusing on the African Diaspora. Besides its 2019 Booker Prize winner’Girl, Woman, Other‘, his writing spans a range of genres, including verse fiction, fiction, non-fiction, as well as theater and radio drama. She is also a well-known champion for inclusion in education and the arts.

    Queen Mary awarded Bernardine a Doctor of Letters (DLitt) not only to recognize the outstanding distinction of her literary works, which were taught at the university’s School of English and Drama for decades, but also for her. activism and advocacy. The 63-year-old has been a leading voice calling for social justice and affecting structural change in the world of creative arts and education, particularly with regard to diversity at all levels of society and the inclusion of writers of color.

    Dr. Evaristo has long supported and contributed to wasafiri, the contemporary international writing magazine based at Queen Mary’s School of English and Drama. In 2010, she co-edited a special black british problem‘Beyond Definition’, with poet Karen McCarthy Woolf.

    wasafiri Susheila Nasta, Founding Editor and Professor of Modern and Contemporary Literature at Queen Mary, said: “A fervent activist and advocate for the inclusion of artists and writers of color, Bernardine is an inspirational role model for our students, whose writing has long been engaged and moved. those of our school of English and drama.

    “Throughout her career, she has always been generous in mentoring and supporting writers and professionals at all stages of their work – but Bernardine’s major contribution has been her determined determination to continue to challenge inequalities and to achieve structural and positive change for writers and especially writers of color in the arts and publishing sectors.

    In addition to this new DLitt degree, Dr. Evaristo has received numerous honorary distinctions. The University’s patron, Queen Elizabeth II, awarded him an OBE in 2020 following his MBE in 2009. Last year, The bookstore named Dr. Evaristo their “Personality of the Year”. She was also voted one of the 100 Great Black Britons in 2020 and made the Black Powerlist 100 in 2021 and 2022.

    In 2019, Dr Evaristo became the first Woolwich winner of the Greenwich and Docklands International Festival. Other honors include fellowships at the Royal Society of Arts, American Academy of Arts & Sciences, English Association and St Anne’s College, Oxford. In 2021 she was appointed President of the Rose Bruford College of Theater & Performance, and in 2022 she became President of the Royal Society of Literature – the first black woman to hold this position.

    Books include ‘Feminism’ (2021), an investigation into the representation of women of color in British art; ‘Manifesto’ (2021), a memoir; “Mr Loverman” (2014), a novel about a gay man from Antigua-London; ‘Hello Mum’ (2010), a short story in the voice of a teenager; “Lara” (2009), a verse novel based on her family history covering England, Nigeria, Ireland, Germany and Brazil; ‘Blonde Roots’ (2008), a prose novel in which Africans enslave Europeans; “Soul Tourists” (2005), a verse novel on contemporary and historical Europe; and “The Emperor’s Babe” (2001), a verse novel set in Roman London. These have been translated into over 40 languages, including Czech, Finnish, Hungarian, Italian and Mandarin.

    So, Prince Harry’s memoir is complete – but what will likely be in it? | Prince Harry

    The manuscript is, it seems, written; the ink is now dry. The publication is said to be on track to capitalize on the lucrative Christmas market.

    Few, if any, crumbs of the contents of the Duke of Sussex’s highly anticipated memoir have so far emerged. “It’s juicy, for sure,” a source told US website Page Six, while another added, “There’s some content in there that should make his family nervous.”

    From the prince, the palace, publishers Penguin Random House and Pulitzer Prize-winning ghost writer JR Moehringer, there was silence.

    Still, royal watchers expect it to be a serious book, and one that’s hard to dismiss.

    Novelist and journalist Moehringer, who wrote the autobiography of former world No. 1 tennis player Andre Agassi, “is a powerful and psychologically exploratory writer, so we can expect a powerful and psychologically exploratory book,” said said historian and royal biographer Robert Lacey.

    Agassi’s book “is a deep, earnest, forensic teardown of his parenthood, which goes beyond normal ghost-written books,” Lacey added. “It makes me think it’s pointless even to speculate what skeletons he’s going to find because he’s a skeleton digger.” He will do the trick”.

    An editorial source told The Sun: “The manuscript is complete and has gone through all legal procedures. It’s done and out of Harry’s hands. The release date has been pushed back once, but it’s on track for the end of the year.

    Harry said only, when announcing his literary memoir last year, that it will be “the ups and downs, the mistakes, the lessons learned…a first-hand account of my life that is accurate and entirely truthful.” “.

    But hints of what might emerge can be found in the Oprah Winfrey and other interviews he has given. He told Dax Shepard on the Armchair Expert podcast, for example, of the “genetic pain” of being raised in the House of Windsor, and that Prince Charles treated him “as he was treated”. Lacey wonders if Moehringer’s pen can be detected in those words.

    “One would expect a book that sets new standards in royal analysis. I hope [Moehringer ] will also analyze the institution. On Agassi, he not only demolished Agassi’s parenthood and upbringing, but he took a heavy hit in the world of professional tennis. Therefore, one would expect the same kind of double attack in what he writes about Harry and the monarchy,” Lacey said.

    “He doesn’t write books that can be easily dismissed as scandal-seeking. They have substance.”

    Moehringer’s intense talks with Harry will likely have been mostly conducted ahead of the Sussexes’ public reconciliation with the Royal Family on the occasion of the Platinum Jubilee, “roughly at the height of the rage, the chapters having been locked some time ago. time,” Lacey said.

    “So Harry himself may regret what he finds he said – given that the Sussexes seem to have given up on their hostility to the family.”

    No member of the royal family would have seen the manuscript. But it’s safe to assume that anything considered defamatory – particularly in light of the couple’s accusations of racism – would receive strict legal treatment before publication.

    Royal watchers expect him to cover controversial areas of his parenthood, his mother’s death, his seemingly less than easy relationship with the Duchess of Cornwall and Harry and Meghan’s emotionally charged exit as members of the royal family with all the tensions with the palace guard at the time. The couple’s version of the bullying allegations against Meghan could also come up.

    “But we can also expect absolute respect and deference to the Queen. It will demonstrate her loyalty to her grandmother and the monarchy, and that will be her line of defense I imagine, and then everyone on the battlefield is a legitimate target,” Lacey said.

    He hopes it will shed some light on the Queen’s role as adoptive mother to William and Harry after Diana’s death. “I would also be fascinated by what Harry thinks he got from his uncle and aunts – [Diana’s siblings ]— in this difficult time,” Lacey said.

    If slated for release in the fall, Harry would come face-to-face with Michelle Obama’s new autobiography.

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    Harry said he wrote the book: “not as the prince I was born but as the man I became”.

    Buckingham Palace is unlikely to comment in detail on the allegations it contains unless absolutely necessary. An indication of how he may be dealing with the fallout can be found in the Queen’s famous statement after the couple’s Oprah interview, in which she said “memories may vary”.

    Best-selling authors explain how they organize their shelves and what’s on them


    Shelfies by Elin Hilderbrand, Diana Gabaldon, Garrett Graff, Vanessa Riley, Emma Straub, Hernan Diaz, Jennifer Weiner, Chris Bohjalian and Christopher Buckley


    My shelves are messy. It’s not just that I have too many books and too little space. I’m also just plain disorganized. It has not always been so. The bookshelves I assembled years ago, as pre-children, remain mostly intact: a library full of poetry, arranged alphabetically by author, and several libraries filled with fiction, also by author’s last name. These shelves are now mainly used for decoration or reference or even as a lending library for guests. But there’s more, much more: the pile tumbling on my desk – supporting the computer I’m typing on – and the volumes stuffed frantically into my bedroom bookcase and stacked in towers on and around my bedside table. These are the books that are part of my daily life — for work, for pleasure, sometimes both. There’s no rhyme or reason to the way I organize them, but as I read in one of the books I consulted (then threw away) to help me solve my little problem “If it’s where you wanted it to be, then it’s organized.” I adopt this as the organizing principle of my book. Don’t tell my children.

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    I asked nine writers to share a photo of a favorite bookshelf (or what social media might refer to like a “shelf”), explain the principle of organization (if there is one) and tell me a bit about what is on this shelf. Here is what they said.

    Hilderbrand is the author of 28 novels, including “The Island”, “Summer of ’69” and most recently “The Hotel Nantucket”.

    This shelf is unique – my other shelves are organized according to when in my life I read the books. So, for example, there’s a shelf of novels I read in 1992-93, when I was living in New York City, commuting between Manhattan and my teaching job at IS 227 in Queens. There’s another shelf I read when I was breastfeeding my first child, Maxx. There’s a shelf I read when I was going through a divorce, when I was being treated for cancer, etc. But if a book was lucky, it was moved to that shelf! It’s my “favorite book” shelf and my #1 favorite book of all time is “Franny and Zooey” by JD Salinger. I received a first edition for my 50th birthday from my kids – which really means we can credit my ex-husband, who somehow found one. (He was looking for a signed first edition, but that apparently added a cipher.) Never mind – it’s the best gift I’ve ever received.

    Elin Hilderbrand reinvented beach reading — and created a community in the process

    Gabaldon is the author of the Outlander series. The final episode is “Go Tell the Bees I’m Gone”.

    This is part of my working reference collection, which includes some 80 herbal guides (some weirder than others); a dozen slang dictionaries; a “Claire” shelf, which contains medical references (like the Merck manual which represents the temporal limit of his medical knowledge in the Outlander series) and biographies written by and about doctors; historical medical stuff; Scottish stuff (history, language, customs, geography, Scottish romances and poetry, etc.); various Big Books, ranging from a two-volume collection of Carl Barks’ stories of Donald Duck and Scrooge McDuck to books on historical costumes, maps, and things like hurricane history. In addition, I have biographies of people I think I should know, medical histories, a small collection of pornography, and a shelf of family writings (my grandfather occasionally wrote fantastic short stories), the only book published by my mother (professional – as in the teaching profession) and my great-grandmother’s Bible. There are about 2000 books here in my office. There are another 1,500 downstairs. Then there’s a “real” library (as in, it’s a room lined entirely with shelves and has no other function) in my old family home. Charming and peaceful room. Whenever I’m there, I always take the time to sit down and read quietly for about an hour.

    Review: ‘Go Tell The Bees I’m Gone’ by Diana Gabaldon

    Graff is the author of, among other things, “The Threat Matrix: Inside Robert S. Mueller III’s FBI” and “Watergate: A New History”.

    I often feel like “managing books” is my main job: buying them, reading them, shuffling them on the shelves. When my wife and I moved from DC seven years ago, we had about 5,000 pounds of books and I’m still piling on at the rate of about 200 a year. Despite this, I can tell you where every book actually is in my library. I usually group them by subject first, then loosely try to organize them by color and/or subject so the shelves don’t look too chaotic. I have my Cold War bookshelves; my 9/11 shelves; my chair shelves; and, of course, a handful of fiction shelves. I sprinkle a lot of historical artifacts and images, too, that I have accumulated. My shelf on the Richard M. Nixon tapes actually has as a bookend a boxed hazmat suit that once sat in George W. Bush’s presidential limo.

    Review: “Watergate: A New Story”

    Vanessa Riley writes historical fiction, historical mystery, and historical romance novels. Her most recent books include ‘Island Queen’ and ‘Sister Mother Warrior’.

    My The principle of Shelfie is to have things at hand that make me smile or make me think. This shelf is near my desk and is often visible in my Zoom calls. At the top are my Barbies: Maya Angelou, Rosa Parks, The African Goddess (designed by Bob Mackie), Ida B. Wells and Katherine Johnson. Then come the books. My favorite authors and titles, things that move me, things I learned from, things that changed me. My reading habits are diverse. I need “Something Like Love” by Beverly Jenkins close to “The Mirror & the Light” by Hilary Mantel. Nothing like having the exploits of the court of Henry VIII alongside the political struggles of Olivia Sterling. The latest from Jayne Allen, Kristan Higgins and Nancy Johnson keeps me attached to the present, while Kate Quinn, Maya Angelou, Sadeqa Johnson and Denny S. Bryce bring the past to life in new and rich ways. And, of course, my professional achievements – my titles and awards – round out my shelves. Probably on the floor near this library is my latest manuscript, again reflecting my theme of past and present.

    How ‘Bridgerton’ flipped the script on ‘The Duke and I’

    Straub’s most recent book is “This Time Tomorrow”. She also owns the Books Are Magic bookstore in Brooklyn.

    I would describe our shelves as random alphabetically, with rocks and children’s art and mysterious little objects scattered throughout. Pictured: Pretty extensive sections of Dan Chaon, Michael Chabon and Lauren Groff, a paper cut portrait of me and my husband in front of Books Are Magic, made by amazing artist Lorraine Nam, and donated to us by Mabel Hsu, a children’s animator and book editor who worked part-time at the bookstore, several totems made of sticks and string, a rock that lived in my older brother’s room when we were kids, a painted pine cone , galleys, loved books, never read books. In short, a slice of life.

    Review: “This Time Tomorrow”

    Diaz is the author of the novels “In the Distance” and more recently “Trust”.

    This is a more or less random section of my library, mostly representing fiction. If the taxonomy of genres here is rather vague, so is my attempt at literacy. Different languages ​​coexist rather promiscuously. Even if it’s all a bit chaotic, at least the photo shows that I’m definitely not a spine breaker. The notebooks above the books (spiral, red, yellow) are manuscripts at various stages of the competition. Dickens and Tintin stand guard.

    Review: “Trust”, by Hernan Diaz

    Weiner is a novelist whose books include “The Summer Place,” “Mrs. Everything,” and “Well in Bed.”

    My house has a gigantic closet that was clearly meant for a woman with a huge wardrobe. I don’t have a lot of clothes, but I do have a lot of books, so the closet is now a closet/library, containing overflow from the living room, study, and bedroom shelves. I organize my books by color – sorry not sorry – but books, in addition to being magical portals offering escape and transformation, are also physical objects that you live with, and there is nothing wrong with them. dispose of in a way that you find aesthetically pleasing. Here I keep favorites that have traveled with me since college, books from friends, TBR books, books I read as research for my own novels, and books with special meaning – the copy of “Almost paradise” by Susan Isaacs was a gift from my mother, who had it signed by the author for my 40th birthday.

    Review: “This Summer”, by Jennifer Weiner

    Bohjalian is the author of many books, including “The Lioness”, “Hour of the Witch”, and “The Flight Attendant”.

    My fiction is listed alphabetically by author, and my non-fiction, which leans heavily toward history, moves chronologically. So the Vikings precede the Puritans, which predate John Pershing’s WWI Doughboys. But my collection of F. Scott Fitzgerald is vast (not precious, but ample), and so I interrupt the literacy of my fiction to give his work and the work on him two shelves of their own. I usually offer a book for my own entertainment when I walk into my library every morning, and currently it’s my Armenian translation of “The Great Gatsby,” which I cherish because I’m Armenian.

    Review: “The Hour of the Witch”, by Chris Bohjalian

    Buckley’s books include “Thanks for smoking”, “Losing Mom and Puppy”, and “Make Russia Great Again”. Her next novel, “Has Anyone Seen My Toes?” will be published in September.

    All the books in this section were originally arranged not just haphazardly but chaotically, which made searches endless and time-consuming. Then one day my agent called to report that my current book was broken. I was so depressed that I spent the next three days alphabetizing them. I don’t know why, but for some reason this helped.

    The Bookseller – News – The long list unveiled for the first Folio Book Illustration Award


    The Folio Society has unveiled a long list of 20 illustrations from Edgar Allan Poe’s short story “The Masque of the Red Death” for its inaugural Folio Book Illustration Award.

    Launched in May to mark the company’s 75th anniversary, the competition aims to showcase illustrative talent from around the world created in response to a work of narrative fiction.

    Over 600 illustrators from 56 countries, representing a wide range of backgrounds and professional experiences, with 20 “outstanding” entries ultimately shortlisted. The shortlist and winner will be announced on September 8, 2022.

    The shortlisted artists are Evangeline Gallagher, Yiran Jia, Danlin-Zhang, Zhiyu You, Camille Whitcher, Sarah Coomer, Harry Campbell, Thanh-Vu Nguyen, Chiara-di Biagio, May Wang, Ale Mercado, Alison Bryant, Raquel Aparicio, Martin Laya , Loredana Fulgori, Shuxian Lee, Yi Tsin, Jessica Cho, Hazel Mason and Merran Coleman.

    The competition asked artists who had not yet been commissioned by the Folio Society to illustrate a single scene of their choice from Poe’s 1842 tale.

    The long list features what the judges described as “inventive and original responses” from illustrators based in the UK, Ireland, Italy, Spain, the US, China and Vietnam, drawing inspiration text, folklore and their own imagination.

    They say many of the entrances make vivid use of color, drawing inspiration from the abbey’s colorful stained-glass window pattern, including its eerie “blood-stained panes”, as well as the central clock symbol.

    Each, they say, “presents a unique interpretation of space and perspective,” from Nguyen’s bird’s-eye view of the abbey to Yi Tsin’s grand interiors. The “Red Death” is also rendered in “radically different ways”, from Jia’s richly ornamented figure to di Biagio’s pair of eyes emerging from the darkness, as well as in abstract form.

    The long list was selected by a jury including award-winning illustrator Yuko Shimizu and members of The Folio Society team: Tom Walker, Publishing Director; Sheri Gee, artistic director; and Raquel Leis Allion, Artistic Director.

    The winner will receive a cash prize of £2,000 plus a £500 Folio gift voucher, while five other shortlisted artists will each receive a £500 voucher, plus an individual portfolio review with the Folio Society Art Directors .

    New Book Says Brutal Attack in New Zealand Land Wars Never Happened

    A controversial publishing house accused of promoting anti-Maori views has published a new book, which insists one of the most brutal Crown attacks during New Zealand’s land wars never happened .

    Piers Seed’s Hoani’s last fight, the latest work in the Tross Publishing collection, claims to tell the true story of the 1864 invasion of Rangiaowhia, denying that Maori were burned to death there in a whare karakia or church.

    “[The book] really hurts me because innocent people suffered,” said Hazel Wander, the great-granddaughter of Wikitoria Te Mamae Pahi, who fled the invasion.

    “The whare karakia (place of worship) was reduced to ashes and inside this whare karakia were the tūpuna (ancestors).”

    The invasion of Rangiaowhia would have involved more than 1000 soldiers.

    It was a prosperous village, known for its extensive food production and home to non-combatants who, according to historian Vincent O’Malley, were mainly women, children and the elderly.

    He said he was likely aiming to cut off the food supply to the Kiingitanga, who were seen as “rebels”, and claim his productive land.

    “A group of people inside a whare opened fire on Crown forces as they approached them, and eventually these troops set fire to the whare and those within inside are burned to death,” he said.

    “There are several eyewitness accounts that indicate this happened, that the fire was deliberately started…and that the settlement was mainly occupied by women, children and elderly men as well.”

    After Wander’s great-grandmother Wikitoria fled the invasion, she told her elders what she had seen and was later given the name Te Mamae, which means “the pain”.

    She said that Wikitoria passed on stories about what she saw so that no one would forget them.

    “One of the little four-year-old boys, she remembers the old people telling her to run, because her clothes were on fire.

    ” What did they do ? They shot him. A four year old boy.

    But some of the atrocities she describes are dismissed in Hoani’s Last Stand.

    Seed denies that Maori were burned alive in a church or that the village was attacked.

    The author claims that the Crown’s objective was to secure it peacefully, but the situation escalated when troops were fired upon.

    He acknowledges that a number of houses were burnt down, but suggests this was not intended to kill Maori, only to drive them away.

    “It’s exactly the same as starving someone, only two weeks faster,” he wrote.

    Tross Publishing told 1News in a statement that it supports the publication.

    “Tross Publishing rejects each of these claims because the book is based on all known written evidence of the time – both Native and European – which is given in full at the end, and not on oral accounts which may be unreliable – especially after several generations,” he said.

    “With its precision, its many details and its many references, it is a book that we are proud to have published.”

    But Tom Roa, a descendant of Thomas Power and his wife Kahutoi, who lived in Rangiaowhia, dismissed this.

    “If I was to secure Rangiaowhia and not attack Rangiaowhia, then why bring some 1,200 members of the most powerful army in the world at that time to a village of old men, women, children and disabled people? It is incomprehensible “, he said.

    “They were coming here to take the land, to take the livelihood of these people who were thriving. And part of the sadness of that was that it was the Maori and the Pākehā who were thriving together.”

    Crown eyewitness account described a house deliberately lit by troops and seeing seven charred bodies visible from the rubble.

    Descendants of the people who lived there believe that although it did not look like a traditional place of worship, it was the burning church that many refer to.

    “Our oral histories say whare was designated whare karakia because there was a cross above it,” said Tom Roa.

    It’s unknown if stores and libraries will stock this book, but previous books published by Tross are sold in stores across the country, are available at public libraries, and have even been shown to high schools.

    Roa said he hopes people read them with caution.

    “I want to encourage people to look at this evidence, to verify the authenticity of this evidence.”

    READ MORE: Firm accused of publishing anti-Maori books promoting books in schools

    Wander said she believes the latest edition to Tross Publishing’s collection doesn’t belong on any shelf.

    READ MORE: Educators say publishers’ books are anti-Maori, hateful and fake

    “It’s lying to my grandmother, it’s lying to my mother…what I wish would happen to this book is to be taken off the shelves,” he said. she declared.

    A strange state law allows Virginians to sue books. Politicians use it to dictate what we can read.


    Book bans seek to enlist the power of the state to dictate what each of us and our families can or cannot read – and are therefore in stark contradiction to the First Amendment and our pluralist democracy.

    This is the message delivered by FIRE and the Woodhull Freedom Foundation in a amici curiae Short filed today in a Virginia state court hearing whether two award-winning books, Maia Kobabe”Gender Queer and Sarah J. Maas”A court of mist and furyare legally obscene.

    Book bans are contrary to the First Amendment and the pluralistic values ​​it protects.

    In May, two Virginia politicians filed a motion against the books in Virginia Beach Circuit Court, soliciting statements of obscenity that under state law would prohibit bookstores from selling either of these works. Their request invoked a rarely used state law that allows Virginians to pursue books and to compel their publishers and authors to defend them in court. After a retired state judge finds ‘probable cause’ that the works are ‘obscene for unrestricted viewing by minors’, the petitioners sought temporary restraining orders to prohibit the commercial distribution of the book.

    In today’s brief, FIRE and the Woodhull Freedom Foundation assert that neither book comes close to constituting obscenity as defined for minors under long-running state and federal precedent. date. The books “will not appeal or have value for all public,” we acknowledge, but the First Amendment only requires that books have “value for a public” – and both clearly do.

    Additionally, FIRE and Woodhull argue that book bans are contrary to the First Amendment and the pluralistic values ​​it protects:

    Some readers will choose not to purchase or read the books at issue in this case. Some retailers and librarians will refuse to put them on the shelves. Our Constitution reserves these choices for individuals and prohibits them for the state. In our pluralistic democracy, the First Amendment prescribes a remedy for audiences offended by protected speech: Those who seek to avoid “sensitivity bombardment” can do so “simply by averting their eyes.” Cohen v. California, 403 US 15, 21 (1971). Declaring books obscene because they include discussions or depictions of sex would revive a discredited era of censorship repudiated by decades of Supreme Court precedent.

    Linking the “current national push to ban books dealing with sexuality, identity and other controversial topics” to the “growing comfort with censorship that friend FIRE has fought for over twenty years on campuses across the country,” our brief argues for freedom of thought.

    To keep politicians from deciding for the rest of us what our families can read, we’re asking the court to remember what we’ve told college administrators for years: Subjective offense doesn’t justify censorship. .

    Read our file.

    ‘RUSSH’ editors weigh in on this year’s top three books


    Sometimes all you need from a book recommendation is a trusted word from a good friend who knows what you like. We would like to be the next best thing. While we may not be IRL friends, we’re internet friends at this point, and there’s nothing RUSSH Publishers love more than talking about books. Boiling things down in a top three is a daunting task for those who flip through the books faster than the new iPhone battery drains, but alas, we’re sharing our own here. From coming-of-age winners to philosophical musings on the very fabric of monogamy, these are the three best books each of RUSSH Publishers read this year.

    Ella O’Keeffe
    Fashion & Brand Features Editor

    QueenCandice Carty-Williams

    When Queenie, a 25-year-old British-Jamaican woman, finds herself on a “breakup” with her longtime boyfriend, she is faced with many questions that she must answer to move forward. As she navigates her post-breakup grief, she finds comfort in the arms of men who aren’t necessarily good for her, struggles with her purpose in a predominantly white workplace, and accepts questions about life. self-esteem, belonging and friendship. . Queenie shrewdly and humorously delves into the life of Messines in their mid-twenties, while articulating issues of race and colorism that are key for all readers. I read this book over the summer and it made me feel so attached and grateful for this period of life in all its complexity and mess, alongside the teaching moments for white people that Carty -Williams offers so generously in his prose.

    Sex at dawnChristopher Ryan and Cacilda Jetha

    An investigation into the origins of monogamy and sexuality dating back to the time of Darwin. I read Sex at Dawn while working on an article for our 100th issue on the rise of consensual non-monogamy, and found this book essential to understanding the concept of monogamy and why we are so attached to it.

    The wide, Caleb Azuma Nelson

    A beautiful, poignant and cerebral love story that follows the entanglement of two black British artists – he a photographer and she a dancer – as they reflect on their integration into a city that is both diverse and exclusive. With words so lyrical and flowing you feel like you can swim in them, Open Water was one of those novels that makes you want to write and appreciate those who donate their words to the world.

    Megane Nolan
    Head of Digital Operations

    Love & VirtueDiana Reid

    If you’re a Sally Rooney fan, this one’s for you. It follows the story of two young women who become friends at the residential college of a prestigious Australian university. Intellectually refreshing and complex, this isn’t your typical coming-of-age.
    Rooted in feminism, sexuality, and social discovery, this is a novel I plan to read at least once a year.

    Trick Mirror: Thoughts on Self-DelusionJia Tolentino

    I’m very late to this party, but I’m about halfway through Tolentino’s nine-essay series, and I’ve already mentioned this book to nearly every one of my friends.

    By discussing her own experiences and revelations on topics such as the internet’s social revolution and the female experience with society’s expectations of beauty, Tolentino offers a unique and thought-provoking perspective on the topics that plague women in the world. the modern world.

    Where the Crawdads singDelia Owens

    Even though I haven’t seen the movie yet, I can say that I loved this book. Following the story of Kya, a wild, barefoot “Marsh Girl,” it’s part murder mystery and part coming-of-age, while also providing an exquisite ode to the natural world.

    Thought-provoking, wise and deeply moving, Owens’ novel reminds us that we are forever shaped by the child within us.

    Sonia Blair
    Content producer

    SunbathBeech Isobel

    If you’re a loyal RUSSH reader, you’ll know that I, along with our digital writer Jasmine, talk a lot about this book. Sunbathing has marked me since I read it a few months ago. Set in Italy with the underlying theme of grief permeating the text, it takes the reader on an undulating journey about dealing with loss and the power of friendship to guide us through life’s ups and downs. It’s a debut novel that left me hungry for more that Isobel Beech might publish in the future.

    The cost of laborNatalie Kon-yu

    The idea of ​​giving birth to a child is something I still don’t fully agree with. Take care of the child himself? A little manageable. The idea of ​​wearing them for nine months in my body? In short, it terrifies me. In The Cost of Labor, Natalie Kon-yu unpacks the literal stress on a woman’s body throughout pregnancy, how the healthcare system in Australia can often undermine women’s agency over their own bodies during this time. and how the disproportionate share of childcare expected of a woman is often overlooked as normal and expected. Necessary reading for everyone, whether you are planning to be pregnant at some point in their life or not.

    Notes on loveAnnie Lord

    I like to read about love in all its forms. Happy stories are great, but raw, unfiltered, bare-bones accounts of real-life relationships are what I deeply resent. Annie Lord has that same talent, it seems all contemporary British female writers have to be incredibly candid and direct, with Notes on Heartbreak a vivid picture of a relationship ending unexpectedly, but gradually realizing that it was can – be for the best. Towards the second half of the book, there’s a page where Lord gets lyrical about what love really is, saying it’s “doing things even if they don’t notice” and “doing a fucking thing.” ‘huge business about their birthdays’ among other tasks. It’s a manifesto that I try to live up to in my own relationships, and that I’ve never read so succinctly.

    Jasmine Pirovic

    digital writer

    SunbathBeech Isobel

    Rationally, I know most of us won’t be going to Europe this year. We just went through a pandemic for Pete’s sake. But still, I have a huge fomo, so I turned to Isobel Beech’s debut novel for an escape. What I found in the pages is much more nourishing. It’s deeply contemplative, about death yes – the narrator recently lost her father to suicide – but also about social networks, influencers and feminism. It’s soft, introspective and sparse, reminding me of One Month in Siena by Hisham Matar.

    the other half of youMichael Mohammed Ahmad

    Mohammed is one of the most original voices in Australian literature today, and through the Sweatshop Literacy Movement, he nurtures new talent with equally unique perspectives. The Other Half of You is the third and final installment in his semi-autobiographical series, centered on Bani Adam. Torn between family and cultural expectations and his own desires, Bani must forge a new path, even if it means isolating his loved ones.

    people personCandice Carty-Williams

    After driving through Queenie while on vacation in Bali in 2019, I pre-ordered my copy of Candice Carty-Williams’ second novel as soon as I could after it was announced. People Person opens with the devious Cyril Pennington driving his golden Jeep through the streets of Brixton to pick up his five children – Dimple, Nikisha, Danny, Lizzie and Prynce – born to four different women. Carty-Williams sets the stage for Dimple’s story to shine through. She’s 30, has a violent ex, an influencing career in between, and like all her siblings, is riddled with abandonment issues from her absent father. If you liked Zadie Smith’s Swing Time, then this is the one for you.

    Stay inspired, follow us.

    Read the flagship series of Tapas THE BEGINNING AFTER THE END



    Looking for an epic tale filled with action, fantasy and adorable babies with powers? The beginning after the end got you covered. The Tapas The web series started as a novel and is now available as a comic on the digital platform.

    The beginning after the end

    Created and written by TurtleMethe the art of storytelling comes from Duta Permana (Fuyuki23). The editorial team includes Gabby Luu, Tessa Yadawapturi and Rakaputra Paputungan.

    Read the synopsis here:

    King Gray has unparalleled strength, wealth, and prestige in a world ruled by martial ability. However, loneliness lingers closely behind those with great power. Beneath the glamorous exterior of a mighty king lurks the shell of man, devoid of purpose and will.

    Reincarnated in a new world filled with magic and monsters, the king has a second chance to live his life again. Correcting the mistakes of his past will not be his only challenge, however. Beneath the peace and prosperity of the new world, there is an undercurrent that threatens to destroy everything he has worked for, questioning his role and reason for being born again.

    The story is thrilling from the jump and hearing the king’s inner monologue as he is reborn into a cute little baby discovering his new life is adorable. As the story progresses, you are introduced to a fascinating world of magic, beasts, and more, learning and growing like the king does as he navigates his new life.

    The beginning after the end youupdates every friday Tapas. Look for a graphic novel version of Yen Press in August.

    The beginning after the end


    Antioch village officials reject calls to ban books on gender confusion; “It is important to wear titles that broaden our vision of the world”


    The Antioch Village Council will not try to ban the sale at a downtown bookstore of a graphic novel about gender confusion, according to a statement by Mayor Scott Gartner read at a meeting earlier this this month.

    Little Bean Books opened in June in the historic downtown village, and one of the books it sells is a controversial coming-of-age autobiography, “Gender Queer: A Memoir.”

    The controversy over parts of the novel, which sparked debate within the Antioch High School District 117 community earlier this year, has reignited again in recent weeks. The novel was criticized nationwide for depictions that some critics deemed inappropriate for young adults.

    Antioch District 117 officials temporarily removed the novel from library shelves through a compromise, before reinstating it. Council members formally concluded that these content discussions should be led by parents and children, rather than decided by government entities.

    Gartner said, “This is a private store and their inventory is constitutionally legal. We will not be bound by comments on social media platforms and book bans.

    “The village has many projects that we are focusing on,” he added. “We have to represent everyone in the village.”

    Feedback from residents at the village council meeting was overwhelmingly supportive of the bookstore.

    “That shouldn’t even be up for debate,” said Nik Pierce. “It’s a public bookstore, and people should be allowed to choose any book without having to ask for it, or be forced to buy it online. We cannot censor life.

    Lia Neveu added: “This store has every right to free speech.”

    Sue Dickson said: “I like to think we’re a welcoming community. Our children deserve to be represented. We should support our children whether they are straight, gay or trans. We have to stop this. When our local businesses are attacked, that’s when I expect (the village) to stop it. »

    However, referring to the content of the novel, Michael Mara referred to a village ordinance enacted in the late 1950s.

    “I have no interest in banning the books,” he said. “I ask to enforce your own order… regarding illegal documents or (such) printed in view, in a place frequented by minors. Please respect your own prescription.

    “If you want to change it, then change it,” he said.

    The bookstore, at 875 Main Street, is an annex of the Little Bean Coffee Company, at 395 Main Street. Both companies are owned by Angela Burns and follow the same “non-discrimination” policy.

    “I am very grateful for the support from the community and the mayor,” Burns said. “As a bookseller, it is important to offer titles that broaden our vision of the world, carrying various authors, various voices.

    “Little Bean Coffee Company has been a safe space for everyone for four years,” she said. “Little Bean Books is committed to the same promise. Representation matters.

    The best black university on Goodreads according to users

    Dark academia is a very hot genre and has been for the past few years. In 2022, the popularity of dark academia shows no signs of waning. So if you’re curious about which books in this hugely popular genre are getting the most buzz, then read on! We’re going to take a look at which are the best dark academic books, according to Goodreads stats.

    If you’re wondering how the hell you define dark academia, this article is a pretty good explainer of that subgenre. But the basic idea is this. Dark college novels are set in a nondescript school and involve a plot that has dark themes. Sometimes dark academia crosses paths with the thriller genre. Sometimes it’s fantasy, but it doesn’t have to be those things. If that sounds broad, it sort of is. Sometimes dark academia is just a vibe.

    Dark Academia: Goodreads’ top picks

    Black academia is, unsurprisingly, a very popular genre on Goodreads, with Goodreads readers categorizing many books as “black academia” and rating them highly.

    For the purpose of compiling this list, I looked at which books on Goodreads were most often rated as dark academics, which books had the most ratings, and which books had the highest ratings. I had to remove a few books from these results, because some people categorize books as “dark academic” when they don’t even take place in a school (like – yes, “moods” are important, but also the school setting is pretty essential, folks). And from there, I found the top 10 most popular dark academic books on Goodreads.

    So here they are, friends. In no particular order, here are the best dark academic books, according to Goodreads. If you don’t see your favorite black college book on this list, blame the folks at Goodreads. Not me! But if you’re looking for some great dark universities to read, this is a good place to start.

    Ace of Spades by Faridah Àbíké-Íyímídé

    This dark YA college thriller explores what happens when Devon Richards and Chiamaka Adebayo, the only two black students at Niveus Private Academy, face threats from an anonymous bully named Aces. Can Devon and Chiamaka stop Aces before things get deadly? This novel is described as Gossip Girl meets get out and apparently it’s a winning combo for Goodreads fans, because Ace of Spades has generally high odds.

    the secret history donna tartt book cover

    The Secret History of Donna Tartt

    This 1992 novel is one of the most iconic examples of black academia. Let’s be realistic. Many dark academia fans are really looking for the next one Secret History. This book tells the story of a close-knit group of six Hampden College students who are deeply influenced by their charismatic classics teacher. But when their bond with each other turns from obsession to corruption and betrayal, things go too far. Someone eventually dies, and that’s just the beginning.

    the cover of the updated version of The Atlas Six

    Olivie Blake’s Atlas Six

    At Olivie Blake’s The Atlas Six was initially self-published in early 2020. Then it became a TikTok sensation and was picked up by Tor for mainstream publication earlier this year. This first book in the fantasy series follows six talented young magicians as they compete for a place in the secretive Alexandrian Society, a secret society of magical academicians, the world’s finest. Those who earn a place in their ranks are promised a life of wealth, power and prestige. Five of the six will be initiated. One will be eliminated.

    Cover of Never Let Me Go by Kazuo Ishiguro

    Never Let Me Go by Kazuo Ishiguro

    This 2005 novel was ranked #4 on The Guardian’s 100 Best Books of the 21st Century. In this harrowing and somewhat sci-fi story, we follow the lives of three students at Hailsham, a boarding school in the English countryside. Kathy, Ruth and Tommy have been told by the teachers at Hailsham that they are special and brought up for a special purpose. Cut off from the rest of society, the students know very little of the world outside of Hailsham. And when they start to uncover more, the truth is unsettling.

    cover of Catherine House by Elisabeth Thomas

    Catherine’s House by Elisabeth Thomas

    Catherine House is one of the most controversial titles on this list, as it seems Goodreads readers either love it or hate it. But those who like this book like it very much. Catherine House is a college of higher education hidden deep in the woods of rural Pennsylvania. Students of this school have become successful authors, artists, inventors, Supreme Court justices, and even presidents. But although tuition is completely free, it still comes at a cost. Students must be completely cut off from the outside world during their three-year stay at school – separated from television, music and even family and friends.

    cover if we were bad guys

    If We Were Villains by ML Rio

    If we were bad guys is a dark college novel that has The secret story vibes and got high marks from Goodreads readers. This book follows the story of a group of actors who study Shakespeare at an elite art college. But soon their obsession with acting turns deadly, and now the students will take on the biggest acting challenge of their lives: pretending they’re innocent enough to convince the police and themselves.

    ninth house book cover

    Ninth House by Leigh Bardugo

    Ninth House is the debut novel for adults by fan-favorite author Leigh Bardugo, and it’s the first in the Alex Stern series. This dark fantasy novel is set at Yale University, where eight secret societies are known to house the future richest and most powerful people in the world. Galaxy “Alex” Stern has been invited to attend Yale on a full round. The problem? Her mysterious benefactors want her to monitor the activities of these secret societies. It turns out that their inner workings are far more sinister than anyone could have imagined.

    bunny blanket

    Rabbit by Mona Awad

    This is another book that Goodreads readers love or hate, but here’s one thing everyone can agree on: Rabbit is a wild ride. This is the story of Samantha Heather Mackey, an introvert who feels like an outsider in her highly selective MFA program at Warren University. The rest of his cohort is incredibly clicky. Strangely, they are all called “Bunny”. Afterwards, Samantha is invited to the Bunnies’ “Smut Salon” and she finds herself drawn to the odd group of girls. When she begins to visit their off-campus workshops where otherworldly monsters are conjured up, reality begins to blur.

    Legendborn book cover by Tracy Deonn

    Legendborn by Tracy Deonn

    Born of legend, the first book in the Legendborn series, is one of the hottest YA novels of recent years, popular among BookTube, TikTok and Goodreads crowds. Based on Arthurian legend, Born of legend follows Bree Matthews, a teenager who joins a residential program for bright high schoolers at UNC – Chapel Hill. When a flying demon attacks the campus, a secret society of “Legendborn” students hunts down the creature. Bree wasn’t supposed to see any of this, and so a mage called “Merlin” attempts to erase Bree’s memory. But when he attempts to do so, he instead unlocks dormant powers within Bree.

    The Raven Boys book cover

    The Raven Boys by Maggie Stiefvater

    Here is another popular dark college book that is the first in a series. For as long as she can remember, Blue was told she would be the cause of her true love’s death. But it had never been something she had worried about, until she met Gansey. Blue is immediately attracted to Gansey, a student at the local private school called Aglionby. Blue has generally tried to stay away from the Aglionby Boys – known as the Raven Boys – because they are known to be dangerous. But she finds herself inexplicably drawn to Gansey.

    If you’re looking for more dark college novels, be sure to check out our list of new YA dark college novels coming out this year. Or this list of 10 queer dark college novels. And if you need even more book recommendations from some of your favorite niche subgenres, be sure to check out Tailored Book Recommendations (TBR)! You’ll be matched with a real-life librarian who can recommend the latest titles (or titles on the list you’ve never heard of) in dark college reads or any other type of book you’re looking for!

    a gif with the text: Bespoke Book Recommendations: Real book nerds make bespoke recommendations that are really, really good

    Kotak’s succession plan will begin this year


    Bombay : Kotak Mahindra Bank will formally begin the succession planning process later this year, with founder and chief executive Uday Kotak’s term ending in December 2023. In an interview after the bank’s June quarter results, co-chief General Dipak Gupta said the family members are not natural successors in banking, and Uday’s son, Jay Kotak, will follow the normal career path. The private sector lender reported a 53% increase in net profit in the June quarter. Edited excerpts:

    Last month, Uday Kotak introduced his son at an event. Has the bank started succession planning?

    Estate planning has nothing to do with the son. It is a regular commercial bank regulated by a central bank. Family members are not allowed. Jay is just a good employee. If he succeeds, he will progress normally. For the succession, various pieces followed one another. We will begin the process later this year.

    An impact on credit growth due to rising interest rates?

    It doesn’t look bad so far. Even if key rates may increase, this is a catch-up. It depends on the evolution of inflation. If inflation returns to reasonable levels, growth will continue.

    Why did net profit fall sequentially?

    We took a mark-to-market hit of about 800 crore, and if you add that up, that’s a good jump. Short-term interest rates rose by almost 150 to 200 basis points in the quarter alone. Despite being a short-lived book, the shorter ending was impactful. We do not manage a large HTM (held to maturity) book. We normally keep it outside of HTM. Going forward, this will help improve margins. Either we take the pain over a period of time, or we keep it in HTM.

    Why did skids increase sequentially?

    There are two parts to this raw number. 800 crores of 1,400 crore stems from a specific RBI circular, referred to as the “000 circular”. RBI introduced a new variable last year where if a customer’s account in a quarter…let’s say if you get an interest debit of X amount, you should see a debit of the same amount. At the end of June, around 800 crore accounts slipped because of “000”. But over the next few days, the client places that money, so it goes back to a normal account. The net slip is therefore only 600 crore. These are technical APMs. They are not delinquent NPAs.

    Catch all the company news and updates on Live Mint. Download the Mint News app to get daily market updates and live trade news.

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    Diana Kennedy, expert in Mexican cuisine, dies at 99


    She took a dim view of conductors and writers who didn’t do the same, and her criticism could be scathing. “They didn’t do the trip and the research that I did,” she told Saveur. “None of them, not one. I’ve been wandering around this country, wandering — that’s why I’m not rich! — and taking time, and no one else has. another only saw a certain pepper at a certain stage in a market in Chilapa, then came back six months later and saw other peppers.

    Ms Kennedy moved permanently to Mexico in 1976, living first in Mexico City and then in an adobe house she built near Zitácuaro, about 100 miles to the west, where she gave intensive cooking lessons .

    Information about survivors was not immediately available.

    She went on to write essential cookbooks such as “Recipes From the Regional Cooks of Mexico” (1978), “The Art of Mexican Cooking” (1989), “From My Mexican Kitchen – Techniques and Ingredients” (2003) and “Oaxaca al Gusto”. : An Infinite Gastronomy” (2010).

    In a culinary memoir, “Nothing Fancy: Recipes and Recollections of Soul-Satisfying Food” (1984), she interspersed with decidedly un-Mexican dishes like cold jellied tongue, Iranian grilled lamb, and crumpets.

    In 2020, she was the subject of a documentary, “Diana Kennedy: Nothing Fancy”, directed by Elizabeth Carroll, which followed her as she cooked and taught in her solar-powered home. The New York Times called it “a vivid, uncritical portrait of a woman as passionate about composting as chilaquiles, a woman who will throw a tantrum if you put garlic in your guacamole.”

    In her later years, Ms. Kennedy worked with the National Commission for the Knowledge and Use of Biodiversity, known by its Spanish acronym Conabio, to record and digitize her collection of recipes, drawings and cooking notes. Mexican food and the country’s native edible plants. .

    In 2010, she gave the Chicago Tribune a terse assessment of her work. “I’m tenacious,” she said. “And I love to eat.”

    Christine Chung contributed reporting.

    Marvel Confirms Namor Will Appear in ‘Black Panther 2’


    One of the biggest rumors – or worst-kept secrets – in the world of Marvel in months is that actor Tenoch Huerta, who has been cast as Black Panther: Wakanda Forever, wasn’t just playing a random character. He was rumored to be playing one of the oldest and most important Marvel superheroes of all: Namor, the Submarine.

    As is typical of Marvel, they spent months ignoring the rumor. But at Comic-Con 2022, when the panel turned to discussing the next Black Panther sequel, they finally said yes, all those rumors were correct: Tenoch Huerta is Namer.

    The character is literally as old as Marvel Comics; he appeared in the first issue of Marvel Comics #1 from 1939. Created by Bill Everett, he is a half-human, half-Atlantean king who has an array of powers. (He’s basically Aquaman, but he can also fly and he has crazy eyebrows.) In the 1930s, Namor worked alongside early Marvel heroes such as Captain America and the original Human Torch as a team called “The Invaders”, protecting America during the World War. II.

    The company that eventually became Marvel canceled all of its superhero books in the late 1950s, but in the early 1960s Stan Lee and Jack Kirby brought Namor back to the pages of Fantastic Four #4where he became more of a resentful antihero distrustful of the surface world, and a perpetual antagonist of FF’s Reed Richards, in part because Namor was madly in love with Sue Storm.

    Eventually, Namor became more of a traditional hero and even joined the Avengers for a time. But he also reverted to more sinister ways and sometimes went against humanity to protect his home of Atlantis. So it will be interesting to see how it fits into the world of Wakanda in black panther 2.

    With Marvel also announcing a release date for The Fantastic Four, it is very possible that we can also see Namor in this film. Waiting, Black Panther: Wakanda Forever The theatrical opening is scheduled for November 11.

    Marvel Comics Who Can’t Appear in the MCU

    Some of Marvel’s most popular comics could never be adapted into the Marvel Cinematic Universe, primarily due to copyright issues.

    Meghan a threat to the royal family? It’s a way to sell a junk gossip book | Catherine Bennett

    JHer respected biographer, Tom Bower, has given extraordinary interviews about his new study of Meghan Markle and Prince Harry. His book, calmly titled Revenge, is not simply, we learn, an overall negative assessment of the couple: Bower would like him to actively harm them. “This book could accelerate a downward trend that I wouldn’t be at all sad about,” he told a delighted Piers Morgan, “because they pose a real threat to the Royal Family.”

    The public should not, you can imagine, be reassured by the departure of the Sussexes, some time ago, for California. Nor deceived by their very minor role in a jubilee widely seen as a triumph for the royal family. Neither supported by the couple’s surrogate occupation, they are now out-of-work royals, delivering bland, homiletic content to American customers. It’s not enough that every demonstration of Sussex morality is already secured by Bower’s tireless allies in the British media, with a volley of responses from royal experts and body language professionals. Harry’s recent UN address was, for example, immediately canceled with outbursts from Sarah Vine and, still struggling to get over Meghan’s ghost, Piers Morgan.

    Bower still senses the danger of the falsely sleeping Meghan, “a very intriguing and very intelligent woman”.

    After watching it with Oprah, he concluded: “This woman is doing something pretty terrible to Britain and Harry has fallen in love with her, you know, in a ridiculous way, and has become her accomplice. .” If only Harry had fallen in love with the former actress in a sensible way, like, say, Prince Charles did with his now revered Camilla Parker Bowles.

    So if Bower’s book, no less than the interviews linked to it, seems laced with savage malice, perhaps it comes from a good and loyal place. It is to give the Queen “final bliss” (which “Meghan and Harry seem determined to deny”) that Bower, in addition to detailing Meghan’s ex-lovers, her early scramble for acting roles and the determined forge of a personal brand, is forced to complete his case against her with insults. He volunteers, for example, so that when the former Combinations was interviewed by Larry King, “Meghan looked uncharacteristically unattractive with greasy hair, rumpled clothes and sharp eyes”. Finding that even harder to accept than Bower’s belief that relying on notorious Markle haters is a compelling approach, I took a look. Judge for yourself, but for this viewer, the contrast between Bower’s description and Markle’s actual (attractive) appearance is something her editors might, for the reader’s confidence, have verified. As it stands, they must already be hoping that a response from quoted detractor Sam Kashner, published in the Time last week, will be the last to cast doubt on the bias of the author. “I found Ms. Markle,” Kashner wrote, “to be exceptionally warm and gracious and admired her remarkable intelligence and courage, as I always do.” Bower retorts: “It just shows the power of Meghan.”

    While the reader sometimes feels more poise might have made his case stronger, perhaps the experienced Bower felt a greater responsibility to wake up a nation that has yet to understand the threat of a controlling woman. which is telling – a point not made before – not great. Intriguingly, Meghan often wears high heels, but Bower is not fooled. While he’s not the only tall man to betray a certain pride in having grown up so successfully, it’s still unusual to see that quality turn into a regal threat detector. At Wimbledon with Kate: “The physical comparison was unflattering for Meghan. On her own, Meghan’s radiance won universal applause, but next to the taller and more authoritative future queen, the Duchess seemed diminished. Perhaps this could be deleted in any volume likely to be taken up by the Queen (5’3″), at this delicate time in her reign?

    But no logic, in this long slut party, governs what Bower won’t happily cite against the Sussexes, while overlooking similar failings among his favourites. Harry’s Oprah costume is “ill-fitting”. Thomas Markle looks like… Thomas Markle (the more than sartorial flaws of Princess Michael’s “blackamoor” brooch are also ignored). The Sussexes’ favorite reporter Omid Scobie has a face, Bower adds by way of another irrelevant ad hominem, which “changed after working in Japan”. Presumably, surgery is referenced here, as opposed to climate. “Some would say,” adds Bower, “that as royal editor of Harper’s Bazaarthe Anglo-Iranian is a propagandist.

    Whether designed as a sleek malevolent diffuser or a practical gossip vehicle, some have said/would say the locutions occur heroically throughout the book, such as in a passage about a charity leader: “Some would even say that he was in love with her.”

    Some would say, by the way, that it’s unfortunate in a book that taunts Harry for using the wrong word (“recipe” for formula) that Omid Scobie appears on a page as “Omar Scobie”.

    Coming to the “explosive” new content promised by Bower’s editors, the most prized revelations seem to be: Meghan was mean in a fashion shoot; the Queen was happy Meghan did not attend the funeral; the vogue the staff didn’t like it either; Meghan, with an outsider’s disdain for British niceties, has vexed some of her superiors by complaining about their hateful language.

    Bower’s diagnosis, without any obvious evidence, of Meghan’s “terrible envy” is definitely novel. With his lawyer’s cap, he suggests that a confirmed judgment against a Mail the newspaper’s publication of his private letter occurred because, “as a class, British judges were antipathetic to the Mail press group.

    Coming back to the facts, the author concludes that the couple’s disorderly departure for the United States brought the Queen, Charles and William closer together. “They were forging a united front against the Sussexes.”

    Some would say – to borrow Bower again – that this observable royal resilience makes her claims about vengeful Montecito-based “agents of destruction” even more insane. As for her book’s assertion that the whiny – albeit menacing – couple never had anything to complain about: if they didn’t then, they do now.

    Catherine Bennett is an Observer columnist

    Lisa Jewell’s new book (and the book about the book)


    A pair of new books showcase the talents of acclaimed British author Lisa Jewell – one written by her, one written about her. Sinead Crowley digs deeper…

    “How do you do?”

    It’s a question we ask screenwriters all the time, right after ‘would you like this to be made into a movie?’ But while the answer to the second is a simple “where do I sign?” the first requires much more elaboration.

    The thing is, there are as many ways to write books as there are authors in the world, and it’s impossible to finish a novel until you find your own pace and your own path. .

    The truth about Lisa Jewelltherefore, can’t teach aspiring authors how to write like the British bestselling author, but what it does do is show how Jewell approaches his work, busting quite a few myths about the creative process taking place road.

    Lisa Jewell began her writing career with Ralph’s Partypublished to great acclaim in 1999. Although this book was a work of commercial fiction, later novels saw her introduce elements of mystery, suspense and domestic noir and her work can now be found in the psychological thriller category .

    His latest book, The family staysis the sequel to the international bestseller The family upstairs. Writing a sequel to a book that has sold over 800,000 copies is daunting enough, but Jewell was then persuaded to allow another author – academic Will Brooker – to observe her as she wrote and was writing his own book on the process. Add a global pandemic and you have a brave author.

    Fortunately, the experiment works, and lucky readers get not only a new thriller from Lisa Jewell, but also a unique look at an author in full flight as well as an examination of the current state of commercial fiction, a genre that is generally not open to such scholars. meticulous examination.

    Let’s look at the fiction first. The family upstairs told the story of a group of people connected to a rambling big house in London and contained many of the elements Jewell is known for – a middle-class London executive, a family with secrets, a ‘stranger’ who actually lead into – or down into – the mess. Although it provided the resolution demanded of books in the crime/thriller genre, the end of the book also contained a cliff hanger, which in turn provides the starting point for The family stays.

    This new book contains all the elements of the classic detective story – the discovery of a body, a dedicated policeman and family members who do not tell each other the whole truth, even with each other – as well as the richly drawn characters for which Jewell is renowned. Meanwhile, a subplot featuring a woman under coercive control is chilling, sadly believable, and extremely well-drawn.

    The family stays is then a generally satisfying read and will make Lisa Jewell’s many fans very happy. But what about the book of the book? The truth about Lisa Jewell is, in its own way, just as much a page turner. While an author’s shadowing process isn’t unique — Andy Martin did it with Lee Child, for example — Brooker also had to deal with Covid, which means many of his early encounters with Jewell were on zoom. So he couldn’t have been “in the room” on all occasions, but that actually makes the book an accurate representation of the creative process in 2020/21, when most communication between author, publisher and the other members of the creative team had to be done via a screen.

    Fiction writers are often divided into “plotters and pants”—those who plot every element of the story before writing a first draft, and those who fly by the seat of their pants. Jewell falls into the second category and readers who haven’t written a book themselves will be fascinated by how she takes the gist of her novel and immerses herself in the writing, preparing to make significant deviations along the way. It’s not a particularly unusual way to write a novel — I’m holding my own hand here — but it’s very refreshing for writers and readers alike to watch Jewell unravel her plot points and twists in real time. Such is his reputation; she also has to work under the added pressure of knowing that her 20th novel has an online presence and a stack of pre-orders before she’s written a word.

    Will Brooker is an academic and he treats Jewell’s work as he would any other literary text. While some of the connections he makes are a bit far-fetched, overall I found his treatment refreshing, as he gives commercial fiction a respectful consideration it doesn’t always find elsewhere. Jewell herself comes across as someone you’d like to have a drink with – a classy cocktail in an upscale London bar, naturally – and while she can put herself down at times, she clearly takes her job and gender very seriously. seriously. . As a business writer though, with a family to support, she also knows she can’t wait for the muse to strike, there will be a Lisa Jewell book on the shelves in the summer of 2022 and she is – despite the global pandemic and other setbacks – will end in time.

    As social restrictions ease, Brooker and Jewell eventually meet and Brooker even begins to wonder if he has any influence on the ongoing romance. He sees chapters being edited and even cut, and notes the changes in Jewell’s writing process as the deadline approaches. Brooker also writes about the work writers need to do now to stay in the public eye and sell books with zooms, public interviews and public appearances all seen as essential, but also acting as speed bumps on the road for that the word counts and the next novel delivered. It’s very practical stuff – but there’s also magic in the act of creation, and Brooker and Jewell act together to lift the curtain on the process – at least in part.

    There is no doubt that The family stays will be a hit this summer, and rightly so. The truth about Lisa Jewell is also a great buy for anyone who’s ever wanted to write a novel – or anyone who’s ever said “I could do it”.

    The family stays by Lisa Jewell and The truth about Lisa Jewell by Will Brooker are published by Cornerstone.

    The Derivative Book Report #5


    Book editor Catherine Woulfe presents a slice of new books to love.

    Welcome, welcome, come shelter from the rain, sit down for this fifth edition of The Spinoff Book Report. Everything is very easy and discreet: these are books that I have read recently and that I have adored, those that I intend to push to my friends, those that I recommend to you without reservation.

    There is accidentally a theme happening this time: a green, growing, outdoor theme. I hope that reassures you.

    Notes on femininity by Sarah Jane Barnett (Otago University Press, $30)

    A sharp and intelligent memoir. Pieces will make you wince. Barnett remembers lying on a bed with an excited high school boyfriend as he pinched her stomach. In one place: “Pretty good”. Another: “No, you have fat here.” She remembers one night in her third year of art school. “I don’t usually sleep with fat girls,” says the guy she just slept with. “It wasn’t so bad.”

    But the phrase that sticks with me appears in a chapter on wandering around with other women. “We feel a bit dangerous, like we are indulging in something taboo. In a way we are: to be absent from our families and our duties is to be selfish. And women are not selfish.

    I’m off on my mop as soon as I shake off this damn covid-asthma.

    Regenesis: Feeding the world without devouring the planet by George Monbiot (Allen Lane, $37)

    A book about soil and shit, trees and rivers and erosion, people and how we feed them. For George Monbiot, Guardian columnist and environmental campaigner, it’s not free-range farming or organic farming, but basic math that’s important: he wants us to understand how much land we use – and thus damage and disable critical regenerative processes. like rewilding – by farming.

    We do not come out of this equation in style. “The most land-hungry nation in the world is New Zealand,” he wrote. “If everyone ate the average New Zealander’s diet, which contains lots of free-range lamb and beef, another planet almost the size of Earth would be needed to sustain us.”

    He also wants us to see that there are better ways. There’s a burgeoning section about a farmer who figured out how to grow gorgeous piles of vegetables on a small patch of land without fertilizers or herbicides; another about a man preparing protein-rich bacteria in large vats. Monbiot is a stunning writer, and it’s science that reads like hope.

    Kohine by Colleen Maria Lenihan (Huia Publishers, $25)

    This collection of short stories twirls between Japan and Aotearoa, between generations and between apartments. I love how intertwined the stories are and also how much wiggle room there is in the prose. There’s a detachment, an airy titillation, a rhythm – and a feeling, always, that the ground might come loose beneath you. Suicide is everywhere, as are spirits, sex and grief. Energy, flicking and zapping and buzzing. “It just goes to show, mate, that everyone is hanging by a thread,” says a brother writing on the other side. “Do whatever you wanna do, buddy. Live your dreams and all that shiz! Fuck!

    Two book covers, left showing the face of a young woman superimposed on a street scene in Japan;  right showing a scorching sunset and a dark silhouetted tree.

    Better blood by Michael Bennett (Simon & Schuster, $35)

    A surprisingly lush and textured debut album, set in Tāmaki Makaurau and centered on the intergenerational trauma of colonization. A thriller. Not a missed note, pace as hell. Lots of bush and sea. Two main characters, both Maori: a female cop who does her job very well but risks being destroyed; a young man who sets out to honor his tipuna and becomes terribly, presumably twisted.

    Bennett (Ngāti Pikiao, Ngāti Whakaue) is probably best known for his involvement in Teina Pora’s long fight for justice – six years ago he won an Ngaio Marsh Award for his non-fiction book about the case , In Dark Places, and he also made an award-winning documentary The Confessions of Prisoner T, which helped bring crucial evidence to light.

    Bennett says he wrote this novel as a “Trojan horse bearing great complex and difficult themes”. We will publish an essay by him when the book comes out on August 10.

    Pesticides and health: how New Zealand is failing when it comes to environmental protection by Neil Pearce (BWB Texts, $15)

    I grew up in an orchard and once in a while dad had to apply a spray that mom called “a real nasty”. She picked up the laundry off the line and kept us kids inside while it was happening.

    But Dad would be out there on the tractor for hours, up and down the rows, the spray cloud billowing and blowing behind him. He was wearing his astronaut suit but I wondered when he was diagnosed with dementia at 55 if those sprays had anything to do with it. At the same time I thought, nah, surely if the spray was this dangerous, we wouldn’t have been allowed to use it?

    Neil Pearce has completely dispelled this sense of security. He is an international expert on villains and their fallout and his argument is that New Zealand is totally failing to protect workers and others at risk. Our system sucks.

    The book is a call to action, but in places it reads like a professional memoir – keeping it taut and dry, measured, compassionate, Pearce tells gripping stories about Agent Orange and the New Plymouth plant who helped produce it, and on small town sawmills. where workers spent their days soaked in dioxins. “Putting the story to press is quite cathartic, and I think it’s important to do so,” Pearce writes. “Some things have happened that are just not acceptable, and if nobody documents them, they are more likely to continue to happen… My main motivation is that very little has changed and it needs to change. These are not just historical issues.

    Three book covers, all abstract – Galatea looks like a dark but starry night;  Pesticides has a white cover with text only;  the poetry anthology has a dreamy green circle on navy blue.

    Galatea: a short story by Madeline Miller (Bloomsbury, $12.99)

    You know Miller via his novels The Song of Achilles and Circe, both of which reign supreme and resurrect – 10 years after publication, in the case of the former – because BookTok love their. Now, new fodder: a short story lovingly wrapped in an exceptionally beautiful little hardback book. “A small piece, but nonetheless very dear to me,” Miller wrote in an afterword. “Galatea was a response, almost uniquely, to Ovid’s version of the Pygmalion myth in the Metamorphoses.” In short, Pygmalion (he would call himself an incel these days, Miller notes) is so disgusted with real women that he carves one out of ivory, falls in love with her, and brings her to life. Happy until the end of time? No.

    Fans of Circe, in particular, are invited to join in.

    No Other Place to Stand: An Anthology of Climate Change Poetry edited by Jordan Hamel, Rebecca Hawkes, Erik Kennedy and Essa Ranapiri (Auckland University Press, $29.99)

    This is the kind of book you pick up knowing it will take you about 20 minutes to tip. And yes, those poems crushed me in a puddle on the floor. Some that I had read before, but with so many clicks together, they landed differently, stronger. Some lines have stretched their elbows. And there were so many poems I hadn’t read before, and read with a start: Victor Billot ripping out tapes of Scott Morrison; Dadon Rowell, weeping in the dust of the bushfires; Cindy Botha and her fucking haunting hammerhead shark, who

    “Falls in the seabed wave – it’s dying

    corner of gray and shy fins sliced ​​and discarded

    on the ice with 100 million others. It took him an hour to touch

    at the bottom, flowing red ribbons as a Valentine’s Day gift.

    At the end, I felt a bit like that shark but I also felt a profound shift in perspective, as if I had been taken out of the center of things and was with all these poets, on the fringes, together, shouting stop.

    Alright, that’s me – I’m going to bed with the new Emily Writes book. Requires adult supervision, it’s hot pink and I love it and it comes out in late August.

    Book Censorship News, July 22, 2022


    Rather than an introduction this week, a number of groups working to fight book bans have suggested polling readers on a few different topics to gauge where and how Book Riot and others can be most helpful to you.

    This survey is short, but it will be extremely useful for all of us. It asks what and how we can provide the information, tools and resources you need to get out there or keep your energy and activism alive.

    You can take the quick survey here.

    The form will close on August 1 and all responses are anonymous. Ask – there are no stupid or obvious questions or comments when it comes to this fight.

    Book Censorship Update: July 22, 2022

    • Loyalty Books, a DC bookstore, Experienced Protesters at Their Drag Storytime.
    • The parents organized a “teaching” to challenge the board’s decision to reject the use of a book about the internment of Japanese Americans in Muskego-Norway (WI) schools.
    • ‘Two copies of a book that a Lafayette Public Library [LA] the client wanted to ban were removed anyway, one as part of a routine rejection process, the other for unknown reasons, the library director said on Friday. Unknown reasons? Sure.
    • In Livingston Parish (LA), several books have been reviewed at the board meeting. More details about the meeting here.
    • Independence, Missouri, schools banned a book about cats fighting robots because of a non-binary character in the story. Read this sentence several times.
    • More than 200 people showed up at the Ashland (OH) public library board meeting to complain about health books they deem to be pornographic. It was led by a Baptist pastor who led prayer circles. No one has filed a formal complaint, however.
    • A neighborhood association in Los Angeles, California wanted to restrict access to the graphic novel The best we can do children from the LA Public Library. The group considered it “obscene”, but because the letter was not voted on by the association itself, it did not go to the library. It’s… a weird story.
    • “More than two dozen parents spoke to the Boone County Schools Board of Education Thursday night on a subject that was not on the agenda – books related to lesbian, gay, bisexual, transgender and queer (LGBTQ) themes. It’s in Kentucky.
    • In Forest, Virginia, the public library heard complaints about their Pride display and although they didn’t remove it, they moved it to a “less visible” area. It’s the opposite of Pride.
    • All that nonsense and the deliberately hard-to-follow new collection development policy at Roanoake County (VA) schools on a challenge and the prohibition of When Aiden became a brother.
    • Bedford County (VA) Public Schools will launch a new system this fall where each book borrowed by students will trigger a notice to their parents. All. Book. This is opt-out, not opt-in. Not only will this cause incredible damage to children who need to borrow books on sensitive topics, but it will lead them to false information that they can find online. This comes after Follett said their library management system won’t implement this; neighborhood libraries use Follett.
    • “After a Boundary County Library Board meeting was canceled ‘in the interest of public safety,’ community members descended on the library on Monday to show their support through messages of encouragement and gratitude on nearby sidewalks.” It’s in Idahowhere one of their legislators encourages harassment.
    • The Miami-Dade (FL) school board has rejected a sex ed textbook because of the new ‘Don’t Say Gay’ law, which means the school district will not have a sex ed program for an indefinite period.

    Further reading

    Finally, a thread I shared on Twitter this week about one of the censorship leaders and his latest plan to target educators. It’s hard reading, but it’s necessary and a reminder that these hard reads are meant to help you formulate a plan to stay safe, because people like that don’t care about you. They care about their schedule.

    • How to Deal with Misinformation and Book Challenges: Book Censorship News, July 15, 2022

    • Protect yourself now: Book censorship news, July 8, 2022

    • How to have a direct impact on democracy: news on book censorship, July 1, 2022

    • Librarian Vandalizes 2 Public Libraries, Spray Painting “Groomers”: Book Censorship News, June 24, 2022

    • “Once the books start rolling off the shelves, we’ll see you in court.”: Book Censorship News, June 17, 2022

    • How Moms For Liberty’s book rating system is entering schools: Book Censorship News, June 10, 2022

    • The Misinformation Age: Book Censorship News, June 3, 2022

    • Business As Usual: Book Censorship News, May 27, 2022

    • You Must Talk About Sex Parts In Banned Books: Book Censorship News, May 20, 2022

    Philadelphia bookstore owners want to put local stores on the map


    Fifteen years ago, when the future of physical bookstores looked particularly bleak, Molly Russakoff, owner of a book and record store in the Italian market, had an idea: if we booksellers want more customers, maybe we should make it easier. for book buyers to find us.

    Russakoff considered creating a literal map of Philadelphia bookstores, but the idea never really took off. Today, supported by a growing number of booksellers, grassroots fundraising countrya highly motivated local artist — and a good time, potentially valuable resource for print lovers may soon appear.

    “There seems to be a kind of blossoming in bookstores,” said Russakoff, 64, a third-generation bookseller who opened her store, Mollys Books & Records, near Ninth Street and Washington Avenue 25 years ago. (She makes the books. Her husband, Joe Ankenbrand, makes the records, and her son John Dickie runs the place.)

    “Since the pandemic, people seem to be reading more,” Russakoff said. “When we originally came up with the idea, it was because a lot of bookstores were really struggling and we wanted to draw attention to them.”

    The struggle is still very real. In a big hit for the city, Amalgam Comics, the first black woman-owned comic book store on the East Coast, has announced its closure this fall. (Does hoping someone comes along and saves the shop mean I have to give up fiction?)

    But the landscape of the book has improved. The group was pleasantly surprised to discover that there are currently over 50 physical bookstores in the city. In a welcome intrigue for the industry, more than 300 new independent bookstores have opened across the United States in the past two years. A recent report in The New York Times said the number of stores has not only increased, they have also become much more diverse.

    Here in Philadelphia, a good example of that is the city’s favorite bookstore, Harriett’s, named after anti-slavery activist and Underground Railroad guide Harriet Tubman in an effort to honor female authors. black. It opened in Fishtown in February 2020, just six weeks before the pandemic – and continues to expand.

    I try to support as many local stores as possible, but I have the strongest relationship (Instagram DM) with my neighborhood bookstore, Reserved., which opened on Germantown Avenue in Chestnut Hill last year and is part of the latest mapping effort.

    Every few months or so I come across a book I must have and contact:

    “Did you My broken tongue by Quiara Alegría Hudes?

    “What would you say invisible child by Andrea Elliott?

    Once, after a short delay, I expressed my relief: “I was afraid you were going to force me to go to Amazon,” I joked.

    I’m not going to lie: I turn to Amazon for a lot, even books once in a while.

    But I try to keep it local, always wondering if I get something faster or paying a few dollars less is worth narrowing down the type of community I want to be part of.

    The answer is always no, and this card – which I learned while browsing my bookstore’s social media accounts — is part of fostering that kind of community between bookstore owners and their loyal customers.

    The map, which on paper will measure 15 by 25 inches, will depict each store with a 2 by 2 inch watercolor created by local artist Henry Crane.

    “Once put together, you’ll really be able to see how, in a city of millions, these stores are all interconnected, and how many of them are available for people to visit,” Crane said. “I think it will just open up a whole new perspective on where so many people live.”

    It will be distributed free of charge throughout the city and distributed to libraries, cafes, visitor centers, universities and, of course, bookstores.

    “I see it as a great marketing and sales tool because it literally puts us on the map – or a card,” said Curtis Kise, of neighborhood books, a second-hand bookstore in Center City and another member of the effort. “But I also see using the map as a starting point to try to create a kind of community that’s a little more connected.”

    Beyond the map, Kise and others envision an accompanying website that could foster connections and relationships between Philadelphians and their bookstores.

    Which, of course, made me wonder: being in 2022, why a map instead of an app, especially when it will undoubtedly need to be updated?

    As you can imagine, the reasons are similar to why we book lovers prefer a physical book to, say, an e-book or smartphone. Additionally, Russakoff said, the map is meant to be a snapshot in time, and as much a directional tool and a work of art that can endure.

    It reminded me of a quote recently posted on Instagram by my local bookstore in Cartographers by Peng Shepherd: “The maps are love letters written to times and places their creators had explored.”

    In the meantime, Crane is busy kicking off the paints with a plan to roll out the map early next year.

    To do this, this band of booksellers will need our support. They’re not going to sell ads — they depend on donations buyers as well as sellers. (The hope is that the bigger the stores, the bigger their donation, and yes, I’m looking at you, Rittenhouse Barnes & Noble.)

    These booksellers have been working on this story for a while. But we can write the end here, Philadelphia. Let’s make it a happy one.

    A memoir by Harpo Marx’s late widow, Susan Fleming Marx


    For Marx Brothers fans, the posthumous release of Susan Fleming Marx’s memoir, “Speaking of Harpo,” brings a glimmer of hope that other holy grails in the comedy team’s mythology – their since-lost silent film a long time, “Humor Risk”, for example – will surface one day. But for now, we have Harpo’s wife’s account, and it’s a delight.

    Full disclosure: The memoir rekindles a teenage crush I had on Susan Marx. As a budding Marx Brothers obsessive in the 1970s, I was introduced to her in her husband’s autobiography, “Harpo Speaks.” He wrote so lovingly about how they met that I, as a confirmed single Harpo, was swept away by my feet. And then she completely charmed me when I saw her in the 1932 WC Fields comedy “Million Dollar Legacy.”

    Marx, who died in 2002 at the age of 94, began her memoir as part of a writing class she and Groucho Marx’s third wife, Eden, took in the early 1980s. But she dropped memoirs for years, according to collaborator Robert Bader, author of “Four of the Three Musketeers” and director of the upcoming “American Masters” presentation, “Groucho and Cavett.”

    The movie Salvador Dali wanted to make with the Marx Brothers didn’t happen – until now (sort of)

    Bader, a friend of Harpo and Susan’s eldest son Bill, became acquainted with Susan after sending her a collection of lost Groucho writings which he edited and which contained stories about Harpo. “I liked your Groucho book more than I liked Groucho,” she said.

    She invited him to watch her memoir in progress. They began collaborating in earnest in the mid-1990s. He writes in the book’s afterword that he had to convince Marx that people would be interested in his stories about life as a low-level contract gambler in 1930s Hollywood. . “Nobody cares about this junk,” she insisted.

    Months turned into years, and the unpublished manuscript, along with Bader’s taped interviews with her, were boxed in and mostly forgotten, he wrote. But when he cited the memoirs in the bibliography of “Four of the Three Musketeers,” it sparked interest, which was fueled in 2020, when Bill mentioned the project while promoting the restoration and release. from Harpo’s first film in the 1925 silent film “Too Many Kisses. He encouraged Bader to complete his mother’s autobiography.

    The Brooklyn-born Marx was encouraged into show business by her mother — “a beautiful, talented, witty woman, who was born to sing Wagner at the Met, but whose dreams will remain dreams,” writes Marx.

    Marx’s tap-dancing prowess landed him a job at a private club in Florida owned by famed showman Florenz Ziegfeld. This led to New York, where she became a Ziegfeld girl on Broadway. Snatched from the choir by actor Adolphe Menjou, she landed a role in the film “L’As des Cads”, which, poorly reviewed, is lost in history. “Well, thank heaven for the little miracles!” she writes. “I would shudder to think anyone really sees me in this thing.”

    She’s appeared in several movies with iconic co-stars, including John Wayne, Katharine Hepburn and Spencer Tracy, but not the movies that made them iconic. She also rebuffed sexual advances from Harry Cohn, the president of Columbia Pictures.

    At a dinner in honor of Cohn, who had recently fired her, she sat next to Harpo, who with his brothers had already conquered Broadway and Hollywood. “Beauty had never appealed to Harpo,” she wrote, “but everything I said made him laugh. It should have been carved in stone, but neither of us could ever remember exactly what I said to him. It had to be good. We have become inseparable. »

    21 books to read this summer

    Marx, by her own admission, had a lackluster career on stage and screen, and she gave up acting after marrying Harpo. “If I had the talent and the desire, Harpo probably could have helped elevate my status in the movies,” she wrote. “And of course there was also the ever-present problem that I wasn’t really an actress.”

    Marx offers unvarnished versions of her husband’s legendary brothers. Chico, she writes, “was a womanizer and made her way through life without even thinking about [his wife] and their daughter, Maxine. She shares a “blood boiling” story in which Maxine told her how humiliated she was because her father hit on one of her high school classmates.

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    She calls Zeppo “a strange man that even his brothers never fully understood”. Zeppo was very funny on his own, she wrote: “He had style, taste and good looks, but there just wasn’t room for a fourth Marx Brother comic, and Zep had to settle for the humiliation of straight roles. … He left the team to become a highly successful agent, representing some of Hollywood’s biggest names, but his lack of success as a member of Team Marx was a psychological issue he struggled with until ‘at the end.

    Groucho, she wrote, could be witty company (during a baseball game, when a light shortstop hit a rare double, he commented, “This is the first time I’ve see at second base without his glove”), but he could be carelessly cruel to his wives.

    Marx also shares memorable encounters with towering figures of the time, including the critic Alexander Woollcott, the spirits of the Algonquin Round Table, Howard Hughes, and the pianist and neurotic spirit Oscar Levant.

    As for her husband, Marx writes lovingly of the joy Harpo had in their life together and their four adopted children, including Bill, who became a respected musician, composer and entertainer. (Harpo played his son’s arrangement of “Take Me Out to the Ballgame” in his classic appearance on “I Love Lucy”).

    For Marx, making the transition from actress to wife of a major movie star was duck soup. “Harpo was a simple, gentle man who avoided deception, chose his own friends and didn’t care if his socks matched,” she says. “When I finally decided I’d had enough with the movies, Harpo just shrugged and said, ‘Whatever you say. ”

    While some hilarious anecdotes can also be found in “Harpo Speaks”, Marx goes further than her husband by sharing his more serious work with Ben Hecht on the writer’s controversial push for a Palestine free from British rule. “Harpo was very moved by Ben’s passion and told him about the anti-Semitism he witnessed in Europe and Russia in 1933,” she wrote.

    14 ways to get out of a reading crisis

    This anti-Semitism has also struck closer to home. Marx writes that in 1956, Harpo overheard his mother say to someone, “Susan could have married into royalty or been married to a member of the Nobel family of Nobel Prize-winning fame, but instead she ended up marrying a [Jew].” Harpo characteristically didn’t tell her anything about it. “Harpo was never one to hold grudges,” she wrote, “but I’m sure he never felt close to Mother again.”

    “Speaking of Harpo” disabuses this old idea of ​​never meeting your heroes. “Investigators came to me for the inside story because there must be something mysterious or controversial about Harpo,” she wrote. “I disappoint them with the plain truth that he was exactly what you hoped he was. A simple, simple, beautiful and funny soul, who loved and cherished his friends and family.

    Donald Liebenson is an entertainment writer. His work has been published by the Chicago Tribune, the Los Angeles Times, VanityFair.com and Vulture.

    By Susan Fleming Marx with Robert S. Bader

    A note to our readers

    We participate in the Amazon Services LLC Associates Program, an affiliate advertising program designed to allow us to earn fees by linking to Amazon.com and affiliate sites.

    ‘Book of Bones’ Author and Publishers on the Need to Defend Genocide Literature | The new times


    Surely the world has heard of the Genocide, but no words can convey a clear picture of what happened at the technical school in Murambi, a town in Nyamagabe District, Southern Province.

    A few have nevertheless tried to tell this story. One of them is Boubacar Boris Diop, a Senegalese novelist, who came to Rwanda four years after the 1994 genocide against the Tutsi as part of the “Writing by duty of memory” project which brought together 10 writers from all over Africa. .

    Diop became interested in what was then a memorial center for the more than 50,000 Tutsi killed in the genocide that he decided to return there twice after his first visit.

    “As a novelist, I was interested in the difference between Murambi and other places where the killers were doing their infamous ‘work’ very quickly. They arrived completely drunk, shouting obscenities at their victims and a few hours later hardly anyone was alive.

    “In Murambi, there was a relatively long face to face between the perpetrators and the victims. I also noticed the duplicity of a “man of God”, Augustin Misago, the important role of the masterminds of the genocide like Aloys Simba, Bucyibaruta and the presence of French foreign troops via Operation Turquoise. For me, Murambi was a microcosm of the whole Rwandan tragedy,” Diop said.

    He ended up publishing a book in 2000; “Murambi, the book of bones”, a name he already knew how to give him from his first visit in September 1998.

    “In Murambi, the corpses seemed almost alive to me. I could see their last gesture to protect their faces from machetes and I really felt like they were telling their personal story, what they had been through at the very moment they were killed,” Diop added. .

    This book, originally in French, played a vital role in informing people about the Genocide. He was also awarded the 2021 Neustadt International Prize for Literature, a prestigious literature award from the University of Oklahoma.

    However, until this year, the first and second publishers of this novel, based in France, only had a total of 500 copies available for readers in Africa. Not only was it insufficient for the continent, but it was also not enough for the Rwandan public.

    Flore-Agnès Zoa, the founder of La CENE Littéraire (the Circle of Friends of Committed Black Writers) which aims to promote and defend the literature produced by African and Afro-descendant writers, has purchased the reissue rights to Diop’s novel on Murambi.

    Zoa’s main intention was to make the novel available to African audiences, and she says it was not easy for her legally and financially.

    “That’s when I printed 8,000 copies for Africa and donated 1,000 to Rwanda, free of charge, to distribute to high school and university students,” Zoa told The New Times. .

    She also noted that some readers in the 10 countries where the books have been distributed have started reading and discussing them in book clubs. Some of them include Cameroon, Senegal, DRC and Benin.

    Furthermore, the preface to the republished edition was written by a Rwandan scholar, Jean Pierre Karegeye, who is also the founder of the Interdisciplinary Center for Genocide Studies (IGSC).

    The plan to republish and distribute this book is something Diop’s team sees as their “small” contribution to informing young people about the Genocide.

    “To be frank, I doubted very strongly at first that a book could be useful in any way in the fight against genocide ideology. But if you and I are having this conversation today, almost thirty years after the genocide of the Tutsi, it is partly because this book was published in March 2000. So the novel itself can be a pretext for meet people, especially young people, all over the world. world to make them aware of what happened in Rwanda between April and July 1994 and even before that date,” Diop said.

    Karegeye, who led the book presentation project in Rwanda, paraphrased Diop who once said that a history book shares facts, while literature helps us understand what happened.

    “Any human being can say ‘this is our story’. Rwandan history is made universal and the reader will understand that what happened in Rwanda can happen to them,” Karegeye said.

    During their trip to Rwanda, this team had three major events; Connect with Publishers, where they met writers with manuscripts and authors who wish to be published, read and sign Murambi, the Book of Bones, and a workshop for writers, publishers and librarians on challenges and writing and publishing solutions in Africa.

    The team is also ready to work together to start a new center in Kigali, the African Bridging Center (ABC), which should connect Rwandans with foreign publishers, researchers and institutions, organize writing workshops and bridging academic research with African social issues.

    Rwandan scholar Jean Pierre Karegeye, founder of the Interdisciplinary Center for Genocide Studies, speaks during the book signing at Norrsken House in Kigali on July 15.

    Boubacar Boris Diop signs books at Norrsken House in Kigali on July 15.

    [email protected]

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    The Bookseller – Rights – Mackintosh’s The Last Party optional for TV by ITV Studios’ 5 Acts Productions


    Claire Mackintosh’s thriller The last party (Sphere) was picked up for television by Cardiff-based 5 Acts Productions, which launched earlier this year and sits within ITV Studios.

    Creative director David P Davis, whose previous credits include ‘Industry’, ‘Electric Dreams’ and ‘Doctor Who’, has secured a screen rights deal with Camilla Young at Curtis Brown.

    Davis said: “From the very first page I was totally hooked The last party. For me, it’s the perfect chemistry between great characters, a glorious setting and a wonderfully crafted plot. Clare wrote a novel perfectly suited to dramatization and I couldn’t be more proud that she entrusted the adaptation to 5 acts.”

    The first of a new series, The last partywhich will be released on August 4, 2022, follows DC Ffion Morgan as she investigates the murder of Rhys Lloyd, a local hero who has returned to build controversial holiday homes on the shore of Llyn Drych (Mirror Lake), but who is found floating dead in the water on New Year’s Day, the day after a party bringing together the feuding community.

    Morgan must scrutinize his neighbors, friends and family, but in a village with so many secrets, murder is just the beginning.

    Mackintosh said: “It was exciting to have a huge interest in adapting The last party, but 5 Acts stood out from the start. I loved David’s passion for history and was impressed with his commitment to Welsh culture, language and settings. I know he will create something truly spectacular for the screen and I can’t wait to see the sharp, unfiltered DC Ffion Morgan come to life.

    The Republican War on Gay Comics and Graphic Novels Is Cruel

    In late May, The Virginian-Pilot, a daily newspaper in Norfork, Virginia, published a legal notice in its classifieds section. warn readers that it may become illegal to sell or lend a particular book.

    Maia Kobabe’s comic book memoir, “Gender Queer,” had been the subject of an obscenity trial in Virginia Beach, and the judge in the case found probable cause to believe the book was “obscene to unrestricted viewing by minors”.

    “Gender Queer: A Memoir”, by Maia Kobabe.Oni Press

    The moving story of a young man, assigned female at birth and struggling to define his “eir” identity (Kobabe uses the neopronouns e/er/eir), “Gender Queer” has won or been nominated for multiple awards. But his fate in Virginia will be decided by a retired judge, Pamela Baskervill, at the end of August.

    It is the latest salvo in a years-long war on gay cartoonists and authors waged by Republicans eager to build support by persecuting and slandering minorities. The plaintiff in Virginia is Tommy Altman, a Republican candidate for the state’s 2nd congressional district, who placed third in a four-way primary in June. But it is, frankly, a little shocking that the case is heard: “Obscene for unrestricted viewing by minors” is not a legal category under any law, state or federal.

    Just before Altman filed his lawsuit in May, the Virginia Beach school board voted to have “Gender Queer” removed from libraries for being “pervasively vulgar.” It’s the most contested book of 2021, according to the American Library Association (ALA), knocking Alex Gino’s “George,” a novel about being a transgender child, off the list for the first time in five years since its publication. Altman’s case is absurd, but that doesn’t mean he won’t ultimately prevail, and the threat of legal action is often more than enough to stop retailers from selling a book anyway.

    The ALA’s lists of the most contested books over the decades are illuminating: they display a growing bigotry toward not only real queer people, but also queer characters who could help children discover their own identities. And queer comics – with their inescapable images of marginalized people – are regularly targeted, often by conservative influencers and even lawmakers. (Arizona Senate candidate Blake Masters recently tweeted a deceptively redacted illustration of “Gender Queer” as supposed evidence of his depravity.) This backlash is perhaps harder on young cartoonists like Kobabe, whose reputations can be damaged in ways that seasoned professionals like Art Spiegelman cannot. This is a significant change: in the previous decade, parents were much more preoccupied with the Harry Potter fantasy novels and “His Dark Materials”, or the anti-war message of “Slaughterhouse-Five”.

    That graphic novel storytelling is popular with LGBTQ authors should come as no surprise. Ever since conservative politicians used comics as a scapegoat for juvenile delinquency in the 1950s, the medium has arguably been more hospitable to social outcasts than its more popular cousins, and LGBT creators have been a constant presence in its pages since the 1980s. The popularity of manga has also helped, influencing generations of American artists and introducing them to LGBTQ characters. Comics, frankly, are often just more cheerful than literary fiction or science fiction.

    At the same time, no other sector in the world of books is experiencing such constant growth: in the United States, sales of graphic novels have increased 65% in 2021, according to market research firm NPD Group, and it was actually down compared to the previous year, when sales had fully doubled.

    The growing cultural cachet of comics is also correlated with greater cultural visibility for gay people – an all-time high of 7.1% of Americans are comfortable identifying as a sexual minority, according to a Gallup poll in February — and this broad tolerance, especially among young people, appears to be fueling a backlash. And who better for conservatives to blame than the degeneration of popular culture.

    Kobabe’s book, for example, has turned into a very useful target for GOP propaganda. “Gender Queer” regularly appears on lists of books that right-wing lawmakers find offensive, including “Krause’s List,” a spreadsheet of books according to Texas State Rep. Matt Krause that should be banned in the United States. schools and libraries. (Krause at one point considered running against Texas Attorney General Ken Paxton.)

    The furor over Krause’s list came to a head last November amid the right-wing’s obsession with “critical race theory.” Krause has targeted many authors of color, especially black authors. But overwhelmingly, the books he wanted to ban were about LGBTQ people — almost exactly two-thirds of the books on his list either dealt with LGBTQ characters or were by openly LGBTQ authors, according to an analysis of BookRiot’s 850 books.

    For anyone who remembers the gay rights movement of the 1990s, this kind of slander should sound familiar.

    In Massachusetts, meanwhile, “Gender Queer” has been pilloried by far-right politician Rayla Campbell, the presumptive Republican nominee for the state’s third-highest office. But Campbell’s campaign has done nothing but denigrate gay and trans people, regularly insinuating that sexual minorities try to use the school system to take advantage of children. For anyone who remembers the gay rights movement of the 1990s, this kind of slander should sound familiar.

    Barring a little black magic, Campbell will lose in the general election to William F. Galvin, who has served as Commonwealth Secretary since 1995.

    This is of course retrograde, cruel and dystopian. Queer comics should be celebrated, especially when they help young people learn to accept themselves. Kobabe’s memoirs will go to court in late August, but we should be happy about that now. More than just a memoir of self-discovery, it contrasts gratifyingly with Kobabe’s predecessors, which often featured characters preoccupied with ostracism and loneliness.

    In “Gender Queer”, Kobabe implies that others can – and should – be free to experience their own version of freedom. Altman, Campbell, Krause and their ilk would love to bring back a world where that is not possible. But we read that story, and it’s over now.

    Book review: “Death by Landscape” by Elvia Wilk



    By Elvia Wilk

    The landscapes invite contemplation. Natural or built, strange or spectacular, these are spaces in which we project ourselves. What if I lived out there in the woods? What kind of person would I be if I lived by the sea? What if I jumped off that cliff?

    “Death by Landscape” by Elvia Wilkinspires the same kind of distant feelings. This book of essays – divided into four sections: ‘Plants’, ‘Planets’, ‘Bleed’ and an epilogue – takes its title from a short story by Margaret Atwood. The principle: Two teenagers go on a hike. One step from path and disappears forever. The other remains obsessed with landscapes. She sees her lost friend there, only in the form of a tree. “If you take the narrator’s conclusion at face value,” Wilk writes, “the death at the center of ‘Death by Landscape’ is no death at all. It’s a transition, a twin becoming of the girl and the tree. The first essay starts from there, an in-depth study of the works of Amitav Ghosh, Tom LeClair, Anne Richter, Kathe Koja, Mark Fisher, HP Lovecraft, Erik Davis, Jeff VanderMeer, Han Kang, Daisy Hildyard and Steven Shaviro.

    It’s a whirlwind of thought that turns into a fictional philosophy of ecosystems, and the notion that we could alter the centrality of the human in the storytelling to find other, deeper conclusions. Wilk, the author of the 2019 novel “Oval” and editor of the monthly e-flux, says that only this kind of shift in perspective “can adequately portray the ecological dependencies that have led the world to environmental cataclysm. , the interdependence that neoliberal capitalism and its pervasive narrative forms continue to violently deny.

    As for his own place, writes Wilk, “where do I fit in this book of essays on the importance of ecosystems beyond the human, in a book about what the world might look like without me finished at all?” It is, she adds, “a book about becoming what you study, about what it feels like to be integrated into the landscape”. I’m not sure that’s entirely true: Wilk’s first-person perspective is ubiquitous among all the disparate references. The tangible sense of the quest is relatable, but as a result the book sometimes has the feel of something in progress.

    “This Compost” offers a model of artistic creation via the porosity of the body – physical and otherwise – compared to more traditionally understood normative modes of reproduction. (There’s a reason Wilk coined the term “rot erotica” for nothing.) “Working and loving this way can be very disgusting. It can also be very intoxicating. Fairly true. But I wish Wilk had gone a little further. What might that look like for you? And how could it change your life? If this is the landscape, where are you?

    The strongest of the book’s sections, “Bleed”, features feature stories – about art, vampire LARPs, Wilk’s first novel, and virtual reality. This is also the part that seems most alive. You can feel her trying out ideas that don’t get confused in a thicket of references. The essay on PTSD and Christian mysticism is particularly noteworthy, and I enjoyed Wilk’s vivid account of witnessing a live roleplay for the first time.

    In any role-playing game, you play as a character with their own wants and desires, but you do it as yourself. Among role-playing gamers, the times when the two – character and player – merge are called “bleeding out”. I think it’s a useful concept to think about “Death By Landscape”. Basically, it’s a book about the collision between Wilk as a writer and Wilk as a character. As we all. And in the end, it’s up to you to decide which you prefer.

    Bijan Stephen is the host and executive producer of the “Eclipsed” podcast.

    DEATH BY LANDSCAPE, by Elvia Wilk | 320 pages | Soft Skull | Paper, $16.95

    Criticism of graphic novel available for children in LA libraries is defended by officials – Daily News


    The Sunland-Tujunga ward council this week debated sending a proposed letter calling on the Los Angeles Public Library to restrict children’s access to a rented graphic novel depicting the experiences of a Vietnamese American family. .

    In the Wednesday, July 13 debate by the ward council, the proposed letter received a split 8-8 vote, not enough to pass the letter to City of Los Angeles Library officials.

    The proposed letter written by some members of the ward council – a locally elected advisory committee to the city – called “obscene” a 2017 book by Thi Bui, titled “The Best We Can Do: An Illustrated Memoir”. . The proposed letter requested that the book be placed in the “adults only section and not be distributed to minors as part of your summer reading challenge or any other books offered to underage boys/girls.”

    Library documents describe the novel as an “uplifting book” that includes themes that will “resonate deeply with Angelenos and reflect the experiences of the Los Angeles area’s diverse immigrant population.” The book was chosen by the Los Angeles Public Library for this year’s Big Read, a community reading program funded by the National Endowment for the Arts.

    The Sunland-Tujunga debate, which caught the eye on Reddit, was brought to the fore after a local parent who sits on the ward council expressed concern over a gift of the book to his library community, according to council chair Lydia Grant.

    After a long discussion, the Sunland-Tujunga Ward Council deadlocked 8-8, and the motion failed.

    Some ward council members argued that the contents of the book could be considered inappropriate for children and should not be distributed to children, while others said it was not for the council to require that the book was for adults only and that it was up to the parents to decide what their children read.

    Board member Karen Perdue argued that while some might describe the book as a “good read”, it was not appropriate for “young teenagers…some see it as junk”.

    Trevor Schmidt, another board member, rejected characterizations that the proposed letter called for the book to be banned.

    “What we’re saying is this book with nudity and language that wouldn’t be allowed in school or on public television…we don’t want to give it to children, uncensored,” Schmidt said. . “He can be in an age-appropriate section, but he shouldn’t be given away for free… he should be in the adult section.”

    Ward council member KT Travers disagreed, saying that putting the book in “the adults-only section – that’s basically banning it from the adults-only section”.

    “I don’t think it deserves to be relegated to an adult-only section, and I don’t think it’s something we should get involved in,” she said.

    Another ward council member, Claire Gordon, said the proposed letter “would set a dangerous precedent by appointing members of this body to censor materials that may be made available to Los Angeles teenagers based on their personal preferences. and values ​​of a privileged few”.

    The ward council amended the letter to remove language that challenged the depiction of a pagan deity associated with the Satanic religion, with some saying the council may be infringing on religious freedoms. The letter also cited pages containing profanity, sexually offensive language, nudity and “talk about pimps and prostitutes”.

    Parents United for Happy & Healthy Kids, the group that raised the issue with the ward council, released a statement, saying they “hope our expressed concerns will encourage the library to exercise proper judgment in the future when the development of children’s programming and the preservation of children’s library materials. To be clear, we are not advocating the banning of books. Our intent is to protect children and is for the good, not the ends sinister.”

    City library officials released a statement in response to the ward council’s vote, saying the library “has been delivering and having great success in distributing copies of the book to teens and adults and in holding a variety of programs centered on this book”.

    “Best We Can Do: An Illustrated Memoir,” the library statement said, is recommended for ages 13 and older, and that “parents and legal guardians are responsible for children’s reading and viewing choices.” “.

    In introductions prepared for a Big Read guide to the graphic novel, library officials encouraged Angelenos to read the book. Los Angeles Board of Library Commissioners President Bich Ngoc Cao wrote that having grown up in her family’s “Vietnamese refugee bubble” she was interested in their history, but there were few stories in English on Vietnamese refugees by boat.

    “There was no language for me to process the post-war trauma and pain that flowed through my parents’ veins into mine,” Cao wrote. Bui’s book “was the first time I read a story similar to my family’s, written in English.”

    According to an April report from the American Library Association, which tracks book banning efforts and challenges, 2021 saw nearly 1,600 book challenges or removals. According to the report, the subject matter of most of these books deals with or focuses on race, gender, and LGBTQIA+ topics.

    Book Design Awards Shortlist Highlights Aotearoa’s Creative Talent


    Beautiful books are in the spotlight with the announcement of the finalists for the PANZ Book Design Awards 2022.

    The Association of Publishers of New Zealand (PANZ) created the awards to promote excellence and recognize the best book design in New Zealand, a task which becomes more difficult for the jury each year as the level of applications are increasing. .

    A team of judges led by experienced bookseller Jenna Todd received over 135 submissions. Jenna says picking the strengths of such a strong field came down to the details, whether it was the readability of the typography, the formatting, or the usability of the book in terms of ease of handling and reading.

    “Overall, the books that rose to the occasion demonstrated thoughtful and sophisticated design choices. Golds, earthy greens, warm whites and blacks were a common feature,” says Jenna. “We have seen courageous innovations as well as courageous books in their restraint.”

    Jenna’s other judges are editorial designer and writer Jenny Nicholls, Johnson Witehira, artist, designer and scholar of Tamahaki and Ngāi Tū-te-auru origins, and William Chen, founding creative director of Subway magazine.

    The judges all agreed Scholastic New Zealand Award for Best Children’s Book was a particularly enjoyable category to review, finding that young readers of Aotearoa are in very good hands.

    While there are many established names on the shortlist, new design talent is also highlighted. The two finalists of Hachette Aotearoa NZ 2022 Emerging designer are from HUIA Publishers, talking about the independent Maori-owned publisher’s commitment to nurturing innovative design talent.

    The shortlist also shows the breadth and depth of creativity in the New Zealand publishing industry. There are books from publishers across the motu, spanning university presses, independent publishers, multinationals and self-publishers.

    The judges are now faced with the difficult task of determining the winners of the 10 categories and selecting the Gerard Reid Award for Best Book sponsored by Nielsen Book. The winners will be announced at a special ceremony in Auckland on September 22 where participants will be able to vote for the Booksellers Aotearoa New Zealand People’s Choice Award.

    Design talent from across the industry will gather the following day for the PANZ Book Design Workshop which offers the opportunity to dissect the awards, enjoy panel discussions led by leading book designers and network with peers.

    The PANZ Book Design Awards 2022 finalists are:

    Penguin Random House New Zealand Award for Best Illustrated Book

    • Bill Hammond: Across the Evening Sky by Peter Vangioni with Tony de Lautour, Rachael King, Nic Low, Paul Scofield and Ariana Tikao (Christchurch Art Gallery Te Puna o Waiwhetū).
      by Aaron Beehre
    • Conversātiō — In the Company of Bees by Anne Noble with Zara Stanhope and Anna Brown (Massey University Press). Cover designed by Anna Brown and Matt Law. Interior designed by Anna Brown
    • He Ringatoi O Ngā Tūpuna by Hilary and John Mitchell (Potton & Burton).
      Designed by Floor van Lierop, it’s them
    • Shifting Grounds: Deep Histories of Tāmaki Makaurau by Lucy Mackintosh (Bridget Williams Books). Cover designed by Keely O’Shannessy. Interior designed by Keely O’Shannessy and Katrina Duncan

    Upstart Press Award for Best Unillustrated Book

    • A Clear Dawn: New Asian Voices from Aotearoa New Zealand edited by Paula Morris and Alison Wong (Auckland University Press). Cover designed by Keely O’Shannessy. Interior designed by Keely O’Shannessy with composition by Tina Delceg
    • Across the Pass: A collection of New Zealand tramping scriptures selected by Shaun Barnett (Otago University Press). Designed by Fiona Moffat.
    • Rita Angus: An Artist’s Life edited by Jill Trevelyan (Te Papa Press).
      Designed by Kate Barraclough, Kate Frances Design
    • Tree Sense: Ways of thinking about trees edited by Susette Goldsmith (Massey University Press). Designed by Megan van Staden

    Scholastic New Zealand Award for Best Children’s Book

    • Atua: Maori gods and heroes by Gavin Bishop (Penguin Random House NZ). Designed by Vida & Luke Kelly, Vida & Luke Kelly Design
    • Koro by Gavin Bishop (Gecko Press). Designed by Vida Kelly, Vida and Luke Kelly Design
    • Muki and pickles by Ross Murray (Beatnik). by Ross Murray
    • My cat can see ghosts by Emily Joe (Beatnik). Designed by Emily Joe
    • The little woman’s coat by Joy Cowley (Gecko Press). Designed by Vida Kelly, Vida and Luke Kelly Design

    Lift Education Award for Best Education Book or Series – Primary

    • Inside New Zealand Wildlife by Dave Gunson (Bateman Books). Cover design by Dave Gunson and Alice Bell. Interior designed by Alice Bell
    • Million 2 by Young New Zealand Writers and Artists (Toitoi Media Ltd). Blanket designed by Vicki Birks. Interior designed by Kelvin Soh & Sam Wieck, DDMMYY
    • Why is this spider dancing? The Incredible Arachnids of Aotearoa by Simon Pollard and Phil Sirvid (Te Papa Press). Designed by Kate Barraclough, Kate Frances Design

    Lift Education Award for Best Education Book or Series—Secondary/Tertiary

    • Social Policy Practices and Processes in Aotearoa New Zealand edited by Graham Hassall and Girol Karacaoglu (Massey University Press). Cover designed by Tim Denee. Interior designed by Megan van Staden
    • Tūtira Mai: Making a difference in Aotearoa, New Zealand edited by David Belgrave and Giles Dodson (Massey University Press).
      Designed by Kate Barraclough, Kate Frances Design

    1010 Printing Award for Best Cookbook

    • Homecooked: Seasonal recipes for every day by Lucy Corry (Penguin Random House NZ).
      Cover designed by Cat Taylor with original cover art by Evie Kemp. Interior designed by Cat Taylor
    • Saffron swirls and cardamom dust by Ashia Ismael-Singer (Bateman Books).
      Designed by Floor van Lierop, it’s them
    • just food by Eleanor Ozich (Penguin Random House NZ). by Katrina Duncan

    Allen & Unwin Award for Best Business Book for Adults

    • Local Happiness: A Kiwi Guide to Suburban Living by Elien Lewis.
      Designed by Floor van Lierop, it’s them
    • How to survive the modern world
      by Alain de Botton / The School of Life (The School of Life). Designed by Katie Kerr, Studio Katie Kerr
    • Kurangaituku by Whiti Hereaka (HUIA Editors). Designed by Te Kani Price and Camilla Lau
    • NUKU: Stories of 100 Indigenous Women by Qiane Matata-Sipu (QIANE+co). Designed by Linda Va’aelua, Fifty5 Creative. Creative Director Qiane Matata-Sipu, Quiane + co
    • Times like these by Michelle Langstone (Allen & Unwin). Designed by Megan van Staden

    HarperCollins Editors’ Award for Best Cover

    • Conversātiō — In the Company of Bees by Anne Noble with Zara Stanhope and Anna Brown (Massey University Press). Cover designed by Anna Brown & Matt Law. Interior designed by Anna Brown
    • Kelcy Taratoa: Who Am I, Episode 001 by Warren Feeney, translation Te Reo by Heni Jacob (Quentin Wilson Publishing). Cover designed by Alan Deare, Area Design. Interior designed by Alan Deare and Dave McDonald, Area Design
    • Kurangaituku by Whiti Hereaka (HUIA Editors). Designed by Te Kani Price and Camilla Lau
    • The mirror book
      Charlotte Grimshaw (Penguin Random House NZ).
      by Katrina Duncan
    • Rangikura by Tayi Tibble (Te Herenga Waka University Press). Designed by Xoë Hall

    Te Herenga Waka University Press Award for Best Typography

    • Across the Pass: A collection of New Zealand tramping scriptures selected by Shaun Barnett (Otago University Press). Designed by Fiona Moffat.
    • Bill Hammond: Across the Evening Sky by Peter Vangioni with Tony de Lautour, Rachael King, Nic Low, Paul Scofield and Ariana Tikao (Christchurch Art Gallery Te Puna o Waiwhetū).
      by Aaron Beehre
    • He Ringatoi O Ngā Tūpuna by Hilary and John Mitchell (Potton & Burton). Designed by Floor van Lierop, it’s them
    • Hei Taonga mā ngā Uri Whakatipu | Treasures for the rising generation by Wayne Ngata, Arapata Hakiwai, Anne Salmond, Conal McCarthy, Amiria Salmond, James Schuster, Billie Lythberg, John Maihi, Sandra Nepia, Te Wheturere Poope Gray, Te Aroha McDonnell, Natalie Robertson (Te Papa Press). Designed by Area Design
    • My cat can see ghosts
      by Emily Joe (Beatnik). Designed by Emily Joe

    Finalists of the Hachette Aotearoa New Zealand Emerging Designer Award 2022

    Christine Lin

    • The biggest haka festival in the world / Mokopuna Matatini by Pania Tahau-Hodges (HUIA Editors)
    • Fall in Rarohenga by Steph Matuku (HUIA Editors)
    • Escalation: COVID-19 checkpoints and Rangatiratanga by Luke Fitzmaurice and Maria Bargh (HUIA Editors)

    Te Kani Award

    • Mokopuna Matatini by Pania Tahau-Hodges (HUIA Editors)
    • Kurangaituku by Whiti Hereaka (HUIA Editors)
    • butcher bird by Cassie Hart (HUIA Editors)

    © Scoop Media

    Tribal College Celebrates New Release of Dakota Place Names

    FORT TOTTEN – Cankdeska Cikana Community College (CCCC) announces the release of its new publication, Mniwakan: Place Names and History of Spirit Lake Dakota, a tribute to the traditional language and oral history of the Spirit Lake Tribe. To celebrate the book’s release, the Tribal College will be giving away signed copies at the annual alumni gathering on July 21, which is open to the public.

    Mniwakan– meaning Spirit Lake – complements oral tradition with contemporary American history to tell a full and honest perspective of the Dakota experience. The book includes 25 chapters in a collection of stories that includes nearly a hundred significant places and landmarks based on decades of research by co-authors, Louis Garcia and Mark Dietrich.

    “The Dakota language is shrinking very rapidly,” Garcia said. “We only have a few language speakers, most of whom are elders. We need to preserve the language and knowledge of places that the tribe considers important, not only for our future generations, but also for educating non-Dakota on the history of the earth.

    At 82, Garcia is a middle school Dakota Studies teacher and a Spirit Lake Nation tribal historian. Since 1978, he has documented the oral history and traditional knowledge of the tribe primarily by listening to and interviewing tribal elders.

    “For over 30 years I have been collecting place names in the Dakota language,” Garcia said. “I selected all of these sites around Spirit Lake, inside and outside the reserve, and Mark helped me clarify my writing and research additional information about each of these places. what I have recorded are the Indian names, so that they will not be lost, and all the information that I have been able to obtain from the elders with whom I have spoken.”

    Spirit Lake Heritage Research

    Dietrich has written several books on Dakota history and chiefs. He is the author of the published CCCC Mni Wakan Oyate (Spirit Lake Nation): A History of the Sisituwan, Wahpeton, Pabaksa, and Other Dakota Who Settled Spirit Lake, North Dakota in 2007 and Lake Spirit Dakota Grass Dance with Garcia in 2014.

    “Louis had spent a lot of time gathering information to the degree that no one else has, but it was skeletal,” Dietrich explained. “I filled in the blanks about what had happened at those places. I found myself wanting to know the history of Fort Totten, how the soldiers used it, how the reserve developed around it , how the Dakota was connected to the presence of the soldiers and the whole situation.”

    Although Dietrich is not a member of any Indigenous group, his research has contributed immensely to the historical relevance of the Dakota people. He says that the history of Spirit Lake is generally misinterpreted and distorted by the anti-Indian sentiments of early American newspapers, settlers and historians.

    “I’ve done quite a bit of research on the Spirit Lake Tribe, especially with newspapers, even though historians say they’re unreliable, biased and racist in tone,” Dietrich said. “But I find the newspapers provide a lot of concrete information that you can’t get anywhere else. One of the chapters in the book is about the body of water the white people called ‘Devil’s Lake,’ but Dakota still has it. called ‘Spirit Water’.’ or Spirit Lake.’

    Preserving Dakota’s History and Culture

    The work of Garcia and Dietrich on Mniwakan and CCCC’s other two publications might never have seen the light of day without the vision and leadership of the college’s president, Dr. Cynthia Lindquist. She is a member of the Spirit Lake Tribe and her name Dakota is Ta’sunka Wicahpi Winyan or Star Horse Woman.

    “I have a responsibility to our people, especially to the children,” Lindquist said. “I want to set an example of being a good parent and do what I can to protect and maintain our traditional language and oral history. This includes written manuals. This job requires everyone to contribute what they can, such as Louis Garcia and Mark Dietrich did it. Finished.”

    Since becoming president in 2003, Lindquist has led the growth and development of the institution, providing greater access to a college education and improving the quality of life for tribal members. Few Indigenous leaders have accepted the responsibility of preserving their histories and cultures for future generations to the extent that she has.

    “For more than a century, colonization, suppression and assimilation efforts have attempted to rob the Dakota people of their Indigenous identity,” Lindquist said. “But the survival of our people and our culture is a testament to the resilience and strength of Dakota identity. Through higher education, people can learn and thereby strengthen their pride in being Dakota.”

    Like 35 other tribal colleges and universities across the country, CCCC strives to maintain and revitalize Indigenous culture and language. For Lindquist, books about Dakota language, culture and history are small steps in the right direction. She says the college is trying to do more and training Dakota instructors is a top priority.

    “Without skilled Indigenous instructors, we cannot develop relevant academic programs or community education venues,” she said. “That’s why we seek to integrate Dakota culture and language into all academic areas, such as advanced manufacturing, business management, social work, carpentry and early CCCC truly believes and tries to bring into practice his theme, Think Dakota, live Dakota.

    For more information about Cankdeska Cikana Community College and the upcoming book release celebration, visit www.littlehoop.edu.

    Best Derek Jeter Books, Shows, Moments


    Derek Jeter finally pulls back the curtain, inviting the world to examine the private life he so closely guarded during the two decades he lived his childhood dream as a Yankees shortstop.

    With ESPN and ESPN+ set to begin airing a seven-episode series, “The Captain,” viewers will have the opportunity to experience Jeter like never before.

    Directed by Randy Wilkins, the documentary uses in-depth interviews with Jeter, his family, former teammates and others to explore the universe around the Hall of Famer and five-time World Series champion.

    “For the first time, really, I had the opportunity to reflect on my career,” Jeter said. “I sat down for over 30 hours to talk about my career, from 1992 until last year. You never know if the time is right, but it felt like I was ready to do it. I didn’t know what I was getting into, but I’m glad I did.

    As we await the weekly episodes of Jeter’s story, which will air every Thursday, here’s a recommended program to whet your appetite for further investigation into his career and the events that made Jeter a fan favorite.

    O’Connor’s New York Times The bestseller draws on unique access to Jeter and more than 200 new interviews to reveal how New Jersey-born, Michigan-raised biracial Jeter became New York’s most beloved sports figure and athlete’s face without steroids.

    Across 448 pages, O’Connor deftly delves into Jeter’s early struggles in the Minors, when homesickness and mistakes threatened his career, to the Bronx’s brightest nights and his publicized battles with “the enemy.” Alex Rodriguez. Arguably the most comprehensive print synopsis of Jeter’s career, O’Connor’s reporting provides insight into the layers that simmered beneath Jeter’s placid demeanor.

    The snapshot remains frozen in time, with Jeter jumping past first base, his fists raised toward the evening sky. The captain picked up a winner in his batting final wearing the legendary stripes, a moment that couldn’t have been better scripted had it been shipped straight from Hollywood.

    Jeter’s last hit in the Bronx didn’t come in a World Series game or even a game that counted in the standings – the Orioles’ Evan Meek backcourt single ended the only Yankee Stadium game Jeter has ever played with his team mathematically eliminated from the postseason dispute. But no one in the building that night would have dared to call it a meaningless game.

    To appreciate just how popular Jeter had become in the public consciousness around the turn of the millennium, watch his turn at New York’s legendary Rockefeller Center Studio 8H when he joined an all-star band SNL cast and delivered a strong performance as the seventh host for season 27.

    The chance to welcome Jeter came in the heart of a city still scarred by the events of September 11, 2001 – title cards showed Jeter in a full striped uniform, posing in front of a digitally inserted stars and stripes flag – and few time after the Yanks were upset by D-backs in an emotionally charged World Series.

    Still, Jeter showed he was ready for a laugh, even appearing on the Weekend Update episode segment to broach the important point/counterpoint topic of “Derek Jeter Sucks” with Red Sox fan Seth Meyers.

    Long before Jeter’s arrival, “The Boss” knew a thing or two about turning controversy into entertaining TV commercial. Steinbrenner’s extremely public spats with manager Billy Martin helped produce an iconic early 1980s TV commercial for Miller Lite beer — “It’s OK!” Less filling! You are fired!”

    Jeter and “The Boss” revisited this playbook in 2003, after Steinbrenner lambasted his shortstop for attending a late-night birthday party during the 2002 season. titles, Steinbrenner called Jeter into his office, asking, “How can you afford to spend two nights dancing, two nights eating, and three nights partying with your friends?” Jeter responds by showing his credit card.

    The acting is good, but Steinbrenner’s shaky appearance in a conga line steals the 30-second clip.

    Yankeeography by YES Network

    With 24 hours of programming to fill each day, one of the YES Network’s first projects in 2002 was to delve deep into the archives, commissioning a series of Yankeeography episodes. They told the backstories of the most important names in Yankees history, drawing on archival footage and new interviews from the clubhouse and the field.

    Volume 1 was a veritable who’s who of legends destined for Monument Park: Jeter, Thurman Munson, Babe Ruth, Ron Guidry, Don Mattingly and Joe Torre. YES has periodically updated the episode of Jeter over the years, and it remains in regular rotation on the cable network.

    Yes, we wrote this book! Without the championships, Jeter’s story wouldn’t have been so compelling — his goal each year was to lift the World Series trophy, considering any season in which the Yanks weren’t the last team to appear as a failure”. The 2009 season was the fifth and final time Jeter would deliver, a fact that is not fully appreciated at this time.

    Our 2019 plan was to reassemble the “Core Four” and figuratively reopen the new Yankee Stadium a decade later, interviewing as many people as possible who had been connected to the club. Since Jeter and others had retired by then, we’ve uncovered plenty of fresh details and never-before-seen anecdotes from an unforgettable season.

    Harvey Weinstein: From tycoon to me too


    END HOLLYWOOD: Harvey Weinstein and the culture of silence

    Author: Ken Aulette

    Editor: Penguin

    Price: $30

    pages: 466

    As you’d expect, there aren’t many laughs in Hollywood end, the new biography of Ken Auletta from the cradle to prison of Harvey Weinstein, the movie mogul convicted of third-degree rape and another sex crime in New York and awaiting trial on other charges in California. When Auletta calls Weinstein’s relationship with his brother Bob “Shakespeare worthy,” he puts the story squarely in the tragedy column of the ledger.

    But then Broadway star Nathan Lane makes a brief appearance, like Puck doing cartwheels on the set of Coriolanus.

    The year was 2000, and Weinstein’s cultural capital was perhaps at its peak. He still ran Miramax, the prestigious studio he and Bob launched in 1979, though now under the incongruous but lucrative watch of Disney. He had recently founded Talk magazine with editor Tina Brown, then New York’s most agile puppeteer on high and low culture. He dated politicians, co-hosted a lavish birthday party, and raised money for then-senator Hillary Clinton at the Roseland Ballroom. And he didn’t like some of the jokes that Lane, everyone’s dream MC, had written for the occasion.

    “I’m going to ruin your career,” threatened Weinstein, in Auletta’s account.

    “You can’t hurt me,” Lane retorted. “I don’t have a film career.”

    On stage, Lane said in a smirking tone, “I’m going to do all the jokes that Harvey Weinstein wanted me to cut.”

    It wasn’t the last time that theater somehow trumped the producer’s favorite medium. Auletta attended every day of Weinstein’s trial in 2020, recounting the experience here in four chapters. “The essays are not movies, shot under controlled conditions and subject to editing in the editing room,” he wrote. “These are live productions, dependent on the chemistry of their participants, and not a bit of luck.”

    The books, which Weinstein is obviously fond of — his media mini-empire included an editorial imprint — can look like movies. Auletta effectively, if perhaps a bit too elegiacly, frames this one in the long shadow of Citizen Kane. Auletta is, of course, Jerry Thompson, the reporter searching for his anti-hero’s rosebud: the mysterious missing object or influence that will explain his personality. But he is also Citizen Ken, magnanimous and avuncular when he encourages his New Yorker boss, David Remnick, to publish young journalist Ronan Farrow’s investigation into Weinstein’s misdeeds. Jodi Kantor and Megan Twohey of The New York Times announced the story five days before Farrow’s article was published.

    The well-connected Auletta draws on the work of these reporters and his own interviews with major players, including many surely fascinating hours with beleaguered brother Bob. As for Harvey, he emails terse responses to questions, and his reps haggle over possible interview terms before ghosting his biographer — but Hollywood end also pulls out a detailed profile that Auletta wrote of him 20 years ago, and his results. At that time, he had heard of Weinstein’s sex crimes, an open secret for years, but was unable to register any victims, and so focused on bullying and prodigious appetites. of his subject.

    Weinstein’s reputation for sexual intrusion had begun early, when he was a concert promoter in Buffalo. As he got older, his influence waned — the whole movie industry waned — just as he sought younger prey, from a cohort who “increasingly spent their free time on social media like Facebook,” Auletta recalls. , “rather than going to the movies.”

    After the producer, then in his 60s, rushed from his office couch to Ambra Battilana Gutierrez, a 22-year-old Miss Italy finalist, in 2015, she did what many previous women who had been in her shoes , frightened by Weinstein’s towering power, had shied away from doing: She called the police. The fourth wave of feminism had come with a big splash, dragging Weinstein and his ilk into the backwash.

    And yet the male jury foreman who convicted Weinstein, Auletta points out, cited the testimony and demeanor of male witnesses, not female victims — “suggesting,” Auletta writes, “that ‘believing women’ can do facing a steep climb.” Instead, he suggests “listening to women”; but the voice of a key woman is overwhelming.

    As there was a roving “fifth Beatle”, so there was a series of Miramax executives dubbed the “third brother” – loyalists who helped enable bad behavior – and, chillingly, a kind of “system ferry to funnel women” to Weinstein’s hotel suites. If you’re not interested in NC-17 and the often disgusting details of what happened in those sequels, or the jaw-dropping convolutions of nondisclosure agreements, you might prefer one of the recommendations. of the disgraced protagonist of the finer era he adored, Elia Kazan’s autobiography, A Life, or a book Weinstein was often seen carrying while preparing for trial: The Brothers Mankiewicz, from Sydney Ladensohn Stern. Herman Mankiewicz is credited with the screenplay of Citizen Kane; his brother, Joe, wrote All About Eve.

    Remembering those great films, and even some of Miramax’s glory days in the 1990s, is daunting, as the pictures keep getting smaller. Participating in Weinstein’s slow rise and fall, even with the capable Auletta by his side, can feel even more daunting, like riding one of those creaking roller coasters on a faded municipal playground.


    John Lewis: Graphic novel creators visit Mississippi


    Andrew Aydin listens to old John Lewis voicemails.

    Andre Aydin Credit: Mississippi Book Festival

    For Aydin, the congressman was not just a mentor and collaborator. He was the closest thing the former congressional aide had to a father.

    Lewis’ voice was booming and deep, even when it was playful: “Andrew?” voice messages play. “Where are you, young man?

    Aydin recorded phone calls as the two worked on their non-fiction historical graphic novel series. Lewis would fall asleep talking, the recordings capturing his snoring. The two would later joke about those snores during book discussions for their work on the “March,” a trilogy covering the drafting of voting and civil rights laws.

    “I guess the John Lewis I knew isn’t the John Lewis everyone knew,” he told Mississippi Today.

    Lewis died on July 17, 2020 from pancreatic cancer. He was 80 years old. His final graphic novel, “Run,” was released the following year, picking up where the March trilogy left off.

    Nate Powell Credit: Mississippi Book Festival

    Now Aydin and illustrator Nate Powell, who worked closely with Lewis on the books, face a new challenge: shooting and talking about their work without Lewis by their side. When the two come to speak at the Mississippi Book Festival on Aug. 20, it will likely be the first in-person talk they’ve given since the pandemic began — and since Lewis’s death.

    “I’m excited to go to Mississippi,” Aydin said. “I’m delighted to be back. I’m excited to be able to tell people about this work. These experiences that I had to help keep John Lewis, the human being, alive for people. I don’t want him to become a mythical figure or something that seems unattainable.

    The two told Mississippi Today that continuing to promote and explain comic books and their influence is vital. Especially now, when materials used to teach the civil rights movement in schools are threatened by so-called critical race theory laws in the South and Mississippi.

    “We know we are under attack,” Aydin said. “That’s why it’s so important that Nate and I hit the road and talk and tell this story. As the congressman would say, ‘Go preach the gospel.’ Because we must keep these works in the schools.

    The three March books follow a young John Lewis and organizers using nonviolent civil disobedience in the fight for civil rights and an end to segregation. They recount a series of events, from Lewis’s first meeting with Dr. Martin Luther King Jr. to Mississippi Freedom Summer and Bloody Sunday. “Run” shows the conflicts that arise in the aftermath of the movement’s victories.

    It’s comics – the same medium as classics like “Amazing Spider-Man.” There are no superpowers, but real stakes. Aydin, Powell and Lewis went to great lengths to make the works historically accurate, right down to the dialogue. The panels move quickly and create something easy to digest despite the amount of historical context, which is why they’ve been hailed as an amazing teaching tool.

    Before working on the graphic novels, Lewis recalled a comic about King published in the late 1950s that covered the Montgomery bus boycotts. The comic was sold out of car trunks and swooned in churches. He inspired nonviolent protests across the South. Lewis saw the proposed accessibility comics.

    “Congressman Lewis’ background for the power of comics, in educating contextualized nonviolent movements, absolutely not only set the precedent for the book and the mandate of the book,” Powell said, “but c was already in itself a kind of proof of concept in the mind of John Lewis.

    Powell used the books in his personal life to teach history to his own children. They also helped him reexamine the shortcomings of his own education and the sensitized version of the civil rights movements often taught in the classroom.

    The books won several awards — the third “March,” a National Book Award — and spent six weeks on the New York Times bestseller list.

    The last time Aydin was in Mississippi was alongside Lewis. Both were part of a distribution program for “Mars” which gave the books to students in the Delta.

    “When the congressman and I visited places like Mississippi, Georgia or North Carolina, he often commented on how close we were – or by car – to many places where he was beaten or arrested or where he organized demonstrations,” says Aydine. “And that really reinforced the importance of what we were doing and being there.”

    “Now to do it without the congressman,” he added, “is really difficult.”

    It could be emotionally challenging, but Aydin said it was not only the best way to protect Lewis’ legacy, but also to ensure he was remembered as a whole person. and not an untouchable historical figure.

    “What’s so powerful about her story and her life is that she’s a role model for all of us,” Aydin said.


    • In “The Movement Made Us”, father and son reflect on the past, both remembered and forgotten
    • Start to question first impressions: Q&A with author Matt de la Peña

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    The Poetry Foundation awards $343,000 to the African Poetry Book Fund


    INCOLN, Neb. /PRNewswire/ — The Poetry Foundation has awarded a $343,750 grant to the African Poetry Book Fund (APBF) to fund a research study on poetry book distribution in Africa.

    Created in 2012 by Kwame DawesGeorge W. Holmes Emeritus Professor of English and Glenna Luschei Editor-in-Chief of Prairie Schooner, APBF operates out of the University of Nebraska-Lincoln through an international complex of additional collaborations and partnerships. First supported by the generosity of Laura and Robert FX Sillerman, the APBF has since received grants from the Ford Foundation, the Andrew W. Mellon Foundation and the Academy of American Poets.

    The Poetry Foundation has granted $343,750 to the African Poetry Book Fund to study the distribution of poetry books in Africa.

    Kwame Dawes says, “The main purpose of APBF is to find ways to advance African poetry in the world, and one of the essential ways of doing this effectively is to appreciate the complex and multifaceted ways in which poetry and the publication of poetry are taking place. At the heart of the state of poetry in the world is the business of book distribution, and this is especially critical in a continent like Africa, made up of so many different nation states with different trade laws, quite distinct distribution and pricing, and just as many approaches to distributing and selling books, especially when it comes to poetry. If all we could do was to have a more informed understanding of the state of poetry book distribution in Africa, we would have made a significant inroad in the work of promoting poetry on the continent. We expect to do more than that, and are grateful for the insight and sophistication shown by the Poetry Foundation in recognizing the critical need that the grant will address.

    The APBF promotes and advances the development and publication of the poetic arts through its series of books, competitions, workshops and seminars and through its collaborations with publishers, festivals, booking agents, colleges, universities, conferences and all other entities that share an interest in African poetry. For ten years, the visionary projects of the APBF include poetry prize, book publishing, digital humanities research, create local poetry librariesand much more.

    Since its inception, APBF has been seriously committed to developing a strong publishing program in the United States and, incidentally, to ensuring that the work we publish is accessible to readers across Africa. APBF publications include the New Generation African Poets Chapbook Box Set Seriesproduced in collaboration with Akashic Books, as well as poetry collections and unabridged anthologies under the African Poetry Book Seriespublished in association with University of Nebraska Press.

    The African Poetry Book Distribution Project seeks to better understand the state of poetry book distribution on the African continent. Ultimately, this project will help APBF define its role in building and maintaining long-term partnerships with existing African book publishers and distributors and ensuring the availability of its titles internationally.

    The three-year grant, which is expected to begin in the summer of 2022, will fund a team of researchers led by Dr. Dawes. Implementing a strong distribution strategy based on existing bookseller networks, international trade and tariff laws, literary venues and programming will expand the availability of APBF titles on the continent, serving authors of APBF and African readers.

    The Poetry Foundation is an independent literary organization committed to a vigorous presence of poetry in American culture. It seeks to be a leader in creating a receptive climate for poetry by developing new audiences, creating new avenues of dissemination, and encouraging new types of poetry through innovative literary awards and programs. For more information, visit PoetryFoundation.org.

    This is not the first collaboration of the APBF nor of Kwame Dawes with the Poetry Foundation. Beyond the publication of poems in PoetryKwame Dawes was a regular contributor to Harriet, having written more than 120 articles on the Poetry Foundation blog. Additionally, the first New Generation African Poets Chapbooks box set was published by APBF and Slapering Hol Press in association with the Poetry Foundation. Poets in the World Series.

    Alberta human rights commission head slammed for Islamophobic book review

    Community groups are condemning the appointment of the new head of the Alberta Human Rights Commission and Tribunals, following the revamping of a 2009 academic book in which he made Islamophobic remarks.

    Calgary lawyer Collin May began his new five-year role as chief this week after serving on the commission since 2019.

    “It was very shocking and hurtful and just disturbing to see some of Collin May’s statements,” said Said Omar, Alberta advocacy manager for the National Council of Canadian Muslims (NCCM).

    Collin May’s critique of British-Israeli historian Efraim Karsh Islamic Imperialism: A History was revealed again earlier this month in an article published by The Progress Report, an Alberta media outlet.

    May’s comment highlighted Karsh’s Islamophobic claim that religion is inherently militaristic in nature, under the guise of analysis.

    “[Karsh] challenges the multicultural illusion of peaceful Islam and gets to the heart of the matter. Islam is not a peaceful religion hijacked by radicals. On the contrary, it is one of the most militaristic religions known to man, and it is precisely this militaristic heritage that informs the actions of radicals across the Muslim world,” May wrote in her 2009 review.

    C2C Journal is primarily an online publication, whose “brazen bias is in favor of free markets, democratic governance and individual freedom”, according to its website.

    This is the same outlet in which Paul Bunner, former Prime Minister Jason Kenney’s speechwriter, wrote an article that dismissed the “false history of genocide” of Canada’s residential school system and said that young Indigenous people could be “ripe recruits” for violent insurgencies.

    The NCCM is now working with May to see that he better serves Muslim communities.

    May’s review is problematic because it is based on stereotypes of Islam that most – if not all – Muslims do not share, and it is based on an understanding of Islam that is incorrect, Omar said.

    The council has approached May and members of the Alberta government, and work is underway to rectify the situation with community members, he said.

    Said Omar, advocacy officer for the National Council of Canadian Muslims in Alberta, said May’s review is problematic, in part because it’s based on stereotypes of Islam that many Muslims don’t subscribe to. not. (nccm.ca)

    “A real apology must be a commitment to continued action and a real commitment to making amends,” Omar said. “We will let the community be the arbiter of his good faith efforts and sincerity.”

    CBC News has requested an interview with May. The commission responded, saying his political tenure precluded a chief from giving media interviews in order to maintain neutrality, given the nature of the post, but forwarded a statement from May released last week.

    “I do not believe in or accept the characterization of Islam as a religion or a militant movement, especially in light of significant recent and diverse scholarship that strives to overcome misconceptions about the history and Muslim philosophy,” May said in the statement.

    “I specifically want to affirm that Muslim Albertans are entitled to the full and equal respect given to all of our communities.”

    The commission, in a separate statement, said it is independent of the provincial government and is committed to respecting Alberta’s human rights law.

    “We have a long history of working with Islamic organizations and the Muslim community, and we will continue our efforts to strengthen these relations in the future,” the commission said.

    NDP Justice Critic Irfan Sabir called on May to step down as head of the Alberta Human Rights Commission and Tribunals. (Gareth Hampshire/CBC)

    “Not a position to get on-the-job training”

    Opposition NDP justice critic Irfan Sabir called for May’s resignation, saying Albertans would be better served by someone who is educated and connected to Muslim communities.

    “The Alberta Human Rights Commission should not allow him to take on-the-job training,” Sabir said.

    “This position should be filled by someone who understands the diversity of this province, who understands the challenges that BIPOC communities and Indigenous communities face.”

    Sabir also calls out May for only addressing criticism now, 13 years after writing it – and just as he takes on his role as leader.

    “He had been on this commission for some time…if he had changed his views, he should have come forward,” he said.

    He added that this situation casts further doubt on the provincial government’s audit process, as well as the United Conservative Party’s commitment to fighting racism, particularly given the lack of major action on the 48 recommendations. of the Alberta Advisory Council Against Racism published last year. .

    The Alberta government is due to share details of an action plan to address racism in the province next week.

    The Alberta Human Rights Commission should not be a [May] for on-the-job training.– Irfan Sabir, NDP Opposition Justice Critic

    The Office of the Minister of Justice and Solicitor General managed the audit process for the month of May.

    CBC News has requested an interview with Tyler Shandro, Alberta Justice Minister and Solicitor General. Shandro’s publicist made a statement.

    “The Government of Alberta does not agree with the characterization of Islam or the position expressed in the book review written in 2009,” the statement said.

    The Justice Department accepted May’s statement, and the government “will continue to hold the commission to its mandate to promote equality and reduce discrimination in our province,” he added.

    From e-books to learning a language, 15 things you can get for free


    There’s always something new to spend on technology. Here’s a secret these companies don’t want you to know: there’s a lot you can get without spending a dime.

    Take photo storage. Are you using the free space you can get from Apple, Google, and Amazon? Tap or click here for the best ways to store photos and videos on your phone.

    Speaking of money, I hear people wanting to cut Netflix, Hulu, and other expensive streaming services all the time. Here is a list of 15 sites where you can find movies to watch for free. Some services include ads, but you won’t encounter any illegal downloads or malware.

    Storage and movies aren’t the only things you can get for free. Here are 15 gifts you can thank me for later:

    1. Photo editing software

    Photoshop is the program synonymous with photo editing, but the subscription to the software is expensive. Here are some free ways to crop, brighten, and adjust your photos:

    Cloth: This user-friendly, browser-based and app-based editing software is ideal for creating presentations, social media graphics, marketing materials, posters, and anything else you can imagine.

    Pixel X: This tool runs in your browser; no download is required. It has advanced features like photo filters and drawing options, but it really shines with easy-to-use cropping and resizing tools.

    GIMP, or GNU Image Manipulation Program: This professional-grade photo editor works the same way as Photoshop. Unlike Photoshop, GIMP is free to download.

    Tap or click here for a detailed breakdown of the pros and cons of each option.

    Photoshop is also testing a free, browser-based version of its photo editing software. At this time, you need an Adobe account to access it. Tap or click here for more details and a direct link to try it out.

    2. Video editing software

    It’s one of those things you don’t need until you really need it. Maybe you’ve been commissioned to edit a video for a wedding or a class reunion, or you finally want to start a YouTube channel.

    The most reliable video editing programs cost an arm and a leg. Notice I said the most. When it comes to free options, DaVinci Resolve takes the cake. Tap or click here to see how it makes editing easier.

    If you have a Mac or an iPhone, you’ll be happy to know that Apple iMovie is a surprisingly good video editor. Tap or click to see how to turn your clips and photos into a masterpiece with iMovie.

    3. Word processing software

    When it comes to productivity software, Microsoft Office is the gold standard. Of course, it’s expensive. I’ve been recommending LibreOffice for years. It is an open source software suite that works much like Microsoft Office applications.

    It also saves new files in Office formats, so you don’t have to worry about file conversions. Tap or click here for a step-by-step guide to downloading LibreOffice.

    Already using Google Docs? Tap or click for a simple trick that makes starting a new document easier.

    4. Freeze your credit

    Blocking your credit is free. If you’re ever asked to pay, you’re on the wrong site, clicked on a dodgy ad, or talked to a scammer.

    The trick is knowing where to freeze your credit. It’s not just one place. Tap or click for the steps you need to follow. This page is worth bookmarking for the next time you receive an alert that your personal information has been exposed in a data breach.

    5. Engraver email addresses

    Do you want a promo code but not the spam emails that come with it? Use an engraver’s email address.

    You can use a free disposable email service like 10-Minute Mail. It’s easy to create a temporary email address to keep you safe, so you don’t have to divulge your personal and work email addresses.

    Using an iPhone? Hide My Email is powerful, easy to use, and requires no additional downloads. Tap or click for an easy way to protect your inbox privacy.

    6. Brush up on your university Spanish

    Duolingo is a top-notch language learning app and for good reason. It’s easy to use, engaging, and surprisingly easy.

    Duolingo offers 37 languages, including Spanish, French, Japanese, German, Latin, Korean, Scottish Gaelic, Ukrainian, Italian, and Chinese. Having trouble staying engaged? Duolingo offers daily reminders that keep you accountable every day.

    Tap or click here to download for iPhone. Tap or click here to download for Android.

    7. E-books for your summer vacation

    eBooks can add up, especially if you’re a voracious reader. OpenLibrary.org lets you browse thousands of books to find your next favorite. Sign up, verify your email address, and you’re good to go. You can start browsing in minutes.

    Tap or click here for even more ways to get free eBooks.

    Are you trying to start a side business or a freelance career? I have a new e-book you should read to maximize your profits: “Guide to Online Freelancing Success”.

    8. Audiobooks to listen to on your walks

    Prefer to listen to your playlist? Audiobooks can make chores like yard work and cooking that much more interesting and brighten up long walks or road trips.

    Tap or click for eight ways to get free audiobooks.

    9. Internet Speed ​​Tests

    Free internet speed tests can help you determine if you are actually getting the advertised rates. Speedtest.net is one of the most reliable free speed tests. This site will measure various statistics such as ping time, upload speed, and upload speed of your internet connection.

    If you’re a video streaming enthusiast, try Netflix’s free internet speed test, Fast.com.

    If your internet speed turns out to be slower than expected, there are ways to improve it. Tap or click for tips on boosting your Wi-Fi speeds.

    10. Cheap or Free Internet

    The Emergency Broadband Benefit Program provides up to $50 per month for broadband service. To qualify, you must meet one of five criteria, one of which is an income at or below 135% of the federal poverty guidelines.

    Tap or click to learn about other ways to get free Internet access and how to sign up.

    12. Shipping material

    Here’s some good news for small business owners who work from home. In fact, this freebie is useful for anyone who wants to stop spending so much money on their mail. Through the US Postal Service, you can mark free envelopes and boxes.

    It’s not just one or two either. You can get a pack of 50 Priority Mail Express parcels for free. You can get medium boxes, shoe boxes and more.

    Tap or click for a direct link to get free shipping supplies.

    13. Update your passport photo

    Don’t wait long for someone to take your photo for your passport. Just go to ePassportPhoto.com and follow a few steps to take the perfect photo. It’s pretty easy, and the site tells you exactly what to do.

    14. Magazines to read on the beach

    Do you have an Amazon Prime account? You can access a rotating library of popular magazines for free for 30 days. Discover them here. The Prime Reading benefit is a great way to save money that you would otherwise spend on expensive monthly subscriptions.

    Titles include Wired, Popular Science, Reader’s Digest, Taste of Home and more.

    15. Weekend Project Ideas for You and the Kids

    If you or someone you know enjoys sewing, check out FreeNeedle. It includes step-by-step tutorials, sewing and crochet patterns, and helpful articles.

    Instructables.com has a stellar library of projects for all ages and skill levels for those more into crafting and woodworking. There is something for every taste. Here are some of my favorites:

    • Make a 3D printed lamp

    • Make a university loft bed

    • Learn astrophotography

    • Build a chicken coop in the shape of a spaceship

    • Design a custom fighting game controller

    16. Free bonus

    I’ve been helping countless millions of people use technology for over twenty years. I’ve collected hidden tricks and handy features you won’t find in a user manual as a free downloadable guide. Whether you use Windows or Mac, you’ll definitely learn a few that you’ll use again and again.

    Here is a short list of what you will learn in my free guides:

    • Search tips to find your files and programs at a glance

    • Keyboard shortcuts to boost your productivity and show off a little

    • Quick photo editing without downloading additional programs

    • Messaging shortcuts to receive your texts directly on your computer

    • Free and convenient secure downloads for Windows and macOS

    Tap or click here to claim your free Windows and Mac guide now.

    PODCAST CHOICE: Rent your kitchen, get $20 from Amazon, the Google Meet betrayal

    Bad news: Google Meet will now notify you if you’re late for a meeting. On the bright side, Google Workspace lets you work offline with Microsoft Office files. Plus an easy way to get $20 from Amazon. Time is running out, so listen now to get free money in about 60 seconds.

    Check out my “Kim Komando Today” podcast on Apple, Google Podcasts, Spotify or your favorite podcast player.

    Listen to the podcast here or wherever you get your podcasts. Just search for my last name, “Komando”.

    Discover all the latest technology on the Kim Komando Show, the nation’s largest weekend radio talk show. Kim takes calls and dispenses advice on today’s digital lifestyle, from smartphones and tablets to online privacy and data hacks. For his daily tips, free newsletters and more, visit his website at Komando.com.

    The views and opinions expressed in this column are those of the author and do not necessarily reflect those of USA TODAY.

    Boris Johnson’s memoir could fetch him ‘north of £1million’ | Boris Johnson


    Boris Johnson could be paid over £1million for his memoir, according to publishing insiders. But anyone expecting a kiss and tell may be disappointed as industry professionals have said he is unlikely to open up about his personal relationships.

    One editor, who wished to remain anonymous, told the Guardian that while it was ‘far too soon for anything concrete to happen or be submitted’ they would be ‘amazed if he didn’t sign up somewhere for memoirs at some point in the fall”.

    Martin Redfern, executive director and literary agent of Northbank Talent, told the trade magazine the bookstore that he thought the book would command “north of £1m”.

    However, he didn’t think Johnson would “change the lifelong habit and divulge the details of his colorful private life.”

    Johnson announced last week that he was stepping down as leader of the Conservative Party, and a fierce contest is underway to name his successor.

    There has been speculation that Johnson, who worked as a journalist before becoming prime minister, could return to writing, publishing a book about his time in charge of the country and earning a hefty sum.

    A literary agent said they thought “for a memoir like his, it would be a six-figure deal, maybe even a seven-figure deal”, with the serial rights, in particular, being “very lucrative”.

    The agent said that although Johnson was a divisive figure, they thought the memoir would sell well, adding, “I think it would be popular because of its controversy: people would read it even out of sheer curiosity.”

    It’s unclear when a memoir by Johnson might be announced, but one of the biggest publishing fairs, the Frankfurt Book Fair, will be held in the fall. Many agents and publishers wait until the end of the event to announce big books, hoping to generate more excitement.

    Recent prime ministers are all thought to have earned six-figure sums or more for their memoirs. David Cameron’s For the Record was sold in a “highly contested and significant” deal, while Gordon Brown’s My Life, Our Times was sold for an “undisclosed sum”.

    Tony Blair’s A Journey was reportedly sold for an advance of around £4.6 million, although any money it made was donated to the Royal British Legion.

    Besides Blair, Johnson is arguably the most internationally famous British prime minister of recent times, and agents have predicted interest beyond the UK if he penned a memoir.

    Juliet Mabey, publisher at independent Oneworld, told the bookseller she thought “a fair number” of UK and US publishers would be interested in Johnson’s memoir.

    Johnson had a long career as a journalist before becoming prime minister, working as editor of The Spectator from 1999 to 2005 and as a columnist for the Telegraph. His previously published books include The Churchill Factor, a bestseller published in 2014 which looked at the career and success of Winston Churchill.

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    Johnson was also set to write a book on Shakespeare, for which he was reportedly paid £500,000 as part of a deal he signed in 2015 with publisher Hodder & Stoughton.

    Shakespeare: The Riddle of Genius remains undelivered. In 2019, Johnson said being prime minister meant he wouldn’t be “able to quickly finish a book on Shakespeare that [he had] in preparation for”.

    Susie Steiner, author of stylish British thrillers, dies at 51

    At a writers’ retreat in the South West of England, Guardian journalist Susie Steiner spotted a poster that seemed to capture the essence of British stoicism in five uplifting words: “Keep Calm and Carry On”. Printed in block white letters on a plain red background, the message was a source of solace for Ms Steiner, especially as she was working on her first novel, a family drama about sheep farmers on the Yorkshire moors.

    When she returned to her newspaper’s office in late 2005, she included the poster in an article about her favorite gifts for home, noting that the motivational image dated from World War II and had been rediscovered. a few years earlier by a second-hand bookshop in Northumberland. . “Truly,” she wrote, “there is no better mantra to live by.”

    After her story was published, “all hell broke loose,” said Barter Books co-owner Stuart Manley, who had started selling copies of the poster after finding one of the original prints in a box of old books. In a 2020 interview with the Guardian, he credited Ms Steiner’s article with turning the poster into a national phenomenon, leading to a slew of spin-off mugs, postcards, flags and pint glasses bearing cheeky messages. like “Keep Calm and Drink On”.

    Like other Britons, Ms Steiner became enraged by the trend, even as she took its message to heart. She spent more than a decade working on her farm novel, “Homecoming,” and by the time it was published in 2013, she had lost most of her vision to an inherited disorder. She was found to be legally blind just six months after selling the book at an auction.

    “It can sometimes seem like just when you get the thing you want most in life, something else is taken away from you, like a celestial reckoning is going on,” she wrote in an article at ‘era.

    Relying on a small window of vision in her right eye, she went on to write critically acclaimed novels about a volatile but sympathetic police detective, Manon Bradshaw, who solves murders in Cambridgeshire even as she struggles to raise her adopted son as a single mother and deals with mundane domestic issues like a broken coat rack. “His sexual fantasies, such as they are, usually involve men doing minor tinkering while maintaining their emotional balance,” Ms. Steiner wrote.

    Just after handing in the manuscript for her third and final Bradshaw book, “Remain Silent”, in May 2019, Ms Steiner was diagnosed with glioblastoma, an aggressive form of brain cancer. She had written the novel, she later said, “with a 3.5 inch tumor pushing my brain to its midline. But I was unaware of it.”

    Ms Steiner was 51 when she died on July 2 at a hospital in the Hampstead area of ​​London. Her husband, Tom Happold, confirmed the death from cancer.

    While Ms. Steiner’s first novel was generally well received, she established her reputation as a stylish, witty writer after branching out into detective fiction with her best-selling Bradshaw books. sellers in England and found a large following in the United States. The first two volumes, ‘Missing, Presumed’ (2016) and ‘Persons Unknown’ (2017), were shortlisted for Theakston’s Old Peculier Crime Novel of the Year Award, a supreme honor for British detective fiction.

    Both books were “saved from becoming a soap opera thanks to winning prose, likable characters, and an appreciation for life’s joys as keen as a knowledge of its dangers,” wrote Wall Street Journal reviewer Tom Nolan. .

    “What I loved about Susie’s detective writing was that she combined an exceptional type of character study with superbly plotted mystery and police procedurals,” said her American editor, Andrea Walker of Random House, in an email. “The personal life of Detective Manon Bradshaw – the mystery of how she could find true love; how she could be a working mother without going through a mental breakdown; how she could lose the extra 20 pounds she’s been carrying for decades – carried as much weight as the mystery behind the central crime of the story.

    “Long before the proliferation of these kinds of character-driven crime series on Netflix and the success of a show like ‘Mare of Easttown,'” she added, “Susie was writing this kind of fiction.”

    Susan Elizabeth Steiner was born in London on June 29, 1971 and grew up in the north of the city, where she studied at the Henrietta Barnett School for Girls. Her parents, John Steiner and the former Deborah Pickering, were both psychoanalysts. By writing novels that explored characters’ fears, dreams, motivations and hidden desires, Ms. Steiner effectively became a psychoanalyst herself, her husband said in a telephone interview.

    Ms Steiner said she was an ‘obsessive journal writer’ as a teenager – ‘mostly melodrama about my heightened emotional states’ – and turned to journalism during her first year at University of York, when she started writing for a student publication. called Nouse, in what she described as an effort to “make it seem like I always wanted to do journalism.”

    After graduating with a BA in English in 1993, she wrote for newspapers such as the Daily Telegraph, Evening Standard, Times of London and Guardian, which she joined in 2001. She worked there as a writer and editor , focusing on lifestyle articles, while writing fiction on the side, and left the paper in 2012 to become a full-time writer.

    By then she had stopped driving due to retinitis pigmentosa, the genetic condition that had blinded her. As his vision diminished, the writing seemed to get easier. “My loss of sight, which only began to limit me in the past five years, has accompanied an increase in my creative output as a novelist,” she wrote in a 2016 essay for The Independent. “The two seem linked, like the less I can see the world, the more I can focus on myself.”

    Ms Steiner married Happold, a former Guardian journalist who now runs a video production agency, in 2006. In addition to her husband, survivors include two sons, George and Ben; his parents; a brother; and a sister.

    Before beginning her cancer treatments, Ms Steiner began researching a potential novel based on the life of Bernard Spilsbury, a British pathologist and pioneer of modern forensics. This project was put on hold during her chemotherapy and radiotherapy treatments, when reading became a ‘lifeline’ as she turned to books about mortality, grief and cancer, while isolated at home. home amid the coronavirus pandemic.

    “It behooves writers to make sense of the terror of illness,” she wrote in a 2020 essay for the Guardian, “because the people who suffer – the lonely, sick and bereaved – need the comfort that stories provide, to see their suffering reflected in the suffering of the characters. I’m not sure I want to read confinement novels: it’s already hard enough to live it. There are now 35,000 additional bereaved individuals or families. This seems to be a more pressing need: to talk about mourning.

    Prince Andrew Bombshell BBC interview on Epstein to become a movie – Deadline


    EXCLUSIVE: The story of how the BBC got Prince Andrew’s explosive interview about his friendship with convicted sex offender Jeffrey Epstein is to become a movie called Scoop, and Hugh Grant is one of the unconfirmed names in the frame to portray the disgraced royal, Deadline has learned.

    Acclaimed Your Honor screenwriter Peter Moffat is writing the Scoop screenplay for production company The Lighthouse Film & TV, which was launched two years ago by Hilary Salmon, Radford Neville and Nick Betts, as well as British independent television Voltage TV.

    The news will likely be met with little amusement by Andrew’s mother, Her Majesty Queen Elizabeth II, and other members of the Royal Family. Buckingham Palace had hoped that when it came to the wandering royal, the less he was seen and heard of, the better.

    The car crash interview had such an impact that the Duke of York was banned from royal duties. He was notably absent during the Queen’s Platinum Jubilee festivities last month.

    Both Moffat and Salmon confirmed the news today, telling Deadline that production will be set up soon. They plan to start filming in November. A director has yet to be named, and casting has yet to begin, although introductions have been made to selected agents. “The reaction is always the same, ‘Oh, wow,'” Salmon said.

    When pushed to cast, Salmon said “we, of course, have thoughts,” but stressed that “no one is attached,” and she didn’t comment on reports that Grant is in the cast. cut.

    Moffat explained that Scoop is “about how the BBC Newsnight the crew got the scoop and then the actual filming,” adding, “The other thing is, ‘why did he agree to do this?’.

    “How come he decided it was a good idea to do a really long interview with Emily Maitlis on the BBC?” Moffat asked in disbelief, as he pondered the arrogance, the the Duke’s ignorance and charm, which he said “quite often covers up the wrong things, or so I think.

    Scoop will be based on Scoops: Behind the scenes of the BBC’s most shocking interviews by Sam McAlister, a former Newsnight producer, whom Salmon said he chose almost immediately.

    Filled with juicy, jaw-dropping detail, McAlister shares how she, Maitlis, Esme Wren, former Newsnight editor, now with Channel 4, and Stewart Maclean, then deputy editor at Newsnightnow its editor, secured the Duke of York interview which aired in November 2019, two months after Epstein was found dead in his prison cell.

    Salmon and Moffat have previously collaborated on Sheltered, silk, criminal justice and on the current AMC show 61st street, which stars Courtney B. Vance, Aunjanue Ellis and Tosin Cole. A second season is over.

    “Scoop” writer Peter Moffat
    The Lighthouse Film & TV

    Maitlis, then Newsnight, examined forensically the duke’s relationship with Epstein and his mistress Ghislaine Maxwell, who last year was convicted of child sex trafficking and other offences. During the interview, the prince said he regretted continuing to associate with Epstein after the financier pleaded guilty to soliciting sex from minors in 2008. However, the fact that he offered no apology to Epstein’s victims caused an outcry and made global headlines. “Life in a bubble,” Salmon said.

    The story Moffat wants to tell is how “Sam and these two amazing women, Emily and Esme, made the interview happen under real stress and pressure, because once it was agreed, it’s “passed in secret. Hardly anyone inside the BBC could have known about it for fear of it leaking,” he said.

    Notorious interview.

    Emily Maitlis interviews Prince Andrew for Newsnight
    BBC/Mark Harrison

    He added: “What Andrew was going to say was going to be hugely relevant in court later…a real liability, especially for Epstein’s female victims. It was our only chance to watch what Andrew had to say about Epstein. The seriousness with which Emily, Esme and Sam took him, of course, was right.

    Admitting that “it sounds a bit rude”, Moffat observed that behind-the-scenes activities involving the BBC team and members of the Duke’s household, his private secretary Amanda Thirsk and his daughter Princess Beatrice, who accompanied her father in a meeting with BBC producers, “made a very exciting drama”.

    Salmon noted how sections of McAlister’s book, which caused a stir when it was serialized in the Daily mail, and is released today, July 14, shows just how out of touch the Duke was. “All the opportunities Emily gave him to say the right things to justify his friendship with Epstein, to say how sorry he was,” were wasted opportunities on the Duke’s part.

    Moffat added that he later learned that once the cameras had stopped rolling, Maitlis repeated his offer to him to return to the cameras. ”NewIt couldn’t have been fairer to him,” he said.

    The Duke was oblivious to how his performance had gone in the room. “He thought it went extremely well,” Salmon said.

    The problem with the Duke is that “everyone laughs at his jokes all the time,” added Moffat, who went on to say: “I don’t think anyone ever interrupts him when he’s talking and I think those two things give you a level of eligibility; he always feels in control of the time and space around him.

    McAlister cites one such example in his book. When the interview was set up in a state room at Buckingham Palace, the Duke gave sound engineers advice on how they should wire everything up.

    “He’s a sixty-year-old man who’s just used to it all,” Moffat said.

    Pieces of Newsnight the interview will be recreated for Scoop but no actual BBC footage will be used.

    Moffat said McAlister “has been a huge help.”

    But when asked if any courtiers at Buckingham Palace had been involved in Moffat’s research, Salmon cautiously replied: “We have contacted a wide variety of people involved behind the scenes in the interview and we are still in that process. .”

    Sam McAlister’s book balls is published by Oneworld Productions. McAlister is represented by Jen Thomas at United Agents who negotiated the film rights.

    ‘The Black Phone’ Surpasses $100 Million in Latest Horror Win


    As Paramount rightly famous Top Gun: Maverick crossing $601 million domestically, surpassing the first series of films by $600 million Titanic to become the biggest unadjusted gross of Paramount’s “first theatrical release”, Universal has reason to release an admittedly smaller champagne bottle. At this moment, Minions: The Rise of Gru is the largest producer of animation with approximately $225 million domestic and $430 million worldwide, while Jurassic World Dominion earned approximately $353 million domestically (beyond the unadjusted $353 million of Furious 7) and $881 million worldwide. Oh, and the Blumhouse one The black phone surpassed $100 million worldwide in just three weeks of theatrical release. The film arrives on PVOD this Friday (with Jurassic World 3), and it’s the biggest non-sequel horror movie since pre-Covid times.

    Directed by Scott Derrickson and written by C. Robert Cargill, the film is not entirely original as it is based on a short story written by Joe Hill. However, I would say this is a “new for you” adaptation because for most moviegoers it is an “original”. See also: Next month’s Bullet Train, which for the most part will be “that Brad Pitt actor directed by the Deadpool 2 guy” instead of “an adaptation of Kōtarō Isaka’s novel”. Most spectators showed up last year for old not because it was a free adaptation of the graphic novel by Pierre Oscar Levy and Frederik Peeters Sand castle but because it was the last M. Night Shyamalan cooler. The black phone is an R-rated non-sequel with little star power based on relatively little-known source material.

    Of the twelve major horror movies since February 2020 (all due respect to solid but smaller coolers like The empty man and the godless), The black telephones $100 million cume is sixth. It’s the biggest non-sequel horror movie since Leigh Whannell The invisible Man garnered rave reviews and $145 million worldwide (on a $9 million budget) in the final weeks before cinemas were shut down by Covid. In a twisted irony, the two biggest horror movies since then were big franchise titles (A Quiet Place Part II with $297 million and The conjuration: the devil made me do it with $206 million), while the least profitable prestige chiller was Spiral: from Saw’s book ($40 million). We’ll see if The black phone caught halloween kills ($131 million) and Scream ($140 million).

    He exceeded Old, Candyman ($77 million), The Eternal Purge ($77 million), Escape Room: Tournament of Champions ($67 million), Don’t breathe 2 ($47 million), Spiral and the godless ($30 million). Arguably most of the horror releases of 2021 were sacrificial lambs keeping theaters alive (low budget = low risk) while the biggest tentpoles waited out Covid over the summer. Universal moved Blumhouse The black phone in this summer precisely because they knew they had a winner. The film earned approximately $65 million domestically from a $23.6 million debut film. Strong reviews credit, the Blumhouse brand, added value (for horror) associated with Ethan Hawke and Scott Derrickson, pulpy characters, and an emotionally satisfying story that, spoiler-free, ends at least 27% happier than The Eternal Purge Where Hereditary.

    Beyond the ‘horror still thrives in theaters’ narrative, set to continue next week with Jordan Peele’s film Nope, there is something else to consider. Scott Derrickson and C. Robert Cargill were supposed to write and direct Doctor Strange in the Multiverse of Madness before parting ways with Marvel over “creative differences”. The black phone was their “one for me” movie. Meanwhile, Sam Raimi has been plucked from directorial hibernation for the Benedict Cumberbatch/Elizabeth Olsen sequel. The Multiverse of Madness was a gruesome, macabre hybrid of the MCU formula and Raimi’s patent horror tropes, and it grossed $950 million worldwide. The black phone is the best movie Derrickson and Cargill have ever made, and its success without a franchise may help their careers at least as much as making the MCU sequel.

    It’s hard not to say it wasn’t a win/win situation. Not unlike when F. Gary Gray was not chosen to direct Captain America: The Winter Soldier. He was reportedly among the final contenders and ended up directing the hit (and well-reviewed) NWA biopic. Straight outta Compton to the tune of $200 million worldwide on a budget of $25 million. This led to him earning a lot of money for the bar The fate of the furious in 2017 and Men in Black: International in 2019. That’s not to say one is better or worse than the other, but it’s another reminder that there’s more to life in terms of performers and filmmakers than participating in Marvel or DC superhero movies. Audiences get Doctor Strange 2 *and* The black phone is the best case scenario.

    Auction of first edition Harry Potter signed books for a ridiculous amount


    The complete set of first edition Harry Potter books, all by author JK Rowling, are expected to fetch between $118,000 and $178,000 at auction.

    An original signed edition set Harry Potter books were auctioned off for a ridiculous amount of money. The first book in the series by author JK Rowling, Harry Potter at the Sorcerer’s Stonewas first published on June 26, 1997. The seventh and final book, Harry Potter and the Deathly Hallowswas published a decade later on July 14, 2007. During the books run, Harry Potter has become one of the biggest pop culture franchises in the world, with films grossing over $33 billion in the United States alone.

    As the franchise has such a passionate fan base, Harry Potter the memorabilia — from Rowling’s personal possessions to props from the movies — have fetched thousands of dollars at past auctions. In 2021, Heritage Auctions sold a hardcover first edition of The Sorcerer’s Stone for $471,000, while the original offer started at $75,000. The most expensive Harry Potter the item for sale was one in seven copies of The Tales of Beedle the Bardhandwritten and illustrated by Rowling, which sold at Sotheby’s for $483,906 in December 2016.


    Related: Why JK Rowling Keeps Changing (And Hurting) Harry Potter Canon

    Recently listed at Christie’sa complete set signed Harry Potter first-edition novels were auctioned with an estimated price of £100,000-150,000 (about $118,758-$178,138). The set includes a very rare first impression of The Sorcerer’s Stonewhich has a typo on page 53 and a misspelling of the word “Philosophy” (which replaces “Wizard” in the title of the book when sold in the UK and elsewhere) on the bottom panel of the book. Only 500 copies exist Harry Potter printing, 300 of which were sent to libraries. This listing is the first signed set to appear at auction to include the first print Sorcerer’s Stone since 2014.

    While most of the books on the auction list are simply signed by Rowling, the second book, The Chamber of Secrets, features a personalized message, which reads “To Tessa MacGregor, with best wishes.” Although highly personalized author messages, such as those that include recipients’ names, often affect the value of an item at auction, it currently does not appear to be the case. Harry Potter book auction. The set is estimated to sell for nearly $180,000. The seller of the series intends to donate a portion of the sale of the listing to the Lumos Foundation, a charity that seeks to end the institutionalization of children.

    Due to Rowling’s sharp decline in popularity in recent years after she shared controversial views that have been labeled as transphobic and homophobic, Harry Potter memories aren’t as valued as they used to be. Earlier this year, the iconic glasses and wand used by Daniel Radcliffe in the Harry Potter the films have been auctioned and are expected to sell for just $8,000 to $12,000. While that’s still not a small sum, it’s not a lot compared to what other major movie franchises have sold their own memorabilia for. It remains to be seen how much this Harry Potter The book set will actually be sold at Christie’s, but even at the lowest estimate, it’s likely to be an incredibly impressive amount.

    Next: Why The Harry Potter Reunion Mainly Ignores JK Rowling

    Source: Christie’s

    Exclusive Doctor Octopus Claws Glasses Images Comic-Con Museum

    Sam Raimi’s Spider-Man: Doc Ock and Daily Bugle Props Showcased in New Images

    About the Author

    Top Tips for Choosing Reliable Practice Guides | case text

    As a lawyer or legal professional, you already know that practice guides save you time when doing legal research, drafting a legal document, or in a range of other scenarios. These secondary sources can be particularly helpful when navigating an unfamiliar area of ​​practice or a more nuanced issue in an area of ​​law with which you are familiar.

    Practice guides are widely available from a number of publishers and widely used by attorneys, but there are no rules stating how a practice guide should be written, or standard formats dictating what content should be written. , at a minimum, be included.

    Therefore, not all practice guides are created equal.

    Choosing a trustworthy publication from the many options available can be overwhelming. A practice guide is an investment – a tool in your practice kit – and therefore should be a reliable resource. Below, we’ve outlined some tips that will help you determine if a practice guide is reliable and will meet your practice needs.

    Tip 1: What is the publisher’s history?

    Take a closer look at the publisher of the practice guide or treatise you are considering. Go to their website. If they are new to the legal publishing industry, consider their expertise in this area.

    The publisher may have been in business for a while, but only recently entered the legal publishing industry. These types of publishers do not specialize in legal publications and are likely trying to grab market share from a profitable industry. Look for well-established legal publishers that focus on practical law books, such as James Publishing, a reputable legal publisher that has specialized solely in treatises and practice guides for over 40 years.

    Tip 2: Who is the author?

    Before investing in a guide, think about the author of the publication. There are several media conglomerates that quickly produce guides covering countless areas of law. While some of these guides may be written by judges or expert practitioners, many are written by anonymous legal analysts who have little or no experience in the practice of law. Is this the person you would need to guide you when crafting a complex legal argument in your brief or preparing for a trial? Probably not.

    Look for guides written by practicing lawyers and judges who have several years of experience in the specific area of ​​law and who are highly regarded as experts in their area of ​​practice.

    Tip 3: How “practical” is the Practice Guide?

    Beware of the boastful practice guide or the overpackaged treatise. These books will claim to be “the most comprehensive guide” to a particular area of ​​law. If a guide really is that comprehensive, it can not only be overwhelming to navigate (which defeats the purpose of saving time), but also quite expensive. Think: do you need the most expensive and comprehensive book in your toolkit, or the guide that has exactly what you need for a fraction of the price?

    Go to the table of contents or the index to see what is included. A helpful guide will have what you need for real practice, not just theory. Truly practical guides will contain time-saving motions and pleadings, forms, client letters and step-by-step procedure checklists, model arguments, model questions, pitfalls to avoid and tips practice.

    Tip 4: Is the guide searchable?

    This ties in with tip 3 above, but think beyond the table of contents. Instead, ask yourself if the practice guide is available in digital format. Purchasing a digitized practice guide means you’ll be able to easily search for a practice guide, so you can quickly find what you need. This makes your practice guide even more valuable, especially when you’re short on time.

    Casetext offers 91 top-notch how-to guides from James Publishing. In addition to being real practical guides written by experts, what makes them even more valuable is that they can be purchased and accessed directly from the Casetext platform. The availability of these guides on Casetext makes them even more powerful as they are searchable, making it easier for lawyers to find what they need in their guide.

    In short, a practice guide can be a valuable tool in a lawyer’s toolbox. A practice guide is an investment, and to be truly useful it must be reliable, practical and searchable. Next time you’re shopping for an upcoming practice guide or treatise, consider the tips above to help you find the right publication for your practice.

    New book highlights ‘golden era’ for Chinese independent cinema


    The internet and new digital technologies have allowed independent cinema to thrive in China over the past two decades, a film expert writes in a new book.

    The big picture: Filmmakers from rural China taught themselves filmmaking, shunned major production studios and brought their work directly to audiences online, allowing authentic rural stories to challenge more dominant urban narratives.

    • But tighter censorship now threatens the “golden period” that lasted from the mid-2000s to the mid-2010s, according to author Karen Ma.

    Details: For her new book, China’s Millennial Digital Generation, Ma conducted extensive interviews with independent Chinese filmmakers born around the 1980s who have focused their work on their home regions in China, rather than the country’s major metropolises.

    • These filmmakers “were among the first in their villages to embrace cellphones, the Internet, and other modern technologies,” Ma writes. stimulating essays on the singular and official image of a glorious urban China.”

    Background: Ma was inspired to write the book after watching independent Chinese films in Beijing in the early 2010s, which confirmed her “long-held suspicion – that glitzy commercial films in ordinary Chinese cinemas weren’t telling half of the story of the rise of modern China,” she writes.

    • Chen Kaige and Zhang Yimou, two of China’s greatest directors, directed acclaimed films like ‘Raise the Red Lantern’ and ‘Farewell My Concubine’ in the 1990s, but have now turned to directing ‘politically correct’ blockbusters. , writes Ma.
    • Unlike directors of previous generations, writes Ma, “many young directors have deliberately zoomed in on today’s rural concerns and the lives of those who are often overlooked as China loses its image as a developing country and emerges as a capitalist powerhouse.” .

    Filmmaker Li Ruijun, featured in the book, is a good example of how these local filmmakers are “dedicated to telling rural history,” Ma told Axios in an interview.

    • His 2012 film “Fly with the Crane” tells the story of a village coffin maker whose livelihood is destroyed when the government adopts a new policy requiring cremation.
    • The film explores how the village’s elderly residents would choose their coffins with care and pride, even trying them on. The coffin maker reflects on life and death in a village. Her belief is that “I don’t have a say in how I came to this world, but at least let me have a say in how I leave this world,” Ma told Axios.

    What to watch: New guidelines released in 2022 extend traditional film censorship guidelines to television and online movies.

    Go further: China is building its own movie empire

    The Hatred I Feel – The Atlantic


    At the beginning of June, I met Natalya with her husband and daughter-in-law in downtown Kyiv. The family had arrived the day before from Dnipro but were living in Mariupol, which had by then been destroyed and occupied by Russian forces, and were spending a few days in the capital before heading to western Ukraine, where they had been promised jobs. and a new life. She had made contact after reading some of my stories about the Mariupol evacuees, and we had planned a day together in Kyiv before they continued their journey.

    The previous weeks had been a catalog of horrors for Natalya. His hometown had been subjected to endless bombardment; his apartment had been destroyed by bombardments; his 21-year-old son had, along with 1 million other Ukrainians, been forcibly taken to Russia; his elderly mother was taken to territory occupied by Russia and its proxies; she had seen her friends and neighbors die of starvation, dehydration or brutal cold, or be shot by Russian snipers.

    So when I met them in Place Sainte-Sophie, I expected to see deeply traumatized people. Instead, they were calm, happy, even, seeming to be ordinary tourists. Natalya wore a sundress; when she saw me she smiled and gave me a hug. We talked about life in Mariupol, but quickly moved on to our itinerary for the day. The family was particularly keen to see Kyiv’s Glass Bridge, a tourist attraction that opened three years ago with a transparent floor.

    As we moved forward, we passed Mykhailivska Square, where the authorities had held a display of destroyed Russian tanks, vehicles that had been commandeered by Ukrainian forces near the capital, hoping to remind us all – as if a recall was necessary. – that the Russians may have been held back in their assault on Kyiv, but the war was still raging.

    Natalya froze for a moment. Then she reached into her purse, pulled out her lipstick, and rushed to the nearest vehicle, a mobile missile launcher. Burn, Russia, as you burned my Mariupolshe writes in red.

    Nobody, including me, tried to stop him.

    (Courtesy of Veronika Melkozerova)

    Over the past few months, since Russian forces launched their last invasion of Ukraine, we have tried to remain human, to be better than our enemy. On that day, all of us in Mykhailivska Square knew that it was wrong to wish for a whole country to burn. But Natalya’s words spoke for us. We cannot remain the perfect victim – liberal, indulgent, kind. Secretly, we yearn for revenge. Well, maybe not so secretly now.

    More than ever, I find myself angry and hateful. I am angry that Russia, the aggressor, can get away with what it did to Ukraine. I am angry that my friends, loved ones and I are in constant danger. But I have no way to release this emotion, and so my anger and hatred increase.

    Some 53% of my compatriots feel anger, rage and hatred following the invasion, according to a May poll by the Kyiv International Institute of Sociology. Only 2% of Ukrainians have positive feelings towards Russia, compared to 34% before the invasion.

    None of this is shocking. Vladimir Putin’s forces have invaded our land, killed our compatriots and seized our territory. Russia justified its invasion by claiming that Ukrainians hate everything Russian. It wasn’t true, until Putin did it with this invasion. In fact, that’s still not the case: we don’t hate Russian culture or the Russian language – we’ve avoided both because we hope it will protect us.

    We are also angry with the rest of the world. We are of course grateful for Western military and economic support, which still allows us to fight Russia. But why are so many countries, including Westerners, still buying Russian oil and gas, providing money that the Kremlin then uses to finance the destruction of Ukraine? Why are Western commentators asking Ukraine, not Russia, to stop fighting and make concessions, to cede our land to those who invaded it? Why is Ukraine’s economic and food crisis – not to mention our quest for justice – less important than inflation or Western welfare?

    I get angry when I see journalists or politicians seizing on the narrative of “good Russians” – that not all Russians are bad, that the state and its people are different things, that ordinary citizens in Russia suffer because of Western sanctions. We should, we are told, congratulate Russians who protest Kremlin policies, who openly criticize Putin. Take Marina Ovsyannikova, the television journalist who held up a poster on Russian state television criticizing the government, or theater director Kirill Serebrennikov, who has long spoken out. These people were praised, described as courageous. Still, Ovsyannikova called for the sanctions to be lifted, arguing that Russians are as much victims of Putin’s actions as Ukrainians, and Serebrennikov called for aid to be directed to the families of Russian soldiers forced to fight.

    I look at this thirst for “good Russians” and I feel like shouting out my window: “They are killing us! They are plundering our land! They are torturing our people! Putin may have ordered this invasion, but he’s not the one killing Ukrainians with his own hands, that’s what ordinary Russians do. They came here to kill our loved ones, burn our books and destroy our heritage. (And don’t tell me those Russians had no choice. We were the ones who had no choice. All they had to do was disobey orders and refuse to participate in “the Putin’s special military operation. ”)

    Before the invasion, I had never hated anyone, but now my anger is eating me up inside. I don’t know how to live with this. I don’t even know how I would behave with Russians if I met any. Until this year, even though their troops had annexed Crimea and Putin’s proxies had taken over parts of Donbass, I didn’t hate Russians as people. But now I avoid chatting with them on social media. I cannot even fully appreciate the sacrifices made by genuinely good Russians, people who have defected to Ukraine and are fighting alongside our soldiers, or others who stand with us.

    I recognize how bad this attitude is – for me, for my loved ones, for my country. A Russian journalist living in Ukraine who has published remarkable articles analyzing the changes in the war told me that he regularly receives emails from readers who say, as I might say, that there are no good Russians. “A person might write to me that my work helps them continue to believe in the victory of Ukraine,” said this journalist, who spoke on condition of anonymity due to the sensitivities of his work “and after that, immediately say that all Russians must go to hell.” I would not want to become effectively my enemy, to become a target of hatred for ordinary Russians because of the chance of my nationality and my consequent desire to live outside of Putin’s empire.

    To some extent, what my compatriots and I are feeling is normal given the circumstances. “The Russians violated not only our geographical borders but also our mental borders in an extremely violent way,” Andriy Kozinchuk, a military psychologist, told me. “What you described as hatred towards the enemy is in fact a desire to restore our borders.” Kozinchuk recounted how some of his patients admitted to finding comfort in looking at photographs of dead Russian soldiers, feeling a sense of security in the notion that the invaders had failed.

    Where many of us struggle, he said, is not having release. Seeking therapy is increasingly common among Ukrainians but remains taboo overall. And few actions are available to those of us who aren’t fighting on the front line.

    Natalya found her release in lipstick graffiti scrawled on a destroyed Russian war machine. After coming back to me with her back to the tank, she admitted that for the first time in months she felt fine.

    “You might think I’m crazy,” she told me, “but I feel like I’ve finally fought back.”

    Rock and roll reporters tell their stories at Readers & Writers Fest


    “Writing About Rock & Roll” will be the featured event on September 17 at the fifth annual Milford Readers and Writers Festival. The conversation will include Sheila Weller, author of the best-selling “Girls Like Us: Carole King, Joni Mitchell, Carly Simon – and the Journey of a Generation,” with screenwriter and journalist James Greer. The moderator will be Milford resident Bob Guccione Jr., creator and publisher of Spin Magazine.

    These rock ‘n’ roll columnists will offer insights and anecdotes that illustrate how rock ‘n’ roll writing spans more than songs and concerts. They will explore the ways in which history, personalities and culture are also part of history.

    The festival will take place September 16-18 at the Milford Theater & Performing Arts Center, 114 East Catharine St.

    It opens Friday night, September 16, with Tony Award winner and star of the hit TV series “Blue Bloods,” Len Cariou and his wife, writer, actor, and activist Heather Summerhayes Cariou, reading the two characters Part of Pulitzer Prize-winning theater “The Gin Game”.

    This tragicomedy focuses on an unexpected relationship that develops between two people at the end of their lives. Audiences raved about the couple’s previous appearance at the festival, when they read the play “Love Letters,.

    On Saturday, September 17, the main stage will feature three additional events:

    · Nelson DeMille, best-selling author of 21 novels, will talk about his writing career and working with his son Alex DeMille on their recent novel “The Deserter”. Alex DeMille is a screenwriter, director and editor. He has won several awards and grants for his screenplays and films. The conversation will be moderated by Steve Rubin who has published authors such as John Grisham, Dan Brown, Bill O’Reilly, Hillary Mantel and other bestsellers. He is currently a consulting editor at Simon & Schuster.

    “Books You’ll Never Be Able to Read: Author Cancellations and Book Bans” – Publishing industry professionals including literary agent Regina Brooks, editor and publisher Jamie Raab and author at New York Times bestseller James Kirchick will join editor and panel moderator Brooke Warner to share their thoughts on the recent wave of author cancellations and book bans.

    “What is American cuisine? – Historian Paul Freedman, author of “Ten Restaurants That Changed America” ​​and “American Cuisine – And How It Got That Way,” will discuss what makes American cuisine unique with author, journalist and foodie Richard Morais, who wrote the food-centric book. bestseller, “The Hundred-Foot Journey”, which was made into a great movie starring Helen Mirren.

    All main stage programs will include an opportunity for conversation between the authors and the audience.

    On Saturday evening, a private reception will be held for festival speakers and is open to festival pass holders only.

    In addition to ticketed events, the festival also offers a variety of free programs, including the fantasy-themed sci-fi panel, “Choose Your Reality” at the Columns Museum, and “The Future of Young Adult Literature in the Age of Book Banning,” at the Pike County Public Library, book signings by authors, as well as events all around Milford.

    For more information about the festival and to purchase passes, go to milfordreadersandwriters.com.

    For more information about the festival and to purchase passes, go to milfordreadersandwriters.com.

    The greatness of William Gay lives on in a posthumous publication

    The plots focus on poor men who hold few advantages. Some, like Bascom, a “lost penniless wanderer,” are innocuous. In “Riding Off into the Sunset: Starring Gary Cooper”, he wanders around the Star Vue Drive movie theater looking for a job.

    “I’ve been broke my whole life and haven’t robbed a bank yet,” Bascom says.

    “Well, you’re young,” says the management. “Give yourself time.”

    Others are well beyond governance. Hershel Clay, the twisty firebug from “Nighttime Awakening”, “(walks) like a man above snakes, a man who couldn’t fit snakes into his schedule.”

    Clay shoots his “popskull moonshine whisky”, doing blackjack at Goblin’s Knob, the watering hole where the cooler is always “started” to appease or fuel the colorful outcasts of Ackerman’s Field, the imaginary Gay community at the heart of his work. . (Small-town worshipers have unfurled a sign that offers local sinners a stark choice: ROCK IN SWEET JESUS’ BARMS OR ROASTED IN HELL.)

    In part, Gay is a tongue-in-cheek comic book writer who can’t hold back a periodic impulse to work blue. “Buddy Bradshaw and the Judge’s Daughter,” a ridiculous bit of country-boy rawness, involves a phallic cob of freshly picked corn, and the gag only goes up from there.

    Like a buckskin prophet of yesteryear, Gay summons America from its distraught frontier. In “The Trace”, one of the greatest action films of all time, “land pirates” plague 19th century travelers along the Natchez Trace: “There was no law there- down and there was no God.God had thrown up his hands in disgust and denied all responsibility for it all.

    With its revealing autobiographical essays and invaluable “Postscript” (a lengthy panel discussion hosted by Georgia State University/Perimeter College’s “The Chattahoochee Review”, “Stories from the Attic” is an important introduction to the major currents in the writing of Gay and his life.

    His home for a time was a “dilapidated wide single trailer”, according to JM White, but he was primarily a private, cultured gentleman who preferred to live in the sticks. He spoke with a smoky cadence. He didn’t have a weapon. He published his first book at the age of 59, “The Long Home” (1999).

    Born between 1939 and 1943 (there is some dispute over the exact year), he grew up, writes Gay, in “sharecropper circumstances” in Hohenwald, a town in central Tennessee (population 4,000), where he spent most of his life. He was soon compelled to read and write, although he was too poor to buy books or composition material.

    In his excellent two-part essay “Reading the South,” Gay celebrates his first loves: horror comics, the rising black of the South, and Signet Books, the post-war paperback publisher whose trashy covers ( and affordability) attracted the budding author to “one” and serious literature, that is to say from Mickey Spillane to William Faulkner, who would become his idol.

    For Gay, Faulkner was the bomb and “As I Lay Dying” (1930) “his most successful book”. The sage of the hills, he claims, wrote about depravity, but “he never denies his characters their basic humanity”.

    While Gay was still a representative of the high Southern literary tradition, he was unconventional, increasingly drawn to the occult and the paranormal. He dedicated his second novel, “Provinces of Night” (2000) to William Blake. He wrote a novel about his state’s Bell Witch Legend. His gothic supernatural thriller “Twilight” (2006) won acclaim from King of Fear Stephen King.

    As a colleague put it, Gay “lived in a writer’s trance.” He often hurls obscure adjectives — “evil” and “earthly” — like talismans of bone tools into the darkest darkness of Ackerman’s field. While facing the pains of humanity in his own way, he never lets go of the hopes and dreams of ordinary people. In “The Homecoming”, a young man named Winer walks away from an unpleasant encounter with a wealthy relative:

    “The world he was heading towards seemed endless in its possibilities, the lives he could lead, the people he could be, limitless and complex. The world was full of places he could go, people he could be. he could encounter, emotions he could make his own.

    Thus, the cumulative effect is of magnitude.


    “Stories from the Attic”

    by William Gay

    Dzanc Books

    368 pages, $26.95

    “Throw the Book at Wandering Motorists”


    ENFORCE the law fairly, Kuala Lumpur residents say to the Federal Lands Ministry’s Traffic Task Force which monitors and studies traffic to ease congestion in the city.

    Most people interviewed by StarMetro said the app was needed to punish those who break traffic rules.

    “If they strengthen law enforcement and punish those responsible without fear or favor, they can solve the problem of traffic jams,” said Anthony Tan of Razak Mansion in Sungai Besi, Kuala Lumpur.

    “Authorities need to hit errant motorists where it will hurt them the most, their pockets.

    “Nothing scares a person more than a tow truck and uniformed law enforcement officers,” he added.

    Deputy Federal Lands Minister Datuk Seri Jalaluddin Alias, who chairs the task force, had said the Kuala Lumpur City Hall (DBKL) and the police would work to disperse traffic on the city’s main roads during the rush hours.

    Police forces would be mobilized at 85 traffic hotspots to regulate traffic in the morning and evening.

    Jalaluddin proposed six ways to tackle long-term congestion, including expanding public transport, enforcing bus-only lanes and building more pedestrian-friendly infrastructure such as underpasses and underground tunnels.

    CH Yap, who resides in Jalan Kuchai Lama, said DBKL should strengthen law enforcement in commercial areas and schools.

    He said it would deter motorists from breaking the rules.

    “I’ve seen how people suddenly become responsible and courteous drivers when the police or police officers are present,” he added.

    Brickfields chairman Rukun Tetangga, SKK Naidu, said the decision to use the city’s 5,000 CCTV cameras to enforce traffic violations was a step in the right direction.

    “I saw this system work on a trip to Beijing, China.

    “We were on a bus and the driver asked us to get off.

    “He told us people there were more afraid of the cameras than the police,” said Naidu, who recommended the task force consider implementing a two-hour parking limit at hotspots. .

    “The roadside parking in Brickfields is being taken over by people working in the area.

    “Motorists don’t want to park in private parking spaces in commercial buildings because the fees are higher,” he added.

    Long-time Brickfields resident Dr Christopher Nicholas said that since international borders reopened on April 1, congestion in Kuala Lumpur appeared to have gone from bad to worse.

    “If traffic jams were common during peak hours, now there appear to be traffic jams even off peak hours and the task force needs to find out why,” he said.

    Sham K, a resident of Bangsar, said the increase in the number of cars on the road may be due to the rising cost of the phone call.

    “Fares have tripled and people who used to opt for ehailing for certain journeys are now driving themselves,” she noted.

    A resident of Happy Garden in Jalan Kelang Lama, who did not wish to be named, said knowledgeable people should be part of the task force.

    “They should include urban transport experts as well as traffic consultants and planners.

    “Otherwise, we’re not going to solve this traffic problem,” he said.

    “Hollywood Ending”, a biography of Harvey Weinstein’s cradle to prison


    Weinstein’s reputation for sexual intrusion had begun early, when he was a concert promoter in Buffalo. As he got older, his influence waned – the entire movie industry dwindled – just as he sought out younger prey, from a cohort that “increasingly spent their free time on social media like Facebook,” Auletta recalls, “rather than going to the movies.”

    After the producer, then in his 60s, rushed from his office sofa to Ambra Battilana Gutierrez, a 22-year-old Miss Italy finalist, in 2015 – “when he reached for her breasts as if he was at an all-you-can-eat buffet,” as Auletta puts it — she did what many previous women who had been in her position, frightened by Weinstein’s towering power, had shied away from doing: she called the police A publicist’s attempt to discredit Gutierrez was met with outraged cries that she was ‘bitch-shamed’ The fourth wave of feminism had arrived with a big splash, dragging Weinstein and his ilk into the surf.

    And yet the male jury foreman who convicted Weinstein, Auletta points out, cited the testimony and behavior of male witnesses, not female victims — “suggesting,” Auletta writes, “that ‘believing women’ can do facing a steep climb.” Instead, he suggests “listening to women”; but the voice of a key woman is overwhelming.

    In search of Rosebud, Auletta lands, for lack of a better explanation, on the Weinstein brothers’ fiery-haired and seemingly fiery-tempered mother, Miriam (from whom their company was named, along with their sweeter father, Max , a diamond cutter who died of a heart attack at age 52). A childhood friend told Auletta that Harvey called Miriam “Momma Portnoy,” after the shrill character in Philip Roth’s “Portnoy’s Complaint.”

    Bob, who has somehow avoided becoming a “beast” as Harvey is repeatedly described here, admits the possibility of Miriam’s frustration with the limitations of her life. “She could have been Sheryl Sandberg or one of those corporate CEOs. She had that kind of intelligence,” he told Auletta. Instead, she proudly brought rugelach to headquarters of his sons, and had an epitaph worthy of Dorothy Parker: “I don’t like the atmosphere or the crowd.”

    As there was a roving “fifth Beatle”, so there was a series of Miramax executives dubbed the “third brother” – loyalists who helped enable bad behavior – and, chillingly, a kind of “system ferry to funnel women” to Weinstein’s hotel suites. If you’re not interested in NC-17 and the often disgusting details of what happened in those sequels, or the jaw-dropping convolutions of nondisclosure agreements, you might prefer one of the recommendations. of the disgraced protagonist of the finer era he adored, Elia Kazan’s autobiography, “A Life,” or a book Weinstein was often seen carrying while preparing for trial: “The Mankiewicz Brothers by Sydney Ladensohn Stern. Herman Mankiewicz is credited with the screenplay of “Citizen Kane”; his brother, Joe, wrote “All About Eve”.

    Remembering those great films, and even some of Miramax’s glory days of the 90s, is daunting, as the pictures, to paraphrase “Sunset Boulevard,” continue to dwindle. Accompanying Weinstein’s slow rise and fall, even with the capable Auletta by his side, can feel even more daunting, like riding one of those creaking roller coasters in a faded municipal playground.

    The state is attacking the books


    A panel of 12 political appointees in Nashville now has the power to remove books from school libraries and school curricula across the state, a move by Tennessee lawmakers.

    The Age Appropriate Materials Act 2022 has been passed. She gave veto power to a new state commission on the quality of textbooks and instructional materials to review and act on complaints about books used as course materials and books available in school libraries.

    “In a nutshell, the State Textbook Commission may, where a local education authority refuses to act to remove a book from a school library or from the curriculum, the Textbook Commission may remove it,” said said Cathy McCord Farley, executive director of the Tennessee Library. Association. “They can do that and not just remove it from this library, but they can remove it statewide. If they decide a book is inappropriate, it’s taken down statewide.

    Farley spoke to the Rotary Club of McMinnville on Thursday.

    Who is behind the book ban effort?

    “We have aggressive people who have time and money in our state,” Farley said. “They are not librarians. Moms for Liberty is one of the active groups. The Tennessee Pastors Coalition is another active group. The most active Moms for Liberty chapter is in Williamson County. The Tennessee Pastors Coalition is based in Cookeville. One of their pastors burned a book just four months ago in Wilson County.

    In February, Global Vision Bible Church pastor Greg Locke claimed the church had a “constitutional right and a biblical right” to burn “occult materials.” He urged fans to burn “evil trash” like young adult fantasy books, tarot cards and “voodoo dolls and crystals”. The books “Harry Potter” and “Twilight” were specifically burned.

    “First, and most importantly, do your school libraries and local educational associations have obscene materials? No. No, we don’t,” Farley said. “We don’t have any obscene documents. Do you know what obscenity is? The United States Supreme Court defined it in 1973 in Miller v. California.

    Miller’s test has three parts: 1) Whether the average person, applying contemporary community standards, would find the work taken as a whole to appeal to lustful interest; 2) If the work depicts or describes, in a patently offensive manner, conduct specifically defined by applicable state law; and 3) If the work, taken as a whole, lacks serious literary, artistic, political or scientific value.

    “Just because you’re offended by something doesn’t make it obscene,” Farley said. “Let’s go back to the original question: do libraries have obscene documents? No. No, we don’t. How can I know? How can I stand here and tell you, beyond a shadow of a doubt, that’s not the case? It’s already illegal. It is already a class D criminal sentence. It ranges from two to 12 years in prison. There are fines of up to $5,000.

    So if obscene books can’t be found in libraries, then why did state legislators feel the need to legislate?

    “The pendulum is swinging,” Farley said. “Burning issues, like freedom of reading and freedom of religion, live on a pendulum. The pendulum swings. I’m not going to play politics, but you know the way things are going in our state. It swings hard. Just when you think it’s swung as far as it can go, it sways a little harder.

    Farley says virtue signage is to blame for the 2022 Age-Appropriate Materials Act. Virtue signaling, also called moral demagoguery, is the action or practice of publicly expressing opinions or feelings intended to demonstrate one’s good character or moral correctness.

    Which books are targeted?

    In McMinn County, its school board voted unanimously to ban the Pulitzer Prize-winning graphic novel “Maus” from the eighth-grade curriculum for its inappropriate language, illustrations, and Holocaust theme.

    “It’s a Holocaust graphic novel told by a survivor’s son,” Farley said. “It wasn’t on the teaching list. It was additional material that was on the program. He was removed from the list.

    “Walk Two Moons,” an acclaimed 1994 novel, has been banned from Williamson County schools. Farley says the ban was pushed by Moms for Liberty because of its “depressing” nature.

    What can be done?

    “You can read because books unite us and censorship divides us,” Farley said. “It’s yet another way of dividing people and empowering opponents. Read and be informed enough to form your own opinion. Read, think and vote,” Farley says.

    WCPI’s half-hour conversation with Farley and White County Public Library colleague Michael Hale will air on McMinnville Public Radio 91.3 this Tuesday, July 12 at 5 p.m., Wednesday at 5 a.m., Thursday at 1 p.m. p.m. and Friday at 1 p.m. a m

    We’ve come a long way in publishing minority voices

    When it comes to publishing minority voices and perspectives, there is no doubt that we have come a long way as a society.

    One point from which we can mark our progress is the publication of “The Education of Little Tree” by Forrest Carter, originally published in 1976 and then a surprise bestseller in 1991 when reissued by the University of New Mexico Press . It was even the first winner of the American Booksellers Association’s Book of the Year award.

    Written as a kind of fictional memoir of Carter’s life as a boy living with his Cherokee grandparents in the 1920s, the novel has been hailed as an authentic and charming rendering of Native American life, something of a reference for those who wanted to check out a sidebar on reading a book about indigenous people.

    While the book alleged that Carter had Cherokee ancestry — a claim that may or may not be true — it’s chilling fact that Forrest Carter is an alias for Asa Earl Carter, a Ku Klux Klan member who showed up at the Governor of Alabama on an explicitly white supremacist platform in 1970.

    There is a diminished acceptance of books about minority cultures written by people who do not make the effort to understand or accurately represent those cultures. An avowed white supremacist writing about Indigenous people is unlikely to fly away these days.

    Louise Erdrich won a Pulitzer for writing as an Indigenous person about Indigenous peoples. Stephen Graham Jones weaves Native American culture into the slasher genre in “My Heart Is a Chainsaw” showing that minority perspectives can be part of the seasoning of the story rather than having to carry the full weight of representation.

    Of course, there were some setbacks. James Patterson’s recent comment that white authors were somehow subject to reverse racism and denied employment opportunities was stupid, as Patterson later admitted in his apology.

    And in Florida, following the passage of the “Don’t Say Gay” law, schools and libraries preemptively removed books with gay, lesbian and bisexual characters from shelves, suggesting that there are at least minus a few Americans who would like to reverse our progress on representation.

    My hope is that these are just the last spasms of narrow-mindedness and fear.

    Since these conversations often occur in the context of a commercial market, we assume that we are in the middle of a zero-sum game, where publishing more voices must crowd out the minority, but diversity of expression is not not the goal for in the interest of diversity itself, as greater diversity broadens the range and supply of excellence available to readers.

    In the words of George W. Bush’s famous malaprop, increased diversity will help “increase the slice of the pie”.

    It’s worth asking if this is progress, how will we know we’ve reached the goal? For that, I recommend a recent conversation between Jay Caspian Kang (“The Loneliest Americans”) and Roxane Gay (“An Untamed State”) on Jane Coaston’s podcast, “The Argument.”

    After extensive discussion on representation, race and gender, panelists agreed that what they want as minority writers is simply what every writer wants, not to be judged by how he represents his particular identity group, but having his own work evaluated on his own terms.

    This means both taking diversity more seriously in practice, filling the cultural space with books, while making it less central to how we discuss published works by diverse authors.

    A good story is a good story, and we missed a lot of good stories. Don’t do that anymore.

    John Warner is the author of “Why They Can’t Write: Killing the Five-Paragraph Essay and Other Necessities”.

    Twitter @biblioracle

    Biblioracle book recommendations

    John Warner tells you what to read based on the last five books you read

    1. “Bittersweet: How Heartbreak and Longing Make Us Whole” by Susan Cain

    2. “love” by Alice Oseman

    3. “Evelina, or the story of a young woman’s entry into the world” by Frances Burney

    4. “Open Water” by Caleb Azumah Nelson

    5. “The Possessed: Adventures with Russian Books and the People Who Read Them” by Elif Batuman

    —Darin K., Minneapolis

    I’m excited to see a graphic novel out there (‘Heartstopper’), which means I can safely recommend another one, this one being Nick Drnaso’s masterful ‘Sabrina’, which is just as charming and heartbreaking. I look forward to Drnaso’s next book, “Acting Class”, which will be released in August.

    1. “Emma” by Jane Austen

    2. “The Woman” by Meg Wolitzer

    3. “From the mixed records of Mrs. Basil E. Frankweiler” by EL Konigsburg

    4. “Writers and Lovers” by Lily King

    5. “Crossroads” by Jonathan Franzen

    — Melissa P., Taos, New Mexico

    For Melissa, a novel (and novelist) whose classic storytelling feels like a throwback to an earlier era, but also isn’t stuffy or dated at all, Jane Gardam’s “Old Filth.”

    1. “Better to die” by Lee Child and Andrew Child

    2. “Billy Lynn’s Long Walk at Halftime” by Ben Fontaine

    3. “Matterhorn” by Karl Marlantes

    4. “The Executioner’s Song” by Norman Mailer

    5. “Moonflower Killers” by David Grann

    — John P., Chicago

    Several books here deal with major points in history that have tried people’s souls. It’s reminiscent of a book by Jess Walter written in the aftermath of the 9/11 attacks that manages to capture the disorientation of that time with powerful acumen. It’s called “The Zero”.

    Get a reading from the Biblioracle

    Send a list of the last five books you read and your hometown to [email protected].

    Here are Exclusive Books’ best mid-year non-fiction reads


    Keamogetswe Mosepele

    | Amy MacIver spoke with bookseller Exclusive Books – Phemelo Motalane about the latest mid-year reading trends.

    July officially marks the second half of 2022 and as the country faces myriad problems, it’s good to know that books remain a place of solace for South Africans.

    Amy MacIver spoke with Exclusive Books bookseller Phemelo Motalane about the latest mid-year reading trends.

    Here are the most popular non-fiction books:

    Sabotage: Eskom besieged by Kyle Cowan
    Sabotage documents a story of conspiracy and subterfuge within South Africa’s struggling Eskom electricity utility, providing new insights into a battle that threatens the country’s economy.

    Fortunes: The Rise and Rise of the Afrikaner Magnates
    Fortunes details how business leaders such as Jannie Mouton, Michiel le Roux, Douw Steyn, Roelof Botha, Hendrik du Toit and a number of commercial farmers built their empires.

    The Profiler Diaries 2 – From the crime scene to the courtroom
    The second episode of The Profiler Diaries, written by former South African Police Service (SAPS) Chief Profiler Dr Gerard Labuschagne remembers more about the series of 110 murders and countless other bizarre crimes he analyzed during his career.

    The boy who never gave up
    The story portrays 16-year-old Emmanuel Taban, who left war-torn Sudan with nothing. Relying on the generosity of strangers, he made the long journey south to South Africa, via Ethiopia, Kenya, Tanzania, Mozambique and Zimbabwe, traveling mostly by bus and on foot . The book details how he rose above extreme poverty, racism and xenophobia to become a South African success story.

    On the trail of the devil
    This book details the work of Captain Ben Bliksem Booysen on the case of the Krugersdorp Killers assigned to him in 2016. This after 11 people had already been brutally murdered by a group calling themselves Electus Per Deus. The book takes the reader a step further into a behind-the-scenes look at Satanic murders and provides new details about the crimes.

    Motalane shared that people now want to know the facts more than ever.

    What was also quite interesting is that apart from all the situations we face in the country, more people are cowering for a good read.

    Phemelo Motalane, bookseller of exclusive books

    Scroll up for the full interview.

    This article first appeared on CapeTalk: Here are Exclusive Books’ best mid-year non-fiction reads

    Forget the obligations and respect the actions. Barron’s Letters to the Editor.


    Text size

    For the editor:
    If you invested $100 in the S&P 500 in 1928, just before the worst crash ever, and held it until 2021, you would have $761,710.83 (“Best Income Investments,” Cover Story, July 1). Equities have largely outperformed all other asset classes for those with a long-term horizon. I’m going to ditch bonds and stick to stocks.

    Chris Bentsen, On Barrons.com

    For the editor:
    Wait for him, wait for him, wait for him. Anything that looks cheap in a bear market can, in the end, become much cheaper and fetch more.

    Gregory McCulley, On Barrons.com

    AutoZone and O’Reilly

    For the editor:
    The auto parts retailer story was both interesting and timely (“Everyone Needs Auto Parts, Even in a Recession. These Stocks Are Good Buys,” June 30).

    This year’s best performer, AutoZone, has an unusual and remarkable financial profile: well over 100% of the funds used in the business are provided by sellers, lenders and owners. The shareholders own the company, but their investment is negative; that is, the company has an equity shortfall. In addition, net inventories are negative, as accounts payable regularly exceed inventories. I assume that AutoZone sellers get paid some time after their products are released from the point of sale. The company also benefits from negative working capital, as current liabilities exceed current assets.

    These two factors, combined with excellent profit margins, allow AutoZone to post a return on invested capital that has exceeded 50%. AutoZone consistently generates operating cash flow well in excess of its needs or desire to reinvest in the business. It uses most of this cash, along with some borrowing, to reduce its stock count through share buybacks. This allows earnings per share to grow at a much higher rate than gross profit. Its competitor O’Reilly Automotive follows the same financial playbook. Both AutoZone and O’Reilly are fabulous, shareholder-friendly companies.

    John R. Rich, Greensboro, North Carolina

    Bavarian Nordic

    For the editor:
    In Rupert Steiner’s article, “This Danish vaccine manufacturer is a leader in the field of monkeypox. The stock could take off. (European Trader, June 30), he says Bavarian Nordic is the only one to have its monkeypox vaccine approved in the United States and Canada, giving the company a “virtual monopoly.”

    While this is true, several other pharmaceutical companies are actively working on developing drugs to fight monkeypox. The European Medical Agency has authorized the use of TPOXX and Tecovimat, manufactured by the American company SIGA Technologies, to treat smallpox, monkeypox and cowpox. Since 2018, the Food and Drug Administration has approved the use of TPOXX to treat smallpox in the United States

    Other pharmaceutical companies that investors might consider are Emergent Biosolutions and Chimerix. While the current public health threats posed by the monkeypox virus are low, governments appear to be increasing their stockpiles of drugs to combat potential outbreaks of smallpox and monkeypox. Investors may want to research the various pharmaceutical companies actively involved in this space.

    Michael Gigante, Wellesley, Mass.

    Face-to-face on crypto

    For the editor:
    The growing contingent of cryptocurrency traders turning flip-flop is beginning to recognize Bitcoin’s ugly underpinnings: no tangible benefit to the lay consumer and purely speculative growth (“Crypto took Wall Street on a wild ride. Now it’s ending in tears,” July 1). The Securities and Exchange Commission still cannot say exactly whether the cryptocurrency is a security or a commodity. Until the destructive nature of the crypto rise can be lassoed with regulatory action, Benjamin Graham’s “smart investors” will continue to watch from the sidelines. Thanks for highlighting the pros and cons of crypto with an unbiased background, Joe Light!

    Blake Kvamme, Scottsdale, Arizona.

    For the editor:
    Highlighting the lack of regulatory oversight of crypto as the primary cause of its extreme volatility puts far too much faith in the government’s ability to monitor markets, especially new ones. One only has to go back to 2008 to remember how the government not only watched the crisis unfold, but also paved the way for it by turning a blind eye to many too high-risk practices.

    Why would the story be different with crypto?

    Carson Levit, San Francisco

    beautiful bear

    For the editor:
    “Analysts are in la-la-land,” says Vincent Deluard, director of global macro strategy at StoneX Group. No kidding! (“Wall Street earnings forecasts are in ‘La-La’ country. Stocks need to adjust,” The Economy, July 1).

    Many experts in most professions often are. However, the classic long-term investor (the fundamentalist) knows better and shouldn’t really care. Indices in bearish territory – well, that’s a nice thing, despite “more pain” (sobriety is healthy).

    I have been investing in fundamentally sound companies for over four decades. Iconic investor Peter Lynch said it best many years ago: it’s not the brain, it’s the stomach.

    “Do you have the stomach for that?”

    Tom Verdi, Providence, RI

    Send letters to: [email protected] To be considered for publication, correspondence must bear the name, address and telephone number of the author. Letters are subject to review.

    Berkeley Playhouse Announces Season 22/23 of MainStage Featuring IN THE HEIGHTS and More


    Berkeley Playhouse has announced its 14th main season of musical productions which will begin this fall.

    The 2022/23 season begins in September with In the Heights, the Tony Award-winning musical from the creator of Hamilton. November opens with Roald Dahl’s Matilda the Musical, the Tony and Olivier award-winning musical based on the beloved children’s book. Next up in February is Fun Home, a refreshingly honest and entirely original musical adapted from the graphic novel by Alison Bechdel. May opens with Becoming Robin Hood, an adventurous and hilarious new musical created by local artists. The season wraps up in July with the YouthStage Spotlight Show production of Disney’s Newsies, the jubilant story of fighting for what’s right, based on the real-life Newsboys Strike of 1899.

    “Season 22/23 is packed with humorous, fun and empowering stories, with a common theme of perseverance through thick and thin,” said Executive Artistic Director Kimberly Dooley. “These shows are sure to entertain and inspire.”


    In the Heights by Lin-Manuel Miranda

    September 9, 2022 – October 16, 2022
    (Press evening: September 10)
    Book by Quiara Alegría Hudes
    Music and lyrics by Lin-Manuel Miranda

    From the musical theater sensation behind Hamilton comes this high-spirited Tony and Grammy Award-winning story full of salsa, soul, hip-hop and R&B beats.

    Usnavi de la Vega, owner of a small bodega in New York’s Washington Heights, introduces us to a dynamic group of neighbors and friends chasing their dreams and struggling against the pressures of modern society. Set over three scorching summer days, this panoramic snapshot of a vibrant community on the brink of change is a production not to be missed.

    Matilda the musical by Roald Dahl

    November 4, 2022 – December 23, 2022
    (Press evening: November 5)
    book by dennis kelly
    Music and lyrics by Tim Minchin
    Based on the book Mathilde by Roald Dahl

    This Tony and Olivier award-winning musical based on the beloved children’s book is a gripping tale that revels in the anarchy of childhood, the power of imagination and the inspiring story of one girl who dreams of a better life.

    Matilda is a young girl living in England in the late 1980s. She has an incredible mind, intelligence, and psychokinetic powers, but is constantly underestimated by her family and bullied by the cruel headmistress, Miss Trunchbull. Matilda finds hope in her teacher Miss Honey, who appreciates the child’s extraordinary personality. Will Matilda find the courage to stand up to her enemies, changing her life and the lives of her students for the better?

    fun house

    February 24, 2023 – April 2, 2023
    (Press evening: February 25)
    Book and Lyrics by Lisa Kron
    Music by Jeanine Tesori
    Based on the graphic novel by Alison Bechdel

    Adapted from the groundbreaking graphic novel by Alison Bechdel, Fun Home is a refreshing, honest, and entirely original musical about seeing your parents through adult eyes.

    When her father suddenly dies, graphic novelist Alison delves deep into her past to tell the story of the unstable, brilliant, and one-of-a-kind man whose temper and secrets have defined her family and her life. Moving between past and present, Alison relives her unique childhood playing at the family’s Bechdel Funeral Home, her growing understanding of her own sexuality, and the looming and unanswered questions about her father’s hidden desires.

    Become Robin Hood

    May 26, 2023 – July 2, 2023
    (Press evening: May 27)
    Book by Laura Marlin
    Music and lyrics by Phil Gorman

    This adventurous and hilarious new musical created by local artists explores a twist on the classic Robin Hood story. In this musical version, a few citizens of Nottingham mistakenly take on the identity of a heroic outlaw as each embarks on high-stakes journeys.

    We meet Wren, a powerhouse with big plans but no audience; Phoebe, Wren’s best friend who thinks to follow her until the end; and Cooper, who yearns to be good at one thing, but just can’t figure out what it is. Sherwood Forest brings mystery and intrigue as accidents beget legends, friendships become entangled and personal dreams come true.

    Spotlight YouthStage: Disney Newsies

    July 14 – July 23, 2023
    Book by Harvey Fierstein
    Music by Alan Menken
    Lyrics by Jack Feldman
    Based on the Disney film written by Bob Tzudiker and Noni White

    Berkeley Playhouse’s YouthStage Spotlight Show is performed by talented young actors in an enhanced version of its YouthStage lineup.

    Enjoy the day with this jubilant story about the fight for what’s right, based on the real newsboys’ strike of 1899. Jack Kelly, the charming leader of a group of young newsboys, brings together journalists from all over New York City to strike together in protest against rising distribution prices and unfair conditions.

    This award-winning musical from the composer who brought you Little Shop of Horrors and Sister Act and the writer behind Kinky Boots is a must see show for the whole family!


    Berkeley Playhouse’s mission is to create theater and programs that engage, ignite and celebrate diverse Bay Area audiences through thriving educational programming, a professional stage season, community outreach and a commitment to community development. new family musicals. In support of this mission, Berkeley Playhouse maintains and enhances the historic Julia Morgan Theater. A commitment to community, diversity, inclusion and empowerment is central to the work of this organization.

    Zelensky: A Biography by Serhii Rudenko


    When, on New Year’s Eve 2018, Volodymyr Zelenskyy “interrupted his own show” to announce on national television that he was running for President of Ukraine, “many wondered if it was a joke”, said Gaby Hinsliff in The Guardian. After all, the comedian and actor was the star of a hit TV series, servant of the peoplein which he plays a “history teacher who unexpectedly becomes a head of state”.

    He was actually deadly serious. Zelenskyy had formed a political party, Servant of the People, and in April 2019 he came to power with a 73% majority in the Ukrainian presidential elections (six percentage points more than his fictional counterpart).

    Today, of course, Zelenskyy is known as the “brave wartime president” who “captured the imagination of the world” with his defiant speeches on camera. This biography, by Ukrainian journalist Serhii Rudenko, paints an “offbeat and fascinating” portrait of a man who is perhaps the closest thing in modern politics to “a mythical hero”.

    Given Zelenskyy’s current status as “Ukrainian Churchill,” it’s no surprise that a British publisher rushed to publish an English version of Rudenko’s book, Colin Freeman told The Daily Telegraph. “Expect to see it prominently on the shelves of Tory MPs during TV interviews.” But whether they will read it is another matter, as it is indeed an “insider’s tale”, aimed at a Ukrainian audience – and which makes “no effort to polish the well-polished halo of Zelenskyi”.

    Rudenko recounts how, despite his promise to end the cronyism, Zelenskyy filled his government with friends from the world of television: one of them, Ivan Bakanov, “went from producing sitcoms to directing the service Ukrainian Security Service SBU”. And Zelenskyy quickly gained a reputation for intolerance: “those who challenged him” were quickly sacked.

    He proved incompetent in other ways, Lyse Doucet said in The New Statesman. In his early dealings with other world leaders, he was, Rudenko notes, “visibly nervous.” And his economy minister was recorded telling reporters his boss had a “fog in his head” over the numbers, Andrew Anthony told The Observer. But none of that matters anymore. Zelenskyy is exactly what “Ukraine needs right now”: a brilliant rhetorician who can “motivate and mobilize a people under savage onslaught.”

    Rudenko’s book is “hastily written and translated” – but it does at least capture Zelenskyy’s remarkable transformation from someone who looked like some sort of “postmodern joke” into a “modern David standing up to the brutal Russian Goliath “.

    Policy 200p £20; bookstore of the week £15.99

    bookstore of the week

    To order this title or any other printed book, visit theweekbookshop.co.ukor contact a bookseller on 020-3176 3835. Opening hours: Monday to Saturday from 9 a.m. to 5.30 p.m. and Sunday from 10 a.m. to 4 p.m.

    Where are the black Portlanders? The photo book “Here I am” can show you.

    “YES, THERE ARE BLACKS IN PORTLAND.” It’s been almost four years since Rose City rapper Amine posted (and paid for) the infamous billboard saying those exact words. Yet the city’s lack of diversity has left many wondering the inevitable next: where? “I always get this question, especially from new black people coming to the area,” says Portland-born designer Shani Storey. So, in an effort to show people the depth of the city’s black community, she created her first photographic project “Here I Am’, a book featuring portraits of Black Portlanders, old and new.

    Storey – who grew up in North Portland on Commercial and Ainsworth – was first motivated to pick up a camera in 2020, when she started shooting portraits of her friends on film. She was even more motivated after working in a fundraising art gallery at the Big Yard Studio in April of the following year. “After that I decided I wanted to be an artist next year and started thinking about what that meant,” she said. “I grew up in the area where the black community was, then I was deported. So I think I hold a lot of that in my heart, I just don’t want to be erased.

    To find the subjects, Storey reached out to family and friends and publicized the project on social media, allowing those interested to sign up for time slots to have their photos taken. While most were captured in the studio, Storey went to shoot some people in their natural element, which she admits was her original plan. “I wanted to focus on 15-20 people who were OG Portlanders, or dope creators or business owners and take a photo in their surroundings and then write a little article about them. But because I wanted the book to come out on June 16, I knew I had to get the pictures as soon as possible.

    Despite the adjustment, the finished product proved meaningful not only to Storey, but also to those who were photographed. “This project is solid proof that yes, black people live in Portland,” said Donevera Bailey, who moved to Portland from Texas two years ago. “Yes, there is a community here of beautiful black people. And yes, we unite for a common good. I feel so honored to be a part of this Portland story.

    As expected, Storey released the book — which also features handwritten messages from each subject describing what Portland means to them — at the 2022 Big Yard Studio event. Those interested in snagging their copy of ‘Here I I can purchase them through Storey’s website.

    Here I am.mp4 by Jasmine Jackson on Vimeo.

    Bond traders are as confused as anyone these days


    In times of economic uncertainty, he used to pay to check with the bond market to see what signals he was sending. Is the economy headed for a recession? See if yields are down. Is inflation about to pick up? See if yields increase. Bonds were the crystal ball of the economy. Now, they might be no better than a Magic 8 Ball to help decipher the future.

    Bond traders seem to be as confused as anyone right now. This can be seen in JPMorgan Chase & Co.’s weekly survey of bond market participants released Wednesday. It showed the percentage of respondents expecting no change in prices and yields of US Treasury securities jumped to 74%, the most since mid-2017. Only 25% expected Treasuries to rise or fall.

    Of course, this may just be a sign that traders are taking a step back and reassessing the landscape after the bond market’s recent rally. But the market is always on the move, and the percentage of traders who describe themselves as “neutral” has rarely approached its current level, having averaged 55% over the past five years. In short, traders have no conviction.

    Such an assessment is supported by an increase in implied volatility as measured by the ICE BofA MOVE Index. It climbed to 156.2 on Tuesday. Excluding the early days of the global pandemic, when the world was turned upside down, it’s the highest since the global financial crisis more than a dozen years ago. You don’t get these levels of volatility when traders are relatively confident in the outlook.

    There are many things to confuse. The data coming out of the economy is more contradictory than ever. Talk of a looming recession has come to a head, but data released Wednesday by the Labor Department showed job openings remained near record highs in May, with employers having two open positions for every job seeker . Also on Wednesday, the Institute for Supply Management’s services index – which accounts for two-thirds of the economy – remained well in expansion territory.

    And yet the Federal Reserve Bank of Atlanta’s widely followed GDPNow index, which aims to track the economy in real time, fell to minus 2.08% in the second quarter. If true, it would be the second consecutive quarter of contraction, meeting the technical definition of a recession.

    The outlook for inflation is equally hazy. The commodity market – a big driver of recent high inflation rates – has fallen in recent weeks. The Bloomberg Commodities Index has fallen 19% since June 9, with energy, agriculture and industrial metals all seeing steep declines. The fall is one reason why break-even rates on five-year Treasury bills, which are a measure of what traders expect the rate of inflation to be over the life of the securities, have fell to 2.50%, the lowest since September.

    And yet my colleague from Bloomberg News, Rich Miller, reports that a broad index of inflation expectations that Federal Reserve Chairman Jerome Powell has pointed to as being partly responsible for the huge rise in June interest rates are expected to show a sharp increase when released on July 15, possibly until a record. The Common Inflation Expectations Index includes more than 20 indicators that measure the attitudes of consumers, investors and professional forecasters toward future price increases, Miller reported. While policymakers agreed that interest rates may need to keep rising for longer to prevent higher inflation from taking hold, even if it slows the economy, they also noted that some business contacts have told them that hiring and retention had improved and pressure for additional salary increases appeared to be easing. In other words, who knows?

    The Treasuries market has long been considered the most important in the world and the one that drives all the others. Bond traders were once considered so powerful and all-knowing that Tom Wolfe described them as “masters of the universe” in his classic 1987 novel “The Bonfire of the Vanities.” But these are not normal times. As we have seen time and time again, the unprecedented fiscal and monetary policies of the past two years have driven even the best and brightest crazy trying to predict how markets and the economy will react. The recent uncertainty in the bond market shows that the trend is far from over. More other writers at Bloomberg Opinion:

    • Believe it or not, the market has 3 silver linings: Mohamed El-Erian

    • “Reverse Ferrett” pants hit the market: John Authers

    • Housing impedes September Fed pivot: Jonathan Levin

    This column does not necessarily reflect the opinion of the Editorial Board or of Bloomberg LP and its owners.

    Robert Burgess is the editor of Bloomberg Opinion. Previously, he was Global Editor of Financial Markets for Bloomberg News.

    More stories like this are available at bloomberg.com/opinion

    NEWS WATCH: Beware of fierce enemies in your first look at DUNE: WATERS OF KANLY #3


    BOOM! Studios has unveiled a first look at DUNE: THE WATERS OF KANLY #3, the penultimate issue of a four-issue comic book series expanding on Frank Herbert’s rich Dune mythology, adapted and scripted by the authors at New York Times hit Brian Herbert and Kevin J. Anderson, illustrated by artist Francesco Mortarino (Power Rangers), colored by Raúl Angulo (Go Go Power Rangers), and lettered by Ed Dukeshire (past and future), in partnership with Herbert Properties LLC and in full coordination with Abrams ComicArts, which released the first in a trilogy of graphic novel adaptations of Herbert’s original classic novel DUNE in fall 2020.

    In the penultimate issue of Dune’s thrilling lore expansion, Gurney and the Smugglers have the opportunity to land a crucial blow against their bitter enemies. The problem is, will they be able to escape or will they face the deadly consequences of failure?

    Created by visionary writer Frank Herbert, Dunes debuted in 1965, has sold millions of copies, and is arguably the most admired science fiction novel of all time. After winning the Hugo award and the first Nebula award, Dunes inspired a string of bestselling novels and led to multiple live-action adaptations, including Legendary Pictures’ upcoming feature film. The influence of Dunes extends far beyond the world of entertainment, with an incalculable influence on modern scientific thought on politics, religion, outer space, environmentalism, and more.

    DUNE: THE WATERS OF KANLY #3 features a main and variant cover by renowned illustrator Christian Ward (something kills children) and variant covers by artists Junggeun Yoon (Magic) and Andrea Sorrentino (avengers).

    DUNE: KANLY WATERS is the latest version of BOOM! Studios’ eponymous brand, home to critically acclaimed original series including BRZRKR by Keanu Reeves, Matt Kindt and Ron Garney; something kills children by James Tynion IV and Werther Dell’Edera; past and future by Kieron Gillen and Dan Mora; We only find them when they’re dead by Al Ewing and Simone Di Meo; seven secrets by Tom Taylor and Daniele Di Nicuolo; The many deaths of Laila Starr by Ram V and Filipe Andrade; Basil by Cullen Bunn and Jonas Scharf; Alice forever by Dan Panosian and Giorgio Spalletta; and Dark by Stephanie Phillips and Flaviano. The imprint also publishes popular licensed properties, including Dune: House Atreides by Brian Herbert, Kevin J. Anderson and Dev Pramanik; Mighty Morphin and Power Rangers by Ryan Parrott, Mat Groom, Marco Renna and Moises Hidalgo; and Magic by Jed McKay and Ig Guara.

    Printed copies of DUNE: WATERS OF KANLY #3 will be available July 13, 2022 at local comic book stores
    (use comicshoplocator.com to find the one closest to you), or at BOOM! Studios online store. Digital copies can be purchased from content providers such as comiXology, iBooks, Google Play and Kindle.

    For ongoing news on DUNEcomic books from BOOM! Studios, stay tuned to boom-studios.com and follow @boomstudios on Twitter.

    NEWS WATCH: Bitter enemies beware when you get your first look at DUNE: WATERS OF KANLY #3

    Author: Carlos Morales

    As a born nerd, my love for comics, manga, anime, Buffy, Star Trek and all things geeky has happily led me here and to you.

    ‘Nevada’ is the great bookseller novel


    Many writers have to wait until old age to see their work reprinted. Imogen Binnie, whose first novel, Nevadareleased in 2013, only had to wait nine years. Nevada was first published by Topside Press, an independent publisher run by trans publishers and primarily publishing trans literature. It became a word-of-mouth hit, generating what writer Casey Plett calls a “common response,” especially among trans and queer readers. After Topside folded in 2017, exhausting the book, fans kept Nevada alive – by discussing, recommending and distributing it through a site called Did you read Nevada? Eventually, one of those fans, publisher Jackson Howard, reach to Binnie, leading Farrar, Straus & Giroux to reissue the book this summer.

    It’s easy to see why it has achieved cult status. Nevada is a pleasure to read. Its protagonist, Maria Griffiths, is a charismatic goof trapped in a job as a bookseller that she hates. Much of the book is dominated by Maria talking, usually to herself or her blog, and while her monologues are full of exaggerations and generalizations, they’re also sharp, energizing, and funny. Often they are also infuriating. In a recent profile of Binnie, writer Harron Walker describe feeling frustrated with “Maria’s myopic takes [and] accustomed to defining one’s own life as the transgender experience,” and then realizing that “Maria’s myopia is the problem.” Maria is stuck in her own existence; Nevada testifies to its blockage. It was one of the first contemporary novels to treat the story of a trans woman in a complicated and nuanced way, without relying on the transition for storytelling momentum or treating it as a guaranteed happy ending. Instead, Binnie offhandedly refers to Maria’s transition as a “very special episode” and then, overall, lets her protagonist avoid mentioning it again.

    I would say that Nevada is also important for another reason: it is one of the first great booksellers. The bookstore – by which I mean working in a bookstore, as opposed to owning one – is work, and Nevada is as much about class and work as transit and gender. Of course, the two are closely related, both because money affects the transition – think, for example, that in order for Maria not to have to shave every day, she “would have to give a lot of money to a professional specialist who sticks electric needles in your face to kill hair” – and because any honest evocation of a life, real or fictional, will include class. Nevada succeeds in telling Maria’s specific story precisely because Binnie pays attention to the details and horrors of her work.

    Nevada is explicit on this link. Early in the novel, in a passage where Maria criticizes that trans women are “at least as boring as everyone else”, Binnie writes, “Here’s what it’s like to be a trans woman: Maria works in a huge second-hand bookstore in lower Manhattan. It’s an awful place. The owner is this very rich, very mean woman… The managers under her have all been miserable under her for twenty or thirty (or forty or fifty) years, which means they are assholes to Maria and everyone else. The rapid progression from Maria’s general assertions about trans women to the day-to-day reality of her work makes it clear, to anyone who needed clarification, that there is no monolithic “what it is” experience. than being a trans woman”. Indeed, Maria’s tendency to make big statements is often a way for her to hide from her emotions or from the mundane realities of her life that are not at all generalizable.

    In NevadaIn the first half of the book, Binnie conjures up the mundane reality of selling books in enough detail to almost lift the dust of the stash off the page. She worked as a bookseller while writing Nevada, and this experience, coupled with its fondness for nuance, sets the novel apart from the many books and films that romanticize bookstores as workplaces. Often such stories have store owners as protagonists, and they are usually less about the work of the bookstore and more about the projected future of the industry. On the other hand, in Nevada, the store owner appears only once, and her presumed interests – profit, store reputation – appear nowhere. Rather, Binnie evokes bookstore work through a cascade of employee impulses, reactions, and strategies of release that take me right back to my own days as a bookseller. Maria hides in the Irish History section when she wants to avoid people, but appreciates the minor mind-reading required when customers “want her to understand what they want for them”. She discusses drunkenness with co-workers, sneaks off for “extra bonus breaks”, turns away clients who hit on her, and brings home review copies of new releases, despite already having “so much fucking books”.

    Bringing home review copies of a bookstore job is fun, in part because it feels a bit like stealing a job. The same goes for slack – a form of time theft – in Irish history. Maria does her best to revel in a mindset that boils down to “fuck the promotions and fuck the career advancements.” You’re just storing books. Yet she also wants to be “the kind of person who has too much self-esteem to stay at this job,” no matter how hard she tries not to buy into the all-American belief that a person’s job is related to his sentence.

    This is a difficult myth to avoid. When Maria gets fired, halfway through the book, Binnie uses the moment to, once again, emphasize the connection between Maria’s professional life and her trans identity. While the loss of her job spurs Maria to action — it sends her on a road trip to Nevada on a somewhat unfinished quest for a better life — the scene itself is more cruel than cathartic. His manager avoids his eyes and makes sure “to write his name in a way that makes it clear that he remembers that it wasn’t always his name.” Maria had been at the store since before the transition, which means that her dead name is part of the manager’s institutional memory – and therefore, part of his power, which he displays by being a jerk.

    One of Nevada‘s through lines is Maria’s many confrontations with the power of others. Often, her gender monologues are thinly veiled pep talks for dealing with, say, cisgender liberals who “want to show how much compassion they have” or “what ideas people have.” [about trans women] which were invented by, like, TV hack writers. (A happy ending here: Binnie now writes for TV.) Hacky, transphobic TV writing isn’t new, but the idea of ​​compassion is worth dwelling on, given the common narrative that reading fiction is not only associated with empathy, but is also a worthy pastime precisely because of this connection. I imagine Maria rolling her eyes at this concept. Binnie certainly doesn’t care – which is yet another reason Nevada is as pungent and pleasant as it is. Empathy is a dignified human value, but giving it can often be more pleasurable than receiving it. Nevada does not concern the reader, that is to say, it does not concern the one who gives. It’s about Maria, who isn’t interested in anyone’s empathy – and yet she, too, is trying to show hers. In Nevada, she meets a young Walmart employee named James, whom she suspects is a trans woman; James suspects the same, but is no more interested in receiving empathy than Maria. In fact, Maria’s efforts to sympathize with James totally backfire.

    What Maria wants, or says she wants, is to be seen as her “hilarious, charming, complicated weird self”. But it also clearly aspires to a certain form of solidarity. Solidarity is a union word, and Binnie often refers to the fact that Maria is unionized. In 2013, few booksellers had this option. Lately, however, there has been a wave of unionization of booksellers, spurred by the exacerbating effect of the pandemic on low pay, poor management, lack of advancement avenues and other harsh working conditions that are endemic to many bookstores, and which Binnie describes bluntly and well . While reading Nevada as an ex-bookseller makes me hope that someone who buys this novel from a real bookstore might, after finishing it, think differently from the person who called it. Are they getting a living wage? Do they have long enough breaks or do they have to sneak in for extras? Is their manager decent with them?

    Questions like these are the basis of solidarity. It is impossible to truly understand what the fight for a better life means for working people – or for trans people – without first acknowledging the conditions of their lives as they are. Nevada is both a good and an important book for this very reason: Binnie allows readers to look candidly at the world Maria inhabits, with the limitations of hard, low-paid work. It’s easy, once you’ve done that, to understand how much she needs something more.

    E-Book Market Size Expected to Grow by $6.93 Billion | Benefits and reader engagement of e-books to drive growth

    Supplier Landscape

    The e-book market is fragmented and vendors are deploying growth strategies such as offering different payment methods like pay-as-you-go to compete in the market. The global e-book market is highly competitive owing to the presence of various established publishers and emerging startups that are offering innovative solutions. This has resulted in various mergers and acquisitions (M&A) in the market, contributing to players’ product portfolios and helping them to increase their geographical presence.

    Amazon.com Inc., Apple Inc., Bertelsmann SE and Co. KGaA, Cengage Learning Inc., Hachette Livre, HarperCollins Publishers, John Wiley and Sons Inc., Kensington Publishing Corp., Macmillan Publishers and McGraw Hill, among others, are one of the few key vendors competing to maintain their market position.

    Learn more on the highlights of the market vendor landscape with a comprehensive list of vendors and their offerings.

    Key market segmentation

    • Segmentation by product:
      • Consumer eBook:
        • The consumer e-books segment will largely contribute to the overall market growth over the forecast period.
        • Mainstream eBooks include adult fiction and other genres of fiction. They are mainly purchased by individual end users. The demand for fiction books is increasing due to changing reading habits of individuals.
      • Professional e-book
      • Educational eBook

    Request a sample of this report for more highlights in market segments.

    Regional Market Outlook

    By geography, the market has been segmented into North America, EuropeACPA, South Americaand MEA. North America will contribute 45% of the market growth over the forecast period. The growth of this region can be attributed to the benefits of e-books, including better accessibility, lower costs, and better student engagement through interactive content. If we look at the market growth by country, the United States and Canada will contribute to the highest market growth.

    Download our sample report for more key highlights on the regional market share of most of the countries mentioned above.

    Latest trends and Conducters in the Ebook Market

    • Market engine:
      • Benefits and engagement of e-book readers:

    Some of the interactive components built into e-books include verbal interaction, augmented reality (AR), and games. These characteristics, along with the traditional aspects of plots and illustrations, make e-books popular. Thus, the demand for interactive e-books will continue to increase which, in turn, will drive the growth of the global e-books market over the forecast period.

    • Market trend:
      • Growing adoption of online local language translation modules in e-books:

    Content localization and online translations into the local language are gaining in importance. Publishers translate e-books into various local languages. For example, UK-based First Editions Translations has served various clients across Europe in translating books into a wide range of local languages. Thus, the localization of e-books will promote the growth of the targeted market in the long term.

    Find additional information on various other market drivers and trends mentioned in our sample report.

    Related reports:

    UK E-Learning Market by Product and End User – Forecast and Analysis 2022-2026

    E-learning Market by End Users and Geography – Forecast and Analysis 2022-2026

    Scope of the e-book market

    Report cover


    Page number


    base year


    Forecast period


    Growth momentum and CAGR

    Accelerate at a CAGR of 7.25%

    Market Growth 2021-2025

    $6.93 billion

    Market structure


    Annual growth (%)


    Regional analysis

    North America, Europe, APAC, South America and MEA

    Successful market contribution

    North America at 45%

    Main consumer countries

    United States, Canada, United Kingdom, Germany, China and Italy

    Competitive landscape

    Leading Companies, Competitive Strategies, Consumer Engagement Reach

    Profiled Key Companies

    Amazon.com Inc., Apple Inc., Bertelsmann SE and Co. KGaA, Cengage Learning Inc., Hachette Livre, HarperCollins Publishers, John Wiley and Sons Inc., Kensington Publishing Corp., Macmillan Publishers and McGraw Hill

    Market dynamics

    Parent Market Analysis, Market Growth Drivers and Barriers, Fast and Slow Growing Segment Analysis, COVID 19 Impact and Recovery Analysis and Future Consumer Dynamics, Market Status Analysis for the forecast period

    Personalization area

    If our report does not include the data you are looking for, you can contact our analysts and customize the segments.


    1. Summary

    2 Market landscape

    • 2.1 Market ecosystem
      • Exhibit 01: Parent market
      • Exhibit 02: Market characteristics
    • 2.2 Value chain analysis
      • Exhibit 03: Value Chain Analysis: Education Services

    3 Market sizing

    • 3.1 Market definition
      • Exhibit 04: Supplier offers included in the market definition
    • 3.2 Market Segment Analysis
      • Exhibit 05: Market segments
    • 3.4 Market Outlook: Forecast 2020 – 2025
      • Exhibit 06: Global – Market size and forecast 2020 – 2025 ($ million)
      • Figure 07: Global Market: Year-on-Year Growth 2020 – 2025 (%)

    4 Five forces analysis

    • 4.1 Summary of the five forces
      • Exhibit 08: Five forces analysis 2020 and 2025
    • 4.2 Bargaining power of buyers
      • Exhibit 09: Bargaining power of buyers
    • 4.3 Bargaining Power of Suppliers
      • Exhibit 10: Bargaining power of suppliers
    • 4.4 Threat of new entrants
      • Exhibit 11: Threat of new entrants
    • 4.5 Threat of Substitutes
      • Piece 12: Threat of substitutes
    • 4.6 Threat of rivalry
      • Piece 13: Threat of rivalry
    • 4.7 Market Status
      • Exhibit 14: State of the market – Five forces 2020

    5 Market Segmentation by Product

    • 5.1 Market Segments
      • Exhibit 15: Product – Market share 2020-2025 (%)
    • 5.2 Comparison by product
      • Exhibit 16: Comparison by product
    • 5.3 Consumer eBook – Market Size and Forecast 2020-2025
      • Exhibit 17: Consumer eBook – Market Size and Forecast 2020-2025 (USD Million)
      • Exhibit 18: Consumer eBooks – Year-over-year growth 2020-2025 (%)
    • 5.4 Professional eBook – Market Size and Forecast 2020-2025
      • Exhibit 19: Business e-book – Market size and forecast 2020-2025 (USD million)
      • Exhibit 20: Professional eBook – Year-over-year growth 2020-2025 (%)
    • 5.5 Educational eBook Market Size and Forecast 2020-2025
      • Exhibit 21: Educational eBook – Market Size and Forecast 2020-2025 (USD Million)
      • Exhibit 22: Educational eBook – Year-over-year growth 2020-2025 (%)
    • 5.6 Market Opportunity by Product
      • Exhibit 23: Market opportunity by product

    6 Customer Landscape

    7 Segment by Platform Usage

    8 Geographic landscape

    • 8.1 Geographic segmentation
    • 8.2 Geographic comparison
    • 8.3 North America – Market size and forecast 2020-2025
    • 8.4 Europe – Market size and forecast 2020-2025
    • 8.5 APAC – Market Size and Forecast 2020-2025
    • 8.6 South America – Market size and forecast 2020-2025
    • 8.7 MEA – Market Size and Forecast 2020-2025
    • 8.8 Major Leading Countries
    • 8.9 Market Opportunity by Geography

    9 drivers, challenges and trends

    10 Supplier Landscape

    • 10.3 Landscape disturbance

    11 Vendor Analysis

    • 11.2 Market Positioning of Suppliers
    • 11.5 Bertelsmann SE and Co. KGaA
    • 11.6 Cengage Learning Inc.
    • 11.8 HarperCollins Editors
    • 11.9 John Wiley and Sons Inc.
    • 11.10 Kensington Publishing Company.
    • 11.11 Macmillan Editors

    12 Appendix

    • 12.2 Currency conversion rates for the US dollar
    • 12.3 Research methodology
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    Local Artist and Author Shaina Lu Talks Art Activism and Honors Chinatown Activists in Upcoming Book


    “One thing that’s really important to me is that the art happens with the community and not with it, or necessarily even for it.”

    Shaina Lu, a queer Taiwanese American educator and artist from Malden, Mass., is onto something big.

    Lu is what many would describe as a “superhuman”, someone who can be found everywhere, who somehow does everything; this person is extraordinary and creates feelings of effectiveness through their impactful work and presence that inspires and benefits a collective of people. Over time, these awe-inspiring, activated moments begin to lend themselves to practical, communal social change. Most of the time, Lu does this with his art and has nurtured a visual presence in Greater Boston, with works that can be seen in Malden and Boston’s Chinatown. Art and social conjuncture go hand in hand for the esteemed illustrator, often leading communities to seek out her expertise to help develop visual and inviting elements of art that can introduce and explore complex social issues between neighborhoods and Boston identities.

    During the week, the Wellesley College and Harvard Graduate School of Education graduate is a media arts professor at Eliot K-8 Innovation School in the North End; but that does not prevent it from being everywhere else. You can also often find Lu with his lion Sifu and peers dancing to Wah Lum Kung Fu Academy at various events across town, or you can catch her helping a social cause. Now the artist is gearing up to release four books, one of which, published by Harper Collins, may have found inspirational routes in Boston’s Chinatown.

    The Scope was able to catch up with Lu to find out how she does this and what it all means to her, her art and the Greater Boston community. Portions of this interview have been edited for length and clarity.

    Can you tell the readers a bit about yourself?

    I am a queer Taiwanese American artist. I always say that I am a person who is interested in the intersection of art, education and activism. This is how I explain what I do to children… I enjoy creating community art for social change. Community art means that my art occurs in conversation with community members in the places where I live, work or play. So for me specifically, I live in Malden, the unceded lands of the people of Massachusetts and Pawtucket, and I currently work in the North End. And then I played in Chinatown and worked there for a while. My art is therefore made in dialogue with the people with whom I live, work and play. I’ve done protests with photography and painted collaborative murals in the past, and right now my passion projects are working on writing and illustrating stories.

    You do a lot of community education. You help people and organizations bring their initiatives and inner thoughts to life through public art, event flyers, and other visual means often devoted to social and racial justice. As an artist, can you tell me about the potential ways or conversations of art that you hope to integrate into these communities when undertaking these projects?

    One thing that’s really important to me is that art happens with the community and not with it, or necessarily even for it. I think it definitely has to be a collaborative effort. I don’t believe that art should come to communities. Often what I hope to accomplish is to have myself as an artist and also, you know, a resident or a community member, working with other community members so that the art feels like it really belongs in the community.

    I think the process for that is usually that sometimes we have art workshops where we brainstorm things, sometimes we draw things, we imagine things, and we have questions that we answer as a group. As a group, [ people that I work with] have things they want their community to know about them or things they want to say; then we collaboratively develop a message that we want the art to say. So, for example, working with Asian CDC the young people of Malden, we painted together two switches and some things they were thinking where “we really want people to know that we belong here in Malden, us as a young Asian American; we want them to know that we stand for racial justice, mean all of our values ​​and we want Malden to feel like a warm, welcoming and inviting place for people of all genders, races and nationalities. So those were the driving forces that the young people brought in and wanted to express, so I worked with them to find the best way to communicate that. Through lots of conversations and brainstorming, we settled on a potluck-themed idea and one that was truly inclusive. [social justice] March [in the neighborhood].

    You’re soon releasing four new books under Harper Collins, and one book in particular is summed up as one girl’s mission to save her favorite community food cart and neighborhood from gentrification. Were you inspired by what you see happening in Boston’s Chinatown?

    Yeah! I’m super excited. Two are actually picture books. But my book with Harper Collins is called “Noodle and Bao.” I know the editor described it as a girl’s plan to save her community, but it’s really inspired by the work done by community organizations. I was inspired by what organizations in Boston’s Chinatown have done and others. I was really inspired by the Package C history, in particular. There are a lot of activists who are – I don’t consider myself an activist, I’m not worthy – but those older activists are still there, and they’re still helping and mentoring the new ones. They founded the Chinese Progressive Association (CPA), and they have been executive directors of Boston Chinatown neighborhood center (BCNC) and ACDC at the time, and that was something. The story of Parcel C is truly amazing and inspiring to me.

    So I was working in Chinatown; I was the program director of their school age programs program called Red Oak. He is, I don’t know, a little over 50 years old. [and was] started at Josiah Quincy Elementary School by parents and community members. So I also like this beginning at the base. I actually have a lot of Red Oak students in my school [in the North End] right now, which was the most amazing thing in a different context. When I was in Red Oak, I took the kids on a lot of walking tours for their field trips. We were looking at the buildings and streets of Chinatown, and we were like, ‘Oh, what’s going on here?’ What do you notice happening here in this building? ‘Why do you think the inkwell is made of glass and metal?’ “Who do you think these places are for?” And I think one thing that would have been amazing is if we had some sort of text about gentrification that was grounded in a Chinatown-like setting; it doesn’t have to be Chinatown, but I would have liked to have an accessible mid-level text for them.

    I went to a potluck my friends were having at the Pao Arts Center. They had us write down our wishes for the year, and I was like, ‘I wish or I hope I will’. So, I started thinking about this story about housing, gentrification, food, and innovation, rooted in a sort of Chinatown story, but I wanted it to feel a bit universal; [so, the book] has animal protagonists and things like that.

    That’s where the story comes from. The story of Parcel C really inspired me. I also thought a lot about the building on Harrison Ave. Than my ACDC mural I painted with Yvonne is lit, this building was planned – more – but was to be demolished and become a hotel with an Asian-inspired lobby or something. I don’t think it’s planned anymore. I don’t remember exactly what the new plans are. Yet I think back to when I was attending Chinatown Residents Association (CRA) meetings, I felt that really inspiring moment where all the CPA alumni and others, you know, were just sitting in Josiah Quincy’s cafeteria. They all turned to the microphones and said, ‘We don’t want a hotel. We don’t want Chinatown to feel like a very temporary place. And that was really cool. I was like, ‘This is really awesome. You’re coordinated, just like speaking your truth in another language to all these developers sitting here. And I was like, I really want it to be in this book. And I want the kids to read this.

    How can people collaborate with you on an art project in Boston?

    I do this on a fairly limited basis. My criteria for commissions is really a bit like, ‘Do I like it, and will I have joy every minute of this project?’ And then I think the other thing is, I know, actually a lot of artists are like, ‘You shouldn’t take social justice cause projects because they’re always like, you know, blah, blah , blah.” But, I wonder whether or not the cause is something I believe in or support. I’m making a commission for Rubato at present. There was a bakery in Quincy called Contempo. And it is now the son of the original owner who takes over. He was a community organizer for CPA, and I thought, “I’m absolutely going to do something for you and your bakery. So I feel like our values ​​are really aligned. I like what he’s trying to do with his bakery. It tries to serve the existing clientele but also bring different audiences to their food, which I say, “I love it”; It’s kind of the subject of the graphic novel.

    The Bookseller – News – Graphius Group acquires London Docklands-based printer Park Communications


    Graphius Group has acquired printer Park Communications based in London’s Docklands.

    The agreement will allow Park to continue to market under its existing brand, while having access to additional resources and new services from the Graphius Group.

    Graphius CEOs Denis Geers and Philippe Geers will join Park’s board of directors, while Park’s management team, Dr. Alison Branch and CEO Heath Mason, will continue in their current roles, with Joris Deckers, commercial director of Graphius, joining the team.

    Park Communications specializes in high-end printing for annual reports, auction houses and art, magazines, brand advertising and financial services.

    Graphius is best known for its high quality sheet-fed lithographic printing and binding for the publishing, art and museum industries. He said his acquisition of Park would allow him to offer faster turnaround times to his UK clients for short-run soft cover productions. This complements its binding capabilities in Ghent and Paris which have board binding and capacity for long runs.

    The two companies said the acquisition will also provide greater flexibility and choice around long-term lithographic productions, including the ability for customers of either company to print locally in the UK. UK or Europe and increased binding capabilities for Park’s customers, enabling the production of long runs of hardcover books. The acquisition will also allow businesses to purchase paper at the most competitive rates.

    Denis Geers said: “The acquisition of Park, with its very well-established reputation for quality and integrity, is a well-considered decision to become a local producer in the UK. Our large existing UK customer base, the competence of Park’s staff, and their high quality production facilities located where they are in London convinced us to take this step.

    Mason added: “For a few years we have been looking for the right partner to take Park forward for the next 30 years. This is for our employees, our customers and for our suppliers. We have been talking with Denis and Philippe for almost three years, and over that time we have built a relationship of trust and understanding. Graphius and Park have a very similar culture, which really cares about its stakeholders. Alison and I are very happy to be part of the Graphius Group , and we now look forward to taking the business forward under their ownership.

    Hairy Maclary author Lynley Dodd responds that academic’s affirmation book is outdated and lacks diversity

    Dodd was asked if she was aware of the criticism in an interview with RNZ on Saturday.

    “What stereotypes are they talking about? she asked which RNZ host Kim Hill replied, “male and female.”

    “Oh for God’s sake,” Dodd told RNZ. “Actually I have a bitch…I’m just looking at the pile of books I have on the table right now…I have Susie Fogg and you also have to remember female dogs have certain times when they’re not supposed to gallop anyway,” she added.

    “Isn’t it crazy, people are just too politically correct,” Dodd said.

    Dodd was awarded a Dame Companion of the New Zealand Order of Merit in 2009.

    She’s not the first author to find herself in hot water over her work. Last year, six Dr Seuss books were withdrawn from publication for containing “racist imagery”.

    The announcement came on the late author’s birthday and included the books; And to think that I saw it on Mulberry Street, if I ran to the zoo, to McElligot’s swimming pool, to Beyond Zebra! Great scrambled eggs! and The Cat Quiz.

    Discontinued titles include the first Dr. Seuss book, real name Theodor Seuss Giesel, ever published. The stories were pulled from print due to the racist way in which characters of Asian and African ethnicity are depicted.

    Dr Seuss Enterprises, which represents the late author and illustrator, made the announcement saying “these books portray people in a hurtful and false way”.

    Behind the scenes at the Supreme Court


    A few weeks ago, I asked Adam Liptak, Times correspondent for the Supreme Court, to preview major cases this would constitute the end of the tribunal’s mandate. Adam was prophetic, correctly foreseeing every major decision. Today, he returns to the newsletter, answering my questions about the atmosphere behind the scenes of the court.

    David: The last few months have been some of the most unusual in the Court’s modern history — a major leak followed by an abortion decision which, as you wrote, will change American life in a major way. Inside the pitch, do you think things feel different as well?

    Adam: The Supreme Court building has been closed to the public since the start of the pandemic. Then, shortly after the leak in early May of a draft opinion that overturned Roe v. Wade, the courthouse was surrounded by an eight-foot fence. Still cloistered and remote, the courtyard is now impenetrable.

    The release of the decision in the abortion case highlighted another way the court retreated from public scrutiny. For unexplained reasons, the judges stopped announcing their decisions from the bench, abandoning a tradition that was both ceremonial and enlightening. It used to be that the majority opinion writer would give a quick, conversational summary of the decision that could be extremely valuable to a reporter on deadlines and, by extension, to members of the public trying to understand a decision.

    Even more important were oral dissents, reserved for rulings that the minority justices believed to be deeply flawed. Ordinarily, one or more of the three dissenting liberal justices in the abortion case would have raised their voices in protest. These days, the court simply publishes PDFs of its decisions, depriving the occasion of ceremony, drama and insight.

    So the lawyers who argued the cases and the journalists covering the court are informed of the decisions in the same way as everyone else — by refreshing their browsers. But the judges have returned to the courtroom for arguments, haven’t they?

    Yes, they took a different approach with arguments. After hearing from them over the phone for much of the pandemic, the judges returned to the bench in October. Journalists holding press credentials with the Supreme Court were allowed to attend and the public could listen to the live audio broadcast on the Court’s website. It is unclear why the opinions could not be announced in the same way.

    I haven’t been to the courthouse since the last oral argument of the current term on April 27, when Chief Justice John Roberts waved goodbye to outgoing colleague Justice Stephen Breyer. But there is every reason to believe that the leak, the investigation it sparked, the controversy over Judge Clarence Thomas’ failure to recuse himself from a case that overlapped with his wife’s efforts to overturn the election and the judges’ very real security concerns have made the court an unhappy place.

    In remarks in May, shortly after the leak, Judge Thomas explained how things had changed at the court for an 11-year period without a change in its composition before Chief Justice Roberts arrived in 2005. “This is not the court of that time,” Judge Thomas said, adding: “We actually trusted each other. We may have been a dysfunctional family, but we were a family.

    A less collegial court appears to be particularly problematic for the three liberal justices. There are now five Republican-appointed justices who are even more conservative than Roberts. If the court is a less collaborative place, I imagine that gives minority justices — both the Liberals and, in some cases, Roberts — less ability to shape decisions.

    Yes, although it is possible to exaggerate the power of collegiality. Judges vote based on the strength of the relevant arguments and desired outcomes, not the sympathy of their colleagues.

    The judges say there is no trading of votes between cases, and I believe them. On the other hand, there are certainly negotiations within the files. It seems pretty clear, for example, that Justices Breyer and Elena Kagan changed their position in part of the 2012 case that upheld a key part of the Affordable Care Act to ensure they would get the Chief Justice Roberts vote on another part.

    The justices may well be willing to narrow or reshape a draft opinion that seeks to speak for a majority of five justices in exchange for one vote. But once the author gets to five, the value of another potential vote drops. It is this dynamic that must worry the liberals of the court.

    On Thursday, Justice Breyer officially retired and swore in his replacement, Justice Ketanji Brown Jackson. How do judges usually welcome a new member?

    When a new justice joins the Supreme Court, tradition dictates that the second-youngest justice throws a small party. In 2006, for example, when Judge Samuel Alito came on board, that task fell to Judge Breyer, who knew his new colleague was a Phillies fan. Before dessert was served, Judge Breyer introduced a special guest: Phillie Phanatic, the team’s mascot.

    This year, Judge Amy Coney Barrett is the second most junior judge and will likely be in charge of Judge Jackson’s welcoming celebration.

    And now that the court is on recess until October, what do judges usually do?

    They often give classes in exotic locations. In 2012, for example, after voting in favor of the Affordable Care Act, Chief Justice Roberts left for Malta to teach a two-week course in the history of the Supreme Court. “Malta, as you know, is an impregnable island fortress,” he said. “It seemed like a good idea.”

    Learn more about Adam Liptak: He began his career at The Times as a copyist in 1984, fetching coffee for editors and writing occasionally. After studying law and a stint at a Wall Street law firm, he returned to the paper in 1992, joining its corporate legal department before joining the newsroom as a reporter a decade later. He reads a lot and plays a lot of poker.

    • Russia claimed to have seized Lysychansk, a popular town in eastern Ukraine, and blamed Ukraine for the explosions that rocked a Russian border town. Here is the latest.

    • Ukrainian men volunteered to protect their homes. Now many of these untrained soldiers are dying across the country.

    • For months, Russia has beaten Ukrainian civilians – and offered excuses to dodge responsibility.

    • The Russian war crimes investigation, conducted by Ukrainian and international agencies, is perhaps the most significant in history.

    • Rising fuel prices are hitting poorer countries particularly hard, with many residents struggling to keep lights on or cook.

    Sunday’s question: does Roe’s fall transform the mid-terms?

    Noah Rothman from commentary has doubts, arguing that crime and inflation remain voters’ top concerns. CNN’s Harry Enten thinks the ruling could elevate Democrats in state-level races, the winners of which will determine whether abortion is legal.

    Hesson: July 2022 Children’s Book Reviews


    Content of the article

    By the fan brothers

    (Simon and Schuster books for young readers)

    When Lizzy goes to the park, she goes straight to the Cloud Seller. Although it has many large clouds, she buys an ordinary small one and names it Milo. She takes great care of him until he outgrows him. After a tantrum, she realizes she forgot the most important rule; never confine a cloud to a small space. She releases him but still waves when she sees a fluffy one just in case. Black and white illustrations with a splash of color bring this fantastic story to life.

    love at the library

    By Maggie Tokuda-Hall, illustrated by Yas Imamura

    (Candlewick Press)

    Set after the bombing of Pearl Harbor, in a War Relocation Center, this picture book will touch the hearts of readers in this time of unstable peace. We follow Tama whose love of books lands her a job at the library. As she struggles with the discomforts of camp and the uncertainty of her future, she reunites with George. As the adventures of the book prevail, George is a constant in her life and love blossoms. A touching story about intolerance, rights and the healing power of love.

    Content of the article


    By Gregory Maguire, illustrated by David Litchfield

    (Candlewick Press)

    When Dad doesn’t return from honey picking, Cress and her mother must leave their quiet cave to go to the basement of the run-down apartments in Broken Arms Tree. Beautifully illustrated with short chapters, young readers will enjoy all the loud, annoying and endearing creatures that live with them. As Cress faces heartbreak, loneliness and new dangers, he also makes lifelong friends. This charming story for animal lovers will be cherished and read over and over again.

    A dragon lived here

    By Annette LeBlanc Cate

    (Candlewick Press)

    When Thomas and Emily run into Meg, a scribe who lives in the basement, she reveals her past friendship with their mother and fills them with adventurous stories. Wanting to know more, they inadvertently start helping make the invitations for their parents’ big birthday party. Meg tells them of a time when the dragon who previously owned the castle once kidnapped their mother. This humorous novel is filled with all things fantastic; a dragon, a damsel in distress, a knight, elves and many original characters. Black and white sketches bring it all to life.

    July 2022 | 2022 | International justice in the news | Programs in International Justice and Society

    “Introducing Macquarie’s Corpus of Laws of War (MQLWC)”

    This month’s feature is provided by Annabelle Lukin (Macquarie University) and Rodrigo Araujo and Castro (Minas Gerais University/Macquarie University). They introduce a newly available corpus, based on key texts in the international law of war, now available to be queried using corpus linguistics techniques. This corpus enables critical law scholars and linguists to collaborate on studies of approximately 170 years of international law of war, informed by legal and linguistic theories and methods.

    Each text leaves its mark on the world. Some marks are like a small ripple on a pond, while others, like texts of the international law of war, are like mighty waves, as they set the legal framework for states’ use of lethal violence. -nations. These texts construct a semiotic universe in which, among other extreme forms of human behavior, the murder of children can either be legally imprimatur or be qualified as a “war crime”.

    To enable better interdisciplinary collaboration on these key texts, we have created the Macquarie Laws of War Corpus (MQLWC), based on the texts included by the International Committee of the Red Cross (ICRC) in their International Humanitarian Law Database.

    The MQLWC is hosted by the Sydney Corpus Lab. It begins with the 1856 Paris Declaration on Maritime Law, the first open multilateral treaty to which any State could become a party. The most recent document is the latest amendment to the Rome Statute (2019), the legal instrument that established the International Penal Court, the body responsible for trying those accused of war crimes, crimes against humanity, crimes of aggression and genocide.

    Figure 1: An example of concordance lines for “civilian” in the MQLWC

    The corpus comprises a total of 110 texts, or nearly 392,000 words, and can be searched using basic corpus linguistic techniques such as word frequencies (see Table 1 for the top 20 lexical items in MQLWC ), text scattering, concordances and collocations. The corpus can also be searched according to the categories to which these documents are attributed by the ICRC, such as “victims of armed conflict”, “methods and means of warfare”, “criminal repression”, etc. The dataset can also be downloaded. for use in other programs, such as #Lancsbox Where Indicator Tools.

    tableTable 1: Twenty most frequent lexical (content) items in the MQLWC

    Since the data is labeled by year of adoption, diachronic questions (i.e., how are trends changing over the period of nearly 170 years of data?) can be asked. Figure 2, using Voyant Tools, compares the words “military*” and “civilian*” (the asterisk indicating that the search includes all related word forms, for example, “civilian/s”) and shows the relative predominance of ‘military” instead of ‘civilian’ in the international law of war, and this ‘civilian’ becomes a concern of the international law of war over time.

    figure of termsFigure 2: Comparison of “military*” and “civilian*” in the chronology of the international law of war

    Collocational searches allow us to see the typical words that accompany the keywords in these texts. Collocations are essential for understanding the meaning of a word and how it is used in a particular register. With a program like #Lancsbox, we can visualize the collocations of a word and find if it is close to another keyword. Figure 3 compares two words, “violence” (left) and “war” (right). The diagram shows how distinct these two words are in this corpus, “war being a clearly dominant concept, and “violence” being kept at a distance from “war”, a finding that echoes other data studies. Despite what should be a logical association, we continue to use the word “war” in a way that shields it from the negative semantics of “violence.”

    collocationFigure 3: Collocations of “violence” and “war” in the MQLWC

    To learn more, read our recently published article where we give examples of how this corpus can be used to understand the powerful role of the laws of war, not only to contain geopolitical violence, but also in a very clear way to enable and legitimize it.

    New Book Reviews Urban Design Pioneer William Whyte ’39


    Author William H. “Holly” Whyte ’39 posed among passers-by on Fifth Avenue in 1989.

    Bill Foley/Getty Images

    Journalist Richard Rein’s book ’69 chronicles Whyte’s impact

    William H. “Holly” Whyte ’39—journalist, author, urban anthropologist, and champion of pedestrian-friendly nooks in big cities—began his books with no-nonsense declarative sentences. His 1956 bestseller, The organization man, begins: “This book is about the organization man.” His preface to The Explosive Metropolis begins: “This is a book written by people who love cities.” At the Time Inc. business magazine where he first rose to prominence, he began an internal missive: “This memo is about Fortune; where he is and where he is going. He coined the word “groupthink” in the pages of this magazine and, with Sloan Wilson’s novel The man in the gray flannel suit, provided an enduring label for the conformists who nestled in the suburbs and cozy corporate niches of the 1950s. Yet he insisted he never meant “the man of the ‘organization’ as a pejorative but as a reminder that the vitality of any large entity – corporations, universities, churches, etc. – depends on individuals thinking for themselves.

    American Urban Planner: How the Unconventional Wisdom of William H. Whyte Reshaped Public Life (Island Press), by Richard K. Rein ’69, traces the life and remarkable career of this secular urban critic once dismissed by sociologist C. Wright Mills as “a serious and optimistic scout.” Rein, an elder Daily Princetonian president who began his own career as a journalist in Time and founded United States 1a weekly covering business and community life in Princeton and along the Highway 1 corridor, first heard Whyte’s name invoked in President Robert Goheen’s welcome address ’40*48 at the chapel from the university in September 1965. Goheen quoted a church talk on Fortune the editor gave in 1953: “Every great progress has happened, and always will happen, because someone has been frustrated with the status quo, because someone has exercised skepticism, questioning and kind of curiosity which, to borrow an expression, blows the lid off everything.” Rein was drawn to the chronicle of Whyte’s life from an interest in urban blight and an encounter with an architect who converted an alley in Princeton into an art space. “Holly Whyte is my hero,” the architect tells Rein, a first-time book author who deftly weaves together the strands of Whyte’s personal and public life while immersing readers in post-America. -Second World War.

    Whyte started out as an organization man himself, first in a ruthless sales training program peddling Vicks VapoRub, then as a leather lieutenant leading Marines into battle on Guadalcanal, and finally for more than a few years. a decade in Henry Luce’s Time Inc. empire – up to Whyte, so The wealth deputy editor, left after being pushed out of the top job.

    His life’s work had only just begun. He worked with boss Laurance Rockefeller ’32 to keep spaces open and preserve the environment, then embarked on creating more livable cities, in particular his three favorites – “New York, New York and New York” . Throughout its downward spiral in the 1970s, it continued to try to make the city more hospitable to residents and office workers. He dedicated 10 years to his Street Life project, setting up movie cameras on rooftops and deploying interns to determine which squares attracted the most people, and produced a newsreel-style book and film on “The Social Life of small urban spaces”. Meticulously, he prescribed that stalls should be no more than 3 feet above or below the street sidewalk, and stairs should be at least 11 inches wide. He championed street musicians and a bagpiper hounded by ticket writers and had a soft spot for street people (“kooks and screwballs”), who he believed added spice to city life. He revived the once crime-ridden Bryant Park by insisting on moveable chairs instead of benches so people could huddle together or be left alone. (Rein writes that Whyte and Rockefeller tried to convince Princeton to put chairs in the plazas outside Firestone Library and around the fountain at the School of Public and International Affairs, but were told that too many chairs had been stolen. Today, there are chairs and tables in Firestone Plaza. .) He offered advice on a 1980s expansion of Palmer Square and the development of the Carnegie Center on Route 1.

    He championed street musicians and a bagpiper hounded by ticket writers and had a soft spot for street people (“kooks and screwballs”), who he believed added spice to city life. It birthed the rebirth of the once crime-infested Bryant Park.

    Raised prosperously in West Chester, Pennsylvania — another small college town that, like Princeton, would stave off suburban competition — Whyte was admitted to Princeton with three Ds, a D+ in English and a B in Sacred Studies. The principal of St. Andrew’s, a fledgling prep school in Delaware, wrote an extraordinary letter of recommendation for the “bright, versatile boy” too busy with extracurricular activities to do “a fine academic performance” but who had “made a contribution special at school on the funds of his particular genius.

    Whyte rowed at Princeton, wrote short stories for The Nassau Literary Review, and wrote a play staged at the Théâtre Intime. The prep school kid showed courage in the jungles of Guadalcanal, but also honed his ability to make sense of the confusing information of battles and became an intelligence officer. Analytical sound Marine Corps Gazette press clippings helped him get the job at Fortune, the luxury monthly that has given writers months to decipher corporate management and discern societal trends. A 1952 article on groupthink spawned The organization manand a 1958 series on town planning led to The Explosive Metropolis. Whyte was editor and champion of then-little-known Jane Jacobs, who expanded her ‘Downtown is for People’ chapter into the classic The Death and Life of America’s Big Cities.

    Poor health slowed Whyte during his final decade and he died in 1999 aged 81. He told his wife, fashion designer Jenny Bell, that he fears his work will be forgotten. His influence resonates today with “new urban planners” and architects, including Andres Duany ’71 and Elizabeth Plater-Zyberk ’72. This “wonderful” biography, as New York Times critic called it, will surely win new Whyte followers.

    CTY chief fired after last-minute program cancellations

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    The director of the prestigious Johns Hopkins Center for Talented Youth resigned on Thursday, less than a week after hundreds of families received last-minute cancellation notices and after days of upheaval that tarnished the program’s reputation by 43 year.

    Johns Hopkins University Provost Sunil Kumar announced that Stephen Gange, professor and executive vice-rector for academic affairs, would take over as acting executive director of the struggling program. Calling Gange a “trusted leader”, he said he “has played a key role in helping JHU organize a safe and healthy return to campus for our students during the pandemic and is the proud parent of a former student of CTY”.

    Kumar promised a review of the decisions that precipitated the partial collapse of the program, with “a full report to the university administration”, while promising that on-site instructors and staff members affected by the cancellations will receive their full salary. Retention bonuses will be developed for on-site staff and instructors, he said, and an operational support team for CTY programs will be put in place.

    Jill Rosen, a spokeswoman for the university, would not say whether former executive director Virginia Roach was still employed by the school in any other capacity. The university does not comment on personnel matters, she said.

    Throughout the turmoil, CTY officials had blamed problems on staffing shortages — a national issue — and on Sunday apologized to families who had packed up and planned their summers around college sessions, many of whom were residential and installed in colleges across the country.

    The cancellations were so late that some students were on their way to – or had arrived – from other parts of the country and the world.

    A total of 1,784 students have been affected by program cancellations for the two sessions of the CTY programs, which claim alumni including Google co-founder Sergey Brin, Facebook founder Mark Zuckerberg and pop superstar Lady Gaga , officials said. That number represents about a third of the total, with some 3,500 students still participating in in-person programs, according to the university.

    Johns Hopkins program canceled as some students are on their way

    Kumar acknowledged that the decision to cancel and its last-minute nature “resulted in many disappointed students and significantly inconvenienced families.” Families were notified around 3:30 p.m. last Friday, for a program that began Sunday morning.

    “In its first summer of in-person programming since the pandemic began, it’s clear to us that CTY has failed to meet Johns Hopkins University standards,” Kumar said.

    For parents, including Mason Kalfus, who had enrolled his son in a $5,200 residential philosophy program, the need for leadership change was indisputable.

    “I can’t imagine someone who had such a monumental failure would retain the same leadership,” he said. But Kalfus also said the university has repeatedly pointed to the national labor shortage — which clearly isn’t all. “It’s mind-boggling to me that they fell so surprisingly short of what they needed,” he said. “Someone was sleeping at the wheel.”

    Sunny Chanel, whose 16-year-old daughter was flying to the program when she received an email saying it was cancelled, said she hoped the decision would bode well for the future of CTY.

    “This change, with someone who knows the program, is good,” said Chanel, who lives in San Francisco. “It’s such a wonderful program, and it’s helped so many kids. Hopefully that will be the key to getting them back on track and back to where they were before.

    Since the weekend, parents have been sharing stories of disappointment and disbelief, some of them posted on a Facebook page with more than 500 members called “CTY screwed us 2022.”

    Some instructors and staff have also posted about the discouraging confusion and other issues in this year’s program. Teachers are paid $2,500 for a three-week session plus room and board, and assistants receive $1,600 plus room and board, officials said.

    Students must test in the CTY programs, which are a mix of online, commuter and residential sessions for students in grades two through 12. Programs have been canceled through a variety of subjects, including biotechnology, poetry, ethics, psychology, genetics, neuroscience, engineering, graphic novel, and zoology.

    Roach, the leader who was replaced, became executive director of the program in 2020. Hopkins described her as having “a terrific track record as a nonprofit leader and higher education administrator.” From 2015 to 2020, she served as Dean of the Graduate School of Education at Fordham University. Earlier in her career, she was a professor of education and department chair at George Washington University.

    John Henderson: Three years later, Rosie (and baby Ronnie) see the street bookseller’s plaque


    Rosie and Ronnie in West End Lane

    A street bookseller’s daughter and her newborn baby boy have put a new plaque on the bridge where he sat for 20 years – on the third anniversary of his death.

    It was an emotional return to West Hampstead for Roșie Henderson-McGirr and little Ronnie, who had not been to West End Lane Bridge, West Hampstead, since John Henderson died in 2019.

    John’s staunch ally on the bridge was his three-legged employee, Sugar, who was recognized after his death with a community blue plaque to ‘the soul of West Hampstead’ and ‘the book girl who lived here with her father John”.

    This week Rosie said: ‘My plan is to take Ronnie up to this plaque every year and take a picture.

    “I want Dad’s memory to be part of my little boy’s life. I want to see the memory grow.

    John Henderson and his dog Sugar

    Shortly after her father’s death, at a bittersweet meeting on the bridge, Rosie had met a long-lost half-brother for the first time since childhood.

    The new plaque for ‘John the Book Man’ was curated by West Hampstead residents including Natasha Back and Jill Henry, who have stayed in touch with Rosie since 2019.

    Ms Henry said: ‘I promised Rosie after John’s wake that I would sort out a plaque to put next to Sugar’s.

    “We were planning to do this for John’s first birthday but weren’t able to due to Covid restrictions.”

    She added: “Rosie came with her almost three week old baby, John’s grandson, to put his memorial plaque in the spotlight.”

    Rosie on the bridge three years ago

    Mr Henderson, who lived in Kilburn and was nicknamed Spider, was found dead in Black Path Lane in May 2019.

    Despite his struggle with addiction, Mr. Henderson was well-liked by most NW6 residents and took a keen interest in the lives of passers-by.

    Over 100 people attended a community funeral at Emmanuel Church and white doves were released from West End Green.

    During the lockdown, an argument broke out after a large mural of him and his dog appeared on the bridge without planning permission.

    Notes from the CEO | Proceedings – July 2022 Vol. 148/7/1433

    Contribution increase

    More than six years have passed since the last time we increased the cost of dues. As we all know, inflation is real, it has reached over 8% in the last few months, and postage and paper costs have been rising at an even faster rate. The Board of Directors approved a modest 6% dues increase effective July 1st. The best way to compensate for the increase is to extend the duration of your membership. If you are a one year member, upgrade to three years. Or consider becoming a lifetime member and never have to deal with another dues increase. To renew or extend your membership, go to www.usni.org/join today!

    Upcoming events and conferences

    The Naval Institute and the Center for Strategic and International Studies (CSIS) will host two Maritime Security Dialogues in July. On July 13, the Naval Institute Ward Carroll will interview Vice Admiral Kenneth WhitesellCommander of the Naval Air Forces, Rear Admiral James DowneyPEO aircraft carrier and Rear Admiral Andrew Loiselle, director of the Air Warfare Division (OPNAV N98), at the Jack C. Taylor Lecture Center at the Naval Institute in Annapolis, on the evolution of aircraft carriers and the future of naval aviation. July 18, General Eric Smith, Deputy Commandant of the Marine Corps, will be interviewed at CSIS Headquarters in Washington, DC. The Maritime Security Dialogue Series is made possible through the generous support of HII.

    On Tuesday, October 25, the Naval Institute and the US Naval Academy will host an applied history conference titled, “The Russia-China partnership: a challenge for the world order? at the Jack C. Taylor Conference Center. Speakers and panelists will discuss great power competition, the influences and factors that shape the worldviews of Russia and China, and their bet to restore world order.

    Registration and more information about these events are available at www.usni.org/events.

    Naval Institute Press Books

    Surface Warfare Officer Department Head’s Guide

    By Rear Admiral Fred Kacher, Captain Joseph A. Gaglianoand Commander Samantha A. O’NeilUS Navy

    Shortly after the September 11, 2001 attacks, then Captain Fred Kacher wrote an article for Procedure in which he shared what he learned during back-to-back deployments of department heads aboard the USS Princeton (CG-59). For a number of years this article was used in the Department Heads School at the Surface Warfare Officers School, was included in a Naval Institute Leadership Anthology, and ultimately sparked the publication of this book. . The Head of department guide is “an anthology of best practices and helpful advice gathered from surface warfare officers who have already fulfilled these critical department head roles.”

    To order your copy, go to www.usni.org/press/books/surface-warfare-officers-department-head-guide.

    Foundation of the Naval Institute

    In 2021, the Institute successfully completed a fundraising campaign to meet many of its current needs, including the construction of the new conference center. We are truly grateful to everyone who participated! As grateful as we are for the current successes, leading the Institute through the COVID-19 pandemic has reinforced our belief that the future will bring more disruptive challenges. On behalf of the generations of members who will follow us, consider investing in the Institute in any way possible. This can include monthly support donations, an outright donation, or a multi-year support pledge. And please keep the Institute in mind as a worthy and grateful recipient of a distribution from your IRA. To create a more permanent legacy, consider including the Institute in your estate plan or sponsoring a chair or “brick” at the Jack C. Taylor Conference Center. Your investment will pay dividends for years to come!

    On the front line of democracy: electoral judges


    Editor’s note: Photographer Richard Cahan spent Election Day photographing and listening to some of the people who volunteered their time and talents to ensure the vote went smoothly, the count was accurate, and our democratic right fundamental to vote is guaranteed. The Round Table thanks not only those who are in this story, but all those who have worked as electoral judges. For full coverage of who won and lost, please read here. For an article on voter turnout, please read here.

    At a time when election judges in parts of the country have been falsely accused of ballot tampering, citizens are still stepping in to ensure votes are cast and counted. We visited five polling stations on Election Day and spoke to five election judges. These are edited excerpts from our conversations.

    Alexandra Ware-Reed
    Fleetwood-Jourdain Community Center